, David Zwirner , 2019 Hardcover with dusjacket, 456 pages 253 x 334 x 67 . fine ISBN 9781941701959.
The second volume of a catalogue raisonn of Luc Tuymans's paintings, Over the course of four decades, Belgian painter Luc Tuymans has created his own distinctive vernacular, a new visual vocabulary. The second volume in a catalogue raisonn of Tuymans?s paintings surveys nearly two hundred works, including some of his most iconic canvases. Between the years 1995 and 2006, Tuymans?s work trended toward ideas of national and collective memory. In 1996, the artist created a group of ten paintings entitled The Heritage, for which he transformed familiar images of American life, such as Mount Rushmore, baseball caps, and the United States flag, into unsettling visions, addressing the country?s perceived vulnerability, both physical and psychological, following the 1995 Oklahoma City bombing. Paintings from Mwana Kitoko: Beautiful White Man, his seminal body of work that was first shown at David Zwirner, New York, in 2000, after which he expanded the series for his presentation for the Belgian Pavilion at the Venice Biennale in 2001, depict imagery derived from the fraught history of Belgian colonial rule of the Democratic Republic of the Congo. Also included is one of Tuymans?s best-known paintings, The Secretary of State (2005), a powerful yet seemingly vulnerable portrayal of Condoleezza Rice, which conjures the long history of racial and sexual prejudice in the United States, not as something that has been overcome, but as an active force shaping our reality. This volume includes an editor?s note by Eva Meyer-Hermann and an illustrated chronology with archival images and installation views of the featured works. It also presents brilliant color reproductions of each painting from this period. This publication is a testament to Tuymans?s persistent assertion of the relevance and importance of painting? a conviction that he maintains even in today?s digital world, when his work continues to be a touchstone for artists and scholars.
1767 pastiche XIXe, demi-basane, dos à nerfs, fers "XVIIIe", in-4, (4ff.), XII-84pp. , 14 planches (la plupart repl. comprenant 46 fig.) et 1 grande planche montrant les feux d'artifices, , (le f.71/72 manque ; la planche N présente quelques manques ainsi que la grande pl. de feu d'artifices - restauration contemporaine de la reliure-.). Gand chez Jean Meyer Imprimeur de la Ville, sur la Haute-porte à l'Enseigne de l'Epée Roïale (1767)
Tres pittoresque livre d'entrée, de cette fête organisée pour moitié par les Jésuites et par les Augustins pour remercierSt Macaire de sa protection. Les chars sont soigneusement décrits ou representés, les "généreux donateurs" tous mentionnés - en général il s'agit de confréries de métiers - et les pages finales donnent tous les participants au défilé, jusqu'au moindre zéphir!...A noter l'alternance de la Comédie française et de l'Opéra flamand dans le programme des réjouissances.Planches gravées par J.L. WOUTERS.
Phone number : 33 (0)6 77 77 12 33
, Fonds Lucien De Roeck, 2011 Gebonden, Hardcover met stofomslag compleet.50 pag. volblad illustraties. ISBN 9782960104226.
tekenkunst de Roeck, Lucien Plaatwerk. Prentenboek. Fotoboek
Antwerpen / Amsterdam, Helios 1984 128pp.rijkelijk geïllustreerd, 26cm., mooie staat
Bruxelles, Librairie évangélique, 1910 gr. in-8, XV-128 pp., broché. Manque au dos, rousseurs.
Tirage limité à 300 exemplaires dont 100 dans le commerce. - - VENTE PAR CORRESPONDANCE UNIQUEMENT
Bruxelles, Librairie Evangélique, 1910. In-8 broché, XV-128 pp., appendices. Ex. non coupé, tiré à 300 ex. dont seulement 100 mis en vente. Ex-libris manuscrit.
Société d'Histoire du Protestantisme Belge. Documents historique N° 1. Couv. poussiéreuse, rousseurs éparses. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)
Brussel, Centrum sociale structuren en economische conjunctuur V.U.B. 1979 xliii + 135pp., 24cm., gebroch., goede staat, B86505
Antwerpen, De Brug 1947 25pp.met frontispice-tekening door P. Serneels, 20cm., in de reeks "Mens en muze" vol.3, beperkte oplage van 500 genummerde exemplaren: dit is nr 366/500, enkele roestvlekjes, zoniet in goede staat, T69570
M. EYSKENS./ J. FONTAINE/P. SMEYERS/F. BAUDOUIN/R.C. VAN CAENEGEM/ R.A. MERTENS.
Reference : 13269
, Brussel, Paleis der Academien, 1995., Gebrocheerd, originele uitgeversomslag, 26x18cm., 124pp, als nieuw!!!
Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Studia Europeae, centrum voor Europese cultuur, vol I.
, Antwerpen, Heemkundige Kring van de Antwerpse Polder 1985, 115pp.geïll., themanummer uit het tijdschrift "Polderheem" Jg.20 Nr.1
Tielt, Lannoo 2004 286pp.met enkele ills., gecart., stofwikkel, 25cm.
, Brussel, Paleis der Academien, 1992., Paperback, original wrappers, 26x18cm., 443pp, bibliography, as new/ als nieuw!!!
Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Studies in Belgian Economic History, vol II.
LIBRAIRIE TALLANDIER. 1953. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 334 pages. Premier plat illustré en noir et blanc. Nombreuses photos en noir et blanc hors texte. Carte sur 2 pages. Fente au dos.. . . . Classification Dewey : 949.3-Belgique
Classification Dewey : 949.3-Belgique
Un ouvrage de 268 pages, format 140 x 200 mm, illustré, broché, publié en 1954, Editions Casterman, bon état
Située dans les Ardennes belges. Etudes et documents publiés par Mgr L. J. Kerkhofs, évèque de Liège
Phone number : 04 74 33 45 19
Tongerlo, Norbertijnenabdij, 1973 Paperback, originele uitgeversomslag met logo abdij in kleur, 16x24 cm, 95 pp. + 30 buitentekstillustraties in z/w.
