"WÖHLER, F. und J. LIEBIG. - THE DISCOVERY OF ""EMULSIN"" A MAIN WORK IN ORGANIC CHEMISTRY.
Reference : 43739
(1837)
Leipzig, Johann Ambrosius Barth, 1837. Without wrappers as issued in ""Annalen der Physik und Chemie. Hrsg.von Poggendorff"", Bd. 41, Zweites Stück. (Entire issue No 6 offered). Titlepage to vol. 41. Pp. 225-448 a. 2 folded engraved plates. Wöhler & Liebig's papers: pp. 345-366, pp. 366-374 a. pp. 393-397. Clean and fine.
First appearance of this classic paper in organic chemistry in which Wöhler and Liebig showed how Amygdalin could be decomposed by a vegetable emulsion, the first example of a glycoside.""The conclusions which you have drawn from the investigation of bitter-almond oil,"" wrote Berzelius to Liebig and Wöhler, ""are certainly the most importent which have so far been reached in the domain of vegetable chemistry, and give promise of shedding an unexpected light over this part of the science...The facts which you have set forth inspire such reflections that they may be regarded as the dawn of a new day in vegetable chemistry.""(Berzelius-Wöhler Briefwechsel).""During the years that Liebig was preoccupied with the ether theory and with organic acids, he also carried out two importent investigations with Wöhler. In october 1836 Wöhler wrote that he had discovered a way to transform amygdalin to oil of bitter almonds and hydrocyanid acis, by distilling it with manganese and sulfuric acid, and he invited Liebig to join in pursuing the topic. Two days later he made a more remarkable discovery. It had occurred to him that perhaps thetransformation of amygdalin could be effected by the albumin in the almonds, in a manner similar to the action of yeast in sugar...Wöhler suspected that the decomposition was an example of what Berzelius had recently defined as catalysis. Liebig and Wöhler then divided up the detailed examination of the properties and composition of amygdalin. They precipitated from the emulsion of almonds a substance which when dissolved retain its action. They named the active substance ""emulsion"". Its effectiveness in very small quantities confirmed that it acted like yeast.""(DSB VIII, p. 342).
Brussel, Hatje Cantz /Mercatorfonds, 2009 Hardcover in illustriertem Schuber, Seiten: 480, Format: 32,5 x 24,5 cm 1000 Farbabbildungen TEXT IN DEUTSCH. . ISBN 9783775724647.
Bereits zu Lebzeiten war James Ensor (1860-1949) - neben Vincent van Gogh und Edvard Munch der Avantgardist des Nordens und Vorlaufer der deutschen Expressionisten und franzosischen Surrealisten - eine Legende. Beruhmtheit erlangte er als ? Maler der Masken? , der skurrilen Stillleben und grotesk-karnevalesken Szenen in der Tradition der flamischen Totentanze, in denen er grell leuchtende Farben miteinander kontrastierte. Dass Ensor daruber hinaus ein ausgesprochener Stilpluralist war, der unterschiedliche Themen und Motive immer wieder aufgriff und variierte, lasst ihn noch heute uberraschend modern erscheinen. Wie vielfaltig das OEuvre des belgischen Malers ist, lasst sich nun anhand des durchgangig farbig und opulent bebilderten Werkverzeichnisses der Gemalde entdecken. Eine umfassende, illustrierte Chronologie bietet zusatzlich detaillierte Informationen zu Leben und Werk.
[Fernand Léger] - XXe SIÈCLE HOMMAGE À FERNAND LÉGER. Numéro spécial hors abonnement.
Reference : 1496
(1971)
Bon exemplaire. Quelques taches sur la toile du cartonnage et accrocs marginaux à la jaquette.
CHARLES MASSIN 2014 191 pages 19 3x23 1x2cm. 2014. Relié. 191 pages.
Très bon état
CHARLES MASSIN 2014 191 pages 19 3x23 1x2cm. 2014. Relié. 191 pages.
Très bon état
Penguin Classics 1979 432 pages 12 7x2 286x19 558cm. 1979. Broché. 2 volume(s). 432 pages.
Très bon état
Editions du Graal 1999 1999. Broché.
Bon état
2013 - cartonné - Galerie Paris Beijing - 2013 - In-4 format carré (29 x 29 cm) cartonnage illustrée - 198 pages - Nombreuses photographies en noir et blanc dont quelques unes dépliantes - ISBN : 9791090176485 - SOMMAIRE : Phantom Landscape - On the Quiet Water - Heavenly City - Viridescence - Snow City - Artificial Wonderland - The Peach Blossom Colony - The Silent Valey - Moonlight - A Bowl of Taipei - Biography - Ouvrage en anglais
Bon état
YANK - The army weekly. By the men... for the men in the service
Reference : 121400
(1943)
1943-1944 Du Vol. 2, N°21 (7 novembre 1943) au Vol. 2, N°46 (30 avril 1944) - 1943-1944 - In-folio, cartonnage noir de l'éditeur - Pagination non continue, 24 pages par numéro - Très nombreuses reproductions photographiques en N&B - Ouvrage en anglais
Bon état
Naturart S.A. (Blume) 2008 128 pages 2008. Broché. 128 pages.
Bon état
, brepols, 2011 Hardback with dusjacket, 312 p., 237 b/w ill. 48 colour ill., 210 x 297 mm, Languages: English. new, fine condition !. ISBN 9782503525693.
