‎Latifa Echakhch‎

‎Edition Mennour 2021 360 pages 21x3 8x27cm. 2021. Broché. 360 pages.‎

‎emballage d'origine‎

‎L'abbesse de Paraclet : histoire d'Héloïse et d'Abailard / par Marc de Montifaud ,eau forte d'Aubry,‎

‎ Paris : [s.n.], 1883 ,1er et 2e fascicule soit xxvi+122p sur xii ;330 p ; 18 cm;2 eaux fortes d'Aubry en frntispice,sous serpentes,rare, ‎

‎First published in 1873 under title: Histoire d'Héloïse et d'Abailard ,bon etat, ‎

‎Bibliotheca Vallis Sancti Martini in Lovanio.T. 2: De geschiedenis van de bibliotheek en de evolutie van haar inhoud. Bijdrage tot de studie van het geestesleven in de Nederlanden (15de-18de eeuw). A Contribution to the Study of Intellectual Life in the Netherlands (15th-18th C.)‎

‎Leuven, Universitaire Pers, 1982 Hardback, Nederlands, originele uitgeversomslag, 16x24 cm., 510 pp. ISBN 9789061861263.‎

‎ Symbolae Facultatis Litterarum Lovaniensis - Series A (hardcover) : 08b.‎

‎Chairs. Catalogue of the Delft Faculty of Architecture Collection‎

‎Rotterdam, 010 Publishers, 2008 Softcover, b/w cardboard dito paperjacket in colour, 170 x 240mm., 270pp., all colour illustration. ISBN 9789064506192.‎

‎Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouve, Marcel Breuer and Droog Design. New book.‎

‎Collection Chouette - Francais: Francais CE1 (7-8 ans)‎

‎Hatier Litterature generale 2019 64 pages 20 4x27 6x0 6cm. 2019. Broché. 64 pages.‎

‎Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France‎

‎VICTOR SCHERTZINGER‎

‎SALABERT. 1930. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages dont 2 de partition avec textes. Photographie de Maurice Chevalie, en première page.. . . . Classification Dewey : 780.26-Partitions‎

‎"Paroles de Léo LELIEVRE. Extrait du deuxième filmù parlant de Maurice CHEVALIER, ""PARADE D'AMOUR"" (Love parade). Classification Dewey : 780.26-Partitions"‎

‎Chagall: The Art of Dreams (New Horizons S.)‎

‎Thames & Hudson Ltd 1998 176 pages 12x1 2x17cm. 1998. Broché. 176 pages.‎

‎L'architecture domestique à Marseille au XIXe siècle du trois-fenêtres à l'Art Nouveau‎

‎La Thune 2005 184 pages Marseille. in-8. 2005. Broché. 184 pages. Illustrations en noir‎

‎Bon état‎

‎""Note on a Magnetic Detector of Electrical Waves, which can be employed as a receiver for Space Telegraphy."" (+) ""A Note on the Effect of Daylight upon the Propagation of Electromagnetic Impulses over Long Distances."" (2 papers).‎

‎(London, Taylor and Francis, 1902). No wrappers, as extracted from ""Proceedings of the Royal Society of London."", Vol. LXX. Pp. 341-344 a. pp. 344-347.‎

‎First printing of these two importent papers on wireless telegraphy, describing the inventions which made it possible to make the first wireless transmissions across the Atlantic in 1901. Maconi's apparatus was built on a magnetic detector invented by Rutherford, and was called Marconi's ""Maggie"". A powerfull transmitter was built at Poldu, Cornwall, England, and a large receiving antenna placed at Cape Cod, Massachusetts. Marconi succeeded to receive (on Dec. 12) three code dots, signifying the letter ""S"". ""Already well known, Marconi, et twenty-seven, became world famous overnight.""(DSB).Marconi and K.F. Brown were jointly awarded the Nobel Price in 1909 ""in recognition of their services in the development of wireless telegraphy.""‎

