Wang I-K’ing ; Lieou Hiao-Piao ; Belpaire Bruno (introduction et traduction)
Reference : 118347
(1974)
Éditions Universitaires 1974 In-8 broché 23,5 cm sur 16. 332 pages. Index onomastique. Tranches poussiéreuses et couverture touchée par l’humidité sinon bon état d’occasion.
Bon état d’occasion
Pékin, Editions en Langues Pékin, Editions en Langues Etrangères, 1974. In-12 oblong, couverture illustrée de 119 pages. Dessins à chaque page. Adaptation du roman du même nom. Très bon état
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
, , 2013 Bound, Pages: 303 p. illustrated in color. fine condition. new. ISBN 9789042929159.
From the 16th to the 19th century, illuminated manuscripts were collected by the great printer-publisher Christophe Plantin and his Moretus successors and descendants. Ranging in date from the 9th to the mid-16th centuries, the manuscripts in the Museum Plantin-Moretus come from all over Europe, chiefly the Southern Netherlands and France with a significant representation of 15th-century Dutch illumination. More surprisingly, about a quarter of the collection comes from England: manuscripts of the 10th to 15th centuries that left the country with Catholic refugees. Alongside the acknowledged masterpieces and rarities, like the Bohemian Bible of 1402, are volumes that have remained virtually unknown, their aesthetic appeal and historical or textual interest often passing unnoticed in the absence of published reproductions. In this beautifully produced catalogue, each of the 102 volumes is illustrated in colour, with more extensive coverage of the 55 volumes with the most rewarding illumination. For the first time it is possible to gauge the extent and nature of this fascinating and under-explored collection, still housed in the building on the Vrijdagmarkt in Antwerp to which Plantin moved his famous sign of the Golden Compasses in 1576. Corpus of Illuminated Manuscripts, 20 - Low Countries Series 15.
(London, W. Bulmer and Co., 1804). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1804 - Part II. Pp.279-314. Some scattered,mostly marginal brownspots. Wide-margined.
First appearance of the paper in which Watt set forth his ""Crystallization Hypothesis"".""The first hypothesis as to the origin of prismatic structure which which had any experimental or observational basis was that of Gregory Watt, and may be entitled ""crystallization hypothesis"". Whatt in 1804 observed (the paper offered) that a large mass of basalt which he had melted down in a reverbatory furnace crystallized radially from centers which were fairly regularly spaced in a horizontal plane"" the intersections of these radially growing fibrous bundles formed a network of hexagonal partings through the mass, leading Watt to the conclusion that this manner of crystallization, by its vertical extension upward from the base of a mass of basalt, must have been the cause of the prisms found in the Giant's Causeway, Fingal's Cave, and elsewhere."" (Robert B. Sosman in ""Types of Prismatic Structure in Igneous Rocks"", p. 215).
(London, W. Bulmer and Co., 1804). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1804 - Part II. Pp.279-314.
First appearance of the paper in which Watt set forth his ""Crystallization Hypothesis"".""The first hypothesis as to the origin of prismatic structure which which had any experimental or observational basis was that of Gregory Watt, and may be entitled ""crystallization hypothesis"". Whatt in 1804 observed (the paper offered) that a large mass of basalt which he had melted down in a reverbatory furnace crystallized radially from centers which were fairly regularly spaced in a horizontal plane"" the intersections of these radially growing fibrous bundles formed a network of hexagonal partings through the mass, leading Watt to the conclusion that this manner of crystallization, by its vertical extension upward from the base of a mass of basalt, must have been the cause of the prisms found in the Giant's Causeway, Fingal's Cave, and elsewhere."" (Robert B. Sosman in ""Types of Prismatic Structure in Igneous Rocks"", p. 215).
1938 Djokjakarta (Yogyakarta), drukkerij Kolff-Buning, (1938). 25 x 16 cm, in-8, 53 pp. - 5 plates of reproductions of b&w photographs of the play, softcover, illustrated wrappers.
Scarce sinopsis of the wayang orang plays held in Yogyakarta to celebrate the birth of Princess Beatrix of the Netherlands. Some tape to front wrapper, corners bumped, a good copy.
CBS. 1985. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. AVEC : DAN AYKROYD / HARRY BELAFONTE / LINDSEY BUCKINGHAM / RAY CHARLES / MICHAEL JACKSON / STEVIE WONDER / BOB DYLAN / PRINCE... ET DE NOMBREUSES STARS AMERICAINES / TEXTE EN ANGLAIS ET NOMBREUSES PHOTOS COULEUR A L'INTERIEUR. . . . Classification : 410-33 Tours
26454 Classification : 410-33 Tours
USA AFRICA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, maxi single, introduction dérrière la pochette.. . . . Classification : 410-33 Tours
Disque n°a 1266112 Classification : 410-33 Tours
, Leipsick / Leipzig, Charles Tauchnitz, 1832, Bound in plain brown leather, decorated inner platters, double title page, 115 x 170mm., (VII)315pp.
