‎DISQUE VINYLE 33T ELDORADO / SYMPHONY / MISTER KINGDOM / NOBODY' S CHILD / BOY BLUE....‎

‎FET RECORDS. 1974. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Accrocs sur la pochette et sur la tranche de la pochette d'environ 7 cm.. . . . Classification : 410-33 Tours‎

‎ Classification : 410-33 Tours‎

‎Collection of 6 papers on Polychaetes.‎

‎1969-1977 Mostly on Polychaetes from California (one paper on Solomon Islands).‎

‎THE CONTRIBUTION OF LIGHT SCATTERING TO THE EXTINCTION OF PROTEINS ( DE BIJDRAGE VAN DE LICHTVERSTROOIING TOT DE EXTINCTIE DER PROTEINEN ),‎

‎Brussel, Paleis der Academien, 1951 Gebrocheerd, papieromslag, 180 x 260mm., 14pp.‎

‎Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Wetenschappen. Jaargang XIIII N? 1. In goede staat.‎

‎Sichtbare und Unsichtbare Bewegungen. Vortge auf Einladung des Vorstandes des Departement Leiden der Maatschappij tot Nut van 't Algemeen im Februar und Mrz 1901. Unter Mitwirkung des Verfassers aus dem Hollndischen bersetzt von G. Siebert. Zweite, vom Verfasser redivierte Auflage.‎

‎Braunschweig, 1910 Vieweg, 1910 1910. [x], 123 pp. 8vo (15 x 23 cm.). Original printed wrappers (slightly damaged), uncut. With 40 figures.‎

‎ "Visible and Invisible movements". A clear and fine paper of one of the founders of modern physics. This second revised edition is much scarcer than the original of 1901. Lorentz, venerated by Einstein, shared the Nobel Prize in Physics with Pieter Zeeman in 1902. -- (Some occasional foxing).‎

‎Om Identiteten af Lyssvingninger og elektriske Strømme. Meddelt den 25. Jan. 1866. (On the Identity of light- vibrations and electrical Currents - Ueber die Identität der Schwingungen des Lichts mit den elektrischen Strömen - Sur l'identité des vibrat...‎

‎Kjöbenhavn, Bianco Luno, 1867. Contemp. hcalf. Gilt spine with gilt lettering. In: ""Oversigt over det Kongelige danske Videnskabernes Selskabs Forhandlinger... i Aaret 1867"". X,273,49,(3) pp., textillustrations and plates. (Entire volume offered). Lorenz's paper: pp. 26-45 and pp. 9-16 (Resumé en Francais). Clean and fine.‎

‎Scarce first edition of Lorenz' landmark paper, which contains his important studies on the electromagnetic theory of light in which he - less than two years after, but independently of, Maxwell - found that LIGHT MIGHT BE INTERPRETED AS ELECTROMAGNETIC WAVES, and that his equations lead to the CORRECT VALUE FOR THE VELOCITY OF LIGHT. ""The procedure which Lorenz followed was that of which Riemann had suggested in 1858, namely, to modify the accepted formula of electrodynamics by introducing terms which, though too small to be appreciable in ordinary laboratory experiments, would be capable of accounting for the propagation of electrical effects through space with a finite velocity...The (Lorenz-) equations are, however, the fundamental equations of Maxwell's theory"" and therefore the theory of L. Lorenz is practically equivalent to that of Maxwell, so far as concerns the propagation of electromagnetic disturbances through free aether.....he suggested that ALL LUMINOUS VIBRATIONS MIGHT BE CONSTITUTED BY ELECTRIC CURRENTS, and hence that there was 'no longer any reason for maintaining the hypothesis of an aether, since we can admit that space contains sufficient ponderable matter to enable the disturbance to be propagated"" (Edmund Whittaker in ""A History of the Theories of Aether and Electricity I"", p. 267-70).‎

‎Om Identiteten af Lyssvingninger og elektriske Stømme. (On the Identity of the Vibrations of Light with electrical Currents).‎

