‎TRAITE PRATIQUE DES PEINTURES SUR ETOFFES. éventails sur soie, peau, gaze, etc. Peintures décoratives sur velours, satin, tissus divers,‎

‎H. LAURENS. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 78 pages; Frontispice en noir et blanc. Nombreuses illustrations en noir et blanc, hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Petite bibliothèque illustrée de l'enseignement pratique des beaux-arts. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Archipenko : visionnaire international. Préface par S. Dillon Ripley. Avant-propos par David W. Scott. Essai par Guy Habasque. Tournée d’Exposition Rétrospective Organisée par International Art Program Smithsonian Institution.‎

‎ Washington, International Art Program, National Collection of Fine Arts Smithsonian Institution 1969, 250x220mm, 115pages, broché. Bel exemplaire.‎

‎ planches en couleurs et n/b, photos n/b et illustrations in texte, richement illustré, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Sculture del Magazzino del Museo Vaticano [2 volumes] I: Testo, II: Tavole‎

‎Citta del Vaticano, 1936-1937 Complete in 2 volumes, I: xxi,315,[2] pp. (text), II: 116 bl/w plates with over 700 ills., 35cm., in the series "Monumenti Vaticani di Archeologia e d'Arte" volume IV, text in Italian, publisher's hardcover bindings in blue cloth (corners and spine's edges slightly used), text and plates clean and bright, good condition, weight: 3.8kg., S102111‎

‎Making of Hispano-Flemish Style Art, Commerce, and Politics in Fifteenth-Century Castile‎

‎, Brepols - Harvey Miller, 2015 Hardcover with dusjacket - X+228 pages., 132 b/w ill. + 34 colour ill., 210 x 297 mm, Languages: English. FINE ISBN 9782503546247.‎

‎This book examines the phenomenon of "Hispano-Flemish" style in fifteenth-century Castile, providing an account of its most important monuments and describing the ways in which it is embedded in specific social and cultural settings. Trade, diplomacy, and immigration account for the widespread presence of art and artists from northern Europe in Castile during the period and these mechanisms of international contact and exchange are the starting point for this inquiry. Chapter one details commercial relations between Castile and the art-producing centers of northern Europe, stressing the dominant role of merchants from Burgos and documenting the prevalence of imported luxuries like tapestries, paintings, and sculpture. The presence of imported artworks in Castile was paralleled by a similarly robust number of immigrant artists, some itinerant and others attached to permanent workshops. Their influence is discussed in chapter two, with emphasis on the establishment of multi-generational family workshops under the direction of immigrant masters. Such workshops rooted foreign styles on Castilian soil and decisively influenced the ways in which visual conventions were learned, transformed, and transferred. The receptivity of patrons to the visual qualities of the imported style is analyzed in relation to its capacity to assert emerging social, political, and spiritual values. The adoption of northern forms in Castile, first detected in the sculptural decoration of funerary chapels of the mid-1430s, was sustained for the rest of the century, culminating in the completion of the monastery of Miraflores under the patronage of Isabel of Castile. Chapter three outlines the religious, commemorative, and political motives that informed the foundation of the monastery by Juan II and those that animated his daughter?s efforts to complete it. It establishes the chronology of works in relation to historical events and details the intervention of Juan and Simon de Colonia, Gil de Siloe, Juan de Flandes, and others. The reelaboration of Siloe?s northern European sculptural idiom at Miraflores was a distinctive process, stimulated by the demands of his royal patron, conditioned by the practices of a heterogeneous workshop, and obliged to visualize a new concept of royal sovereignty. ‎

‎KASPER ‎

‎PREFACE SERGE MOSCHETTI-TEXTE FRANCAIS ET ANGLAIS-192 PAGES-JAQUETTE-1 DECHIRURE 1,5 CM MARGE INF DU DOS DE JAQUETTE SINON ETAT NEUF-(300H)‎

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‎FRAGMENTS EDITIONS COUVERTURE RIGIDE ETAT COMME NEUF‎

‎MARIENBILD IN RHEINLAND UND WESTFALEN.‎

‎, Essen, Villa Hugel, 1968., Brosschiert, Original-Umschlag illustriert (photo) koloriert, 24x16,5cm, 194pp + 360 abbildungen s/w.‎

‎MENSCHEN GLEICH. DIE SUCHE NACH DEM CHRISTUSBILD.‎

‎, Trier, Selbstverlag, 1996., Original - Umschlag illustriert koloriert, 23x30cm, 234pp, illustriert koloriert und s/w. ISBN 3980238571.‎

