‎THE LIFE AND TIMES OF RUBENS‎

‎, Hamlyn 1970, 1970 Hardcover, 75 pages, English, 290 x 230 mm, Fine copy., very richly illustrated with coloured illustrations !!.‎

‎verdwenen museum‎

‎Zwolle, Waanders & De Kunst, 2024 Oorspronkelijk uitgevers omslag, 184 pagina's, 29 x 23.5 cm. ISBN 9789462625709.‎

‎Ruim 200 jaar geleden waren er in het Mauritshuis niet n, maar twee musea te bezoeken. Op de bovenverdieping bevond zich het Koninklijk Kabinet van Schilderijen, terwijl op de begane grond duizenden objecten van allerlei aard tentoongesteld waren in het Koninklijk Kabinet van Zeldzaamheden. Dit zeldzaamhedenkabinet sloot in 1875 en de objecten werden verdeeld over verschillende Nederlandse instellingen. Bij de tijdelijke tentoonstelling Het verdwenen museum over dit Koninklijk Kabinet‎

‎Penser l'individu. Gen se sto cienne de la subjectivit ‎

‎, Brepols, 2020 Paperback, 424 pages, Size:156 x 234 mm, Language: French. ISBN 9782503584430.‎

‎Summary Par quel prodige une philosophie mat rialiste et naturaliste qui posait tout la fois l'unit du continuum cosmique et l'existence du destin a-t-elle pu donner naissance une conception forte de l'individu, et de cet individu singulier qu'est le sujet humain? Tel est le paradoxe que nous cherchons ici clairer. Sur pr s de cinq si cles, le sto cisme construit en effet une conception unifi e de l'individu, depuis sa forme commune tous les vivants jusqu' la sp cificit radicale de l'individuation humaine, celle de la subjectivit . C'est cette gen se dans laquelle le passage du sto cisme Rome a jou un r le d cisif que nous nous attachons reconstruire.‎

‎Das Geheimnis des Honigschleckers: Josef Anton Feuchtmayer - Ein Bildhauerleben am Bodensee‎

‎Harder-Merkelbach Marion Dr 2003 in4. 2003. Cartonné. 88 pages. Bon Etat‎

‎Description des Oeuvres d'Art qui décorent les Edifices Publics de la Ville de Bordeaux [ Edition originale ]‎

‎1 vol. in-8 reliure bradel demi-percaline marron, A. Aubry, Paris, Chaumas-Gayet, Bordeaux, 1861-1865, 549 pp.‎

12 Images

‎Important ouvrage qui évoque exclusivement le patrimoine religieux bordelais. Charles Marionneau évoque successivement la Cathédrale Saint-André, l'Eglise Saint-Bruno, Sainte-Croix, Saint-Eloi, Sainte-Eulalie, Saint-Louis, Saint-martial, Saint-Michel, Notre-Dame, Saint-Paul, Saint-Pierre, Saint-Seurin, les chapelles d'établissements publics et les crois de cimetières ou de carrefours... Bel exemplaire en parfait état, du premier ouvrage important de l'historien de l'art Charles Marionneau (1823-1896) ‎

‎Description des oeuvres d'art qui décorent les édifices publics de la ville de Bordeaux.‎

‎Paris, A. Aubry, Bordeaux, Chaumas-Gayet, 1861-65 in-8, viij-550 pp., avec un tirage photographique en guise de portrait-frontispice, maroquin havane, dos à nerfs orné de pointillés, filets et caissons dorés richement ornés, encadrement de triple filet doré sur les plats, double filet doré sur les coupes, tranches dorées, large guirlande en encadrement sur les contreplats, première couverture conservée (Capé). ‎

‎Tirage limité à 212 exemplaires. Un des deux seuls exemplaires sur papier rose. Il était destiné à Mme Marionneau (Anne-Aimée Chevalier, 1802-1874), et fut à ce titre spécialement truffé d'un tirage photographique contrecollé sur papier blanc et représentant l'auteur, avec un envoi autographe "A ma chère mère". Unique édition de la seule partie parue, qui concerne uniquement les édifices religieux.Peintre et historien de l'art, Charles Marionneau (1823-1896) était le fils du peintre François Marionneau (1795-1867) ; après une formation à Paris, il revint s'installer dans sa ville natale en 1860 et y mena une carrière exclusivement régionale, très axée sur l'archéologie et l'histoire des monuments de Bordeaux.Exemplaire de Pierre Bonnal, de Bordeaux, avec vignette ex-libris contrecollée sur les premières gardes. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Bauhaus Imaginista‎

