‎Popularizing the Nation: Audience Representation and the Production of Identity in Die Gartenlaube 1853-1900 (Modern German Culture and Literature)‎

‎University of Nebraska Press 1998 237 pages 14 22x2 57x23 6cm. 1998. Cartonné jaquette. 237 pages.‎

‎Comme neuf‎

‎Copies and adaptations from Renaissance and later artists. 1: German and Netherlandish artists [2 volumes, in: Corpus Rubenianum Ludwig Burchard, part XXVI-1]‎

‎London/ Turnhout, Harvey Miller (Brepols) 2009 Complete in 2 volumes: together 600pp. with 378 bl/w illustrations and 21 colour illustrations, 27cm., hardcovers (publisher's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens" vol.26-1, ISBN 978-1-905375-38-7, S79987‎

‎Limburgsche Letteren‎

‎Gent, Siffer 1910 23pp., 22cm., overdruk uit de "Verslagen en Mededelingen van de Koninklijke Vlaamsche Academie voor Taal- en Letterkunde" jg.1910‎

‎Limburgsche Tijdschriften en Dialecten‎

‎Gent, Siffer 1906 44pp.met 1 kaart, 22cm., overdruk uit de "Verslagen en Mededelingen van de Koninklijke Vlaamsche Academie voor Taal- en Letterkunde" jg.1906‎

‎à suivre. 4 ramollissements de Pol Bury‎

‎La Louvière Belgique Le daily-bul 1975 In-12 carré Broché, couverture à rabats ‎

‎Edition originale. Hors textes 4 illustrations en couleurs de POL BURY. Tirage à 543 exemplaires. Un des 500 numérotés sur Hyacint. >Bel exemplaire Très bon 0‎

‎Victor Jacobs 1838-1891‎

‎Bruxelles, Albert Dewit 1913 xvi + 763pp. + frontispice (portrait), 24cm., brochure originale, texte frais, bon état, poids: 1.6kg., B106348‎

‎De Cisterciënzerinnenabdij Mariënrode te Rotem (Halen) ten tijde van de reformatie en de godsdienstoorlogen (1550-1650)‎

‎Leuven, 2006 103 + [25] pp.+ 1 uitvouwbaar plan in kleur, 21cm., onuitgegeven verhandeling tot het behalen van de graad van licentiaat in de geschiedenis (Katholieke Universiteit Leuven 2006), goede staat, L94726‎

‎Le B. Guerric, disciple de saint Bernard et second abbé du monastère de Notre-Dame d'Igny de l'Ordre de Citeaux au diocèse de Reims‎

‎Reims, Dubois-Poplimont 1890 vii + 377 + [5] pp., 25cm., reliure cart. (plats marbrés, dos en cuir (avec traces d'usage, titre doré au dos), texte et intérieur sont frais, peu commun, R117603‎

‎De la plaine maritime depuis Boulogne jusqu'au Danemark [2 parties] I: Mémoire sur la plaine maritime depuis Anvers jusqu'à Boulogne, II: Etude sur la plaine maritime depuis Boulogne jusqu'au Danemark‎

‎Anvers, L. Schotsmans 1855 Ouvrage complet en 2 parties, reliées en 1 volume: xi,143,27 + [viii],242,26 pp. + 1 carte dépliante, reliure cart. d'époque (dos en cuir avec titre et faux-nerfs dorés, qqs. traces d'usage), feuilles de garde marbrées, bon état, rare, [Titres figurant sur les pages de titres de chacun des parties: 1) Mémoire sur les changements que la cote d'Anvers à Boulogne a subis, tant à l'intérieur qu'a l'exterieur depuis la conquête de César jusqu'a nos jours & appendice: Notice historique sur la ville et le port d'Ostende, 2) Etude sur la formation de la plaine maritime depuis Boulogne jusqu'au Danemark], A99723‎