‎Eaux-fortes théâtrales pour monsieur G...‎

‎Paris, Editions de la Montagne, 1933. Un volume in-folio (405 x 335), en feuilles sous emboîtage (fatigué).In-folio (405 x 335), in sheets in a box (worn). ‎

‎Frontispice et suite de 6 eaux-fortes cubistes de Marcoussis, chacune numérotée au tampon et monogrammée au crayon par l’artiste. Chaque estampe est sous passe partout.Frontispiece and 6 cubist etchings by Marcoussis, each numbered with a stamp and monogrammed in pencil by the artist. Each print is under a passepartout. Tiré à 30 exemplaires signés par Marcoussis, celui-ci est un des 20 sur vélin d’Arches (n°8).Monsieur G., c'est Monsieur Godeau, le double de Marcel Jouhandeau, qu'il a mis en scène dans plusieurs de ses ouvrages. Très belle série de gravures à l’eau-forte et à l’aquatinte de Louis Marcoussis, tirée par Lacourière et éditée par Georges Hugnet. En effet, Hugnet créa les Editions de la Montagne et y publia des ouvrages de 1930 à 1933. Solange Millet, Marcoussis, l'oeuvre gravé, 90-96.Printed in 30 copies signed by Marcoussis, this is one of 20 on vellum d’Arches (n°8).Monsieur G., it is Monsieur Godeau, the double of Marcel Jouhandeau, which he staged in several of his works. Very beautiful series of etchings and aquatints by Louis Marcoussis, printed by Lacourière and published by Georges Hugnet. Hugnet created the Editions de la Montagne and published works from 1930 to 1933. Solange Millet, Marcoussis, l'oeuvre gravé, 90-96. ‎

‎americans. New Art.‎

‎London, Booth-Clibborn, 2001 Softcover with flaps, 303pp., 21x25cm., illustr. trhoughout in col., fine condition. ISBN 1861542224.‎

‎Exhibition organised by Barbican art. This catalogue surveys the most recent wave of American contemporary art. Texts by Bruce Hainley, Katy Siegel, Bennett Simpson, Mark sladen and John Slyce.‎

‎Citroen GS & GSA - Citroen's avant-garde mid-range cars ‎

‎, citrovisie, 2018 hardcover / Couverture reliee , 22 x 24 cm, 276 pages Langue Anglais/ Language English ; . ISBN 9789082814729.‎

‎Citroen est tout simplement en retard pour la creation d'un modele de classe moyenne. La concurrence a longuement et largement explore ce segment quand Citroen presente la GS en Aout 1970. Mais avec son style elegant, sa superbe suspension, son tableau de bord complet et son coffre spacieux, la GS devient immediatement la nouvelle reference dans sa categorie. Certes, tout n?est pas parfait, mais si y on regarde de plus pres, l'ensemble est homogene. Citroen augmente rapidement sa gamme avec un Break, une version Service tres pratiques et coiffe son haut de gamme avec la Birotor: une GS a moteur rotatif. A partir de Septembre 1979, la GS est remplacee par la GSA, un modele modernise et desormais pourvu de la cinquieme porte tant attendue. Au milieu de l?annee 1986, la derniere GSA sort des chaines et ainsi se terminent, apres 16 ans, les carrieres reussies de la GS et GSA. Dans ce livre, l'auteur, Marc Stabel retrace l'histoire de la Citroen GS et GSA. Le developpement et le contexte historique ainsi que l'evolution de tous les types annee apres annee sont largement racontes par de nombreux faits et de nombreuses photos inedites, qui en font un ouvrage de reference indispensable pour les amateurs. Par rapport au livre neerlandais sur les GS et GSA, publie par Citrovisie en 2016, cette version anglaise a ete enrichie et completee.Citroen was late with a mid-range model. The competition had had models in this segment for a long time, but when Citroen presented the GS in August 1970 with its streamlined design, fantastic suspension, avant-garde dashboard and spacious boot, it immediately set a new standard in its class. Admittedly, there were some weaknesses, but despite this, the car represented a particularly well-balanced whole. Citroen rapidly expanded the GS range with an estate car and the practical Service van. The top model was the Birotor, a GS with a Wankel rotary engine. In September 1979, the GS was succeeded by the GSA, a thoroughly modernised car and now with the addition of a long-awaited fifth door. In mid-1986, after sixteen years of successful production, the final GSA left the factory. In this book author Marc Stabel describes the history of the Citroen GS and GSA. Through numerous facts and additional photos, some of which have never been published before, the development, background and historical context are explained extensively, as well as the evolution of all types from year to year. Building on the book?s success when originally published in Dutch in 2016, this updated and expanded English version is the essential reference work for the real enthusiast. Beautiful and original books about the history of Citroen, full of information and surprising images. ‎

