‎L on Spilliaert: Interieurs & Interiors & Still Lifes (EN) ‎

‎, Hannibal Books, 29-06-2026 Hardcover, 128 pages, 32.8 x 25.3 x 1.7cm, English. New. . ISBN 9789493531000.‎

‎Step into the silent, mysterious world of L on Spilliaert A modest but essential part of Spilliaert?s oeuvre consists of his interiors and still lifes. These intimate compositions reveal the depth of his vision, as well as his exceptional ability to transform everyday spaces into places of contemplation. Empty rooms, familiar corners and simple objects are rendered with austere clarity, yet carry an intense, almost tangible presence ? despite the absence of human figures. Silence reigns in these works. This richly illustrated publication brings together new essays by leading Spilliaert scholars, each casting fresh light ? from within their own field of research ? on the genesis of this exceptional body of work by the Ostend artist. With contributions by Anne Adriaens?Pannier (ed.), Edouard Derom (ed.), Stefan Huygebaert and Marie?No lle Grison. This book is published on the occasion of the exhibition L on Spilliaert: Through Half-Open Doors at the Patrick Derom Gallery, Brussels, from June 3 to August 14, 2026.‎

‎L on Spilliaert: Interieurs & natures mortes (FR) ‎

‎, Hannibal Books, 29-06-2026 Couverture rigide, 128 pages, 32.8 x 25.3 x 1.7cm, Fran ais. Nouveau. . ISBN 9789493531000.‎

‎Les int rieurs et les natures mortes constituent un volet modeste, mais essentiel de l??uvre de L on Spilliaert. Dans ces compositions intimistes se d ploient la profondeur de son regard et sa capacit remarquable transformer des espaces quotidiens en lieux de contemplation. Bien que rendus avec une sobri t limpide, pi ces vides, recoins familiers et objets simples sont habit s par une pr sence intense, presque tangible, malgr l?absence de figures humaines. Dans ces ?uvres, le silence r gne en ma tre. Cette publication richement illustr e r unit des essais in dits r dig s par des sp cialistes de la vie et de l??uvre de Spilliaert. Chacun d?eux porte, depuis son propre domaine de recherche, un regard neuf sur la gen se de cet ensemble exceptionnel du peintre ostendais. Avec des contributions d?Anne Adriaens?Pannier ( d.), Edouard Derom ( d.), Stefan Huygebaert et Marie?No lle Grison.‎

‎L on Spilliaert: Interieurs & stillevens ‎

‎, Hannibal Books, 29-06-2026 Hardcover, 128 pagina's, 32.8 (hoogte) x 25.3 (breedte) x 1.7 (dikte) cm, Nederlands. Nieuw. . ISBN 9789493531000.‎

‎Een verrassende kijk op de minst bekende, maar meest persoonlijke zijde van L on Spilliaert Dit rijk ge llustreerde boek verkent de intrigerende wereld van de interieurs en stillevens van L on Spilliaert. In negen thematische hoofdstukken ontrafelt Anne Adriaens-Pannier de ?geheime alchemie? van zijn verstilde ruimtes, waar interieurs fungeren als zelfportretten in absentia. Zijn sobere kamers, tafels en alledaagse voorwerpen onthullen een intens innerlijk leven. Met talloze paginagrote reproducties biedt deze publicatie een gelaagd perspectief op een van de meest introspectieve figuren van het Belgisch modernisme. Met tekstbijdragen van Anne Adriaens-Pannier, Edouard Derom, Stefan Huygebaert, Marie-No lle Grison en Franz Hellens.‎

‎Archaeologia Belgica 245 Tombelles de la Tène I à Eglise I. inventaire‎

‎Brussel 1981 koninklijk instituut voor het kunstpatrimonium Soft cover 1st Edition ‎

‎Langue: français. Archéologie Belge 245 Tombelles de la Tène I à Église I. inventaire, 265 x 195 mm, 38 pages, broché, , très bon état‎

‎Archaeologia Belgica 257 Contribution à la chronologie des tombelles Ardeenaises (Belgique)‎

‎Brussel 1984 koninklijk instituut voor het kunstpatrimonium Soft cover 1st Edition ‎

‎Langue: français. Archaeologia Belgica 257 Contribution à la chronologie des tumulus ardennais (Belgique, 265 x 195 mm,‎

