‎Afrika Stammeskunst in Urwald und Savanne ‎

‎ Freiburg im Breisgau, Olten, 1980 Original Leineneinband, Schutzumschlag + Box, 331 Seiten, 33 x 26 cm, *GERMAN. *wie neu. ISBN 9783530034202.‎

‎Afrika Stammeskunst in Urwald und Savanne ‎

‎Aspects de l'art musulman. ‎

‎ broché - 15x21.5 - 56 pp - 1946 - éditions LAUSANNE.IX planches hors texte en noir et blanc.‎

‎Cités d'Islam.‎

‎Paris, Arthaud, 1987 1 volume 27 x 32,3cm Reliure éditeur pleine toile noire sous jaquette noire au 1er plat orné d'une grande vignette couleurs; en étui carton muet. 242p., 1 feuillet; nombreuses illustrations in texte, vignettes, pleines et doubles pages, en noir et en couleurs. Très bon état.‎

‎Ouvrage posthume (et inachevé) de Nadjm oud-Dine BAMMATE, délégué de l'Afghanistan aux Nations-Unies en 1948, directeur de la culture à l'Unesco (1922-1985), présentant de nombreuses photos, la plupart en couleurs, de photographes divers: "Cordoue, Fez, Agades, Kairouan, Le Caire, La Mecque, Sanaa, Masqat, Damas, Istanbul, Ispahan, Herat, Lahore, Samarcande...", un album qui "met en évidence les traits dominants de la Ville, telle qu'elle est réalisée dans le monde musulman" (rabat de jaquette); préface de Dominique de MENIL en hommage à l'auteur: "Ses méditations sont celles d'un historien. Elles sont aussi celles d'un amoureux et d'un poète"; bibliographie. Exemplaire bien complet de ses jaquette et étui. ‎

‎Die Rückkehr des Klassischen in die Levante. Neuzeitliche Architektur und Minderheiten.‎

‎ Mainz, Zabern, 2001. In-8 cartonnage éditeur sous jaquette ill. en couleurs, 278 pp.-[2] ff. (catalogue), 8 planches d'ill. photogr. en noir et coul., nbr. fig. et ill. photogr. en noir dans le texte, bibliographie, index. (Kulturgeschichte der Antiken Welt, Band 79). ‎

‎ Très bonne condition. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎LES CONQUÊTES DE LA CROIX : DES CATACOMBES AUX CATHEDRALES.‎

‎Hachette, 1960. Ouvrage grand in-8 pleine toile avec jaquette illustrée, 367 pages. Abondante iconographie : 365 illustrations et 18 planches en couleurs. Bel exemplaire.‎

‎L'EGLISE DE SAINT-BENOIT-SUR-LOIRE ET GERMIGNY-DES-PRES‎

‎Henri Laurens. 1930. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur acceptable. 99 pages. Plan en noir et blanc en frontispice. Illustré de nombreux plans et photos en noir et blanc dans le texte. Couverture non d'origine recouvrant celle d'origine, ellee-même détachée.. . . . Classification Dewey : 720-Architecture‎

‎'Petites Monographies des Grands Edifices de la France'. Coll. fondée par E. Lefèvre-Pontalis, dir. par Marcel Aubert. Classification Dewey : 720-Architecture‎

‎Der Kunstverein. Stahlstich-Sammlung der vorzüglichsten Gemälde der Gallerien von München und Schleissheim. Nebst Text. ‎

‎Leipzig/Dresden, A. H. Payne, o. J. (1851), in-4to, 96 S. + 36 Stahlstichtafeln, O.-Leinenband mit Tiefprägung und goldgepr. Einband Leicht berieben.‎

‎Le Vieux Rennes‎

‎200 illustrations dont 10 plans et gravures hors texte, tirage à 1000 exemplaires, un des 800 sur Edimat de Montévrain, 1 vol. grand in-8 br., Editions F.E.R.N., Librairie Guénégaud, Paris, 1972, 678 pp.‎

