‎Dionysian Traditions. 24th Annual Colloquium of the S.I.E.P.M., September 9-11, 2019, Varna, Bulgaria‎

‎, Brepols, 2021 Hardback, xx + 392 pages, Size:156 x 234 mm, Language(s):English, German. ISBN 9782503593395.‎

‎Summary The volume contains the contributions of the 24th Annual Colloquium of S.I.E.P.M. "The Dionysian Traditions", which took place in Varna, Bulgaria from September 9 to 11, 2019. The theme of the colloquium is not coincidentally related to the topic of the 9th Annual Colloquium "The Dionysius Reception" (1999 in Sofia, Bulgaria). The aim was to consider the continuity of research and to ensure its new dimensions. The colloquium demonstrated the multifaceted, advanced development of Dionysius research over the past twenty years. The Corpus Dionysiacum exerted an enormous influence on the Christian cultures of the European Middle Ages, which also had and still has an impact on modern times. Focal points of the medieval - Latin and Byzantine - Dionysius traditions are discussed in detail, previously undiscussed topics and perspectives are presented. A large part of the analyses develop a new approach to post-medieval culture and a clearly defined commitment to the current problems of thought and social life. The profoundly analyzed questions and topics convincingly open new horizons for today's science. TABLE OF CONTENTS Georgi KAPRIEV, Preface His Eminence Metropolitan JOHN of Varna and Veliki Preslav, Welcoming Address Theo KOBUSCH, Complicatio und explicatio. Das ontologische Modell des Neuplatonismus Mark EDWARDS, Dionysius and the Athenian School of Neoplatonism Ernesto Sergio MAINOLDI, The Place of the Corpus Dionysiacum in the Development of the Byzantine Canon of Ontology David BRADSHAW, The Divine Processions and the Divine Energies Smilen MARKOV, The Dionysian Traditions in 9th century Byzantium Claudiu MESARO?, The Reception of the Dionysian Corpus in the Deliberatio by Saint Gerardus of Cenad Maria BURGER, Die Rezeption der Nomina divina im Sentenzenkommentar Alberts des Grossen Henryk ANZULEWICZ, Illumination und Emanation in den Dionysius-Kommentaren des Albertus Magnus: kognitive und ontologische Aspekte Lars REUKE, Nothing Compares 2U. Ps.-Dionysios, Albert the Great and Fortunio Liceti on Divine Life and the Use of Analogy Andreas SPEER, Reading Aristotle through Dionysius. New Perspectives on Thomas Aquinas' Epistemology Wouter GORIS, Continentia unitiva. Duns Scotus and the Neo- platonic Metaphysics of Unity Isabelle MANDRELLA, Sic arguit magnus Dionysius. Nicolaus Cusanus und Dionysius Areopagita Mikhail KHORKOV, Kontroversen um die mystische Theologie des Pseudo-Dionysius Areopagita in der Erfurter Kartause im 15. Jahrhundert Gergana DINEVA, The Symbol as Boundary Within the Teach- ings of Pseudo-Dionysius the Areopagite Filip IVANOVIC, Law, Order and Equality in Dionysius Gunther MENSCHING, Zur Bedeutung des dionysischen Denkens fur die politische Tradition Europas Georgi KAPRIEV, Gibt es eine richtige Dionysios-Interpretation? Indexes Index of Manuscripts Index of Names‎

‎Vetter auf Besuch. Operette in einem Akt. Text von Wilhelm Busch. Klavierbearbeitung mit vollst ndigem Text.‎

‎Leipzig, Otto Weber, 1909 originaler Leineneinband des Verlags 34x27cm, Deutscher Text, Farbige Illustrationen in Schwarz & Wei Zahlreiche Illustrationen in und au erhalb des Textes.‎

‎Mit Bildern von Wilhelm Busch, Klavierbearbeitung mit vollst ndigem Text‎

‎Perspectives for architecture‎

‎1967 Frederick A. Praeger publishers Format à l'italienne, reliure cartonnée illustrée éditeur, 120p. très bon état.‎