‎, Thames & Hudson, 2019 hardcover, 312 pages Illustrated. 32x25cm, Language English, *New. ISBN 9780500021934.‎

‎Featuring the latest research commissioned on the occasion of the Bauhaus centenary, this book explores the global influence of the renowned Bauhaus school of arts and its famed artists. Bauhaus Imaginista marks the centennial anniversary of this fascinating and popular school of art, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life and was active in the fields of architecture, performance, design, and visual art. Founded by Walter Gropius, its faculty included such luminaries as Paul Klee, Wassily Kandinsky, L szl Moholy-Nagy, and Josef Albers. Placing emphasis on the international dissemination and reception of the Bauhaus, this book expresses the Bauhaus' influence, philosophy, and history beyond Germany. Rethinking the school from an international perspective, it sets its entanglements against a century of geopolitical change, as many of its artists fled World War II Germany. Bauhaus Imaginista takes readers on a global visual tour of Bauhaus influence from art and design museums to campus galleries and art institutes in India, Japan, China, Russia, Brazil, Berlin, and the United States.‎

‎L'ARCHITECTURE‎

‎EDITIONS DES DEUX COQS D'OR. 1965. In-12. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages. Nombreuses illustrations en couleur, dans le texte, par Peter Spier.. . . A l'italienne. Classification Dewey : 720-Architecture‎

‎Librairie de l'Amateur. Classification Dewey : 720-Architecture‎

‎"Pompéi, les nouvelles fouilles : la ""Villa des Mystères"", l'Antiquarium. Itinéraires des musées, galeries et monuments d'Italie, N° 3."‎

‎Roma, Istituto poligrafico dello Stato, Libreria dello Stato, 1966. 13 x 18, 191 pp., 18 illustrations dans le texte, 114 hors texte, 2 plans, broché, bon état.‎

‎675 jaar parochie Artselaer - Aartselaar, 1309-1984 ‎

‎Sint-Niklaas,, uitgever niet gekend, 1984 , Gebonden, Hardcover 125 p. : ill. .‎

‎Madonna met Kind. Jan II Borman (gest. ca. 1520) Vroeg zestiende-eeuwse beeldhouwkunst op haar best ‎

‎Antwerp, Phoebus Focus XII, 2019 Paperback, 86 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL ISBN 9789463883337.‎

‎Phoebus Focus 12 - Madonna met Kind. Jan II Borman (gest. ca. 1520) Vroeg zestiende-eeuwse beeldhouwkunst op haar best ‎

‎Alabaster Sculpture in Europe (1300-1650)‎

‎, Brepols - Harvey Miller, 2022 Softcover, Pages: 312 pages; Size:240 x 280 mm; Illustrations:360 col. ;Language(s):English. ISBN 9781912554928.‎

‎In short, everyone involved in creating this catalogue and the exhibition it records deserves praise. The volume covers a vast terrain, helpfully summarizing the current state of knowledge on a great many objects and providing a road map for further study by scholars and students of the material (and indeed of ?materiality? writ large). In doing so, the catalogue provides a stellar example of the benefits of stepping outside of the intellectual taxonomies that so often constrain scholarship: our assumptions about the firmness of divisions between stylistic periods, geographic regions, and categories of objects. It compellingly demonstrates that those boundaries are far more permeable than they often might seem, and that they can distract us from important commonalities that transcend them.? (Stephen Perkinson, in Historians of Netherlandish Art Reviews, 09/2023) BIO Marjan Debaene is Head of Collections at Museum M in Leuven. SUMMARY Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs. TABLE OF CONTENTS Foreword M Leuven Peter Bary Foreword Mus e du Louvre Laurence des Cars Preface Marjan Debaene and Sophie Jugie 1 Alabaster as a Material for Sculpture Introduction Sophie Jugie Rhetoric of Alabaster: The Material between its Affordances and Cultural Meaning Aleksandra Lipi?ska How to Distinguish Alabaster from Alabaster: Tracing the Material Back from the Artwork to the Quarry Wolfram Kloppmann ?Marbre d?alabastre?: Status of the Interdisciplinary Research Project on Marble and Alabaster Jude De Roy, Laurent Fontaine and G raldine Patigny Catalogue nos. 1?21 2 Funerary Sculpture Introduction Sophie Jugie Alabaster as a Material for Funerary Monuments Jessica Barker Catalogue nos. 22?41 3 Alabaster Altarpieces Introduction Marjan Debaene and Michaela Z schg The Rimini Altarpiece and Alabaster Sculpture in the Southern Netherlands, around 1430 Stefan Roller English Alabaster and the Continent Lloyd de Beer Alabaster Altarpieces in the Iberian Peninsula: From Gothic to Baroque Carmen Morte Garc a Catalogue nos. 42?99 4 Sacred and Secular Introduction Michaela Z schg and Marjan Debaene The Head of St John the Baptist in Alabaster: The Object in Context Soetkin Vanhauwaert Catalogue nos. 100?126 Epilogue: Alabaster Mentalis, Trinitas Terrestris Sofie Muller Catalogue nos. 127?128 Bibliography Index Lenders to the Exhibition Photographic Acknowledgements‎