‎Archaeologia Belgica 257 Contribution à la chronologie des tombelles Ardeenaises (Belgique)‎

‎Brussel 1984 koninklijk instituut voor het kunstpatrimonium Soft cover 1st Edition ‎

‎Langue: français. Archaeologia Belgica 257 Contribution à la chronologie des tombelles ardennaises (Belgique, 265 x 195 mm,‎

‎Etat présent de la noblesse du Royaume de Belgique, N° IV.‎

‎Bruxelles, Imprimerie et Publicité du Marais, 1961. "19 x 24, 153 pp., quelques planches en N/B, broché, état moyen (couverture défraîchie; traces d'adhésif aux premières et dernières pages)."‎

‎dessins des blasons par Roger Harmignies.‎

‎Etat présent de la noblesse du royaume de Belgique (tome V).‎

‎Bruxelles, Collection Etat Présent, 1962. 18 x 24, 317 pp., 31 illustrations en N/B, reliure d'édition pleine toile, très bon état.‎

‎Dessins des blasons par Roger Harmignies.‎

‎Etat présent de la noblesse du Royaume de Belgique, N° III.‎

‎Bruxelles, Imprimerie et Publicité du Marais, 1961. "19 x 24, 159 pp., quelques planches en N/B, broché, état moyen (couverture pliée; traces d'adhésif aux premières et dernières pages)."‎

‎dessins des blasons par Roger Harmignies.‎

‎Autobiographie de la vénérable mère Anne de Saint-Barthélemi compagne inséparable de sainte Térèse, l'une des six carmélites espagnoles venues en France et fondatrice des Carmels de Pontoise, Tours et Anvers‎

‎Paris, Lecoffre 1869 xxxix + 628pp.+ frontispice, "Ouvrage traduit sur l'autographe inédit de la vénérable conservé chez les carmélites d'Anvers, par le p.Marcel Bouix S.J.", 22cm., reliure plein-cuir avec titre doré au dos (coins touchés), rousseurs (texte toujours bien lisible), bon état, R79906‎

‎Autobiographie de la vénérable mère Anne de Saint-Barthélemi compagne inséparable de sainte Térèse, l'une des six carmélites espagnoles venues en France et fondatrice des Carmels de Pontoise, Tours et Anvers‎

‎Paris, Lecoffre 1869 xxxix + 628pp.+ frontispice, "Ouvrage traduit sur l'autographe inédit de la vénérable conservé chez les carmélites d'Anvers, par le p.Marcel Bouix S.J.", 22cm., reliure cart., dos en cuir avec titre doré, cachet, qqs. rousseurs, bon état, R79907‎

‎Autobiographie de la vénérable mère Anne de Saint-Barthélemi compagne inséparable de sainte Térèse, l'une des six carmélites espagnoles venues en France et fondatrice des Carmels de Pontoise, Tours et Anvers‎

‎Paris, Lecoffre 1869 xxxix + 480pp., "Ouvrage traduit sur l'autographe inédit de la vénérable conservé chez les carmélites d'Anvers, par le p.Marcel Bouix S.J.", 22cm., reliure cart. (plats marbrés, dos en cuir avec titre et faux-nerfs doré au dos, étiquette sur le dos), feuilles de garde marbrées, quelques rousseurs, bon état, R86159‎

‎CONSTANT PERMEKE ENG. ‎

‎, Hannibal Books, 2024 HB, 275 x 210 mm, 200 p.,ENG. edition , illustrated in color / b/w.*New. ISBN 9789464666984.‎

‎Although the Belgian artist Constant Permeke (1886-1952) is considered to be an expressionist, he explored numerous different styles. In a quintessentially modernist fashion, he sought ways of upending or exploding academicism, and of repeatedly reinventing painting. Right from the start of his career, Permeke achieved wide international recognition with his recurring subjects such as domestic scenes and people going about their everyday activities. He participated in numerous major exhibitions at home and abroad, alongside great names in art history such as Georges Braque, Amadeo Modigliani, Ossip Zadkine and Pablo Picasso. With text contributions by Anneleen Cassiman, Jan Ceuleers, Inne Gheeraert, Franz W. Kaiser, Felipe Sevilhano Martinez, Dani l Rovers, Inneke Schwickert, Lise Vandewal, Wendy Van Hoorde and David Van Reybrouck. Publication to coincide with the festive reopening of the Permeke Museum at the artist's former home in Jabbeke on 29 March 2024. Constant Permeke is a new reference work that brings together around 100 works of art and offers an in-depth look at the artist's life and work.‎

