, Kredietbank, 1993., Broche, couverture d' editeur illustre en couleur, 21x30cm, 124pp, illustre en couleur et n/b.
Europalia 93 Mexico.
, Anvers, Fonds Mercator, 1975.**, Relie, toile noir, dore sur les plats, dos orne de titre dore, sous jacquette d' editeur illustre en couleur, jacquette peu endommage, 26x31,5cm, 287pp, illustre en couleur et n/b.
Introduction de E.S. Kirschen.
, Paris, Editions des Musees Nationaux, 1975., Broche, couverture d' editeur illustre en couleur, 21,5x28cm, 225pp, illustre en couleur et n/b.
Tresors des musees sovietiques. Bon etat.
Barcelone, Escudo de Oro, 1991 Broche, couverture carton illustree, 120.5x24 cm., 96pp., illustration abondante en couleurs. ISBN 8437809258.
Reportage photographique accompagne par la biographie du peintre.
, Oostende, PMMK, 1998, Gebrocheerd onder geillustreerde kartonomslag, 240 x 285mm., 240pp., zeer uitgebreide kleurillustratie. ISBN 90 74377 74 2.
Tweetalige editie. Tentoonstelling te Oostende van 4 april tot 28 juni 1998. Boek is in goede staat.
, Museu Nacional De Arte Antiga, Lisbon, Portugal 1975 , Paperback, 74pp., 16.5x23cm., ills. in b/w. Good copy, traces of use.
With portugese marks on gold and silver.
Herford, Marta Herford, 2008 Broschiert, 21 x 14.5cm., illustriert koloriert. ISBN 9783.
16. August - 28. September 2008. Deutsche Sprache. Good.
, Leiden, Het Gedistilleerd Bureau, s.d., Gebrocheerd, originele geillustreerde uitgeversomslag in kleur, 13x20cm, 28pp, geillustreerd in kleur en z/w.
, Mercatorfonds , , 2005 originele geillustreerde uitgeversomslag in kleur, 23x28cm, 205pp, geillustreerd in kleur en z/w. ISBN 9789061536031.
Europalia.russia. Deze uitgave schetst aan de hand van kunstwerken de geschiedenis van Rusland, van de stichting van Novgorod tot de vorming van een moderne Europese natie onder Peter de Grote en Catharina II.
Ostfildern, Hatje Cantz, 2003 Bound, black cloth, illustrated black dustjacket, 230 x 290mm., 400 pp., 501 ills., 239 in colour. . ISBN 9783775713177.
This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstatte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstatte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design. New.
HUGO DOCUMENT 2015 311 pages 15x3 2x21 8cm. 2015. Broché. 311 pages.
Comme neuf - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
FLEURUS 2012 336 pages 14x2 6x20 4cm. 2012. Broché. 336 pages.
Très Bon Etat
S.l. S.n. 1784 3 volumes in-8 Reliure d'époque
EDITION ORIGINALE en 3 tomes : Tome I : table : VI pp. + Introduction : CLIXpp. + 352 pp. & 1 taleau dépliant hors-texte p. 306 - Tome II : table : VI pp. + 536 pp. - Tome III: table : IV pp. + 468 pp. >>Bon exemlaire en reliure d'époque : veau fauve raciné, dos lisse orné avec lettre or en pièces de titre et de tomaison, triple encadrement sur les plats, tranches dorées. Très bon 0
NERI, Antonio & MERRET, Christopher & KUNCKEL, Johann & M.D.*** [or Paul Henri THIRY, Baron d'HOLBACH]
Reference : 51457
, Chez Durand et Pissot, Paris, France, 1752 Relie, demi-toile, en veau a l'impression dore et au 5 nerfs, plattes interieures decorees, (19e siecle) , 632 pp.,16 pl., 26 x 21 x 5 cm. V.G. condition.
L'Art de la Verrerie OU l'on trouvera la maniere de faire le Verre et le Crystal, d'y porter des Couleurs, d'imiter les Pierres Pretieuses, de preparer et colorer les Emaux, de faire la Potasse, de Peindre sur le Verre, de preparer des Vernis, de composer des Couvertes pour les Fayances et Poteries, d?extraire la Couleur Pourpre de l?Or, de contrefaire les Rubis, de faire le Saffre, de faire et peindre les Porcelaines, &c.. Translated from German into French. Traduits de l'Allemand par M.D.*** [ou Paul Henri THIRY, Baron d'HOLBACH].