9 Images

‎Rare exemplaire en parfait état de cette édition, reproduisant l'édition Larcher de 1925 et mise à jour par Mme Robet-Maynial.‎

‎La brique. L'or rouge du Midi Toulousain‎

‎ TME TME 2004, In-8 carré broché, 95 pages. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Art byzantin; Icones, Tissus, ivoires,Ceramiques‎

‎, Cercle d'Art , 1986 Hardcover, 342 pages, Texte en Francais, 335 x 275 mm, bon etat, beaucoup illustrations,. ISBN 9782702201893.‎

‎Le Vieux Rennes‎

‎Larcher J. Relié 1925 In-4, (19.5 x 28.5 cm.), reliure demi-chagrin, très belle couverture conservée 656 pages, illustrations en noir et blanc dont certaines dépliantes ; trace d'une ancienne mouillure en fin d'ouvrage, reliure en bel état, intérieur frais malgré la mouillure. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Le Vieux Rennes‎

‎Larcher J. Broché avec jaquette In-4, (19.5 x 28.5 cm.), broché sous jaquette illustrée, 656 pages, illustrations en noir et blanc dont certaines sur planches dépliantes ; très belle couverture dans un bon état de fraîcheur, cahiers ayant tendance à se décoller du dos, légers plis / frottements aux coiffes de la jaquette, bel état.. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Identifications d'une ville‎

‎Editions du Regard 2006 In-4 relié 30,8 cm sur 24,6. 196 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Les toits polychromes en Bourgogne. Huit siècles d'histoitre‎

‎ Faton Editions Faton, 2012. In-4 relié cartonnage illustré éditeur, 240 pages. Nombreuses photos en couleurs. Très bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Catalogue of Western Asiatic Glass in the British Museum, Volume I ‎

‎London, British Museum Publications, 1985 Linnen binding under dustjacket, 132 pages, 37 images and 2 maps, English text. *as new. ISBN 9780714111131.‎

‎ISBN 10: 0714111139 / ISBN 13: 9780714111131. Catalogue of Western Asiatic Glass in the British Museum, Voliume I ‎

‎La Réunion‎

‎Albin Michel 1993 Photographies de Christian Vaisse‎

‎ Bon état d’occasion ‎

‎Les parterres de Le Nôtre‎

‎fondation pour le domaine de chantilly. 2009. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 40 pages augmentées de nombreuses illustrations en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Notice sur les chaires à prêcher. ‎

‎ 1870 Caen, Le Blanc-Hardel, 1870. Une plaquette in-8 brochée, 75 pages. Pâle mouillure, dos cassé. ‎

‎ La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. ‎

‎Scribes and the Presentation of Texts (from Antiquity to c. 1550). Proceedings of the 20th Colloquium of the Comit international de pal ographie latine. Beinecke Rare Book & Manuscript Library, Yale University (New Haven, September 6-8, 2017)‎

‎, Brepols, 2021 Hardback, 604 pages, Size:216 x 280 mm, Illustrations:193 b/w, 37 col., 27 tables b/w., Language(s):English, French, Italian. ISBN 9782503595160.‎

