Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
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Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
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Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
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Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
Bon état
Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
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Le Livre de Poche 2014 712 pages 11x17 8x3 5cm. 2014. mass_market. 712 pages.
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Le Livre de Poche 2014 709 pages 11x3 6x17 8cm. 2014. mass_market. 709 pages.
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Le Livre de Poche 2014 709 pages 11x3 6x17 8cm. 2014. mass_market. 709 pages.
Bon état
Le Livre de Poche 2014 709 pages 11x3 6x17 8cm. 2014. mass_market. 709 pages.
Bon état
Le Livre de Poche 2014 709 pages 11x3 6x17 8cm. 2014. mass_market. 709 pages.
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Le Livre de Poche 2014 709 pages 11x3 6x17 8cm. 2014. mass_market. 709 pages.
Bon état
Martainville-Epreville, Musée des Traditions et Arts Normands - Château de Martainville / Notre-Dame de Bondeville, Musée Industriel de la Corderie Vallois, 2003, 21 x 29,5, 128 pages cousues sous couverture rempliée illustrée. Iconographie couleurs. Ouvrage publié à l'occasion de l'exposition - sous la direction d'Alain Joubert - présentée aux musées du 16 mai au 26 octobre 2003.
Très bon état.
Jenner Bernard Berge Michel Kristy Serge
Reference : 500155843
(1995)
ISBN : 9782010137310
Hachette 1995 14 4x1 2x19 2cm. 1995. Relié.
Très bon état
, Brepols, 2023 Paperback, 449 pages, Size:156 x 234 mm, Illustrations:24 b/w, 149 col., 3 maps b/w, 2 maps color, Language: English. ISBN 9782503602684.
Summary The year 1204, when Byzantium was conquered by the participants of the Fourth Crusade, marks a major and violent change on several levels, including politics and the economy, society and religion, as well as art and culture. The once powerful empire experienced both the humiliation of foreign occupation and its political subjugation. After its re-establishment in 1261, Byzantium had become a shrunken state, surrounded by aggressive enemies, while a number of its vital areas, such as Crete and Cyprus, together with the Aegean and Ionian islands, remained under foreign rule. These changes influenced not only the artistic output but the everyday life of the Byzantines as well. New ideas, new preferences, and new techniques are attested in architecture, painting, sculpture, and minor arts, all of which developed a new dynamic. According to the Greek philosopher Heraclitus of Ephesos (c. 535 - c. 475 B.C.), whose aphorism ????? ???, i.e. everything flows, is highlighted in the title of this collective volume, change is the fundamental essence of the universe. The book aims to provide an up-to-date, well-rounded, and balanced overview of the long thirteenth century, by examining aspects of the artistic and cultural transformations created and developed within the new framework of co-existence among Byzantines, Latins, Slavs, and Ottomans. TABLE OF CONTENTS Notes on Contributors List of Figures Acknowledgments Introduction Jenny P. Albani and Ioanna Christoforaki PART I. A Capital Exiled, A Capital Regained Chapter 1 Loss, Memory, and Exile: Innovation and Simulation in Laskarid Art and Architecture Naomi Ruth Pitamber Chapter 2 Brickwork and Fa ade: Envisioning the Apse of the Church of Saint John the Baptist at the Lips Monastery Jasmina S. ?iri? PART II Artistic Developments and Interactions in the Christian East Chapter 3 Tradition and Transition on the Slopes of the Pentadaktylos Mountain in Thirteenth-Century Cyprus Nikolas Bakirtzis Chapter 4 Icons of the Virgin Nursing at Sinai and the Question of the Origins of the Madonna dell'Umilt Irene Leontakianakou Chapter 5 An Unknown Frankish Icon of the Mother of God Michele Bacci Chapter 6 Changes and Innovation: Reassessing Thirteenth-Century Byzantine Manuscript Illumination Marina Toumpouri PART III Regional Styles and New Cultural Identities Chapter 7 Architectural Sculpture during the Thirteenth Century: Cultural Interactions Shaping New Regional Identities Catherine Vanderheyde Chapter 8 Artistic Links between Epiros, Prilep, and Berroia in the Late Thirteenth Century: Continuity and Change in Monumental Painting Leonela Fundi? Chapter 9 A Missing Link in the Development of Relief Haloes: The Evidence from Macedonia Nikolaos Siomkos PART IV New Data on Everyday and Luxury Objects Chapter 10 Changing Byzantium: The Thirteenth Century Viewed through Its Pottery: Summary of the Evidence, Main Trends, Thoughts for Future Directions Anastasia G. Yangaki Chapter 11 Slow Paces of Change in Byzantine Material Culture: Dress in the Thirteenth Century Pari Kalamara Chapter 12 New Light on Byzantine Enamels of the Thirteenth Century Antje Bosselmann-Ruickbie PART V Envisaging and Visualizing Death Chapter 13 Eloquent Texts, Colourful Images: Visionary Scenes at the Refectory of the Patmos Monastery Konstantia Kefala Chapter 14 Is Everything Dead after Death? Mural Paintings of the Last Judgment and the Eschatological Preoccupations of the Thirteenth Century. Dimitra Kotoula In Conclusion Jenny P. Albani and Ioanna Christoforaki Index of Persons Topographical Index
, Brepols, 2023 Paperback, 282 pages, Size:216 x 280 mm, Illustrations:60 b/w, 84 col., 8 tables b/w., 10 maps b/w, 5 maps color, Language: English. ISBN 9782503602325.