‎HOUTSNIJKUNST UIT MACEDONIE VAN DE 14e TOT DE 20e EEUW.‎

‎, Brussel, Koninklijke Musea voor Kunst en Geschiedenis, 1980., Originele uitgeversomslag geillustreerd in kleur, 17x24cm, s.p., geillustreerd z/w.‎

‎Catalogus van de tentoonstelling in de Koninklijke Musea voor Kunst en Geschiedenis.‎

‎Riemenschneider in Situ.‎

‎, Brepols - Harvey Miller, 2022 Hardback, 416 pages, Size:225 x 300 mm, Illustrations:33 b/w, 222 col., 1 maps b/w, Language: English. *NEW ISBN 9781912554454.‎

‎Summary Riemenschneider in Situ presents the newest research on the work of one of the most famous late medieval and early Renaissance sculptors, Tilman Riemenschneider. Moving beyond questions of style, date, and workshop practice, this volume investigates the sculptor's programs across the south German region of Franconia that survive in situ, within the particular contexts for which they were designed and in which they were originally experienced. In shifting the focus from fragmentary pieces in museum collections to extant installations in their original church settings, the volume contributes to a wave of scholarship interested in reanimating medieval artistic ensembles by considering them as complex visual environments. Together, the authors?conservators, museum professionals, and art historians?provide an essential and overdue study of Riemenschneider's best-preserved pieces, while also making an important, collaborative addition to the broader discipline of pre-modern art history. TABLE OF CONTENTS Karin and Eike Oellermann, Hartmut Krohm, 1940-2018 Julien Chapuis, Seeing and Exhibiting Riemenschneider Katherine M. Boivin and Gregory C. Bryda, Introduction PART 1: PLACE AND PLACEMENT Chapter 1: Jeffrey Chipps Smith , The Historiography of Place in Early Riemenschneider Scholarship Chapter 2: Katherine M. Boivin, The Topography of a Style Chapter 3: Volker Schaible, The Marian Retable by Tilman Riemenschneider in the Church of Our Lord in Creglingen: Results of a Technical Investigation Chapter 4: Matthias Weniger, Riemenschneider's Altarpieces from the Perspective of a Museum Collection PART 2: DYNAMIC ENVIRONMENTS Chapter 5: Johannes Tripps, Space, Light, and Liturgical Plays as a Source of Inspiration for Riemenschneider's Altarpieces Chapter 6: Thierry Greub, Placement and Replacement: Tilman Riemenschneider's Holy Blood Altarpiece in Rothenburg ob der Tauber and its Function in Liturgical Context Chapter 7: Mitchell B. Merback, Immanence and Intercession: Rooted Sanctity and the Creglingen Marienaltar Chapter 8: Tim Juckes, The Creglingen Altarpiece and its Multimedia Environment: Metamorphoses of a Furnishing Ensemble in Sacred Space ca. 1460-1510 PART 3: SURFACE AND COMPOSITION Chapter 9: Hartmut Krohm, Folding Textures and Rhetoric: Observations on the Manipulation of Light as an Artistic Factor in the Work of Riemenschneider and his Contemporaries Chapter 10: Ruth Ezra, Seeing Stoss in Riemenschneider's Resurrection Chapter 11: Georg Habenicht, Riemenschneider Uncolored Chapter 12: Michele Marincola and Anna Serotta, Riemenschneider's Assumption Altarpiece in the Church of Our Lord, Creglingen: A Review of its Restoration History and the Application of a New Examination Method Chapter 13: Assaf Pinkus, Compilatio at the Portal: The Last Judgment of Bern Minster Afterword: Oliver Gussmann, Riemenschneider's Holy Blood Altarpiece in its Present Ecclesiastical and Touristic Contexts in the Church of St. James in Rothenburg ob der Tauber Bibliography‎

‎Raffaele Riario, Jacopo Galli, and Michelangelo's Bacchus, 1471*1572‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 407 pages, Size:220 x 280 mm Illustrations:37 b/w, 206 col., 3 maps color Language:English *new. ISBN 9781915487117.‎