‎Citroen GS & GSA - Citroen's avant-garde mid-range cars (2016)‎

‎, citrovisie, 2016 hardcover / Couverture reliee , 22 x 24 cm, 276 pages Langue Anglais/ Language English ; . ISBN 9789083141701.‎

‎Citroen est tout simplement en retard pour la creation d'un modele de classe moyenne. La concurrence a longuement et largement explore ce segment quand Citroen presente la GS en Aout 1970. Mais avec son style elegant, sa superbe suspension, son tableau de bord complet et son coffre spacieux, la GS devient immediatement la nouvelle reference dans sa categorie. Certes, tout n?est pas parfait, mais si y on regarde de plus pres, l'ensemble est homogene. Citroen augmente rapidement sa gamme avec un Break, une version Service tres pratiques et coiffe son haut de gamme avec la Birotor: une GS a moteur rotatif. A partir de Septembre 1979, la GS est remplacee par la GSA, un modele modernise et desormais pourvu de la cinquieme porte tant attendue. Au milieu de l?annee 1986, la derniere GSA sort des chaines et ainsi se terminent, apres 16 ans, les carrieres reussies de la GS et GSA. Dans ce livre, l'auteur, Marc Stabel retrace l'histoire de la Citroen GS et GSA. Le developpement et le contexte historique ainsi que l'evolution de tous les types annee apres annee sont largement racontes par de nombreux faits et de nombreuses photos inedites, qui en font un ouvrage de reference indispensable pour les amateurs. Par rapport au livre neerlandais sur les GS et GSA, publie par Citrovisie en 2016, cette version anglaise a ete enrichie et completee.Citroen was late with a mid-range model. The competition had had models in this segment for a long time, but when Citroen presented the GS in August 1970 with its streamlined design, fantastic suspension, avant-garde dashboard and spacious boot, it immediately set a new standard in its class. Admittedly, there were some weaknesses, but despite this, the car represented a particularly well-balanced whole. Citroen rapidly expanded the GS range with an estate car and the practical Service van. The top model was the Birotor, a GS with a Wankel rotary engine. In September 1979, the GS was succeeded by the GSA, a thoroughly modernised car and now with the addition of a long-awaited fifth door. In mid-1986, after sixteen years of successful production, the final GSA left the factory. In this book author Marc Stabel describes the history of the Citroen GS and GSA. Through numerous facts and additional photos, some of which have never been published before, the development, background and historical context are explained extensively, as well as the evolution of all types from year to year. Building on the book?s success when originally published in Dutch in 2016, this updated and expanded English version is the essential reference work for the real enthusiast. Beautiful and original books about the history of Citroen, full of information and surprising images. ‎

‎Loi qui préside à la fréquence des battements du coeur.‎

‎(Paris, Gauthier-Villars), 1861. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 53, No 3. Pp. (77-) 128. (Entire issue offered). Marey's paper: pp. 95-98. Faint marginal brownspots.‎

‎First printing of the paper in which Marey formulates the law, named after him and stating that heart rate is related inversely to arterial blood pressure.Marey contributed greatly to the development of experimental physiology. In 1860 he invented the modern sphygmograph, an instrument for recording the features of the pulse and variation in blood pressure on a graph. In 1861 he formulated Marey's law. He was the first to realize the relationship between blood pressure and heart rate.Garrison & Morton: 813.‎