Summary The ancient Mediterranean basin was once thought to be populated by large, monolithic, cultural-political entities. In this conception, 'the Greeks', 'the Romans', and other stable and homogenous cultures interacted and vied for supremacy like early modern states or empires. Today, however, thanks largely to an ever-increasing archaeological record, critical and sensitive approaches to the literary evidence, and the impact and application of new theoretical approaches, the ancient Mediterranean region is instead argued to be full of dynamic microcultures organized in a fluid set of overlapping networks. While this atomization of culture has resulted in more interesting and accurate micro-histories, it has also challenged how we understand cultural interaction and change. This volume draws on this new understanding of cultural identity and contact to address the themes of adoption, adaption, and innovation in Pre-Roman Italy from the 9th-3rd centuries BCE. The contributors to this volume build upon recent paradigm shifts in research that challenge traditional Hellenocentric models and work to establish a new set of frameworks for approaching the tangled question of how 'indigenous' and 'foreign' features relate to one another in the material record. Using focused case-studies, ranging from the role played by mobile populations in transferring ideas and technologies to the different ways in which 'foreign' artistic elements were used by Italian peoples, the volume explores what the ? now commonly accepted ? connectedness of a wider Mediterranean world meant for the people of Italy in practical terms, and offers new models for how concepts and ideas were transmitted, reinterpreted, repurposed, and re-appropriated in early Italy to fit within their local context. TABLE OF CONTENTS List of Illustrations Acknowledgements Abbreviations 1. Rethinking Cultural (Ex)Change in Pre-Roman Italy Jeremy Armstrong and Aaron Rhodes-Schroder 2. The Paradox of Innovation in Conservative Societies: Cultural Self-Consistency and Bricolage in Iron Age Central Italy Nicola Terrenato 3. Mixing Up Mediterranean Innovation: The Case of Viticulture and Wine Franco De Angelis 4. The World has Changed: Insularity and Tyrrhenian Connectivity during the Corsican Iron Ages Marine Lechenault and Kewin Peche-Quilichini 5. Folding Meaning in an Object: The Ficoroni Cista and the Heterarchy of Art in Early Italy John North Hopkins 6. Virtue in Variety: Contrasting Temple Design in Etruscan Italy Charlotte R. Potts 7. The Demon Is in the Detail: Greek Pottery in Etruscan Funerary Contexts Aaron Rhodes-Schroder 8. Local Choices in a Networked World: Funerary Practices at Crustumerium (Lazio) during the Long Seventh Century BCE Peter Attema, Barbara Belelli Marchesini, and Matthijs Catsman 9. From the Ground Up: Constructing Monumental Buildings in Archaic Central Italy Amanda K. Pavlick 10. The Archaic Countryside Revisited: A Ceramic Approach to the Study of Archaic Rural Infill in Latium Vetus Gijs Tol 11. Ritual Connectivity in Adriatic Italy Camilla Norman 12. Face to Face: Isolated Heads in South Italian and Etruscan Visual Culture Keely Elizabeth Heuer 13. Feasting Transformed: Commensal Identity Expression and Social Transformation in Iron Age and Archaic Western Sicily William M. Balco 14. The Deep Past of Magna Graecia's Pottery Traditions: Adoption and Adaptation at Timpone della Motta and in the Sibaritide (Northern Calabria, Italy) between the Middle Bronze Age and the Archaic Period Peter Attema, Carmelo Colelli, Martin Guggisberg, Francesca Ippolito, Jan Kindberg Jacobsen, Gloria Mittica, Wieke de Neef, and Sine Grove Saxkj r Index
, Brepols - Harvey Miller, 2025 Paperback, Pages: 360 pages, Size:178 x 254 mm, Illustrations:14 b/w, 112 col., 17 tables b/w., 4 maps b/w, Language:English, *new. ISBN 9782503618722.