‎En anglais. Contents : preface - history and limitations of perspective - materials - prelimir=nary stages - perspective - ordinary perspectives - auxiliary devices - the bird'eye view and the worm's eye view - shadows in perspectives - reflections - three dimensional frameworks - stairways - vaulting - examples. Nombreux dessins n&b. ‎

‎BEBENHAUSEN. FÜHRER ZU DEUTSCHEN KUNSTDENKMÄLERN.‎

‎GESELLSCHAFT FÜR WISSENSCHAFTLICHES LICHTBILD M.B.H.. 1950. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Livret de 19 pages. Premier plat illustré en noir et blanc. Nombreuses illustrations en noir et blanc dans et hors texte. Texte en allemand.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Edward Hopper und die Fotografie. Die Wahrheit des Sichtbaren. ‎

‎K ln, DuMont, 1992 Original Schutzumschlag, 199 Seiten, deutscher Sprache, 29 x 24,5 cm. Sehr gut. ISBN 9783770131174.‎

‎Edward Hopper und die Fotografie. Die Wahrheit des Sichtbaren. ‎

‎Thirteen Months to Go: The Creation of the Empire State Building‎

‎Thunder Bay Press (CA) 2003 In-4 relié 33,1 cm sur 24,8. 160 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Orientalists De L'ecole Britannique : Volume 9‎

‎, ACR Edition 1991, 1991 Hardcover, 336 pages, Texte en Francais, 285 x 260 mm, Tres belle exemplaire, dans un manteau, illustrations de couleur, . ISBN 9782867700491.‎

‎Le d nominateur commun liant les artistes de ce livre est qu'ils sont tous all s au Proche-Orient ou en Afrique du Nord et ont peint les exp riences tir es de leurs voyages. L ' Orient en question couvre une zone g ographique qui s' tend des Balkans au Maghreb jusqu' Marrakech. La Turquie, la Syrie, le Liban, la Palestine, l' gypte et le Soudan faisaient galement partie de ce vaste territoire. Cette couverture de l'Orient s'est produite au XIXe si cle, entre la campagne de Bonaparte en gypte et la Premi re Guerre mondiale.‎

‎Orientalistes de l' cole am ricaine :Volume 10‎

‎, ACR Edition 1994, 1994 Hardcover, 288 pages, Texte en Francais, 285 x 260 mm, Tres belle exemplaire, dans un manteau, illustrations de couleur, . ISBN 9782867700675.‎

‎Edwin Lord Weeks et Frederick Bridgman en sont les plus connus, mais l?on ne saurait oublier Francis Bacon, Samuel Colman, Swain Gifford, Walter Gould, Ernest Wadsworth Longfellow, Henry Newman, Walter Launt qui, durant toute leur vie, eurent notamment pour sp cialit les compositions orientalistes. En cherchant exposer leurs biographies, leurs activit s et leurs voyages, l?auteur s?est efforc de les laisser parler eux-m mes, de les laisser relater leurs aventures et commenter leurs objectifs, en citant abondamment, lorsque c? tait possible, leur correspondance, leurs journaux de voyage, ainsi que divers articles de presse et des livres.‎

‎Orientalistes De L'Ecole Espagnole : Volume 12‎

‎, ACR Edition 1997, 1997 Hardcover, 264 pages, Texte en Francais, 285 x 260 mm, Tres belle exemplaire, dans un manteau, illustrations de couleur,. ISBN 9782867701061.‎

‎Gerald M Ackerman est n en Californie. Il a fait ses tudes l'Universit de Californie de Berkeley, puis l'Universit de Munich et l'Universit de Princeton o il a obtenu son doctorat. Il a ensuite enseign Bryn Mawr College, l'Universit de Stanford et l'Universit d'Etat de Leningrad (chaire Fullbright). Il tait pendant vingt ans professeur Pomona College en Californie. Il a publi articles et critiques dans l'Art Bulletin, la Gazette des Beaux-Arts, le Burlington Magazine, Art news, Archirio de Aile Espanol, Arts et dans d'autres revues. Il est l'auteur du catalogue de l'exposition G r me organis e Dayton dans l'Ohio en 1972 et, chez ACR Edition, d'une importante monographie avec catalogue raisonn sur G r me en 1986 et, en 1991, d'un ouvrage sur les Orientalistes de 1'Ecole Britannique. Il a publi des tudes sur d'autres artistes europ ens et am ricains du dix-neuvi me si cle, sur la th orie de l'art acad mique, l'histoire des Salons et sur d'autres sujets. Il est galement l'auteur de trois pi ces de th tre repr sent es en Californie.‎

