Scaldis 1956 In-8 broché 25,1 cm sur 16,4. 381 pages. Couverture passée et poussiéreuse, intérieur frais. État correct d’occasion.
Etat correct d’occasion
Bruxelles, Palais des Académies, 1962 17 x 25, 119 pp., broché, non coupé, bon état
Bruxelles, Palais des Académies 1963 267pp., brochure originale, non coupé, cachet, 25cm., bon état, dans la série "Académie royale de Belgique, Classe des lettres et des sciences morales et politiques. Mémoires. In-8" Tome LVI fasc.3, B57576
Louvain/Leuven, Editions Nauwelaerts/Paris, Béatrice Nauwelaerts, 1961. 16 x 24, 171 pp., broché, bon état.
Louvain, Nauwelaerts 1961 173pp., dans la série "Centre interuniversitaire d'histoire contemporaine. Cahiers" no.17, br.orig., 24cm.
Breendonk, Conseil d'Administration du Mémorial National du Fort de Breendonk, 1971. 11 x 17, 115 pp., 1 plan dépliable, quelques illustrations en N/B, broché, bon état.
3e édition revue et augmentée.
Simon Delobel, C line Mathieu and Gabriela Gonz lez Rond n and Alex Deforce.
Reference : 64050
, Posture Editions Nr 51, 2023 HB, 297 x 210 mm, 128 pages, EN edition, Illustrated. ISBN 9789491262562.
In the tradition of painting, copies and homages are an age-old phenomenon. Dieter Durinck, however, gives this classic trend an entirely new and personal interpretation in his Bootleg series. In his own way, Durinck here translates well-known and lesser-known works from the 20th century by repainting them in a combination of bright green and black oil paint. This collection has since grown to 36 artworks by very different artists. In doing so, he not only pays homage to this art history but also questions how we come to know and experience these works today, as a reproduction rather than an original. Or in the words of John Berger: 'the uniqueness of the original now lies in it being the original of a reproduction' (Ways of Seeing 21). Durinck himself chooses which works to include within the series, creating a very personal view of history. The no-holds-barred subjectivity of this particular art collection is further highlighted by Durinck's toxic green glasses, which both refer to the similar green computer screens of the 1980s and remind them of the night-vision images typical of Gulf War I. It also unwittingly echoes Thomas Ruff's famous series of night shots that refer to that same war. Posture Editions N 51 forms a retrospective of this meaningful collection of paintings and reflects on Durinck's art history with texts by Simon Delobel, C line Mathieu and Gabriela Gonz lez Rond n and Alex Deforce. In the book, Durinck combines the green-and-black paintings with grids he recovers from old transfer films from the pre-computer era or repetitive patterns he finds in objects and assembles into graphic backgrounds.
Brussel, Lamertin 1933 xxxii + 193pp., 23cm., uitgave van de "Koninklijke Commissie voor geschiedenis", originele omslag (twee labeltjes op rug), goede staat, B94267
, Bruxelles, Hatier, 1986., Broche,14x21cm,287pp.+ 16pp.ills.hors-texte. ISBN 9782870885703.
Les photos sont de la collection personelle de l' auteur. Imprime en Belgique. Annotations dans le texte, dans la collection Politiques.
Liège La Vie Wallonne 1924 Grand in 8 62 pages - broché - une photographie - bon etat - petit accident au dos
Bon
Montigny-Le-Tilleul (Belgique), Editions Scaillet, 2004. 21 x 30, 479 pp., très nombreuses illustrations en N/B, broché, bon état (couverture légèrement défraîchie).
préface de Jacques Van Gompel (bourgmestre de Charleroi).
Antwerpen, Opdebeek 1925 134pp., 21cm., originele omslag, nog onopengesneden, goede staat, B89336
Leuven, De Vlaamsche Drukkerij, z/d Originele uitgeversomslag geillustreerd in z/w, 15.3x21,5 cm., 109 pp., ongesneden.
Volksvertelling.
Beringen, Heideland s.d. 126pp.met bandversiering en lino's door Hub. Moors + 2 buitentekstills., 21cm., B68589
Antwerpen, Pandora, 1995 Softcover, met opdracht en originele tekening, gesigneerd, gedateerd, 21x26cm, 103pp., ISBN 9053250417.
Retrospectieve tentoonstelling Centrale bibliotheek Universitaire Faculteiten Sint-Ignatius Antwerpen UFSIA - 25 november-22 december 1995
Bruxelles, Ernest Mathieu 1901 76pp., br.orig., 21cm., bon état, rare, G80934
Bruxelles-Paris, P.Van Fleteren-Beauchesne 1912 200pp., brochure originale, dans la série "Bibliothèque de la Société d'Etudes morales et juridiques" vol.3, 19cm., cachet, bon état, J34041
Brussel, Paleis der Academiën 1987 291pp., originele omslag, "Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Letteren" nr.121 (Jg.49), 26cm., goede staat, B100804
, Brussel, Paleis der Academien, 1987., softcover, originele uitgeversomslag z/w, geplastificeerd, 26x18cm., 291 p, bibliografie, index. ISBN 9065693890.
Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone kunsten van Belgie, Klasse der Letteren, Jaargang 49, Nr. 121.
, Chaucer Pr, 2007 Hardcover with dustjacket, 128 pages, 29 x 22.5 cm, English text, illustrated. *good condition, bottom of spine dented. ISBN 9781904449348.
Jan van Eyck, the most famous and innovative Flemish painter of the 15th century, is thought to have been born in the village of Maaseyck in Limbourg around 1390 and died in Bruges in 1441. He served as court painter to two powerful patrons, first John of Bavaria, Count of Holland (1422-24) and then Philip the Good, Duke of Burgundy, for whom he undertook many secret diplomatic missions including visits to Spain and Portugal. Van Eyck has been credited with the invention of painting in oils and, although this is incorrect, there is no doubt that he perfected the technique. He used the oil medium to represent a variety of subjects in microscopic detail with striking realism; for example, he infused painted jewels and precious metals with a glowing inner light by means of subtle glazes. Scholars consider Jan van Eyck to be the single most influential Flemish painter of the northern Renaissance and one of the greatest masters of all time. Illustrated with many of van Eyck's finest works, this book ably proves this assertion.
Lyon, Meton, 1859, 1 br. in-8 de 359 pp., ex-libris manuscrit ;
, Kapellen, Banana Press, 1972., Broche, couverture d' editeur illustre n/b, 20x16,5cm, 226pp.
Temoignages des grands de ce monde au sujet de la vie, les hommes et le monde meme. Contribution de Hubert Lampo.
Bruxelles, Editions du Marais, 1966. 12 x 19, 167 pp., broché, bon état.
Bruxelles Paul Legrain 1980 15,5x24 99 pages - cartonnage editeur - nombreuses photographies - trés bon etat
Très bon