This volume presents contributions by leading scholars on various topics and aspects of Islamic Archaeology, a discipline which has recently seen the development of exciting new approaches to the study of the material culture of the Muslim world. This material culture was produced by and/or for Muslims, as well as by and/or for non-Muslims living under Islamic rule from the 7th century onward, in an expanding and ultimately vast area reaching from southern Europe to West Asia. The contributions in this book focus on Jordan, Oman, Spain, Turkey, Lebanon, as well as Israel, and cover a timespan from the 7th century through the Mamluk period to the early 20th century. They highlight the archaeology of large Islamic centers in the past, but also of the material culture in smaller sites and peripheral regions. Special emphasis is paid to pottery as one of the main artifacts that carry information on past societies, but other finds and materials are discussed as well. The aspect of Islamic material culture which receives particular attention is ?production?, specifically the production of clay vessels, glaze, mercury, and crops. What unites the new approaches presented here is that Islam is understood as both a ?religion? and a framework for economic, cultural, and social networks and influence. In this perspective, the volume aims to offer students of Islamic archaeology, historians of Islam and archaeologists of different disciplines a glimpse of the state-of-the-art in current Islamic Archaeology TABLE OF CONTENTS JOANITA VROOM (Series Editor) Preface HAGIT NOL & JOANITA VROOM (Volume Editors) Introduction: Current trends in Islamic Archaeology THEORY AND POTTERY JOS CRIST BAL CARVAJAL L PEZ Islamization and ceramics: Assembling change and Con-Text BETHANY J. WALKER ?Made on Order for the Amir?: What was the function of Mamluk Barracks Wares? ELENA SALINAS Entanglements in the western Islamic lands: Early glazed ceramics of al-Andalus SETTLEMENTS AND LANDSCAPES JOANITA VROOM All that glitters: Islamic material culture in Ephesus, western Turkey HAGIT NOL The archaeological narratives of Ramla from the 7th to the 11th century: Experimenting with Big Data KATAR NA MOKR NOV & MARGREET L. STEINER Material entanglements in the Early Islamic southern Levant (650-1000 CE): A view from the rural site of Tell Abu Sarbut, Jordan VALENTINA VEZZOLI Material culture and human landscape in Lebanon during the Islamic period: Baalbek and the Beqaa Valley PETER M.M.G. AKKERMANS, MEREL L. BR NING & AHMAD ALGHIZAWAT The grazing ground beyond the sown: Mamluk pastoralist settlement in Jebel Qurma, Black Desert, north-east Jordan IRINI BIEZEVELD & BLEDA S. D RING Quantifying the Late Islamic ooccupation peak: The case of the Upper Falaj al-Mu?tari?
, Brepols, 2024 Paperback, xii + 166 pages, Size:216 x 280 mm, Illustrations:71 b/w, 35 col., 2 maps b/w, 2 maps color, Language: English. ISBN 9782503611747.
Summary Archive archaeology has, in recent years, become increasingly acknowledged as an important component of archaeological research. However, the vast amounts of empirical data contained in such archives - among them fieldwork diaries, working notebooks, finds sheets, and photographs - together with a sense that the field is often skewed towards 'one's own data', have made it difficult to develop a clear methodological approach that fits all eventualities. The result is that archive archaeology is still not always recognized for what it can bring to the discipline of archaeology, as a field of study that focuses on the contexts within which humanity developed. This volume draws together contributions from scholars who work with archives in a variety of capacities: as fieldwork directors of decades-long excavations; as archivists interested in the history of collections; as specialists focusing on certain object groups or regions; and as researchers broadly interested in what archival material brings to the table in terms of new knowledge about archaeological situations. In showcasing contributions of work in progress, the chapters published here bring to the fore knowledge about archives that has long been overlooked, and examine how archival archaeology should be shaped in the future so that it can become more firmly integrated within archaeological practice. TABLE OF CONTENTS Trends in Archive Archaeology: An Introduction Jon M. Frey and Rubina Raja What's In a Name? The Role of Digital Gazetteers for Post-Colonial Legacy Archaeology Anne Hunnell Chen Digitization as Interpretation: Cautions for Archival Archaeology from Artifact Photography Elizabeth Knott Archives and Curatorial Work at the Davis Museum Nicole Berlin Photocorinthia: The Contingency of Archaeological Photography in the Corinth Excavation Archives Peter Anthony Thompson Archive Archaeology and Critical Disciplinary Histories: A Case Study on the Origins of the University of Cincinnati Expedition to the Troad (1932-1938) Jacob M. Engstrom Old Digs, Unfinished Business, Digitization, and New Data. The Committee for the Investigation of Antioch-on-the-Orontes (CIAO) Andrea De Giorgi, Stephen Batiuk, A. Asa Eger, Julia Gearhart, Kirstin Ohrt, and Alan Stahl The Archival Archaeology of Archaeologists: The West Cemetery at Isthmia, 1967-1990 Ulrike Krotscheck and Jon M. Frey Futures for Archive Archaeology: Struggles, Successes, and Methodologies Emilia Oddo
La Musardine 2010 253 pages 13 5x2x21cm. 2010. Broché. 2 volume(s). 253 pages.
proches du très bon état
La Musardine 2006 181 pages 11 1x17 7x1 4cm. 2006. pocket_book. 181 pages.