‎VISITE COMPLETE. VERSAILLES‎

‎EDITIONS D'ART LYS. NON DATE. In-8. Broché. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 18 pages. Premier plat illustré en couleurs. Nombreuses photos en couleurs dans et hors texte. Couverture partiellement dépelliculée.. . . A l'italienne. Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Schelde schilders. 19e en 20e eeuw. / Schelde schilders. 19e en 20e eeuw.‎

‎, SNOECK PUBLISHERS , 2014 softcover 256pp.NL, 23x19cm, rijkelijk geillustreerdin kleur / z/w, standaardwerk ! ISBN 9789461611871.‎

‎De Schelde is door de eeuwen heen een inspiratiebron geweest voor vele schilders. Niet alleen de stroom zelf maar ook het leven op en rond het water en in de Antwerpse haven werd talloze malen in beeld gebracht. Na de sluiting van de Schelde in 1648 verdwijnen dergelijke taferelen een tijdlang. Vanaf het begin van de 19de eeuw doet zich, parallel met de grote infrastructuurwerken als het graven van het Bonaparte- en Willemdok, het rechttrekken van de Scheldekaaien met het dempen van de oude vlieten, een heuse revival voor. Kunstenaars als Rik Schaefels en Egide Linnig sluiten nog aan bij de romantiek, maar hun plaats wordt al snel ingenomen door schilders als Robert Mols en Henri en Maurice Seghers die een natuurgetrouwe en precieze weergave nastreven. Kurt Peiser, Emiel Gastemans, Eugeen Van Mieghem en Jos Mous tonen dan weer belangstelling voor de havenarbeider, de zakkennaaisters en voor het volkse leven in het havenkwartier.Voor Scheldeschilders. 19e en 20e eeuw selecteerde auteur Gerald Verbeeck 55 schilders die zowel pittoreske als recht uit het leven gegrepen aspecten van Schelde en haven hebben weergegeven. Sinds 1952 verscheen geen enkel boek dat de Scheldeschilders op een dergelijk indringende wijze in beeld bracht.Gerald Verbeeck (Burcht, 1944) is licentiaat Toegepaste Economische Wetenschappen en al decennialang geboeid door de ?Scheldeschilderkunst?. Met dit rijk geillustreerde boek wil hij zijn kennis en passie delen met het brede publiek.‎

‎Les Villages Lorrains.‎

‎ Nancy, Université de Nancy II, 1979, 16x24 cm, broché, couverture illustrée, 105 pages, illustrations in et hors texte en noir et blanc et couleurs, croquis et cartes.‎

‎Couverture très légèrement défraichie, quelques passages soulignés au stylo bille. ‎

‎MONTANER. L'EGLISE SAINT-MICHEL‎

‎AMIS DES EGLISES ANCIENNES DU BEARN. 1984. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 31 pages. Premier plat illustré en couleurs. Quelques photos en couleurs, illustrations en noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Chefs-d'oeuvre de la peinture dans les mus es en province‎

‎, Scala, 2010 Couverture souple, 255 pages, 28.5 x 23 cm, Fran ais. *En bon tat. ISBN 9782359880946.‎

‎Chefs-d'oeuvre de la peinture dans les mus es en province.‎

‎Avoriaz - ou - La transformation d'un paysage ‎

‎ Les editions de l'Epure, 1993. Format 24x32 cm, reliure souple a rabats, 141 pages.Bon etat, petites traces d'usage sur un livre d'occasion.‎

‎bladen voor de grafiek nr.2 jrg 15 - INGRID MICHIELS‎

‎, Beveren-Melsele, 1982., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎INGRID MICHIELS De bladen voor de grafiek nr.2 jrg.15‎

‎Les cafes litteraires‎

‎ Henri Veyrier, 1987. Format 22x28 cm, broche, 236 pages.Bon etat, petites traces d'usage sur un livre d'occasion.‎

