MARDAGA editeur, 1990, un volume in 8 carré, 158pages, illustré, bon état.
Alger Ministère De L'Information et de La Culture 1974 In Quarto Collection " Art et Culture " . Bibliographie . Illustré de très nombreuses photographies en couleurs et noir et blanc , carte . Couverture grise entoilée , avec photographie couleurs contre-collée. ( Commandez plusieurs livres de cette collection dans notre librairie et payez un seul frais de port ) . Histoire Maghreb . - 94 p. , 1 kg 100 gr .
Couverture rigide Très Bon État . 1ère Édition
France Loisirs. 2008. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 159 pages augmentées de nombreuses photos en couleurs, dans et hors texte.. . . A l'italienne. Classification Dewey : 720-Architecture
Photos de Sylvain Elsa. Classification Dewey : 720-Architecture
Paris, E. Bernard, 1902. 4°. V, (41) S. Mit 39 Tafeln. Halbleinenband der Zeit.
Mit handschr. Widmung auf dem Titelblatt (Bleistift).
, Brepols, 2021 Hardback, xlii + 319 pages, Size:156 x 234 mm, Illustrations:28 b/w, Language(s):Italian, English, German. ISBN 9782503594088.
Summary This volume is an homage to the great intellectual contribution made by Loris Sturlese to the field of history of medieval philosophy. Its point of departure lies in a methodological line, which Sturlese has maintained throughout his whole academic career: the importance in the historical and conceptual reconstruction of medieval philosophical thought of focusing not only on the classical, most famous centers of knowledge production and transmission, but also on the often-neglected peripheries, which during the Middle Ages were increasingly more relevant in propelling the circulation of texts and ideas. In this volume, the notions of 'center' and 'periphery' are not understood in a merely geographical sense, but also in conceptual, linguistic, historical and literary terms. The richness of this approach is demonstrated by the broad spectrum of the contributions, which range from Islamic philosophy to Italian Renaissance, including the reception of ancient philosophy and of Arabic scientific works in the Latin world, and up to eighteenth-century French geography. Special attention is devoted to the philosophical thought developed in the German area. The volume does not lack in giving space to important medieval figures, such as Dante, as well as to more general philosophical notions, such as the concept of rationality. The volume explores connections, ruptures, relations and affinities through the analysis of paradigmatic figures, places and topics within the micro- and macro-histories of philosophy. TABLE OF CONTENTS Nadia Bray, Diana Di Segni, Fiorella Retucci, Elisa Rubino, Introduction Loris Sturlese, Bibliography Ruedi Imbach, Ein nicht-existierender Gegenstand? Eine gelehrte und nichtsdestotrotz pers nliche Geschichte der Bochumer Schule (1971-1995) Carmela Baffioni, Il Linguaggio di Adamo, la Caduta di Adamo. Walter Benjamin alla luce di un inedito testo arabo medievale Luca Bianchi, L'aristotelismo vernacolare nel Rinascimento italiano: un fenomeno 'regionale'? Charles Burnett, Cleaning up the Latin Language in Mid-Sixteenth-Century Basel: Antonius Stuppa's purgation of Albohazen's De iudiciis astrorum Stefano Caroti, "Est autem testis Melissus pro cunctis temporis sui Philosophis, sed et pro omni antiquitate". Le metamorfosi di Melisso Giulio d'Onofrio, Dante dal centro al cerchio Onorato Grassi, Per l'edizione critica delle opere di Pietro Aureoli Mikhail Khorkov, Nicholas of Cusa's marginalia to Plato's dialogue Phaedrus as one of the forgotten sources of the supposed Cusanian Platonism Catherine K nig-Pralong, Centri, periferie, luoghi e percorsi. Jules Michelet versus Victor Cousin Freimut L ser, On the Margin. Some Notes on Meister Eckhart Pasquale Porro, Da Tommaso al tomismo. Napoli come centro filosofico nel Medioevo Valeria Sorge, Per una microstoria dell'umanesimo rinascimentale. Agostino Nifo e la cultura napoletana del Cinque-cento Andreas Speer, Die Universalit t der Vernunft und die Vielheit ihrer Sprachen Markus Vinzent, The Self-Location of Meister Eckhart Index
, WBooks, 2023 hardcover, 192 pages, Illustrated. ISBN 9789462585720.