‎Summary Scribes played complex, often overlooked roles in the production of hand-written texts across Antiquity, the Middle Ages, and the Renaissance. Some scribes simply copied the exemplar; other scribes participated with authors and decorators in establishing the mise-en-page and overall appearance of a text. Many decisions needed to be made regarding the selection of text script; the style of rubrication, display scripts, and initials; the placement and execution of potentially elaborate illuminated images. What was the role of the scribe in contributing to the decision-making process or in determining the final format and material appearance of a document, scroll or codex? This volume explores many of the choices that a single scribe or groups of scribes would need to make when writing and presenting a text, whether in a monastic, cathedral or lay setting. The articles in the volume range from case studies of a single artifact to the analysis of multiple copies and versions of a particular text. The authors include eminent specialists in the field of manuscript studies as well as mid- and early career scholars. TABLE OF CONTENTS Keynote Stefano ZAMPONI (Universit di Firenze Italia), The Papyri of Dura Europos in the History of Latin Script I papiri di Dura Europos nella storia della scrittura latina (In Italian, accompanied by an English translation) I. Tradition and Innovation: Classical Traditions and Medieval Innovations Serena AMMIRATI, (Universit degli Studi Roma Tre), Il manoscritto latino di contenuto giuridico tra Antichit e Medioevo: strategie distintive e conservatorismo grafico da Oriente a Occidente Marilena MANIACI & Giulia OROFINO, (Universit di Cassino e del Lazio meridionale), Making, Writing and Decorating the Bible: Montecassino, a Case Study Irene CECCHERINI (University of Oxford), The Shaping of the Latin Classics in 14th-Century Italy Julia MARVIN ( University of Notre Dame), The Rhetoric of Textual Presentation in Manuscripts of the Anglo-Norman Prose Brut Chronicle: When Foundation Stories Collide II. Decision Making and Workflow: Patrons, Authors And Scribes Jes s ALTURO & T nia ALAIX (Universitat Aut noma de Barcelona), Categories of Promoters and Categories of Writings: The Free Will of the Scribes, Cause of Formal Graphic Differences Francisco LVAREZ L PEZ & Julia CRICK (King's College London), Decision-Making and Workflow in the Making of Exon Domesday Laura PANI (Universit degli Studi di Udine), Lay Scribes before c. 1100: Books, Texts, Scripts S bastien BARRET (IRHT-CNRS: Institut de recherche et d'histoire des textes - Centre national de la recherche scientifique, Paris), Pr sentation des textes, discours diplomatique et 'responsables de la transcription des actes' aux Xe et XIe si cles: quelques chartes clunisiennes Eef OVERGAAUW (Staatsbibliothek zu Berlin), Authors, Scribes and Librarians. Literary Estates in Germany in the Fifteenth and early Sixteenth Century III. Text and Paratext: Structuring Texts, Structuring Books David GANZ (University College London, retired) Half-Uncial Scripts: a Way of Presenting Texts Andrew J. M. IRVING (Rijksuniversiteit Groningen), Mass by Design: Design Elements in Early Italian Mass Books Elena RODR GUEZ D AZ (Universidad de Huelva), Las r bricas en los c dices medievales de los reinos de Le n y Castilla (siglos XII-XV) Thomas FALMAGNE (Biblioth que nationale de Luxembourg), L'ordinatio dans les manuscrits de compilation Patrizia CARMASSI (Herzog August Bibliothek), Il prologo tra autore, scriba e manoscritto. Indagini su uso e funzione di un particolare paratesto in codici della Herzog August Bibliothek Wolfenb ttel, e della Nieders chsische Staats- und Universit tsbibliothek, G ttingen Dominique STUTZMANN (IRHT-CNRS: Institut de recherche et d'histoire des textes - Centre national de la recherche scientifique, Paris), Du Roman de la Rose aux livres d'heures : tudier et comprendre les critures de colophons Beyond Words: Visual Representations of Meaning Gabriella POMARO (SISMEL: Societ Internaionale per lo Studio del Medioevo Latino, Firenze), Dall'ars scripta all'Ars figurata: Raimondo Lullo (1232-1316) e la tradizione figurata dell'ars combinatoria Marigold Anne NORBYE (University College London), The manifold manifestations of A tous nobles: decoration and diversity in a French genealogical chronicle Maria THEISEN ( sterreichische Akademie der Wissenschaften, Wien), God Speaks Czech. Some reflection on layout, script and image in Czech Bibles of the 15th Century IV. APICES Session Evina STEINOV (Pontifical Institute of Mediaeval Studies, Toronto) Nota and Require: The Oldest Western Annotation Symbols and Their Dissemination in the Early Middle Ages Anna DOROFEEVA (University of Frankfurt), Reading Early Medieval Miscellanies Manuel MU OZ GARC A (King's College London), The Script of Matthew Paris and His Collaborators (c. 1200-1259): A Multi-Methodological Approach Adri n ARES LEGASPI (Universidad de Sevilla), La presentaci n de los textos en las profesiones religiosas del monasterio de San Mart n Pinario (Santiago de Compostela), en la primera mitad del siglo XVI Agnieszka REC (Boston, Massachusetts Historical Society), The Archaeology of the Book and the Alchemy of Cracow Index of Manuscripts and Documents Index of Private Collections Index of Papyri and Tablets Index of Names Index of Scribes and Decorators‎