‎(København, 1867). Contemp. marbled clothbacked boards. Titlelabel with gilt lettering on upper cover. Pp. 26-45. Extracted from ""Oversigt over det Kgl. danskeVidenskabernes Selskabs Forhandlinger 1867, Nr. 1"".‎

‎Extremely scarce first edition of the paper in which Lorenz, independent of Maxwell, stated that light is electromechanical in nature, probably inspired by his former teacher H. C. Oersted, the discoverer of electromagnetism and professor at the Polytechnic College, he aimed at unifying the forces of nature without introducing new physical hypotheses. ""The idea that the various forces in nature are merely different manifestations of the one and same force has proved itself more fertile than all physical theories"".Most impressive of all Lorenz’ achievements in optics is his electromagnetic theory of light, developed in a relatively unknown paper of 1867, two years after Maxwell’s famous paper on the same subject. At that time Lorenz did not know Maxwell’s theory, and his own approach was quite different. Lorenz’ electromagnetic theory of light can be described briefly as an interpretation of the light vector as the current density vector in a medium obeying Ohm’s law. This paper contains the fundamental equations for the vector potential and the scalar potential or - for the first time - the corresponding retarded potentials expressed in terms of the current density vector and the electrical charge density. The concept of retarded potentials had already been introduced in an earlier paper by Lorenz in connection with research on the theory of elasticity. He found that the differential equation for the current density vector was the same as his fundamental wave equation for the light vector, completed with a term which explains the absorption of light in conducting media, and that his theory led to the correct value for the velocity of light."" (Mogens Pihl in DSB).The paper was published in English, 1867 ""On the identity of the vibrations of light with electrical currents."" (Philosophical Magazine 34: 287-301) and also in German in ""Annalen der Physik""‎

‎Le luminaire de l'antiquité au XIXe siècle. 105 illustrations (héliogravures et figures).‎

‎Paris, R. Ducher 1934. Bel exemplaire broché, couverture ornée d'éd., gd in-8, 64 pages.‎

‎STEUBEN DESIGN. A LEGACY OF LIGHT AND FORM.‎

‎New York, Harry N. Abrams, 2004 Bound, grey cloth with silver impression, illustrated dustjacket, picture-frontispice, 225 x 275mm., 144pp., profoundly illustrated. ISBN 0810946459.‎

‎For one hundred years Steuben Glass has represented the pinnacle of the American glassmaker's art. Internationally acclaimed, a gift of presidents, and treasured possession of collectors, each piece of Steuben is a perfect marriage of art and function. Whatever form it takes, Steuben glass has the power to illuminate and transform its surroundings, magnifying the simple joys of everyday living. New book.‎

‎Les Lanternes, phares et fanaux‎

‎Doyen éditeur 2012 In-8. Reliure cartonnée, 266 pp., nombreuses illustration en noir et en couleurs. Exemplaire en très bon état.‎

‎Toutes les lanternes, phares et fanaux créés avant tout pour répondre à la nécessité puis à l’obligation de signaler les véhicules routiers, ferroviaires ou navals. Très bon état d’occasion ‎

‎Démonstration experimentale de la constance de vitesse de la lumiére réfléchie par un miroir en mouvement.‎

‎(Paris, Gauthier-Villars), 1917. 4to. No wrappers. In: ""Comptes Rendus hebdomadaires des Séances de L'Academie des Sciences"", tome 165, No 14. Pp. (417-) 448. (Entire issue offered). Majorana's paper: pp. 424-428. A stamp in upper right corner of the first page.‎

‎First apperance of Majorana's paper which was the first experimentally to prove the speed of light as set forth by Einstein in his special relativity theory. Majorana was critical to Einstein's relativity, and he therefore tried to prove experimentally that the postulate of the speed of light was wrong. His experiments turned out otherwise, and he hereby proved Einstein's postulate that the speed of light was independent of the velocxity of its source.‎

‎Reflexions sur la Lumiere et les Couleurs, et la generation du feu.‎

‎(Paris, Jean Boudot, 1702). 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences. Année 1699"". Pp. 22-36.‎