‎CONSTANT PERMEKE FR. ‎

‎, Hannibal Books, 2024 HB, 275 x 210 mm, 200 pages, FR edition , illustrations en couleur / n/b.*neuf. ISBN 9789464666991.‎

‎Une nouvelle vue sur Constant Permeke Bien que l'art de Constant Permeke (1886-1952) soit habituellement consid r comme expressionniste, l'artiste a en r alit explor une multitude de registres. D s le d but de sa carri re, il a b n fici d'une large reconnaissance internationale, gr ce des sujets r currents tels que des sc nes domestiques et des figures humaines vaquant leurs activit s quotidiennes. Ses paysages et ses marines d gagent une chaleur feutr e parfois sublime. Pour Permeke, l'art et la vie sont intimement li s. Son ouvre tant t d borde d'une nergie brute pleine de vitalit , tant t respire aussi la nostalgie. Il y combine la technique de la peinture - ex cut e avec force coups de pinceau nergiques, touches, taches et autres griffures - avec celle du dessin et du trac de contours. Dans la droite ligne du modernisme, il cherche rompre avec l'acad misme pour r inventer sans cesse la peinture. Cet ouvrage de collection est superbement illustr de dizaines de tableaux, sculptures et dessins. Les nombreuses photos d'archives permettent de se faire une id e pr cise de la vie et du travail du ma tre. Avec les essais clairants de plusieurs sp cialistes de Permeke et les contributions litt raires de David Van Reybrouck et Dani l Rovers. Ce livre para t l'occasion de la r ouverture du mus e Permeke Jabbeke.‎

‎CONSTANT PERMEKE NL. ‎

‎, Hannibal Books, 2024 HB, 275 x 210 mm, 200 p.,NL editie; illustraties in kleur / z/w.* Nieuw. ISBN 9789464666977.‎

‎Hoewel de Belgische Constant Permeke (1886-1952) tot het expressionisme wordt gerekend, exploreerdede kunstenaar een veelheid aan registers. Volledig in de lijn van het modernisme zocht hij hoe hij het academisme kon wentelen of doorbreken, hoe hij de schilderkunst telkens opnieuw kon uitvinden. De schilder kreeg al sinds het begin van zijn loopbaan ruime internationale erkenning met zijn terugkerende onderwerpen als huiselijke taferelen en mensen in hun alledaagse handelingen. Hij nam deel aan talrijke grote tentoonstellingen in binnen- en buitenland, samen met de grote namen uit de kunstgeschiedenis zoals Georges Braque, Amadeo Modigliani, Ossip Zadkine en Pablo Picasso. Met tekstbijdragen van Anneleen Cassiman, Jan Ceuleers, Inne Gheeraert, Franz W. Kaiser, Felipe Sevilhano Martinez, Dani l Rovers, Inneke Schwickert, Lise Vandewal, Wendy Van Hoorde en David Van Reybrouck. Publicatie naar aanleiding van de feestelijke heropening van het Permekemuseum, het voormalige woonhuis van de kunstenaar, in Jabbeke op 29 maart 2024. Constant Permeke is een nieuw referentiewerk dat een 100-tal kunstwerken bundelt en een diepgravende kijk in zijn leven en werk biedt.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, VOLUME TWO (1609-1620) Part One: Text and Part Two: Images‎

‎, Brepols - Harvey Miller, 2023 2 vols; Part One: Text and Part Two: Images, 732 pages; Size:216 x 280 mm, Illustrations:291 col. Language(s):English. ISBN 9782503599533.‎

‎This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609-20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, VOLUME THREE 1621-1640 Part One: Text and Part Two: Plates, 2 vols.‎

‎, Brepols - Harvey Miller, 2025 Hardback, 2 vols. 555 Pages: 2 vols, Size:216 x 280 mm, Illustrations:172 b/w, 342 col., Language: English. *new. ISBN 9782503599564.‎