Paris Michel Lévy frères 1856 Demi-reliure
EDITION ORIGINALE. Bradel demi-percaline sable, lettre or sur pièce de titre gold au dos, couvertures poussiéreuses conservées. Rousseurs éparses. (Vicaire, VI, 59). Bon 0
Berne, Chez Alain Berlincourt, 1961. 4°. 20 Seiten, 3 Bl. Orig.-Broschur in Halbleinenschuber.
Eines von 36 Exemplaren. Einbandarbeiten von Hugo Peller.
Couverture rigide. Cartonnage de l'éditeur. 223 pages. Dos légèrement défraîchi. 19 x 29 cm.
Livre. Société Française d'Imprimerie et de Librairie, Début XXe. Vers 1900.
G.P. / Spirale 1959 in12. 1959. cartonné.
Bon Etat usure angle du dos
CALMANN-LEVY 2017 396 pages 13 6x21 2x3 6cm. 2017. Broché. 396 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Les Nouvelles Editiones Africaines - M.L.B., 1984, in-4to, 312 p. / 314 p. / 324 p., richement ill. / richly illustrated, original clothbound, colour illustrated jackets fine copy + Box (only this orig. cloth-box a bit waterstained). (L’Étui orig. en toile, taché d’eau).
Phone number : 41 (0)26 3223808
, Brepols, 2023 Hardback, x + 190 pages, Size:156 x 234 mm, Language(s):English, Arabic. ISBN 9782503600536.
Summary In the eleventh century, as Muslim sovereignty in the Western Mediterranean was eroded by both internal divisions and external attacks, Sicily fell to the Normans. At the same time, al-Andalus fragmented into a series of small kingdoms that were then picked off by powerful conquerors. Against this backdrop, Arabic poets made use of their craft to try and explain the changes in their world. Among them were the Andalusian Ab? Ish?q and the Sicilian Ibn Hamd?s, both of whom wrote vividly about their own ageing and mortality, as well as about the broader twilight of the worlds they knew. Taking these two protagonists as its starting point, this extraordinary volume explores how Ab? Ish?q and Ibn Hamd?s, despite their different locations, both made use of poetry. For them, it was a tool to confront their mortality, lament their own physical decay, and appeal to their age and experience, as well as a way of juxtaposing their concerns with the political and social dismemberment of their wider societies and the need for a restoration of world order. The result is also a broader discussion of the relationship between poetry and politics in Maghrib? Islam, and a reminder of poetry's importance as a medium to engage with the world. TABLE OF CONTENTS Acknowledgements Introduction. A Poetics of Ageing Chapter One. The Twilight of Arabo-Muslim Hegemony in the West: The Rise of Ab? Ish??q and Ibn ?amd?s as Political Poets Chapter Two. The Poetics of Ageing: Al-Shayb wa-l-shab?b as a Poetic Motif Chapter Three. A Poetics of Loss: The Elegies Chapter Four. The Poetics of Withdrawal: Ascetic Verse Conclusion Bibliography Indices
"NIEPCE DE SAINT-VICTOR, (CLAUDE FELIX ABEL). - THE INVENTION OF NIEPCEOTYPES OR ""GLASS PICTURES"".
Reference : 47222
(1847)
(Paris, Bachelier), 1847. 4to. No wrappers. In ""Comptes rendus hebdomadaires des séances de l’Académie des sciences"", Vol. 25, No 17. Pp. (561-) 608. (Entire issue offered). Niepce de Saint-Victor's paper: pp. 579-589.
First appearance of this milestone paper in the histroy of photography in which Niepce de Saint-Victor describes his invention of photography on glass or ""glass negatives"".""Early in 1847 Niepce de Saint-Victor experienced with the use of starch paste on his glass plates as a binding substratum for the iodide coating, but he soon found that albumen was preferable"" he also tried gelatine, but laid it aside because it came off in the aceto-silver nitrate bath. By a mixture of honey, syrup, or whey with the albumen, he oncreased, later the sensivity. He published his process on October 25, 1847, in the Comp. rend. (the paper offered), and soon had many followers. He also made many modifications (Annexe to the memoir)."" (Eder ""History of Photography"", Dover Publ., pp. 338 ff.).
Ardo Album souple 1971 In-4 (19,5 x 26,5 cm.), album souple, couverture illustrée, 63 pages, nombreuses illustrations couleurs y compris dépliantes, texte quadrilingue: italien-allemand-anglais-français ; coiffes un peu frottées, certaines pages collées entre elles au bord (avec quelques traces), par ailleurs très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bruxelles. Phantomas. Collection "Des Types en Or". 1979. Grand in-8° broché. 186 pages. E.O.
Très propre.
Indigène 1999 128 pages 1x21x15cm. 1999. Broché. 128 pages.
Très bon état