The Brueghels are the most famous family in the history of Western art. They were innovators and entrepreneurs who were active from around 1550 to 1700. Their roots in Brabant played a major role in their art, which focuses on the people, land, and culture of this region. For almost two centuries, the Brueghels produced hundreds of paintings, drawings, and prints that captivate and entertain viewers. These works are admired for their witty compositions, universal messages, and exceptional craftsmanship. From depictions of familiar proverbs to insect studies, and from credit card size paintings on copper to monumental canvases, the variety is endless. This reunion of all five generations looks anew at the Brueghels and the context in which they worked. Who were the members of this successful family and what connects their diverse careers? How did their fascination with the local landscape lead to new ways of representing nature in art? What do their artworks reveal about the consequences of global trade and European colonization? For the first time, attention is given to the crucial role of women in the family business. Brueghel: The Family Reunion is a catalogue that is as visually rich as the artworks themselves, and it unravels the secret of a centuries-long successful family of artists.
BE, fonds erfgoed, 2015 Softcover-72pp met prachtige illustraties. Nederlandstalige uitgave. NIEUW ISBN 9789082377248.
Armand Rassenfosse (1862-1934), Luikse schilder en graficus situeert zich binnen een artistieke stroming rechtstreeks ontspro ten uit het symbolisme en de art nouveau: het klassieke modernisme. Zijn samen werking met Auguste Benard, Franse drukker uit Luik, laat hem toe zich te specialiseren in verschillende illustratietechnieken zoals o.a. de steendruk. Nauw verbonden met de artistieke en litteraire middens in Parijs werkt Rassenfosse samen met verschillende uitgevers zoals Louis Dorbon of Rene-Louis Doyon. Hij ontwerpt de illustraties voor verschillende uitgaven van Les Fleurs du Mal van Charles Baudelaire, ook het beroemdste voor La Societe des Cent Bibliophiles uit Parijs. Het Fonds Armand Rassenfosse, beheerd door de Koning Boudewijnstichting, wil het werk van de kunstenaar, meer specifiek als illustrator, onder de aandacht brengen. Samen met de Bibliotheca Wittockiana in Brussel organiseert het de tentoonstelling ?Rassenfosse of de schoonheid van het boek?. De tentoonstelling zal ons de drie facetten, dikwijls miskend, van deze Luikse kunstenaar tonen: Rassenfosse als schilder, uitgever / drukker en bibliofiel.
BE, fonds erfgoed, 2015 Softcover-72pp met prachtige illustraties. French ed. *NEUF ISBN 9789082377255.
Table des matieres Peintre et graveur liegeois, Armand Rassenfosse est incontestablement l?un des plus grands artistes wallons au tournant des 19e et 20e siecles. Parmi ses talents multiples, son travail d?illustrateur a pourtant rarement ete souligne. Jouissant d?une reputation internationale, il s?est vu confier de nombreuses commandes, souvent prestigieuses. En la matiere, le sommet de son art ? et de l?art de l?illustration tout entier ? fut certainement le celebre recueil de poemes de Charles Baudelaire, Les Fleurs du Mal. Cette publication met l?accent sur l?importante contribution de l?artiste au monde de l?edition ainsi que son role en tant qu?illustrateur d?ouvrages de haute bibliophilie, d?affiches ou encore de recueils de poemes.
, Brepols, 2020 Hardback, xiv + 422 pages, Size:156 x 234 mm, Languages: English, French. ISBN 9782503588926.
Summary The annual colloquium of the SIEPM in Freiburg, Germany, was groundbreaking in that it featured a more or less equal number of talks on all three medieval cultures that contributed to the formation of Western philosophical thought, the Islamic, Jewish, and Christian traditions. Indeed, the subject of the colloquium, 'The Origin and Nature of Language and Logic in Medieval Islamic, Jewish, and Christian Thought', lent itself to such a cross-cultural approach. In all these traditions, partially inspired by ancient Greek philosophy, partially by other sources, language and thought, semantics and logic occupied a central place. As a result, the chapters of the present volume effortlessly traverse philosophical, religious, cultural, and linguistic boundaries and thus in many respects open up new perspectives. It should not be surprising if readers delight in chapters of a philosophical tradition outside of their own as much as they do in those in their area of expertise. Among the topics discussed are the significance of language for logic; the origin of language: inspiration or convention; imposition