‎Des variations électriques des muscles et du coeur en particulier, étudiées au moyen de l'électromètre de M. Lippmann.‎

‎(Paris, Gauthier-Villars), 1876. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 82, No 17. Pp. (927-) 1006. (Entire issue offered). Marey's paper: pp. 975-77‎

‎First printing of a founding paper in electrocardiography where Marey recorded the first electrocardiogram, using the mercury capillary electrometer, the electrical activity of an exposed frog's heart.‎

‎Analyse du méchanisme de la locomotion au moyen d'une série d'images photographiques recueillies sur une même plaque et représentant les phases successives du mouvement (Séance 3 Juillet 1882). (+) Emploi de la photographie pour déterminer la tr...‎

‎Paris, Gauthier-Villars, 1882, 1888, 1892. 4to. No wrappers. 7 entire issues. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 95, No 1, 6 a. 14. Tome 107, No 16, 17 a. 18, Tome 114, No 18. (7 entire issues offered). With halftitles and titlepages to Vol. 95, 107 a. 114. The papers: pp. 14-16 (No1), 267-270 (no 6), 583-585, 2 textillustr. (no 14) - pp. 607-609 (No 16), 643-645, 1 textillustr. (No 17), 677-678 (No 18) - pp. 989-990 (No. 18). Stamps on verso of titlepages.‎

‎First printing of the main papers CONSTITUTING THE INVENTION OF MODERN CINEMATOGRAPHY -- from his invention of 1888 of the ""Chronophotograph"" followed the modern ""Cinematograph"" (first described here in the offered papers of 1888).It started with his invention of the chronographic apparatus with stationary plates and chronographic disk schutter... the paper of August 7, 1882, later in 1882 his description of the photographic gun, and in the 1892 paper ""Marey constructs, according to the reversible principle of the chronophotograph, an apparatus for the projection on a screen of series of pictures taken by the afore-mentioned apparatus and thus realizes the photographic synthesis of motion"" (Joseph Maria Eder ""History of Photography"", p.510).Marey (1830-1904) was a French physician, and his inventions sprang from his investigations in the physiology of the motion of men and animals.""In 1882, Marey, often claimed to be the 'inventor of cinema,' constructed a camera (or ""photographic gun"") that could take multiple (12) photographs per second of moving animals or humans - called chronophotography or serial photography, similar to Muybridge's work on taking multiple exposed images of running horses. [The term shooting a film was possibly derived from Marey's invention.] He was able to record multiple images of a subject's movement on the same camera plate, rather than the individual images Muybridge had produced. Marey's chronophotographs (multiple exposures on single glass plates and on strips of sensitized paper - celluloid film - that passed automatically through a camera of his own design) were revolutionary. He was soon able to achieve a frame rate of 30 images. Further experimentation was conducted by French-born Louis Aime Augustin Le Prince in 1888. Le Prince used long rolls of paper covered with photographic emulsion for a camera that he devised and patented. Two short fragments survive of his early motion picture film (one of which was titled Traffic Crossing Leeds Bridge).The work of Muybridge, Marey and Le Prince laid the groundwork for the development of motion picture cameras, projectors and transparent celluloid film - hence the development of cinema. American inventor George Eastman, who had first manufactured photographic dry plates in 1878, provided a more stable type of celluloid film with his concurrent developments in 1888 of sensitized paper roll photographic film (instead of glass plates) and a convenient ""Kodak"" small box camera (a still camera) that used the roll film. He improved upon the paper roll film with another invention in 1889 - perforated celluloid (synthetic plastic material coated with gelatin) roll-film with photographic emulsion."" (Tim Dirks ""The History of Film. The Pre-1920s"").‎

‎Hugo van der Goes and the Procedures of Art and Salvation.‎

‎Turnhout, Brepols, 2008 Hardback, original editor's jacket, english, IV+178 pp., 42 b/w ill. + 95 colour ill., 220 x 280 mm. ISBN 9781905375158.‎