‎Gerard Goudaen: Drie houtsneden uit Het Scheldeland‎

‎, , 1982 Drie houtsneden, gesigneerd in potlood en met titel, E.A., Blauwbaard, Spinner en De Veerman, 32.5 x 24.5 cm elks. Goede staat. Spinner heeft vlekken in de rand.‎

‎Gerard Gaudean was een Belgische kunstenaar geboren in 1927 te Sint-Niklaas-Waas en gestorven in 2003. Hij was een graficus en houtsnijder. Hij volgde opleiding aan de Academie te Sint-Niklaas, aan de Academie te Gent o.l.v. V. Stuyvaert en aan het Hoger Instituut te Antwerpen o.l.v. M. Severin en J. Vaerten. Hij had een voorkeur voor o.a. (hout)gravures naar literaire werken, figuren, naakten, dieren en havengezichten. Hij was tevens werkzaam als ontwerper van gelegenheidsgrafiek en ex-librissen. Bleef steeds geboeid door nieuwe technische uitdagingen. Wist bijv. een nachtelijke atmosfeer op te wekken door, bij het drukken, een doorschijnend weefsel over het houtblok te leggen. Hij was lid van de ?Wase Kunstkring?, voorzitter van ??t Getij? en medestichter van de ex-libriskring ?Graphia?. Hij was leraar tekenen aan het Koninklijk Atheneum te Sint-Niklaas, leraar houtsnede aan de Academie te Gent (1963-1971), vanaf 1971 leraar hoogdruk en nadien, tot 1991, directeur aan de Academie te Antwerpen. Werk o.m. in de Prentenkabinetten te Brussel en Antwerpen. Vermeld in BAS I. (PIRON)‎

‎Zes houtgravures van Gerard Gaudaen naar het werk van Willem Elsschot‎

‎, Joris Minnefonds, Zes houtgravures in bedrukt omslag. 33 x 23 cm Editie van 100, waarven dit nummer 6/100. 'van de houtblokken gedruk en door de kunstenaar gesigneerd' *Prima staat.‎

‎1. Villa des roses 2. Tsjip 3. De leeuwentemmer 4. Het tankschip 5. Kaas 6. Lijmen-Het Been‎

‎NOUS AVONS BÂTI LE MONT SAINT-MICHEL‎

‎OUEST FRANCE. 1983. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages. Premier plat illustré en couleurs. Nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Francis Al s. The Nature of the Game.‎

‎, Leuven University Press, 2023 Paperback, 176 pages 23x17cm Illustrated, full colour. fine!. ISBN 9789462703841.‎

‎In 1999, a short video of a solitary boy kicking an empty bottle up a hill in Mexico City became the first instalment of Children?s Games, a series of works by artist Francis Al s (b. Antwerp, 1959). The ongoing project, which now numbers around thirty-five works, has gradually given shape to an extensive collection of videos of children at play. For almost twenty-five years, Al s and his collaborators F lix Blume, Julien Devaux, and Rafael Ortega have been travelling around the world to document the distinctive ways in which children interact with each other and their physical environment. They have gone from remote villages in the Democratic Republic of the Congo, Afghanistan, Venezuela, and Nepal to the mountains of Switzerland and metropoles like Hong Kong and Paris, but have also visited the war-torn city of Mosul in Iraq, the border between Mexico and the United States, and the strait of Gibraltar that divides Africa and Europe. The resulting images are standing proof of the seriousness of play and of children?s stunning powers of resilience in the face of conflict. This volume provides a multidisciplinary perspective to the many layers of Children?s Games. It includes an interview with Francis Al s and Rafael Ortega, a series of essays by well-known scholars and art critics, curatorial statements, and a logbook related to the presentation of Children?s Games at the Venice Biennale of 2022. Gerard-Jan Claes is a filmmaker, lecturer and writer. He is both founder and artistic director of the cinephile platform Sabzian. St phane Symons is Professor of Aesthetics and Philosophy of Culture at the Institute of Philosophy, KU Leuven.‎