‎Summary On Michelangelo?s first day in Rome, in June 1496, Cardinal Raffaele Riario asked him if he could create ?something beautiful? in competition with the antique. The twenty-one-year old sculptor responded to this unique challenge with the statue of Bacchus now in the Bargello museum. This statue, as well as the Sleeping Cupid which first brought Michelangelo to Riario?s attention, have long been shrouded in mystery, and the Bacchus as well as its patron have long suffered from critical censure. Through a comprehensive analysis of overlooked and previously-unpublished sources, this study sheds new light on the Sleeping Cupid, the Bacchus, and a fascinating period in the history of Renaissance Rome when the careers of Riario, Galli, and Michelangelo were closely intertwined. It considers the rise of the Riario dynasty starting with the election of Pope Sixtus IV in 1471, Riario?s partnership with Jacopo Galli in the reconstruction of the palace now known as the Palazzo della Cancelleria, the attempted sale of Michelangelo?s Sleeping Cupid in Rome as an antiquity, Riario?s patronage of the Bacchus, and the Bacchus?s display in the house of the Galli up until its sale to the Medici in 1572. Taking a broad, interdisciplinary perspective, it offers a fundamental reassessment of Cardinal Riario?s career as a patron, of Jacopo Galli?s role as an intermediary for both Riario and Michelangelo, and of Michelangelo?s collaboration with Riario and Galli. TABLE OF CONTENTS Author?s Preface Chapter 1: Introduction Chapter 2: The Rise of the Riario, 1471?1484 Chapter 3: Cardinal Riario, the Galli, and the Reconstruction of San Lorenzo in Damaso, 1484?1499 Chapter 4: Familiars, Humanists, and Preachers, 1480s?1490s Chapter 5: Artists, Antiquities, and a Vigna in Trastevere, 1480s?1490s Chapter 6: The Case of the Sleeping Cupid, 1496 Chapter 7: Raffaele Riario?s Bacchus, 1496?1497 Chapter 8: Jacopo Galli?s Bacchus, 1497?1505 Chapter 9: The Bacchus in the Houses of the Galli, 1505?1572 Epilogue Appendix I: English Translation and Latin Text of Bernardino Capella and Gaspare Manio de Clodiis, Eclogue and Panegyrics for Cardinal Riario Appendix II: Sources and Documents in the Original Language Bibliography Index‎

‎HISTOIRE MONDIALE DE LA SCULPTURE - EGYPTE‎

‎HACHETTE REALITES. 1978. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 191 pages. Nombreuses photos en noir et blanc ainsi qu'en couleurs dans le texte et hors texte.. Avec Jaquette. . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎L'art de l'ancienne Egypte‎

‎Citadelles & Mazenod | Paris 1973 | 25.50 x 32 cm | reliure de l'éditeur‎

‎Edition originale. Reliure de l'éditeur en pleine toile écrue, dos lisse, exemplaire complet de sa jaquette illustrée qui comporte une légère déchirure en tête du dos. Riche iconographie. Bel exemplaire. - Photographies et détails sur www.Edition-Originale.com -‎

‎Ivan Mestrovic.‎

‎New-York etc. ; McGraw-Hill Company, s.d.; in-4, cartonnage entoilé, jaquette illustrée. ‎

‎256 reproductions dont 56 en couleurs.‎

‎THE ONLY WAY TO BE AN ARTIST IS TO WORK (en langue anglaise).‎

‎Spektar, Zagreb, 1970.‎

‎Un volume in-4°, reliure éditeur (toile blanche, signature de l’artiste en noir sur le 1er plat, jaquette à rabats avec différentes reproductions de l’oeuvre du très grand sculpteur hongrois (et croate), né en 1883 mort en 1962). L’ouvrage contient environ 150 pages dont 60 feuillets (soit 120 pages) de reproductions en noir et en couleurs. On trouvera in fine plusieurs pages: photos de différentes oeuvres, critiques, bibliographie, catalogue de reproductions. Présence d’un ex-dono sur la page de garde. TRES BON ETAT.‎

‎Behind the perception.‎

‎Nishinomiya City, Otani Memorial Art Museum, 1997 Bound, cardboard covers, 104pp., ills. in col. and b/w., text in Japanese and English. As new.‎

‎Jeff Koons: Pictures 1980-2002‎

‎Zzdap Publishing 2002 In-8 relié 25,1 cm sur 17,7. 120 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Tinguely et le mystère de la roue manquante. Avec la collaboration de Véronique Revaz.‎

‎ Carouge-Genève, Editions Zoé / Editions de l’Aube 1992, 240x160mm, 219pages, broché. Couverture à rabats. Bel exemplaire.‎