‎Studies in Medieval and Early Renaissance Art History (HMSAH 49). Hugo van der Goes is a towering figure in the history of art. Hugely original, he exerted a massive influence, pushing the portrayal of volume, motion and light to its limits while exploring an inherited Christian iconography in profoundly new ways. This book identifies the artist?s painterly procedures as well as the religious practices and hopes his painting served. Focusing on Hugo?s masterpiece, the Portinari Altarpiece, Koster pictures the painter, his patron, and the wider public as a set of diverse forces fuelling this artist?s achievements. Painted in the Netherlands for a Florentine chapel, the altarpiece also reflects artistic exchange in the Fifteenth Century. Koster presents a ground-breaking technical examination of Hugo?s triptych and for the first time, readers can access all of the evidence in a high-resolution and easily-navigable form ? and for a work of supreme historical importance. But this book also studies the work?s origins in the Modern Devotion movement, Hugo?s personality, the machinations of a wealthy Italian donor, and the patterns of response within a church setting. Rich in information, wide-ranging in its sources, and original in its understanding of Hugo?s aims, this book also places ? uniquely ? the tools of its analysis in the hands of specialists and general readers alike. ‎

‎Examen des Parties qui constituent cette Espece de Pierres, qui, après avoir été calcinées par les moyen ds Charbons, acquierent la Propritté de devenir lumineuses, quand on les expose à la Lumiere"" avec L'Exposé de la Composition artificielle des Pie...‎

‎(Berlin, Haude et Spener, 1752). 4to. No wrappers, as issued in ""Memoires de L'Academie Royale des Sciences et Belles Lettres"" tome VI (1750), pp.144-162.‎

‎First printing of Marggraf's importent investigation of the so-called ""Bologna-Stone"" in which he found that its base is different from lime, it is heavier and more soluble. In this memoir he anticipated Lavoisier’s conclusions by identifying the constituents of gypsum as water,lime, and vitriolic acid.Bologna stone, any of the dense, silvery white stones first found (1603) on Mount Paderno, near Bologna, by an Italian cobbler-alchemist, Vicenzo Cascariolo, who synthesized from them a luminescent material that glowed at night after being exposed by day to the Sun. Originally thought to be the philosopher’s stone that was believed capable of transmuting base metals into gold, Bologna stone ultimately was shown to be the mineral barite, barium sulfate.‎

‎Eloge de la cuisine au thé. 40 recettes salées et sucrées.‎

‎Paris, Hachette, 2002, pt. in-4, cartonnage couv. photo coul. éd., 96 pp., très nb. photos coul. et reproductions de doculents anciens en coul., Sommaire, Index des recettes, Des recettes originales à base de thé, depuis l'entrée jusqu'au dessert. Belle iconographie ancienne dans sa première partie historique. Pas courant. Très bon état ‎

‎Librairie spécialisée en gastronomie , œnologie et tabagie‎

‎L'art français du thé.‎

‎Paris, éd. Mariage frères, 2006, in-8, cartonnage souple à rabats éd., couv. ill. avec texte en jaune sur fond noir éd., (2) - 108 pp., papier crème, très nb. photos et dessins en noir, cartes en noir, nb. reproductions de documents anciens en noir, table des matières, Tout savoir sur le thé : l'origine, la culture, la favrication, la préparation et la dégustation. Une vrai "bible" pour les amateurs et les amoureux du divin breuvage. Très bon état ‎

‎Librairie spécialisée en gastronomie , œnologie et tabagie‎

‎Le voyage du thé : Album chinois du XVIIIe siècle‎

‎Bibliothèque de l'Image / Mariage Frères. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 92 pages augmentées de nombreuses illustrations en couleurs dans et hors texte. Texte bilingue français-anglais sur deux colonnes.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Préface de Pierre Baptiste. Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Hispani E Societate Iesu Historiae De Rebus Hispaniae libri XXX. Cum Indive copioso, & explicatione vocum obscuriorum. (2 parts).‎