or coinage; the existence of an original language; the correctness of language; divine discourse; animal language; the meaningfulness of animal sounds; music as communication; the scope of dialectical disputation; the relation between rhetoric and demonstration; the place of logic and rhetoric in theology; the limits of human knowledge; the meaning of categories; the problem of metaphysical entailment; the need to disentangle the metaphysical implications of language; the quantification of predicates; and the significance of linguistic custom for judging logical propositions. TABLE OF CONTENTS Nadja Germann and Steven Harvey, Introduction 1. The Origin and Nature of Human Language Pierre Larcher, Et Allah apprit Adam tous les noms? (Cor., 2, 31) : L'Origine du langage dans la pens e islamique Warren Zev Harvey, Three Medieval Jewish Philosophers on the Hebrew Language Aviram Ravitsky, Maimonides' Linguistic Thought and Its Greek, Islamic and Jewish Background Beata Sheyhatovitch, The Notion of Wa?? in Shar? al-K??ya by Ra?? al-D?n al-Astar?b?dh? Josef Stern, Profayt Duran's Ma?aseh Efod: The Philosophical Grammar of a Converso 2. Non-Human and Non-Verbal Communication Ziad Bou Akl, Dieu comme locuteur : le bay?n et son report dans les u??l al-?qh Luis Xavier L pez-Farjeat, The 'Language' of Non-Human Animals in al-F?r?b? and Avicenna Th r se-Anne Druart, What Does Music Have To Do With Language, Logic, and Rulership? Al-F?r?b?'s Answer 3. The Nature, Kinds, and Limits of Logic Laurent Cesalli, De quibus est logica ? La position de Gauthier Burley dans le d bat m di val Fouad Ben Ahmed, Ibn ?uml?s on Dialectical Reasoning: The Extent of His Reliance on al-F?r?b? and Averroes Catherine K nig-Pralong, Roger Bacon. Rh torique et sens litt ral Peter S. Eardley, Rhetoric and the Epistemic Status of Theology in the Late-Thirteenth Century Yehuda Halper, Abraham Bibago on the Logic of Divine Science: Metaphysics ? and the Legend of the Pardes 4. The Signi?cance of Language for Logic Pasquale Porro, Keeping Language under Control: Late-Antique and Medieval Interpretations of the First Chapter of Aristotle's Categories Margaret Cameron, The Constraints of Nature(s): Abelard on Modality, Understanding and Linguistic Meaning Charles H. Manekin, Logic, Linguistic Custom, and the Quanti?cation of the Predicate in Gersonides
Lausanne, Impr. Vaudoise, 1929-1939, in-8°, 117 p. / 224 p., qqs ill. in-texte, brochure originale.
1) La Chapelle. Le Donjon. Le batiment du trésor. / Tome 2, en coll. de O. Schmid. Le grand sous-sol. La salle de justice. La grosse tour de l'entrée. Une inspection. Au Chateau de Chillon en 1498. La tour du Duc.
Phone number : 41 (0)26 3223808
Association pour la restauration du Château de Chillon, 1904, brochure in-8 (17 x 25), non paginé (16 p.), 7 dessins pleine page, 2 petits manques angulaires sur la couverture sup., bon état.
Les illustrations sont précédées d'une étude de 6 pages de A. Naef, architecte de Chillon, sur l'histoire du château.
Lausanne, Georges Bridel 1873, 185x120mm, 44pages, broché. Bon état.
Nom de possesseur. Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Lausanne, Corbaz, 1886, in-8°, 36 p.+ 1 gr. planche dépl. lithogr. ‘Le Château de Gruyère, La Part Dieu et la Tour de Treme 1886’ Etudes archeol. par J. Naeher, Ing. brochure originale.
Image disp.
Phone number : 41 (0)26 3223808
Selbsverlag des Autors. Druck Friedrich Gutsch Karlsruhe, o.J. (1886), in-4to, VIII + 14 S. + 1 Bl. leer + 9 Doppelt-Tafeln mit 70 autographierte Aufnahmen des Verfassers kleiner Stempel auf Umschlag ‘B.Benda, libraire éditeur, (Lausanne), illustrierte Original-Broschüre.
Planches 1: Les anciens Châteaux de la Suisse romande 1885- 1) Château des Eveques à Lausanne, Morges, Allaman, Vufflens, / 2) aux environs de Lausanne: Bloney, Chillon, Châtelard, Tour Bertholo / 3) Les anciens Château de la Suisse romande: Rue, Oron, Tour de Marsens, Carouge / 4) Romont, Gruyère, Bulle, La l’ancien couvent La Part-Dieu / 5) Lucens, Avenches, Payerne / 6) La Sarraz, Orbe, Glées, Romainmotier / 7) Yverdon, Colombier, Grandson, Neuchâtel / 8) Aigle, St. Maurice, Tourbillon et Valère à Sion / 9) Nyon, Echallens, Gingins, Aubonne, St. Sulpice
Phone number : 41 (0)26 3223808
Paris, Ecole Française d'Extrême-Orient, Maisonneuve, 1969 ; fort in-folio, deux parties en feuilles sous portefeuille à rabats, dos demi toile bleu foncé ; Première partie : Planches de I à LXVI, fascicule de 32 pp. sous couverture avec l'explication des planches I à CXIII, planches dépliantes.
Edition originale de cet extraordinaire travail d'architecture orientale, exemplaire quasi neuf.