‎Alphonse Belpaire [Ingenieur der Bruggen en Wegen, vader van M.-E. Belpaire]‎

‎Antwerpen, J.-E. Buschmann 1922 206pp.+ 10pp.buitentekstills.(waarvan 4 in kleur), 23cm., goede staat‎

‎Alphonse Belpaire [Ingenieur der Bruggen en Wegen, vader van M.-E. Belpaire]‎

‎Antwerpen, Buschmann 1922 206pp.+ 10pp.buitentekstills.(waarvan 4 in kleur), 23cm., op luxe-papier, onafgesneden, stempeltje, mooie staat‎

‎Antwerpen vóór honderd jaar 1814‎

‎Antwerpen, J.-E. Buschmann 1919 104pp.+ enkele portretten buitentekst, linnen band, teksten in Nederlands en Frans, 23cm., goede staat, B90073‎

‎Constance Teichmann‎

‎Louvain/ Tours, Bibliothèque choisie/ Alfred Cattier s.d. 289pp.+ qqs.planches hors-texte, br.orig., 23cm., cachet, [texte en français], T55645‎

‎Rapport sur les observations des marées faites en 1835, en différens points des cotes de Belgique‎

‎Bruxelles, 1838 24pp.+ 2 planches hors-texte, (Mémoire lu à la séance du 3 mai 1838), publié dans et extrait de "Nouveaux mémoires de l'Académie Royale des sciences et belles-lettres de Bruxelles" Tome XI (11, 1838), in-4‎

‎Artistes d'aujourd'hui. Cécile Cauterman, Rodolphe Strebelle, Ferdinand Schirren, Alphonse Wansart.‎

‎Paris, Bruxelles: Editions Gauloises, 1924 in-4, 66 pages, 46 planches. Broché, couv. défr.‎

‎Artistes d'aujourd'hui. Cécile Cauterman, Rodolphe Strebelle, Ferdinand Schirren, Alphonse Wansart. (Paris, Bruxelles: Editions Gauloises, 1924). [M.C.: Beaux-arts, Belgique]‎

‎Declaratio Ssmi D.N. Benedicti PP. XIV super matrimoniis Hollandiae et Foederati Belgii et Acta in sacra congregatione eminentissorum dd. cardinalium sacri concilii Tridentini interpretum, coram ss. d.n. 13 Maii 1741 exhibita‎

‎Lovanii [Leuven], Typis Martini van Overbeke 1742 343pp., 20cm., modern cart.cover with some traces of use, few foxing, text in Latin, good copy, [Regarding clandistine mariages between protestants and between a protestant and a catholic in the Netherlands and in Belgium], B81818‎

‎Album de l'art belge ancien et moderne. Quarante planches hors texte, précédées d'un catalogue et de notices‎

‎Bruxelles-Paris, Van Oest 1923 60pp. + 40 planches hors-texte, 25cm., brochure originale, bon état, [Ceci est le catalogue de l'exposition de l'art belge ancien et moderne, au Musée du Jeu de Paume à Paris, du 11 mai au 10 juillet 1923], S120837‎

‎Ren Magritte : the key to dreams ‎

‎Gent, Ludion, 2005 Softcover, 203 pages, 30.5 x 24 cm, English text, richly illustrated. *Fine condition. ISBN 9789055445592.‎

‎Ren Magritte : the key to dreams ‎

‎Ethique pour un jeu de massacre.‎

‎Bruxelles, Vanitas/Ben Genaux, 1961. 14 x 19, 221 pp., broché + jaquette, broché, bon état (jaquette légèrement défraîchie).‎

‎"N° 25 sur 1000 exemplaires numérotés sur vélin; en-têtes, illustrations et culs-de-lampe dessinés par l'auteur; Jaquette de G.-P. Jamme."‎

‎Quatuor voor 2 violen, altviool en vioolcel‎

‎Brussel, Paleis der Academiën 1951 53pp.partituren, 30cm., in de reeks "Koninklijke Belgische Academie, klasse der schone kunsten, muziekstukken" boek 1 aflevering 2, originele omslag, goede staat, M66772‎