‎CATALUÑA. Arte - Paisaje - Arquitectura.‎

‎2001 / 439 pages. Relié avec jaquette. Editions Könemann. Langue : Espagnol ‎

‎Très bon état. Very good condition.‎

‎Alex Katz : Catalogus NL / ENG‎

‎, Museum Voorlinden , 2023 Hardcover, 112 pages, ENG / NL, 305 x 250 x 17 mm, NIEUW / NEW, Full page coloured illustrations in the special style of Alex Katz. ISBN 9789492549280.‎

‎De heldere kleuren, gladde oppervlakken en scherpe composities. De koele abstraherende stijl, monochrome achtergronden en monumentale grootte: je herkent het werk van de legendarische Alex Katz (1927) direct. Al bijna acht decennia schildert hij de Amerikaanse cultuur en de moderne maatschappij. Als geen ander weet Katz het ?onmiddellijke nu?, zoals hij het noemt, vast te leggen. De schilder laat zich inspireren door de vormentaal van dans, televisie, films en billboards. Hij is een belangrijk wegbereider voor de pop art en wordt gezien als n van de belangrijkste Amerikaanse kunstschilders van de 20ste eeuw. Zijn werk wordt geprezen om de unieke stijl en techniek en is te zien in musea over de hele wereld ? en tot en met 1 oktober 2023 in Voorlinden.//// The bright colours, smooth surfaces and sharp compositions. The cool abstract style, monochrome backgrounds and monumental size: you immediately recognize the work of the legendary Alex Katz (1927). He has been painting American culture and modern society for nearly eight decades. Like no other, Katz knows how to capture the 'immediate now', as he calls it. The painter is inspired by the formal language of dance, television, films and billboards. He is an important pioneer of pop art and is regarded as one of the most important American painters of the 20th century. His work is praised for its unique style and technique and can be seen in museums all over the world - and until October 1, 2023 in Voorlinden.‎

‎Masterpieces Of The Metropolitan Museum of Art‎

‎, Metropolitan Museum of Art , 1993 Hardcover, 320 pages, English, 315 x 250 x 30 mm, very richly illustrated with coloured illustrations, in Good Condition !. ISBN 9780821220474.‎

‎The Metropolitan Museum of Art in New York City is a living encyclopedia of world art. Cultures from every part of the world - from Florence to Thebes, from Pennsylvania to Papua, New Guinea - from the ancient world to the present, and in every medium, are represented, frequently at the highest levels of quality. This book presents over 250 of the finest masterpieces in the Metropolitan's collection, drawn from more than three million works in eighteen different curatorial departments. Some of these splendid objects, such as the Temple of Dendur, Botticelli's Annunciation, Rembrandt's Aristotle with a Bust of Homer, and Leutze's Washington Crossing the Delaware, are very famous; others, including a rare Chinese scroll, a drawing by Michelangelo, and an ornate Turkish sword, are less well known. All are remarkable and unique. The works have been arranged in a generally chronological order by culture, beginning with ancient Egypt and ending with the twentieth century in Europe and America. Each reproduction is accompanied by a text that includes pertinent information about the work.‎