‎ photos n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Shipping Sculptures from Early Modern Italy. The Mechanics, Costs, Risks, and Rewards‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 231, Size:220 x 280 mm, Illustrations:77 col., 2 maps color, Language: English. ISBN 9781915487452.‎

‎Summary Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. TABLE OF CONTENTS Introduction A Note about Currency Chapter 1: From Origin to Destination Chapter 2: Churches Chapter 3: Residences Chapter 4: Public Sites Conclusion: Hidden Costs and Hidden Histories Appendix to Chapter 2 Appendix to Chapter 3 Appendix to Chapter 4 Select Bibliography Index‎

‎DERRIÈRE LE MIROIR N° 149. KELLY. Novembre 1964.‎

‎Paris, Maeght éditeur, 1964. In-folio (380 x 280 mm) en feuilles, 32 pages. 4 LITHOGRAPHIES ORIGINALES EN COULEURS D'ELLESWOTH KELLY dont 2 en double page (56 x 28 cm), 1 LITHOGRAPHIE ORIGINALE EN NOIR en double page. 9 reproductions. Exposition de 13 peintures et 2 sculptures de KELLY à la Galerie Maeght en novembre 1964. Texte de Dale Mc Conathy. Premier et unique tirage. Édition originale.‎

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‎Excellent état de conservation. First and unique printing in excellent condition.‎

‎DERRIÈRE LE MIROIR N° 172. KEMENY. Mai 1968‎

‎Maeght éditeur, Paris 1968. 32 pages. 10 reproductions en couleurs, 11 reproductions en noir et 6 fac-similé de dessins. Texte de Gaëtan Picon. Tirage original.‎

‎Très bon état‎

‎Visage de BOURDELLE‎

‎ PARIS, A. Colin - 1931 - In-8 ° broché - Couverture rempliée - Préface d'Albert BESNARD IX à XV - 206 pages - 32 planches H.T - tache sur couverture sinon très bon ex‎

‎ Cnformément à nos conditions générales de vente :Les frais de port sont affichés à titre indicatif. Il se peut que nous devions vous contacter pour vous informer du coût de laffranchissement supplémentaire en fonction du poids et du nombre de livres, surtout pour les envois internationaux Cependant vu l'augmentation des tarifs postaux à l'internationale, nous pouvons expédier les ouvrages en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile & adresse Courriel pour assurer le suivi du colis.N'hésitez pas à nous interroger.In accordance with our general terms and conditions of sale:Shipping costs are displayed for informational purposes only. We may need to contact you to inform you of the additional postage costs depending on the weight and number of books, especially for international shipments.However, given the increase in international postal rates, we can ship books via Mondial Relay to the following countries: Germany, Austria, Belgium, Spain, Italy, Luxembourg, Netherlands, Poland, and Portugal. Please provide us with your chosen Mondial Relay point, as well as your mobile phone number and email address to ensure package tracking.Please feel free to contact us with any questions‎

‎ELIE NADELMAN, LES ANNEES PARISIENNES, 1904-1914‎

‎Au même titre. 1998. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 77 pages. Illustré de nombreuses photos en couleur.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Artiste très indépendant, en marge des mouvements, c'est dans sa période parisienne qu'Elie Nadelman a le plus d'influence sur ses pairs. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎JEAN KERBRAT.‎

‎Darnetal, Editions Gnap école d'architecture de Normandie, 1989. In-4, cartonnage de l'éditeur, illustrations.‎

‎[5293]‎

‎L'Art des sculpteurs Taino, chefs-d'oeuvre des grandes Antilles précolombiennes.‎

‎ Paris-Musées 1994 Grand in-4 carré, reliure éditeur sous jaquette illustrée en couleurs, 270 pp, très nombr. reproductions en couleurs, glossaire, bibliogr. ‎

‎Très riche catalogue d'une exposition de référence au Petit Palais, réunissant près d'une centaine de belles pièces fort originales des Indiens Taïnos, population avec laquelle Christophe Colomb était entré en contact et qui fut rapidement décimée. Bel exemplaire. - Frais de port : -France 9,65 € -U.E. 11 € -Monde (z B : 17 €) (z C : 42 €) ‎

‎Adolphe Wansart‎

‎Antwerpen, De Sikkel (voor het Ministerie van Onderwijs) 1955 16pp.tekst + 25pp.ills.+ 1 portret, in de reeks "Monographieën over Belgische kunst", gecart. met stofwikkel (enkele vlekjes), [text in Dutch, cart.cover with dustwrapper], S29137‎