‎YVONNE SERRUYS : Beeldhouwer van de nieuwe vrouw‎

‎, Snoeck Publishers (Belgium), 2023 HB, 255 x 210 mm, 304 p, 220 illustraties, NL edition. ISBN 9789461617972.‎

‎Tijdens de eerste helft van de 20e eeuw maakte de Frans-Belgische kunstenaar Yvonne Serruys (1873-1953) carri re in Parijs. Afkomstig uit een kunstminnend burgergezin in Menen kreeg ze een degelijke intellectuele, muzikale en artistieke scholing. Die werd vervolledigd bij de luminist Emile Claus in Astene en bij pointillist Georges Lemmen in Brussel. Vanaf 1898 stelde ze haast jaarlijks tentoon op de Parijse salons. Vanaf haar dertigste betrok ze er een eigen atelier en woonst. Omstreeks 1905, na een succesvolle eerste solotentoonstelling in Parij, maakte ze voorgoed de overstap naar de beeldhouwkunst. Ze realiseerde nu vooral statuettes van naakte jonge vrouwen in spontane poses. Tegelijk ontwierp ze honderden modellen voor decoratieve objecten in glas(pasta), en nog voor de Eerste Wereldoorlog twee monumentale beeldengroepen voor de Parijse openbare ruimte. Tijdens het interbellum kwamen daar nog opdrachten voor publieke monumenten bij, in Belgi , Frankrijk en Tunesi , en enkele kunstintegratieprojecten in de Atlantische Pyrenee n, alle in een art-decostijl. Yvonne Serruys wilde nu ook de 'nieuwe vrouw' weergeven vanuit haar eigen vrouwelijke blik en ervaring, en zo bijdragen aan de vrouwenemancipatie. Wellicht ge nspireerd door haar indrukwekkende netwerk in Parijs en de 'salons du samedi' die ze er organiseerde met haar man, de Franse schrijver Pierre Mille, hield ze er uitgesproken opvattingen over lichamelijkheid en gender op na. Onder meer gebaseerd op haar nieuw ontdekte memoires, belicht dit boek diverse aspecten van het leven en werk van deze veelzijdige kunstenaar, die een scharnierperiode in de moderne tijd beleefde en mee vormgaf.‎

‎Sculpting Abroad Nationality and Mobility of Sculptors in the Nineteenth Century‎

‎, Brepols 2020, 2020 160 p., 28 b/w ills, 39 col. ills, 216 x 280 mm, English, Hardcover,. ISBN 9782503580272.‎

‎An edited volume reflecting upon the transnational mobility of sculptors and its implications for the artists and their art during the long nineteenth century. This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies. Tom Verschaffel is professor in cultural history at KU Leuven. His research concerns the intellectual and cultural history of the eighteenth and nineteenth centuries, and more specifically the history of historical writing, the popular representation of history and cultural nationalism, the history of cultural infrastructure and of cultural transfers. Art historian Marjan Sterckx is associate professor in Art History at Ghent University, where she recently launched the research group ThIS: The Inside Story: Art, Interior design & architecture 1750-1950. Her research concerns the intersections between sculpture, gender, photography and the interior.‎

‎Meunier in dialoog : een actueel kunstparcours door Leuven‎

‎, Erfgoedcel leuven, 2005 Softcover, 201 pages, Illustrated.‎

‎Longing for Egmond. The artist colony of Egmond, where Gari Melchers and George Hitchcock painted life and landscape. Verlangen naar Egmond. ‎

‎, WAANDERSStedelijk Museum Alkmaar, 2025 Softcover, 270 x 230 mm, 100 Illustrations col.ill. 128 Pages, Language ENGLISH ed. ISBN 9789462626317.‎