‎Fotoalbum, Thema's: Wijnegem, Congo, Algerije, Rome‎

‎Wijnegem, , 1924-1927 Gevuld fotoalbum van Gerard J.M. Plasmans, met talrijke foto's genomen in Congo, Algerije, Rome en Wijnegem. 32 x 25 cm. *Goede staat.‎

‎Fotoalbum: Thema's: Wijnegem, Congo, Algerije, Rome‎

‎L’Afrique du Nord‎

‎description-histoire-armée-populations-administration et colonisation.Chasse-le Maroc.In 12 demi-chagrin foncé à nerfs,titre doré,filets et caissons,à froid.Double filet à froid sur les plats.Faux-titre titre,401 pages,1 page de table des matières.Illustrations dans le texte de J.A BEAUCE. Paris E DENTU éditeur 1861.Pâles rousseurs éparses, plus concentrées en début et fin de volume‎

4 Images

‎Weaving Memories in Medieval Cathedrals, Artistic Narratives in Global History‎

‎, Brepols, 2026 Hardcover, 317 pages, 216 x 280 mm, Illustrations:17 b/w, 126 col., 2 tables b/w. English. New. . ISBN 9782503617695.‎

‎This volume examines a network of medieval European cathedrals, from the North Sea to Andalusia, to reveal the specific ways in which institutional and civic memories were interwoven in each of these ecclesiastical sees. These pages analyze the plurality of the European landscape through eleven cathedrals, created between the fourth and fifteenth centuries across the European geographical and cultural breadth. The architectural features of each cathedral are the result of a complex process of morphogenesis that is constantly defined by the local conditions of space, building material, etc. For these reasons, each author reveals in the respective case study how the ritual spaces and the cultic and commemorative devices that legitimized their relationship with the past, the particular devotions, the diachronic and synchronic crossroads and their relationships with the secular and religious elites were generated, modified and organized. Crucial to this integrative process was the movement of patrons and master builders, as well as their ability to adopt new approaches and integrate them into established patterns. The cathedrals studied in this volume were highly innovative centers that exported successful models. In some cases, their proposals were formulated on the substratum of Roman antiquity, often reinterpreted. Furthermore, special attention is given to the memorial competencies of devices and liturgical furnishings, that constituted a large part of the visual and mnemonic experience inside their ceremonial spaces. Through the study of the selected cathedrals it is revealed that each and every one of them sought to affirm two complementary realities: what role each one aspired to play in the history of Universal Salvation and, at the same time, how to articulate the spaces of the monument to give place and temporality to the memory itself, extolling the most relevant powerful personalities in the framework of the lay community. Thus, the volume offers a panoramic view of the specificities, but also of the analogies generated by artistic intersections and homologous statements. TABLE OF CONTENTS Introduction: Negotiating Institutional Pasts in European Cathedrals Gerardo Boto Varela and Marta Serrano Coll Medieval Cathedrals As Reliquaries Of Memorial Narratives I Imperial Patronage and Shaped Memories The Cathedral of Rome in Context: Sacred Spaces, Rituals, and Patrons (Fifth?Fourteenth Centuries) Manuela Gianandrea and Eleonora Tosti Cathedral Saint Mauritius and Saint Katharina, Magdeburg Matthias Untermann II International Architectures for Secular and Ecclesiastical Hegemonies 1099?1106: The Foundation of Modena Cathedral as a Mirror of the Transition Between Seigneurial Power and Civic Self-Consciousness Saverio Lomartire Poitiers, the Cathedral Saint-Pierre-Saint-Paul Claude Andrault-Schmitt The Dispute over the Tradition of an Episcopal Church and the Art of the Naumburg Master Holger Kunde The Cathedral of Saint Vitus, Wenceslas, Adalbert, and the Virgin Mary in Prague in the Romanesque Period Jana Ma? kov -Kubkov Notre-Dame de Lausanne: Socio-Spatial Organisation at the Origins of the Cathedral (Thirteenth?Sixteenth Centuries) K rim Berclaz III Hosting and Proclaiming Cults ?North to Saint Olav??A Saint and his Cathedral on the Edge of the Christian World ystein Ekroll Canterbury Cathedral and its Holy Archbishops: Weaving Memories Between Continuity and Innovation Ute Engel IV Negotiating the Past in Palimpsestic Cities on the Edges of Latinity The Hard Task of Surrogating Jerusalem: Famagusta Cathedral in Medieval Experience and Modern Scholarship Michele Bacci The (In)visible Cathedral: The Major Church of Santa Mar a in Seville from 1248 to 1411 Teresa Laguna Pa l Index of Names Index of Places‎