Bilingual edition. Stereotype edition. Zweite, verbesserte und vermehrte Stereotypausgabe. Binding is worn, first pages loose, stains.
"WEBER, W. (WILHELM) AND R. KOHLRAUSCH. - THE VELOCITY OF LIGHT.
Reference : 43497
(1867)
Leipzig, Johann Ambrosius Barth, 1867. Contemp. hcalf, raised bands, gilt spine with gilt lettering. A few scratches to binding. In ""Annalen der Physik und Chemie. Hrsg.von Poggendorff"", Bd. 99. (Entire volume offered). (2),X,652 pp. and 4 folded engraved plates. Weber & Kohlrausch's paper:pp. 10-25.
First appearance of this importent paper, the results of which Maxwell later used as a crucial support for his electromagnetical theory of light.""...The velocity of light c were measured by W. Weber and R. Kohlrausch in 1855 (the paper offered). They used an electrometer to determine the charge of a condnsor in electrostatic units, and a ballistic galvanometer to measure the same charge in electrodynamic units. The resulting value for c was in good agreement with that obtained by Fizeau in 1849, and Maxwell accordingly felt entitled to identify light and electromagnetic vibrations. This conclusion recalls Newton's identification of gravity with universal attraction: it was not only because they obeyed the same formal law, but also because both led to the same mathematical results, that Newton saw fit to combine them.""(Taton, Réne in ""History of Sciencein The Nineteenth Century"", p. 163).
1949 (2nd ed.) Amsterdam, Diligentia, 1949. 128 p., 62 figs & photographs, hcloth.
Amsterdam/Brussel, Elsevier, 1984 Paperback, softcover, originele uitgeversomslag in kleur, 14.9x21. cm., 272 pp., geillustreerd in z/w. ISBN 9010024423.
Uit het Engels "William the Silent" vertaald door F.J. Van Gelder-Droste. In deze klassieke biografie,j geschreven met veel oog voor het menselijk detail, schets de Britse geschiedkundige C.V. Wedgwood een boeiend beeld van deze staatsman die als geen andere figuur uit de Nederlandse geschiedenis tot de verbeelding blijft spreken.
Nathan. 1990. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Mouillures. 128 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte. Traces de mouillures en coin supérieur des pages, sans conséquences sur le texte et sur la jaquette.. Avec Jaquette. . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
, Kunst- und Ausstellungshalle der BRD , 2006 25,3 x 28,8 cm. 344 S. mit 300 (287 farb.) Abb. Chronologie, Abb'verz. Broschur. Text in deutscher Sprache. . ISBN 9783775717755.
Mit grossformatigen Farbabbildungen samtlicher Exponate breitet die Publikation den enormen Reichtum des Guggenheim Museum aus: Meister der europaischen Klassischen Moderne, Prunkstucke der amerikanischen Nachkriegskunst vom Abstrakten Expressionismus uber die Pop Art bis zur Minimal Art sowie bahnbrechende Werke zeitgenossischer Kunstler veranschaulichen die Entwicklung der Kunst vom Beginn des 20. Jahrhunderts bis in die jungste Gegenwart. Fundierte Textbeitrage und eine umfangreiche Chronologie lassen den Weg von der Vision eines einzelnen Sammlers zu einem Museumskomplex mit globalem Anspruch nachvollziehen.
Paris La Connaissance. Collection "Les Bijoux typographiques" n°3 1926 In-12 carré en feuilles, couverture rempliée Edition originale.
Première édition française de ce conte de Wells, traduit par sa maîtresse, la journaliste et femme de lettres néerlandaise Odette Zoé Keun. Belle impression en noir et bleu. Tirage unique à 150 exemplaires numérotés sur Canson Montgolfier. > La traductrice fut pendant neuf ans la compagne de Wells, qui lui dédia The World of William Clissold (1926) et avec qui avec qui elle vécu à Lou Pidou, une maison qu'ils ont construit ensemble à Grasse. Après leur rupture, l'écrivain la décrit sous un jour peu flatteur dans "Apropos of Dolores" (1938). Très bon 0
WELLS, H.-G. - Traduit de l'anglais par Henry-D. Davray - Illustrations de Martin Van Maelle
Reference : 111972
A Paris, Société d'Edition et de Publications, Librairie Félix Juven - In-4, cartonnage pleine percaline rouge avec décors en relief et dorures, tranches dorées - 316 p. - Illustrations en N&B, in et hors texte de Martin Van Maelle
Bon état malgré frottements sur la percaline et les dorures
WENGER REMY - BLANT D. te M. - JEANNIN P.-Y.