‎Rapport adressé à m. le ministre de l'intérieur sur le Festival de Dusseldorf [avec annexe:] Essai de projet pour l'organisation des festivals en Belgique‎

‎Bruxelles, Deltombe 1866 & 1874 8pp. + annexe: 8pp. (Bruxelles, Gobbaerts, 1874), 22cm., br.orig., bon état, rare, M91597‎

‎Instant Light Beno t van Innis‎

‎, Posture editions 35, 2020 softcover, 128 pages, 21 cm 30 cm nieuw . ISBN 9789491262364.‎

‎On Day 1 of the Belgian lockdown in the wake of the coronavirus pandemic Beno t van Innis made a drawing with a black felt-tip pen on an A4 sheet. He sent the drawing to some friends?most of them from the art world?by mail and WhatsApp. On Day 2 of the lockdown, he made a second drawing and again he sent it to his friends and acquaintances. The response was overwhelmingly positive. The drawings were shared on social media and dS Weekblad published an interview and five drawings. The protagonist in these drawings is the artist himself, who reacts to the exceptional situation departing from his own universe. The book Instant Light compiles the entire series of drawings Beno t made in his studio in Brussels. They feature all his favourite subjects: painting, Club Brugge, literature, the world of art and French chanson. The book is published by Posture Editions in a co-production with Be-Part Kortrijk/Waregem, Hof van Busleyden Mechelen and Berg Institute Madrid. The publication is a collection of unique drawings that constitute a personal account of this unprecedented period in our history. It?s as if these stylishly elegant and sometimes virtuoso drawings instantly brighten up this dark page; they also provide an ideal diversion from the countless bad tidings we?re confronted with every day. Beno t van Innis (b. 1960) studied painting with Dan Van Severen at Sint-Lucas in Ghent. Shortly after graduating his drawings were published in De Morgen and De Standaard der Letteren. Since 1989, he has drawn 31 covers for The New Yorker. Beno t is widely known for the eight portraits he created for the tiled walls in the Brussels metro station Maalbeek. This beautiful work of art became the setting for a terrorist attack in 2016. Released at Museum Hof van Busleyden, 2 July 2020 and Be Part Kortrijk, 5 Sep 2020‎

‎Ben Storms‎

‎Antwerp, Oktober Publications, 2024 Hardcover 160 PAGES, 27x18.5cm Illustrated. text English. ISBN 9789083435909.‎

‎Ben Storms is one of Belgium's most promising contemporary designers. Since 2013, he has been working on an international oeuvre in collectible design, at the intersection between applied design and the autonomous visual arts. He has created furniture for Delvaux, Alexander Wang and Cartier, and his work is included in the permanent collections of the Design Museum Gent and CID Grand Hornu, among others. Storms stands out above all for his idiosyncratic handling of materiality. In his creations, he honours‎

‎Le roman de Jean-Jacques Gailliard (essai).‎

‎Bentein Jean-Marie, Editeur, 1975. 16 x 24, 87 pp., nombreuses illustrations en N/B, broché, bon état (couverture légèrement défraîchie).‎

‎"long envoi de l'artiste à Isabelle et Jo Gerard; édition originale signée par l'auteur; exemplaire N° 75."‎

‎RUBENS & WOMEN‎

‎, , PB ,192 pages, ENG edition, 280 x 240 mm, NEW, 65 coloured illustrations, . ISBN 9781898519492.‎

‎The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term 'Rubenesque' first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens' depictions of women, making this book, and the exhibition that it will accompany, a first. Bringing together a diverse range of paintings and drawings from throughout the artist's career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 - January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist's life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens' sitters, 17th century artistic theory and practice, and Rubens' treatment of the human body. Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualise Rubens' work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism. ‎