‎Weaving Memories in Medieval Cathedrals Artistic Narratives in Global History‎

‎, Brepols - Harvey Miller, 2026 Hardback,Pages: 317 p.Size:216 x 280 mm, Illustrations:17 b/w, 126 col., 2 tables b/w. Language(s):English. ISBN 9782503617695.‎

‎Summary This volume examines a network of medieval European cathedrals, from the North Sea to Andalusia, to reveal the specific ways in which institutional and civic memories were interwoven in each of these ecclesiastical sees. These pages analyze the plurality of the European landscape through eleven cathedrals, created between the fourth and fifteenth centuries across the European geographical and cultural breadth. The architectural features of each cathedral are the result of a complex process of morphogenesis that is constantly defined by the local conditions of space, building material, etc. For these reasons, each author reveals in the respective case study how the ritual spaces and the cultic and commemorative devices that legitimized their relationship with the past, the particular devotions, the diachronic and synchronic crossroads and their relationships with the secular and religious elites were generated, modified and organized. Crucial to this integrative process was the movement of patrons and master builders, as well as their ability to adopt new approaches and integrate them into established patterns. The cathedrals studied in this volume were highly innovative centers that exported successful models. In some cases, their proposals were formulated on the substratum of Roman antiquity, often reinterpreted. Furthermore, special attention is given to the memorial competencies of devices and liturgical furnishings, that constituted a large part of the visual and mnemonic experience inside their ceremonial spaces. Through the study of the selected cathedrals it is revealed that each and every one of them sought to affirm two complementary realities: what role each one aspired to play in the history of Universal Salvation and, at the same time, how to articulate the spaces of the monument to give place and temporality to the memory itself, extolling the most relevant powerful personalities in the framework of the lay community. Thus, the volume offers a panoramic view of the specificities, but also of the analogies generated by artistic intersections and homologous statements. TABLE OF CONTENTS Introduction: Negotiating Institutional Pasts in European Cathedrals Gerardo Boto Varela and Marta Serrano Coll Medieval Cathedrals As Reliquaries Of Memorial Narratives I Imperial Patronage and Shaped Memories The Cathedral of Rome in Context: Sacred Spaces, Rituals, and Patrons (Fifth?Fourteenth Centuries) Manuela Gianandrea and Eleonora Tosti Cathedral Saint Mauritius and Saint Katharina, Magdeburg Matthias Untermann II International Architectures for Secular and Ecclesiastical Hegemonies 1099?1106: The Foundation of Modena Cathedral as a Mirror of the Transition Between Seigneurial Power and Civic Self-Consciousness Saverio Lomartire Poitiers, the Cathedral Saint-Pierre-Saint-Paul Claude Andrault-Schmitt The Dispute over the Tradition of an Episcopal Church and the Art of the Naumburg Master Holger Kunde The Cathedral of Saint Vitus, Wenceslas, Adalbert, and the Virgin Mary in Prague in the Romanesque Period Jana Ma? kov -Kubkov Notre-Dame de Lausanne: Socio-Spatial Organisation at the Origins of the Cathedral (Thirteenth?Sixteenth Centuries) K rim Berclaz III Hosting and Proclaiming Cults ?North to Saint Olav??A Saint and his Cathedral on the Edge of the Christian World ystein Ekroll Canterbury Cathedral and its Holy Archbishops: Weaving Memories Between Continuity and Innovation Ute Engel IV Negotiating the Past in Palimpsestic Cities on the Edges of Latinity The Hard Task of Surrogating Jerusalem: Famagusta Cathedral in Medieval Experience and Modern Scholarship Michele Bacci The (In)visible Cathedral: The Major Church of Santa Mar a in Seville from 1248 to 1411 Teresa Laguna Pa l Index of Names Index of Places‎