Très bon état
Harlequin 2017 360 pages 13x20 4x2 8cm. 2017. Broché. 360 pages.
Très bon état
Harlequin 2017 360 pages 13x20 4x2 8cm. 2017. Broché. 360 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Harlequin 2017 360 pages 13x20 4x2 8cm. 2017. Broché. 360 pages.
Comme neuf
, Brepols, 2019 Paperback, 346 pages, Size:216 x 280 mm, Illustrations:86 b/w, 185 col., Language: English. ISBN 9782503584508.
Summary This second volume of the series offers a broad range of subject matter from an equally broad range of regions. Michael Shenkar compares a particular type of deity from the Parthian West (Palmyra, Hatra) with the colossal image of a divinity from Akchakhan-kala in ancient Choresmia (part of modern-day Uzbekistan). Careful iconographic analysis of a sealing showing the god Mithra, found at Kafir Qala near Samarkand, allows Fabrizio Sinisi to suggest a Kushan origin for the seal that made the impression. Several contributions on Sogdiana concern its archaeology and early history (Bi Bo on Kangju and Sogdiana); the iconography of one of the major wall painting cycles at Panjikent (Matteo Compareti) as well as the city's temples and deities worshipped (Markus Mode). By drawing on archaeological, ethnological and historical data, S ren Stark offers an extensive discussion of mountain pastoralism and seasonal occupation in northern Tajikistan, north of the Zerafshan River in what were borderlands for Sogdiana. Rounding out the first part of this volume is Suzanne G. Valentine's publication of a Bactrian camel clay sculpture, excavated in the Sui-Tang capital of Xi'an, its saddlebags decorated with an unusual motif. The second and last part is guest-edited by John Clarke, convener of a Buddhist conference in 2010. This section contains updated or new papers by some of the participants-Naman P. Ahuja on Buddhist imagery in Bengal; Amy Heller on the impact of Kashmiri art on Guge and Ladakh; Deborah Klimburg-Salter on Buddhist pilgrimage sites in Afghanistan; and Michael Willis on sculpture from Sarnath in the British Museum-along with that of Chiara Bellini on the restoration of the Alchi Sumtsek and the dating of the Ladakhi temple. TABLE OF CONTENTS On Central Asian Art and Archaeology Michael SHENKAR - "The Chorasmian Gad: On the "Colossal" Figure from Akchakhan-kala" Fabrizio SINISI - "A Kushan Investiture Scene with Mithra on a Seal Impression from Kafir Qala, Samarkand" BI Bo - "Recent Archaeological Discoveries Regarding Kangju and Sogdiana" Matteo COMPARETI - "Simurgh or Farr? On the Representation of Fantastic Creatures in the Sogdian 'Rustam Cycle' at Panjikent" Markus MODE - "In the Heart of the City: On Sogdian Temples and Deities at Panjikent" ? ? On Buddhist Sculpture: Papers from a Symposium held at the Victoria and Albert Museum, London, November 8 and 9, 2010, and Papers Inspired by the Symposium John CLARKE (Guest Editor) - "Introduction" Naman P. AHUJA - "A Buddhist Interpretation of Small Finds in the Early Historic Period" Michael WILLIS - "Markham Kittoe and Sculpture from Sarnath in the British Museum" Deborah KLIMBURG-SALTER - "Buddhist Pilgrimage to India: Bamiyan, Kapisa -Kabul, and Mes Aynak" Amy HELLER - "Tracing the Impact of Kashmiri Art in Guge and Ladakh, Eleventh to Thirteenth Centuries" Chiara BELLINI - "Some Other Pieces of the Puzzle: The Restoration of the Alchi Sumtsek by Tashi Namgyal and Other Considerations on the Dating of the Ladakhi Temple" On Far Eastern Art and Archaeology Bonnie CHENG - "The Underground Silk Road - Pictorial Affinities in Fifth-century Cave Temples and Tombs" Heather D. CLYDESDALE - "Buried Towers: Artistic Innovation on China's Frontier" Suzanne G. VALENSTEIN with Annette L. JULIANO and Judith A. LERNER - "Hellenism in Sui-Tang Chang'an: Dionysiac Imagery on Mortuary Camels" Young-pil KWON - "Note on Border Patterns Dividing the Earthly and Heavenly Realms in Goguryeo Tomb Paintings"
Valréas, imp. Jabert, 1859, 1 br. in-8 de 88 pp. ;