‎This is the final volume of the catalogue raisonn of the drawings by Peter Paul Rubens, covering the years 1621-1640. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. Accordingly, Volume III consists of the drawings from 1621 to the artist?s death in 1640. The first decade is characterized by Rubens?s first foreign commission, the paintings for the Luxembourg Palace, Marie de? Medici, the Queen Mother?s new residence in Paris, and by the demands of the artist?s diplomatic missions to the courts of Madrid and London. In contrast to the works requested by Rubens?s official duties, especially portraiture, a subject not of primary interest to the artist before, are the paintings and drawings of the second decade, predominantly inspired by the elderly painter?s marriage to the young Helena Fourment and the love and deep affection for his wife and her children. Court portraits are replaced by images of his family trois crayons, Rubens preferred medium in these years. Helena in disguise appears in the artist?s religious, mythological and genre paintings, most gloriously in the series of drawings for The Garden of Love. Commissions for altarpieces continue but unlike the black chalk anatomical studies of the 1610s, preparatory drawings now consist of head studies in black and red chalk, the latter used for the capture and color of skin. At the same time, images of domestic bliss are accompanied by drawings of the Flemish countryside, especially after Rubens?s purchase of the seignorial estate ?Het Steen? in 1635. In addition, Rubens continues to design title-pages and even to make copies after older works of art that constitute such a large part of his earliest output. But the activity of copying the works of his predecessors for the purpose of artistic instruction now has turned into the antiquarian?s pursuit of knowledge and the collector?s desire and delight, as Rubens records ancient gems and cameos in a series of drawings with the aim of a scholarly publication that, however, never materialized. As in previous volumes, each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color as far as possible. TABLE OF CONTENTS Part One: Text Introduction to the Catalogue Acknowledgments Peter Paul Rubens (1557?1640): Timeline 1621?1640 Catalogue Entries Appendices I Addenda II Corrigenda III Rejected Attributions Part Two: Plates Catalogue Illustrations Appendices I Addenda II Corrigenda Bibliography Exhibitions List of Illustrations Index to Volumes I-III Photographic Credits‎

‎Lidwina Smeets. tekeningen en schilderijen.‎

‎, PurePrint, s.d., Hardcover, 176pp., 20.5x25cm., ills. in kleur. Als nieuw. ISBN 9789090266961.‎

‎Enige monografie van deze schilderes uit Kapellen.‎

‎Over het genot van de zintuigen in de schilderkunst (16e + 20e eeuw) - Hypersensitief: Joachim Wtewael, Fernand Khnopff, Robert Devriendt‎

‎, Stadsbestuur Sint-Niklaas, 2013 Softcover, 105 pagina's, 26 x 21 cm, NL. Rijkelijk ge llustreerde expo-catalogus. Prima staat.‎

‎Over het genot van de zintuigen in de schilderkunst (16e + 20e eeuw) - Hypersensitief: Joachim Wtewael, Fernand Khnopff, Robert Devriendt‎

‎Anne-Mie Van Kerckhoven, Inzichten en Vergezichten | Insights and Panoramic Views .‎

‎, BaiMuseum Plantijn-Moretus, Prentenkabinet, Antwerpen, 2010 Hardback, 285x210mm, 64p, English/ Dutch (NL) edition ISBN 9789085865834.‎

‎Anne-Mie Van Kerckhoven maakte creaties voor de lichtwanden van het MAS. Het museum toont haar ontwerpen en het boek.Voor de creaties van het MAS | Museum aan de Stroom liet ze zich inspireren door het boek Hieroglyphica van Joannes Pierius Valerianus uit de museumcollectie. ‎

‎Anne-Mie Van Kerckhoven: Serving Compressed Energy with Vacuum‎

‎, Kunstverein M nchen/Roma Publications, 2015 Softcover, 108 pages, 21 29.7 cm, ENLISH/GERMAN. *NEW. ISBN 9789491843334.‎

‎Collection of graphic and textual work by Anne-Mie Van Kerckhoven, dating from the seventies up till 2015. Compiled and designed by Julie Peeters, enriched with translations of facsimile material and a large amount of personal comments from the artist on the selected work. Published in conjunction with the exhibition Serving Compressed Energy with Vacuum in Kunstverein M nchen in 2015.‎