‎First appearance of Malebranche's importent paper in which he elucidates and expounds his model of matter. He ""utilized this model to study luminous phenomena and to provide an account of universal gravitation, of planetary motion, and of gravity. This model, considered in itself as the seat of action in the universe, inspired his idea that light consists of vibration in a medium under pressure.""(DSB).""Malebranche’s subtle matter is a unique primary substance that, forced to move at high speed in a closed universe, is obliged to whirl in vortices the dimensions of which can decrease without limit, a property predicated on the supposition that no vacuum can exist. The formula for centrifugal force then requires that these small vortices, which are actually the universal material of all physical entities, be not only perfectly elastic but capable, as well, of releasing a ""fearful"" force upon breaking up. A theoretical model of this sort is not a trivial invention.The memoir alluded to above (the paper offered here) won him membership in the Académie des Sciences at the time of its reorganization in 1699. Henceforth, Malebranche actively participated in scientific life, while gathering the material he was to incorporate in the sixth edition of the Recherche (1712), in which he made the necessary revisions, corrections, and additions in those sections devoted to all the topics in which he thought science bore on his philosophy.""(DSB).‎

‎Considerations sur la seconde inégalité du mouvement des Satellites de Jupiter, & sur l'hypothese du mouvement successif de la lumiere.‎

‎(Paris, Jean Boudot, 1708). 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences"". Année 1707. Pp. 25-32. A small tear to inner margins.‎

‎First printing of one of Maraldi's more theoretical memoirs in which he defended the point of view of Cassini I, opposing the hypothesis of the finite velocity of light, conceived by Ole Römer to account for certain irregularities in the movement of Jupiter’s satellites.‎

‎A la tombée de la nuit.... Art et histoire de l’éclairage‎

‎5 Continents 2012 In-4 cartonnage éditeur 29,20 cm. CCLI pages. Livre neuf. Poids sans emballage : 1800 grammes.‎

‎ Très bon état d’occasion ‎

‎On a Method of making a Direct Comparison of Electrostatic with Electromagnetic Force"" with a Note on the Electromagnetic Theory of Light. (Read June 18, 1868).‎

‎(London, Taylor & Francis, 1869) Large 4to. Without wrappers. Extracted from ""Philosophical Transactions of the Royal Society of London."", Vol. 158. Maxwell's paper: pp. 643-657. Clean and fine, wide margins.‎

‎First appearance of this major paper on electromagnetic dynamics, in which Maxwell improves the groundbreaking equations he had set forth in his famous paper of 1865, the ""A dynamical Theory of Electro-Magnetic Fields"". In the paper offered here, he for the first time proposed to base the electromagnetic theory of light solely on 2 equations. The paper is one of Maxwell's 5 most importent contributions to electromagnetism.""Formulas for the forces between moving charged bodies may indeed de derived from Maxwell's equations, but the action is not along the line joining them and can be reconciled with a dynamical principle only by taking into account the exchange of momentum with the field. Maxwell remarked that the equations might be condensed, but ""to eliminate a quantity which expresses a useful idea would be rather a loss than a gain in this stage of our enquiry."" he had in fact simplified the equations in his fifth major paper, the short, but importent ""Note on the Electromagnetic Theory of Light."" (1868), writing them in an integral form without the function A, based on four postulates derived from electrical experiments. This may be called the electrical formulation of the theory, in contrast with the original dynamical formulation."" (C.W.F. Everitt in DSB).‎

‎L’Eclairage dans la maison‎

‎Armand Colin 1994 In-4 reliure éditeur, 144 pp. Illustrations couleurs‎

‎ Bon état d’occasion ‎

‎DIFFRACTION OF LIGHT BY PROGRESSIVE SUPERSONIC WAVES,‎

‎Brussel, Paleis der Academien, 1950 Gebrocheerd, papieromslag, 180 x 260mm., 21pp., grafieken en tabellen.‎

‎Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Wetenschappen. Jaargang XII N? 7. In goede staat.‎