‎Monastic Performance - The Mystic Contract - The Ecstatic Recording Jan Fabre in St Augustine's Church in Antwerp‎

‎, mercaterfonds - fondsmercator, 2018 Softcover, 124 pages ill. 24,1 x 17 x 1,1 cm. NEW ISBN 9789462302433.‎

‎As part of the city-wide 'Antwerp Baroque 2018' festival, artist Jan Fabre has been invited to create three new altarpieces for Antwerp's Church of St Augustine, now the home of the international cultural and music centre AMUZ. In fulfilling this prestigious commission Fabre is following in the illustrious footsteps of Peter Paul Rubens, Jacob Jordaens and Anthony van Dyck, who were asked to produce an altarpiece each in 1628. This handsomely illustrated book brings to life the origin, history and richness of these works of art in all their subtlety. Fabre's extraordinary triptych, The Monastic Performance, The Mystic Contract and The Ecstatic Recording is truly breathtaking. Specially conceived, the works form an apotheosis of core elements from his oeuvre, including the lamb, fire, woman, spirituality, and his love of Antwerp, represented by the diamond motif. In this sumptuous Mercatorfonds publication, Barbara De Coninck, Joanna De Vos, Jenke Van den Akkerveken and Els Wuyts take an investigative trip through the iconography and meaning of the individual altarpieces. Starting from Fabre's preparatory collage drawings we follow the construction and metamorphosis of the mosaics. Paul Huvenne's connective essay makes a detailed comparison between Fabre's contemporary interpretations and the Baroque originals, with reference to the particular history of St Augustine's Church. And Joost Vander Auwera discovers surprising parallels between Fabre, Jordaens and Van Dyck.‎

‎Fabrice Souvereyns Erased and Not Erased‎

‎, Posture Editions Nr 50, 2023 PB, 300 x 210 mm, 256 pages, EN-NL edition, Illustrated. ISBN 9789491262555.‎

‎Armed with pencil, eraser and breaker knife, FabArmed with pencil, eraser and breaker knife, Fabrice Souvereyns ( 1995 Tongeren) creates a detailed world from intense observations and perceptions. Souvereyns's young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more 'invisible' themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist's eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist. Posture Editions N 50 brings together these diverse landscapes, making the book function as the young artist's first survey work. rice Souvereyns ( 1995 Tongeren) creates a detailed world from intense observations and perceptions. Souvereyns's young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more 'invisible' themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist's eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist. Posture Editions N 50 brings together these diverse landscapes, making the book function as the young artist's first survey work. ‎

‎Magie van Marrakesh Buitengewone interieurs‎

‎Brussel, Mercatorfonds, 2009 Hardcover met stofomslag, 208 p., 32,5 x 24,5 cm, 137 illustraties in kleur. ISBN 9789061539001.‎

‎Marrakech is much more than a thousand-year-old city with a rich and eventful past. For Marrakech has an incomparable aura and, above all, a unique atmosphere that offers a real delight to the senses. What particularly characterizes the city is the pungent scent of spices rising from the souk. And the hurly-burly of people pressing their way through the streets and alleys of the medina, seemingly imprisoned between the walls of clay and straw, which are the colour of the setting sun and have given Marrakech the sonorous nickname 'El Hamra', the Red City. In El Hamra people gladly cast aside all kinds of rules and conventions, and the city receives with open arms all those who do not shirk a challenge and are prepared to share its beauty with others: architects, interior decorators and designers, or the inspired individual who for a shorter or longer period can call himself 'Marrakechi' - resident of Marrakech - and make a long-cherished, personal dream come true. Those who fall for the magical charm of Marrakech find a neglected riad or abandoned palace, and have the courage to rescue it from the ravages of time. They reinvest the buildings with their former glory and in so doing rediscover long-forgotten materials and methods. It is partly thanks to these committed people that we have been able to evoke in this book, using both text and images, the enchanting character of Marrakech. ‎