‎Holland was a popular travel destination for artists in the last quarter of the nineteenth century. American artists Gari Melchers and George Hitchcock also visited our country in the 1880s. In 1884, they settled in Egmond aan Zee. The presence of Melchers and Hitchcock in Egmond exerted a great attraction on fellow professionals. Desire for Egmond offers an overview of the developments in the artist colony of Egmond and the key role Hitchcock and Melchers played there.‎

‎Verlangen naar Egmond. De kunstenaarskolonie Egmond, waar Gari Melchers en George Hitchcock het leven en landschap schilderden.‎

‎, WAANDERSStedelijk Museum Alkmaar, 2025 Softcover, 270 x 230 mm, 100 Illustrations col.ill. 128 Pages, Language Dutch (NL) ed. *nieuw ISBN 9789462626171.‎

‎Nederland was in het laatste kwart van de negentiende eeuw een populair reisdoel voor kunstenaars. Ook de Amerikaanse kunstenaars Gari Melchers en George Hitchcock bezochten in de jaren 1880 ons land. In 1884 vestigden ze zich in Egmond aan Zee. De aanwezigheid van Melchers en Hitchcock in Egmond oefende een grote aantrekkingskracht uit op vakbroeders. Verlangen naar Egmond biedt een overzicht van de ontwikkelingen in de kunstenaarskolonie Egmond en de sleutelrol die Hitchcock en Melchers er vervulden.‎

‎Baroque Sculpture in Germany and Central Europe (1600-1770)‎

‎, Brepols, 2022 Hardback, 288 pages, Size:225 x 300 mm, Illustrations:3 b/w, 150 col., Language: English. ISBN 9781909400955.‎

‎Summary Around 1600, a new style of sculpture started to evolve and flourish in Central Europe and in the German-speaking lands. Dramatic wood and stone figures peopled the palaces, gardens and churches of Munich, Berlin, Dresden, D sseldorf, Vienna and Prague. These great works of art are little known outside Germany and Austria, partly because their colour and vivacity are so astoundingly different from the sculpture that was being produced in Italy, France and elsewhere in Northern Europe at that time. They are overpowering, and amongst the greatest works of art produced in Europe in the seventeenth century. This groundbreaking book explores their history and conveys their visual power. TABLE OF CONTENTS List of Illustrations Introduction CHAPTER ONE Sculpture in South Germany 1600-40: Antecedents and International Currents CHAPTER TWO Small-Scale Sculpture and Patronage in Berlin and Vienna: 1630-1700 CHAPTER THREE The Court of Saxony in the Late Sixteenth and Early Seventeenth Centuries CHAPTER FOUR Munich and Bavaria in the Late Seventeenth and First Half of the Eighteenth Century CHAPTER FIVE The Mid-Eighteenth Century in Bavaria CHAPTER SIX Sculpture in Prague c. 1650-1750 CHAPTER SEVEN Sculpture in Vienna, Gurk, W rzburg and Trier. Ceramics. Appendix I: Biographical List of Artists Appendix II: List of Rulers and Patrons Bibliography Index‎

‎Ideas of the World in Early Medieval English Literature‎

‎, Brepols, 2022 Hardback, 442 pages, Size:156 x 234 mm, Illustrations:17 b/w, 7 col., Language: English. ISBN 9782503599571.‎