Reference : RO20192049
(2006)
ISBN : 209278059X
NATHAN. 2006. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 239 pages - nombreuses photos, illustrations et schemas en noir et blanc et en couleurs dans et hors texte - couverture illustrée en couleur.. . . . Classification Dewey : 550-Sciences de la Terre et des autres mondes
Classification Dewey : 550-Sciences de la Terre et des autres mondes
8vo, The Oriental Institute if the University of Chicago, Studies in Ancient Oriental Civilization, n°33, The University of Chicago Press, Chicago, Illinois, 1966, 85 pp.
Good copy (foxing on edges)
Lugduni Batavorum (Leiden), apud Gerardum Potvliet, 1733, in-8vo, 8 Bll., Titelbl. in Rot u. Schwarz + 481 SS. + 13 SS. (Index) + 6 (5 mehrf. gefalt.) Kupfertaf., auf etwas gutem Papier gedruckt, marmor. Lederband mit Rverg. u. Rsch., vord. Spiegel teils hs. bezeichnet, beide mit Wurmspuren, Rücken stärker betroffen, Fehlstellen an den Kapitalen, Rotschnitt. Hübsches Exemplar.
1) Berühmte toxikologische Schrift über den Schierling. Johann Jakob Wepfer, “hervorragender Schweizer Arzt des 17. Jahrhunderts, ... erhielt eine Anstellung als Stadtphy sicus in seiner Vaterstadt, in welcher er eine sehr angestrengte Thätigkeit entwickelte. Leibarzt mehrerer deutscher Fürsten .... Wepfer war einer der ausgezeichnetsten Aerzte des 17. Jahrhunderts, der namentlich das Verdienst hat, die Kenntnisse von der pathologischen Anatomie gewisser Krankheiten durch viele Beobachtungen bereichert zu haben. ... Für Wepfer's bedeutendes Experimentie-Talent spricht die berühmte toxikologische Schrift über den Schierling, betitelt: «Cicutae aquaticae...» ..., worin er die Resultate seiner mit dieser und verschiedenen anderen giftigen Pflanzen an Thieren angestellten Versuche wiedergibt. ... Wepfer war auch ein scharfsinniger Diagnostiker; seine Schriften enthalten eine Fülle ingeniöser diagnostischer Bemerkungen: u.A. ist auch die von ihm an sich selbst gestellte Diagnose der Aortenklappen-Verkalkung durch die Obduktion bestätigt worden.” (Hirsch).“Discovery of the duodenal (Brunner's) glands. Wepfer was Brunner's father-in-law.” (Garr.-M.).Eine der gefalteten Kupfertafeln zeigt eine Ansicht von Donauschingen sowie eine Teilkarte des Donaulaufs, ferner Pflanzenabbildungen.Garrison-M. 974.1 (EA, Basel, J.R. König, 1679); Hirsch V/903; Waller 10219; Nissen BBI 2136; Pritzel 10186; Blake 486; Neu 4330; siehe auch HBLS VII/483 (mit wichtigen biographischen Notizen).2) Angehängt ist eine interessante Schrift: «Dissertatio medica de Thee Helvetico, vom Schweitzer Thee» (S. 423-458), und «Dissertatio de Cymbalaria» (S. 459-481) vom Basler Arzt Theodor Zwinger (1658-1724). Dr. Th. Zwinger “galt als einer der bedeutendsten Ärzte seines Zeitalters. Prof. der Eloquenz 1684, der Physik 1687, der Anatomie und Botanik 1703, der praktischen Medizin und Archiater 1711. Rektor der Universität 1704 und 1711, Rat und Leiparzt des Markgrafen von Baden Durlach und des Herzogs von Württemberg.” (HBLS).HBLS VII/778-779; Hirsch V/1057; nicht in der «Bibliographie des Kaffee..., des Tee... bis zum Jahre 1900» von Wolf Mueller.
Phone number : 41 (0)26 3223808
Werner Adriaenssens, Daniel Alcouffe, Francoise Aubry, Odile Nouvel-Kammerer, Leon Lock, Guido Giovannini-Torelli,
Reference : 32428
, Frances Lincoln Publishers, London, 2011 Hardback with dusjacket in full color, 688 pages, Format: 325mm x 245mm, Over 400 colour photographs, very fine printed ! ISBN 9780711232525.