‎Mogvntiae (Mainz), Andreas Wechsel, 1605. 4to. Contemp. full vellum, raised bands, blindstamped covers. Printers wood-cut device on titlepage. (16),619"638,(36) pp. A bit of browning to the first few leaves. A few scattered brownspots. Printed in double columns.‎

‎This is the first edition containing all 30 books. The first 20 books were published in Spanish in 1601. Marianas's importent history of Spain deals with the country from the first settlements to the death of King Ferdinand, who united the Crowns of Castile and Aragon.""Among his (Maraina's) literary labours the most important is undoubtedly his great work on the history of Spain, which is still remembered today. There was published as late as 1854, in Madrid, an improved and richly illustrated edition continued up to that year. The work first appeared as ""Historiæ de rebus Hispaniæ libri XX. Toleti, typis P. Roderici, 1592"". A later edition of the compiler himself, carried on still further is ""De rebus Hispaniæ libri XXX"", published at Mainz in 160 (the item offered). This edition bears the imprimatur of the order for the thirty books, given by Stephan Hojeda, visitor from Dec., 1598, and of the provincial from 1604. The author had in the mean time converted a Latin edition into Spanish and this appeared complete, containing the thirty books of the Latin edition, at Toledo in 1601. This went through a number of editions during the lifetime of the author and through others after his death"" (The Catholic Encyclopedia)..‎

‎Sur l'ytterbine, nouvelle terre contenue dans la gadolinite.‎

‎(Paris, Gauthier-Villars), 1878. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 87, No 17. Pp. (570-) 616. (Entire issue offered). Marignac's paper: pp. 578-581.‎

‎First apperance of the paper relating Marignac's discovery of the rare earth Ytterbium (Ytterbia).""He began his study of the rare earths in 1840, when he was barely twenty-three years old. According to P.T. Cleve, ""Marignac's work on the rare earths is undoubtedly the most importent in this particular department of chemistry"". In 1878 marignac heated some erbium nitrate obtained from gadolinite until it decomposed. When he extracted the resulting mass with water, he obtained two oxides: a red one, for which he retained the name Erbia, and a colorless one, which he named Ytterbia."" (Weeks ""The Discovery of the Elements"").Parkinson ""Breakthroughs"", 1878 C‎

‎Story of Eames Furniture.‎

‎DE., GESTALTEN, 2010 Features: 800 Pages, full cover, hardcover, 2 volumes in slipcase. Text in English, With more than 2.500 illustrations. Format: 25.5 x 29.2 cm ISBN 9783899552300.‎

‎Brimming with images and insightful text, this unique book is the benchmark reference on what is arguably the most influential and important furniture brand of our time. It reveals in unparalleled detail how Charles and Ray Eames as well as a talented team of designers worked to create pieces that still top bestseller lists. The book describes the key role played by the Eames Office's own development and perfection of production processes for its designs as well as the significance of its relationship with manufacturers. By documenting the creation and spread of these landmark furniture designs, this book also tells the story of how modernism became established in homes and offices throughout the world. --Deze twee-delige 'Eames-bijbel' onthult alles wat u wilt weten over de meubelen die zijn ontworpen door Charles en Ray Eames en hun team van ontwerpers zoals Eero Saarinen, Harry Bertoia, Herbert Matter en vele anderen. In de twee kloeke delen, samen 798 bladzijden en ruim 2.500 afbeeldingen, laten de auteurs zien hoe Eames Furniture is ontworpen en wat zij hebben gefabriceerd. Eveneens gaan zijn in op invloed van Eames Furniture op internationaal design ‎

‎MEMOIRE manuscrit REGLEMENTS DEVELOPPEMENTS sur le Service DE LA BOULANGERIE des Vivres de la MARINE janvier 1812‎

‎ Manuscrit autographe du 18 janvier 1812 signé du Controleur des vivres de la Marine dirigeant la Boulangerie de la marine,12 pages petit IN Folio, broché,attaches cordon rose,reglement particulier a la BOULANGERIE,dans le cadre du Service des Vivres de la Marine.‎

‎bon etat ‎