Kennismaking met de abdij Tongerlo.
, David Zwirner Books , 2018 Gebonden, Hardcover met stofomslag compleet. HB, 254 x 178 mm, 80 pages, throughout colour illustrations. English edition. ISBN 9781941701836.
Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans's depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans's recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell .takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, "The art of Michael Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics-accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign." Published on the occasion of Borremans's eponymous exhibition at David Zwirner in Hong Kong,
, 21st Century Museum Of Art, 2020 Softcover, 164 pages, ills colour & bw, 21 x 27 cm, pb, Japanese/English. *NEW CONDITION ISBN 9784903205878.
Published in conjunction with a combined exhibition of work by Micha l Borremans and Mark Manders at the 21st Century Museum of Contemporary Art, Kanazawa, this volume documents what turned out to be an remarkable encounter between these two European artists. The delicate experiment of a double show like this one forces interference and tension between two distinct bodies of work, with the work of one artist providing the framework for the other, and vice versa. Nevertheless, it is an exemplary show in which a kind of choreography between Borremans, a painter, and Manders, a sculptor and installation architect, emerges through a sombre colours and formal contrasts.
be, Lannoo, 2004 Hardcover, 465 pag., NL, 335 x 255 x 40 mm, stofomslag, in Prima staat, illustraties in kleur / z/w ISBN 9789020958300.
Gezaghebbend overzicht van de schilder- en beeldhouwkunst in Belgie van 1880-2000. (Herziene samenvoeging van Van Ensor tot Margritte en Van Alechinsky tot Panamarenko). Geillustreerd met kleuren foto"s en platen. Met noten en bibliografie. Stevig gebonden standaardwerk een must voor de ledereen !
Michael Tarantino Derycke, Luc [edit.] Tarantino, Michael Matsui, Midori
Reference : 53804
, Mer Paper Kunsthalle, 2013 softcover 176 pages ill. text in English. ISBN 9789076979106.
Het werk van Anne Daems is aandacht (in al zijn varianten), en toont in video, fotografie en tekeningen hoe vreemd het alledaagse met het sublieme is verweven, en hoenvaak, zij het onopgemerkt, de grenzen tussen het private en het publieke verdwijnen. Dit boek toont een overzicht van haar werk tot heden.nnAll the aspects of 'attention' are a recurring theme in the art of Anne Daems. In her video work, photography and drawings, she shows how everyday life intertwines with the sublime and how -often without noticing - private and public issues get mixed up. This book is an overview of her work.nnAnne Daems was born in Antwerp in 1966.
Bruxelles, F. Parent, Editeur, 1858. 14 x 22, 191 pp., reliure dos cuir lisse, orné de 4 fleurons et décoré à la roulette, bon état (reliure état d'usage, bords et coins usés).
Quatre dessins de Félicien Rops.
BE - , Hannibal Books, 2020 Hardcover, 380 x 275 mm, 176 pages, English edition. FINE CONDITION !!! ISBN 9789463887564.
Ambiguity and contradiction are the twin hallmarks of the paintings, drawings and films of Micha l Borremans (b. 1963). He deploys his technical virtuosity to create apparently familiar scenes, which on closer inspection have an unsettling effect. He combines black humour, violence, absurdism and beauty to produce images that are strange and alienating, in which the subject seems to be situated in an undefined time and space. This catalogue provides an overview of Micha l Borremans' work since 2013. The majority of the works have never been published before. The book focuses on the different series of paintings he has exhibited over recent years: 'Black Mould', 'Fire From the Sun' and 'Coloured Cones'. Working in series is a recent development in Borremans' oeuvre. Micha l Borremans has staged solo exhibitions in a variety of venues, including Galerie Rudolfinum in Prague, CAC M laga, Dallas Museum of Art, Tel Aviv Museum of Art, BOZAR in Brussels, Hara Museum of Contemporary Art in Tokyo, The Cleveland Museum of Art, S.M.A.K. in Ghent, De Appel in Amsterdam and Parasol Unit in London.Overzicht van alle reeksen schilderijen van Micha l Borremans sinds 2013 De schilderijen, tekeningen en films van Micha l Borremans ( 1963) worden gekenmerkt door ambigu teit en contradictie. Hij cre ert met technische virtuositeit schijnbaar vertrouwde taferelen, die bij nader inzien een ontregelend effect hebben. Hij combineert zwarte humor, geweld, absurdisme en schoonheid met elkaar met vervreemdende beelden als resultaat, waarbij het onderwerp zich in een ongedefinieerde tijd en ruimte lijkt te bevinden. Deze catalogus biedt een overzicht van alle werken die Micha l Borremans sinds 2013 in reeksen heeft geconcipieerd. Het gaat hierbij om zeven verschillende series, onder meer Black Mould, Fire from the Sun? en Girl with Hands. De meeste van deze werken werden nooit eerder gepubliceerd. Het werken in reeksen is een recente ontwikkeling in het oeuvre van Borremans.
Bruxelles, Editions du Bourdon, 1945 14 x 19, 211 pp., broché, bon état
1 des 958 Ex. Num. sur papier vergé
Bruxelles, Editions du Bourdon, 1945. 14 x 19, 211 pp., broché, bon état.
"N° 963 sur 958 exemplaires numérotés de 43 à 1000 sur papier vergé; édition originale; envoi de Claire Michant."
Namur, Dupagne-Counet 1913 413pp. + planches hors-texte et 2 cartes dépliantes, 3e mille, brochure originale, 25cm., bon état, C104335