This book explores the visual evolution of the legendary connoisseur and philanthropist Roberto Polo through a selection of over three hundred masterpieces and magnificent gemstones from the extraordinary collections which he has formed. At an early age, Roberto Polo revealed a powerful talent as a visual artist, exhibiting his work in major art museums and galleries. Thanks to his profound knowledge of art history and theory, he also revealed an astonishing talent for identifying exceptional art and gemstones from many periods and origins. Roberto Polo was educated at the Corcoran School of Art, where he was appointed professor at the precocious age of sixteen, and at Columbia University. At the age of twenty-four, he conceived and organized the now landmark exhibition Fashion as Fantasy, featuring works especially created by fifty-four exhibitors, including David Hockney, Robert Motherwell and Andy Warhol. Roberto Polo was instrumental in founding Citibank?s Fine Art Investment Services, the first department of its kind in the banking industry. In 1981, he left Citibank and became an independent art and gemstone investment advisor. During this period, he formed collections of French eighteenth, nineteenth and twentieth-century fine and decorative arts, as well as of gemstones, described by Le Journal des Arts as ?anthological?. In 1988, the French Republic bestowed on him the medal of Commandeur de l?ordre des Arts et de Lettres for his contributions to French art and culture.In the same year, he became the victim of a Kafkaesque judicial affair from which he rose in 1995, according to The New York Times , as ?the wonderful phoenix of the art market?, now championing Historical Design and Modernism independently and through Galerie Historismus. Described by Le Figaro as ?The Eye? and by Architectural Digest as ?The Trendsetter of the Art Market?, Roberto Polo continues to follow his edict that one should only acquire art which was revolutionary in its time.Exquisitely illustrated with over four hundred colour photographs, and with texts by leading art and jewellery historians, this book is a fascinating insight into the man described by Art & Auction , as ?one of the ten people who have made a difference in the art market? and an illuminating account of his forty years of collecting activity.
BE-, De Vries - Brouwers, 2014 hardcover op reuze formaat ! 35 x 50cm nieuw ! ISBN 9789053414491.
prachtige uitgave !!. Jubileum uitgave naar aanlijning van 25 jaar 'Over een kleine mol die wil weten wie er op zijn kop gepoept heeft'
BE-, De Vries - Brouwers, 2014 hardcover op reuze formaat ! 35 x 50cm samen met grote pluche / pop !!! nieuw ! ISBN 9789053414965.
prachtige uitgave !!.
"WESSEL, CASPAR. - THE FIRST SYSTEMATICAL THREATMENT OF COMPLEX NUMBERS.
Reference : 58364
(1797)
Kiøbenhavn, Johan Rudolph Thiele, (1797) 1799. 4to. Uncut and unopened in original blue boards. Published in: ""Nye Samling af det Kongelige Danske Videnskabernes Selskabs Skrifter."" Vol. V. Wessel's paper: pp.469-518 and 3 folded engraved plates (the last plate inserted at p. 463). The whole volume V offered in its original binding. Engraved titlevignette. XII,670 pp., 15 engraved plates. 4 leaves with upper right corners gone, not affecting Wessel's paper.
First edition of this important first systematical treatment of the theory of complex numbers and at the same time, the first work to add vectors in three-dimensional space.""Wessel’s fame as a mathematician is based entirely on one paper, written in Danish and published in the Mémoires of the Royal Danish Academy, that established his priority in publication of the geometric representation of complex numbers. John Wallis had given a geometric representation of the complex roots of quadratic equations in 1685"" Gauss had had the idea as early as 1799 but did not explicitly publish it until 1831. Robert Argand’s independent publication in 1806 must be credited as the source of this concept in modern mathematics because Wessel’s work remained essentially unknown until 1895, when its significance was pointed out by Christian Juel. The title of Wessel’s treatise calls it an ""attempt"" to give an analytic representation of both distance and direction that could be used to solve plane and spherical polygons. The connection of this goal with Wessel’s work as a surveyor and cartographer is obvious. The statement of the problem also suggests that Wessel should be credited with an early formulation of vector addition. In fact, Michael J. Crowe, in A History of Vector Analysis (University of Notre Dame Press, 1967), defines the first period in that history as that of a search for hypercomplex numbers to be used in space analysis and dates it from the time of Wessel, whom he calls the first to add vectors in three-dimensional space."" (DSB).
[Westall (William)] - Westall (William) (from drawings by), Moule (Thomas) (descriptions by), Finden (Edward) (engraved by, and under the direction of).
Reference : 2697
(1830)
1830 Charles Tilt, London, 1830. Un volume in-4 demi maroquin rouge à coins, dos à nerfs orné de caissons dorés, titre doré, tranches marbrées, VI + 119 pages, nombreuses gravures (une vignette de titre + 108 vignettes sur 59 pl. hors-texte), texte en anglais. Quelques rousseurs, néanmoins bel exemplaire.
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