‎Annemie Van Kerckhoven Zeno X Gallery, A Long-Standing Collaboration Anne-Mie Van Kerckhoven‎

‎, Hannibal Books, 2022 Hardcover, 285 x 220 mm, 256 pages, 491 illustration color. ENG edition / Expo: 5/2/2022 - 19/3/2022, Galerie Zeno X, Antwerpen * NIEUW /NEW ISBN 9789464366327.‎

‎Het eigenzinnige universum van kunstenares Anne-Mie Van Kerckhoven Dit boek biedt een overzicht van de langdurige samenwerking tussen kunstenares Anne-Mie Van Kerckhoven en Zeno X Gallery in Antwerpen. Centraal in de publicatie staan de dertien solotentoonstellingen die Van Kerckhoven presenteerde in de galerie vanaf de jaren tachtig tot nu. Aan de hand van installatiebeelden worden enkele belangrijke museale tentoonstellingen en bijzondere projecten uitgelicht waarvoor de kunstenares in binnen- en buitenland werd uitgenodigd. De publicatie bevat ook talrijke foto?s, krantenknipsels, uitnodigingskaarten en recensies uit haar rijkgevulde archief. Anne-Mie Van Kerckhoven ( 1951) werkt sinds de jaren tachtig aan een oeuvre dat bestaat uit tekeningen, schilderijen, collages, films en installaties. Ze manipuleert vrouwenbeelden ? eerst manueel en later ook digitaal ? om de objectivering van de vrouw en de geldende machtssystemen in vraag te stellen. Op een intu tieve en onconventionele manier onderzoekt ze onderwerpen als wetenschap, taal en artifici le intelligentie. Zo cre ert ze een heel eigen universum, waarin de tegenstellingen tussen chaos en orde, logica en mystiek, erotiek en technologie opgeheven worden. //// The idiosyncratic universe of artist Anne-Mie Van Kerckhoven This book offers an overview of the long-standing collaboration between the artist Anne-Mie Van Kerckhoven and Zeno X Gallery. Central to the publication are the thirteen solo exhibitions which Van Kerckhoven has presented at the gallery from the 1980s to the present day. Installation views highlight some of the important museum exhibitions and remarkable projects for which the artist was invited, both at home and abroad. The publication also includes numerous photographs, newspaper clippings, invitation cards and reviews from her extensive archive. Anne-Mie Van Kerckhoven (b. 1951) has been working on a body of work consisting of drawings, paintings, collages, films and installations since the 1980s. She manipulates images depicting women ? first manually and later also digitally ? in order to question the objectification of women and the prevailing systems of power. In an intuitive and unconventional way, she explores subjects such as science, language and artificial intelligence, creating a universe of her own in which the oppositions between chaos and order, logic and mysticism, eroticism and technology are abolished.‎

‎Anne-Mie Van Kerckhoven: Uber das Ich‎

‎, Berliner K ntslerprogramm, 2009 Hardcover, 79 pages, 19.5 x 13 cm, German/English. *NEW. ISBN 9783893571192.‎

‎This book is published as a documentation of the exhibition Anne-Mie Van Kerckhoven ? ber das Ich (Willk r und Tranzendenz) [and a lot of fun] at daadgalerie from March 16th to April 29th 2007. Photo's: Danny Devos, Barbara Thumm, Anne-Mie Van Kerckhoven Design: Dor n + Koster, Berlin Printed by: H. Heeneman, Berlin‎

‎Les cicatrices rouges 14-18 - France et Belgique occupées‎

‎ 2010 Editions Le grand livre du mois- 2010- In-8 broché- 202 pages‎

‎Bon état - trace d'écriture sur la page de garde ‎

‎Works in Collaboration Frans Snijders and Other Masters. Corpus Rubenianum Ludwig Burchard, vol. 27.2‎

‎, Brepols - Harvey Miller, 2025 hardcover, dusjacket, 290 pages, Size:175 x 260 mm, Illustrations:65 b/w, 42 col., Language(s):English. *New. ISBN 9781915487582.‎

‎Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens?s studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter?s death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller ?cabinet? paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens?s possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist?s estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens?s fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens?s oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. -- Catalogue Raisonn Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven‎