Phone number : 06 60 22 21 35
Salzburg, Universität Salzburg 2011 151pp., with numerous illustrations in bl/w, in the series "Analecta Cartusiana" volume 270, 30cm., original softcover (with a small spot of removed label), with texts in German and French, 2 stamps (at verso of cover and of titlepage), text clean and bright, good condition, R104515
sn 1970 In-8 broché. 181 pages. Très bon état d’occasion. Poids sans emballage : 300 grammes.
Très bon état d’occasion
Paris, Les éditions Prisma, 1959. 8°. (12) S. Mit 19 meist ausklappbaren gef. Seitentafeln. Illustr. Orig.-Broschur.
Broschurumschlag etwas berieben und der Rücken verblichen.
, Pie Books, 2024 PB, 228 x 182 mm, 224 p, throughout colored illustrations ; ENG./ JAP., edition, NEW. ISBN 9784756258021.
A large collection of animals that appear in ukiyo-e prints from the Edo Period, from pets to rare animals! Following the global hits Something Wicked from Japan and Once more unto the breach comes the third title in the Ukiyo-e Masterpieces Series! This time, read and understand the world of ukiyo-e from the perspective of animals. In ukiyo-e, many animals that interact with humans are depicted. Beginning with cats, dogs, and rabbits, we move on to ferocious tigers and elephants, imported camels, peacocks, and parrots, and even to fantastical beasts. This book introduces numerous charming works through interesting chapters such as "Pets of the Edo Period," "Working Animals," "Rare Animals" and more. Featuring 140 gorgeous works by famous ukiyo-artists including Utamaro, Hiroshige, Hokusai, Kunisada, Kuniyoshi, Yoshitoshi and others, depicting cute, funny, and at times suspicious animals. Those who like Japanese culture will love this book! And of course it's also great for animal lovers, too. The customs of the Edo Period, when humans and animals lived side-by-side, are now vividly brought back to life.
Citadelles & Mazenod Paris 2006 In-4 ( 330 X 260 mm ) de 339 pages, pleine toile sous jaquette illustrée en couleurs. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en superbe état.
, Imhof verlag, 2019 Hardcover with dusjacket, 328 pages Illustrated. fine . ISBN 9783777423296.
During the period between 1513 and 1518, Bartolome Ordonez and Diego de Siloe from Burgos in Castile made the southern Italian city blossom into one of the most important European centres of marble sculpture. This book presents information about two Spanish sculptors of the sixteenth century and their work in Naples.
Anvers, Van Mol-Van Loy 1866 21pp. avec illustrations dans le texte, 23cm., brochure originale, extrait des Annales de l'Académie d'archéologie de Belgique, texte frais, bon état, R92127
Nancy, 1979, in-8 broché avec couv. ill., 92 p. Très importante iconographie en noir in et h.t. Excellent état. Texte en allemand, français et anglais.
, Brepols, 2019 Hardback, xiv + 282 pages, Size:156 x 234 mm, Illustrations:23 b/w, Languages: English, Latin, German. ISBN 9782503541327.
Summary This book takes a unique approach to the study of folk music in Central Europe. Through an analysis of this cultural tradition, and of how words and ideas that were first introduced in Latin Antiquity became increasingly cultivated, refined, and established in the centuries that followed, the volume also questions present-day studies of sound and its organization into the field of so-called 'folk music'. In so doing, it breaks down boundaries that separate historical studies from ethnomusicology, and sheds light on what music continues to mean in daily life. While the focus is primarily on Central European folk music, and in particular on material found in the Hungarian archives, the approach taken here also points to a fruitful comparative methodology that could be employed on a larger scale, enabling scholars to consider broader chronological and geographical contexts. TABLE OF CONTENTS Table of Contents Acknowledgements List of Illustrations Chapter 1: Introduction: Scenes from Life in Budapest Chapter 2: Herder and His Influence: A Background for Conceptualization Chapter 3: Historiography of Ideology: Conceptual Bases for the Collection of Folksong Chapter 4: Understanding Herder: Plato's Timaeus, and the Medieval Conceptualization of Sound as Material Chapter 5: Aggregation: Cultural Properties Exemplified Chapter 6: Old Stones, Useful Chunks: Working with Material Chapter 7: Methodology, and the Question of 'Types' Chapter 8: A Passion for Collection: Folk Music and the Sequence Chapter 9: Transcription, Translation, Transmutation Chapter 10: Nationalism and Folk Music Chapter 11: Conclusions Appendices Glossary Bibliography Index
, De Tijdstroom, 1970 Linnen band met stofomslag, 166 pag. NL, 245 x 175 mm, in goede staat, ill. in kleur / z/w.
Handboek geschreven aan de hand van de verzamelingen in het Gemeentelijk Museum Het Princessehof te Leeuwarden. Ge llustreerd met foto's in kleur en zwart-wit. Met zeer uitgebreide lit.opgave en register.