‎Summary Across three thematically-linked sections, this volume charts the development of competing geographical, national, and imperial identities and communities in early medieval England. Literary works in Old English and Latin are considered alongside theological and historical texts from a range of disciplinary perspectives. Accounts of travel, foreign contacts, conversion, migration, landscape, nation, empire, and conquest are set within the continual flow of people and ideas from East to West, from continent to island and back, across the period. The fifteen contributors investigate how the early medieval English positioned themselves spatially and temporally in relation to their insular neighbours and other peoples and cultures. Several chapters explore the impact of Greek and Latin learning on Old English literature, while others extend the discussion beyond the parameters of Europe to consider connections with Asia and the Far East. Together these essays reflect ideas of inclusivity and exclusivity, connectivity and apartness, multiculturalism and insularity that shaped pre-Conquest England. TABLE OF CONTENTS Acknowledgments, List of Figures, List of Abbreviations Introduction: Foreign Contacts, Landscapes, and Empire-Building ? MARK ATHERTON, KAZUTOMO KARASAWA, AND FRANCIS LENEGHAN Here, There, and Everywhere? Alfred and the East ? DANIEL ANLEZARK The Wanderings of Saturn: Psychogeography, Psalms, and Solomon and Saturn ? RACHEL BURNS Otherwheres in the Prose Texts of the Nowell Codex ? S. C. THOMSON Rome away from Rome: India, Rome, and England in lfric's 'Life of St Thomas' ? LUISA OSTACCHINI Christ Embracing the World: lfric's Description of the Crucifixion in 'De Passione Domini' ? KAZUTOMO KARASAWA A Place in the World Babel and Beyond: Thinking Through Migration in Genesis A ? DANIEL THOMAS The Sound-World of Early Medieval England: A Case Study of the Exeter Book Storm Riddle ? BRITTON BROOKS The Place of Stillness: Greek Patristic Thought in Cynewulf's Juliana ? ELENI PONIRAKIS St Rumwold in the Borderland ? HANNAH BAILEY The World of Ealdorman Byrhtnoth: A Landscape Biography ? MARK ATHERTON Nation and Empire Mapping Empire: Two World Maps in Early Medieval England ? HELEN APPLETON Good Neighbours? Representations of Britons, Welsh, Picts, and Scots in Pre-Conquest English Sources ? CAITLIN ELLIS From (North-)East to West: Geographical Identities and Political Communities in the Ninth- to Eleventh-Century Anglo-Scandinavian World ? RYAN LAVELLE Kings, People, and Lands: The Rhetoric of The Battle of Brunanburh?PAUL CAVILL End of Empire? Reading?The Death of Edward?in MS Cotton Tiberius B I ? FRANCIS LENEGHAN Index‎

‎C. Stone - Marc Cloet.‎

‎, Borgerhoff & Lamberigts, 2020 Hardcover 260 PAGES, 24x17cm English. ISBN 9789463931380.‎

‎In C.STONE, the artist and authors deliver a kaleidoscopic image of tentative alternative understandings of social and individual phenomena. Art plays its role of catalyst and provocateur of complex human and creative processes. The place in which the book is set is the problematic border area of Mexico and Texas, USA, the goal of the publication is a state-of-the-art scanning of the attracting and repelling forces that appear between intellectual and sensual antipodes. The book's leitmotif is the artist's efforts to change the course of action and thought in the direction of mutual understanding.‎

‎KOREA, SCENIC BEAUTY & RELIGIOUS LANDMARKS‎

‎, Pandora Publishers 1998, 1998 Hardcover, 175 pages, English, 305 x 250 mm, Fine copy. illustrated with coloured illustrations,. ISBN 9789053250525.‎

‎In enkele decennia ontwikkelde Korea zich van agrarische maatschappij tot een van 's werelds succesrijkste industri?le economie?n. Maar naast het jachtige stedelijke leven hebben het landelijke leven en de natuur hun serene schoonheid behouden en is het volk trouw gebleven aan de culturele tradities. In dit boek wordt een uniek beeld gegeven van dit in het Westen nog vrijwel onbekend land. nEn quelques d?vennies, la Cor?e est pass?e d'une soci?t? agraire ? une des plus fructueuses ?conomies industrielles du monde. Mais aux c?t?s de la fi?vreuse vie citadine, la vie rurale et la nature ont su garder leur beaut? sereine et le peuple est rest? fid?le ? ses traditions culturelles. Ce livre donne une image incomparable de ce pays encore si peu connu de l'Occident. nOver the span of only a few decades, Korea has transformed itself from an agrarian society into one of the world's most successful industrial economies. But despite today's frenetic urban pace, Korea's natural environment retains its serene beauty and its people have remained true to their cultural traditions. This book offers a unique view of this too little known emerging giant.‎

‎Maisons sur l'eau in-4,couverture souple illustrée,128 pages illustré de photographies de John Blaustein,Eddy Posthuma,Pedar Ness et Mark Gabor ‎

‎ Chene 1979‎

‎Bon état‎

‎Des Villes et des Hommes in-4,relé avec jaquette illustrée,397 pages,313 illustrations dont 113 en couleur‎

‎ Flammarion 1987‎

‎Etat Neuf‎

‎Life in the english country house - A social and architectural history‎

‎ Yale university press, 1979. Format 20x26 cm, reliure editeur sous jaquette illustree, V+344 pages. Ouvrage en langue anglaise.Tres bon etat.‎

‎Loge en het Opus Dei: een geschiedenis van de democratie‎

‎Antwerpen , Houtekiet, 2002 Softcover, 239 pagina's, 23.5 x 15.5 cm. Gesigneerd door de auteur.‎