This monograph introduces the sixteenth-century Louvain artist Jan Rombouts (c. 1480 ? 1535), whose oeuvre was previously assigned to Jan van Rillaer. Debates concerning Rombouts?s identity are explored in detail by means of reinterpretation of published archival documents and the discovery of numerous new documents. The publication of the sources, most with full transcriptions, provides a sound basis for the author?s arguments supporting the new identification.The remaining oeuvre of the artist, as it is known today, comprises engravings and paintings. This monograph argues for the expansion of Rombouts?s oeuvre with some dozen stained-glass windows, roundels and a drawn design for a church window, while suggestions are put forth for other possible attributions. Attention is given to the historical context for Rombouts?s activity as a glass painter, and the attributions of these works, none of which are monogrammed, are made by comparing their style with that of works securely attributed to the artist. This section is backed up by numerous illustrations of the windows, many of which are quite inaccessible. Finally, a discussion of archival sources concerning the Louvain confraternity of St Luke and commissions for works of art to local artists in the period covered by the book, form the rich historical background against which Jan Rombouts executed his oeuvre of engravings, paintings, roundels and stained-glass windows. The size, individuality, diversity and craftsmanship of this oeuvre enable us to finally identify and place him securely within the history of south Netherlandish art of his time.
Amst., Benjamins, 1970.
5 vols. in 1. Together more than 650 p. Cl. 23 cm (Reprint)
London The British Broadcasting Corporation 1936 plaquette in-12 Broché
EDITION ORIGINALE du texte de cette conférence. 28 pp. La couverture est bien verte. Très bon 0
London: T. Fisher Unwin, n.d. (1900), in-8vo, XX + 279 p. (+ 1), illustr. with 20 black and white plates and a folded map in good condition, some foxing to endpapers, exlibris Peter E. Obergfell, Blue cloth covered boards with gilt lettering and gilt vignette to corner of front board,uncut edges to reading and foot,
Image disp.
Phone number : 41 (0)26 3223808
, P., Seghers, 1954; in-12. Portant un envoi autographe de l’auteur au poète Norge. ÉDITION ORIGINALE en français avec le texte original chinois en vis à vis. Envoi autographe au poète Norge.
Turnhout, Brepols, 2011 Hardback, VIII+304 p., 160 x 240 mm. ISBN 9782503533759.
This volume presents essays on early modern Latinity, which examine both humanist Latin and Latinists' responses to Otherness of various kinds. The essays in this volume, many of which are in dialogue with Francoise Waquet's Latin or the Empire of a Sign, showcase some of the most exciting and sophisticated new work in the field of neo-Latin studies. They illustrate the significance of 'Latinity' for understanding the early modern world from a variety of disciplinary perspectives and will be of interest not only to neo-Latinists but to students of the modern European vernaculars, social historians of language, lexicographers, intellectual and scientific historians, and to cultural and cross-cultural historians. Under the second term of the title, 'Alterity', our volume explores humanist Latin's 'opposition' to mediaeval Latin and the modern vernaculars; the 'otherness' of women's Latinity; the construction of the non-European in Latin humanism; and the Latin writings of non-Europeans, from indigenous Americans to Africans. The exploration of these themes helps us more fully to understand what Latin 'really meant' during the early modern period. New.
2002 Editions Ouest-France - 2002 - In-4 à l'italienne; cartonnage illustré avec jaquette illustrée - 138 pages - Nombreuses illustrations en couleurs, in et hors-texte, dans l'ouvrage
Bon état Bon
Paris, Robert Laffont, 1990, in-8 étroit, br., couv. ill. coul. éd., 244 pp., papier crème, très nb. dessins, carte et photos en noir et en bistre, Lexique, Bibliographie, Table des matières, Très intéressant ouvrage sur l'origine, l'histoire, la culture, les propriétés, les recettes, les différents "types" de thé. Belle iconographie ancienne. Très bon état
Librairie spécialisée en gastronomie , œnologie et tabagie
Yi Sabine, Jumeau-Lafond Jacques, Walsh Michel
Reference : 129696
(1983)
ISBN : 2221011376 9782221011379
Robert Laffont 1983 In-8 cartonnage éditeur. 21,0 cm sur 12,2. 239 pages. Cartommage émousé.. Bon état d’occasion.
Une des rééditions de 1988 Bon état d’occasion
YI Sabine - JUMEAU-LAFON Jacques - WALSH Michel
Reference : 180899
(1983)
ISBN : 2221011376
Laffont Robert Laffont,1983. In-8 relié cartonnage éditeur de 240 pages. Illustrations. Très bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
London, William Nicholson, 1809. 8vo. Contemp. hcalf, but spine lacks, boards loose. In: ""A Journal of Natural Philosophy, Chemistry, and the Arts. By William Nicholson."" Vol. XXII. - VIII,384,(8) pp. a. 10 engraved plates. Youngs paper: pp. 104-124. Small stamps to verso of titlepage. Internally fine and clean.
First appearance (together with the paper in the ""Transactions of the Royal Society at the same time) of this famous paper, containing Young's implicit discovery of the Joukowski equation for solids, 100 years before it appeared under the name of Joukowski (1847-1921), the well-known pioneer in the theory of aerodynamics.