‎Luna llena‎

‎DX2-C278. ; Ouvrage sous coffret ; libro en un estuche. Lunwerg Ediciones 1999‎

‎Bon‎

‎Yonel Lebovici Sculpteur De Haut Niveau‎

‎Paris Stein Ouaki 1995 24x30cm Michèle Chartier Yonel Lebovici Sculpteur de haut niveau Catalogue raisonné des objets, sculptures, luminaires. Paris, Editions Stein Ouaki 1995. 24x30cm, 148 pages illustré en noir et en couleur. Reliure cartonnée avec découpe en forme de niveau et jaquette illustrée. Tirage 400 exemplaires. 36 pages de texte et 112 illustrations pleine page. La totalité de la production de l'artiste est répertoriée et minutieusement décrite avec indication des tirages. Yonel Lebovici mêle avec humour l'irraisonnable et le déraisonnable . L'originalité et la variété de son ouvre trahissent une exigence de liberté et un souci de perfection. Sa sculpture de précision échappe à l'expression conventionnelle en conservant une signification substantielle. Cette monographie regroupe pour la première fois en 148 et 170 photographies la totalité de l'ouvre du maître incontesté des objets détournés. Nombreuses expositions de groupes et personnelles : SAD, Lumières je vous aime (Centre Pompidou), salon du luminaire, Galerie JC Riedel, Galerie Avant-Seine, Arts Décoratifs. Exemplaire du tirage de luxe à 100 exemplaires inclus dans une sculpture lumineuse "Niveau" en aluminium signée et numérotée à la pointe, fournie avec un petit transformateur permettant de l'allumer. ‎

‎24x30cm Jaquette en bon état Cartonnage De L'éditeur 100 Exemplaires Numérotés ‎

‎Bien eclairer son interieur.‎

‎Massin, sd 1990 In-4 relié. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Gino Sarfatti, Opere scelte / Selected Works 1938-1973 ‎

‎Mantova, Silvana, 2012 Paperback with flaps, 280x240mm, 380p, 400 colour illustrations, 700 bw illustrations, English/ IT edition, fine condition !!! ISBN 9788836621743.‎

‎Gino Sarfatti - Designing light is the companion volume to the exhibition of the Triennale Design Museum dedicated to Gino Sarfatti: a precious and rare figure in the world of Italian design between the second half of the thirties and the fifties. Italian and English texts.Triennale Design Museum 21th September - 11th November 2012.‎

‎BOUGIES ET BOUGEOIRS‎

‎Fleurus 1996 In-4 relié 28,2 cm sur 23,2. 159 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Lighting Book‎

‎Watson-Guptill 1999 In-4 relié 28,2 cm sur 24,1. 176 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Chandelles et bougies : L'art de fabriquer bougies et bougeoirs à l'aide d'ingrédients simples et naturels‎

‎Editions Soline 1997 jaquette défraichie , , usée en coiffe sur la longueur , cornée au bas droit‎

‎ Bon état d’occasion ‎

‎Entendez la musette, o gai !...‎

‎ Micouin 1935 1 in-12 Imprimerie A. Micouin, (1930), in-12, broché, couverture crème illustrée de motifs floraux bleux et roses. ‎

‎Catalogue présentant le talent de René Gabriel, dominotier qui a su asservir la machine à son art, et ainsi rendre accessible à toutes les bourses les Papiers Peints de France. Deux planches, hors-texte, en noir, présentent différents modèles de papier peint. Salissures à la couverture et infimes plis. ‎

‎Het Bloed als Genezende Factor (Warmte als Medicijn).‎

‎(N.pl., Eindhoven?) (Philips) (1945) 24 pp. Small 8vo. (12.5 x 20.5 cm.). Original printed wrappers. With illustrations and 2 coloured plates.‎

4 Images

‎ An attractive designed prospectus(the first?) for promoting Philips' famous 'INFRAPHIL'. A Philips item that was in nearly every Dutch house some forty years ago. Philips convinced their customers that this lamp could relief sore, fatigued muscles and even rheumatism because of the hyperaemy inducted by its infrared rays. Today the Infraphil is still popular in Germany. Nice copy, hard to find.‎