‎"Inventaire général des monuments et des richesses artistiques de la France; Gard : canton Aigues-Mortes (2 volumes); tome 1 : texte; tome 2 : illustrations; commission régional du Languedoc-Roussillon."‎

‎Paris, Imprimerie Nationale, 1973. 22 x 30, 2 volumes, 185 + 302 pages, 908 illustrations dont certaines en couleurs et 2 grandes cartes dépliantes en couleurs, reliure d'édition simili cuir noir, sous étui carton, très bon état (sauf étui défraîchi).‎

‎L'ensemble mégalithique de Saint Pierre de la Fage.‎

‎Centre De Recherche Archéologique Du Haut-Languedoc Montpellier 1979 In-8 carré ( 225 X 195 mm ) de 105 pages, broché sous couverture imprimée. 25 figures hors-texte. EDITION ORIGINALE. Bel exemplaire.‎

‎Le Dolmen du Pouget ( Hérault ) et son contexte archéologique.‎

‎Centre De Recherche Archéologique Du Haut-Languedoc Montpellier 1986 In-8 carré ( 225 X 195 mm ) de 78 pages, broché sous couverture imprimée. 25 figures hors-texte. EDITION ORIGINALE. Bel exemplaire.‎

‎Une Villa Pratique de Campagne avec ses jardins et des dépendances‎

‎ALBIN Michel. ND. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Quelques rousseurs. 416pp. Nbreuses illust n&b dans le texte et sur planches. Plande la villa sur planches dépliantes à part.. . . . Classification Dewey : 720-Architecture‎

‎La construction. Le jardin d'agrément. Le jardin potager. Le jardin fruitier. Les dépendances de la villa Classification Dewey : 720-Architecture‎

‎COTTAGES ET CONSTRUCTIONS RURALES‎

‎ 1912 reliure demi-toile verte in-folio, dos long muet, 1er plat titre en noi sur fond blanc avec une illustration en couleurs par A. M. LEY, illustré de 93 planches inédites de coupes, façades, plans, devis, en noir, 175 pages, 1912 Paris Albin Michel Editeur, ‎

‎"le guide du constructeur",trés bon état. ‎

‎Une Villa pratique de Campagne avec ses Jardins et dépendances. La construction (modeles de villas avec devis et prix) - Le jardin d"agrement - Le jardin potager - Le jardin fruitier - Les dependances.‎

‎Ouvrage orne de 44 planches hors-texte de dessins à la plume. Paris, Albin Michel, sans date (ca. 1910).. petit in-4°, 416 pages de texte sur deux colonnes, broché, couv. illustree.‎

‎Tres bel exemplaire. [P-57] ‎

‎Renaissance italienne dans les rues du Ghetto. L'oeuvre poétique yiddish d'Élia Lévita (1469-1549)‎

‎, Brepols, 2020 Hardback, 924 pages, Size:156 x 234 mm, Illustrations:4 tables b/w., Language: French. ISBN 9782503569741.‎

‎Summary Cet ouvrage constitue la première étude d'ensemble de l'oeuvre poétique yiddish d'Élia Lévita (1469-1549) et cherche à définir sa place dans la littérature de la Renaissance en analysant les transferts esthétiques et culturels ayant présidé à sa production. Il situe l'oeuvre vernaculaire de ce savant hébraïste, proche des humanistes chrétiens, dans les traditions poétiques juives hébraïques et yiddish et dans la logique d'une affirmation du rôle de l'écrivain séculier et de la langue vernaculaire dans la société juive. Il analyse également la portée des modèles extérieurs, chrétiens, en insistant sur l'inscription des romans de chevalerie de Lévita dans l'évolution générale du genre chevaleresque en Italie. L'Arioste, et en particulier son Roland furieux, ont joué un rôle majeur dans le raffinement progressif du projet esthétique du poète yiddish. Par son ampleur et par sa variété, l'oeuvre vernaculaire d'Élia Lévita constitue non seulement la première oeuvre moderne de la littérature yiddish mais aussi un cas particulièrement évocateur de diffusion des modèles esthétiques de la Renaissance dans des catégories ethniques (les Juifs) et sociales (les classes populaires) que l'on aurait pu croire éloignées de ces mutations culturelles. TABLE OF CONTENTS Introduction Chapitre I : La personnalité de Lévita et son insertion dans le cadre de la Renaissance italienne Chapitre II : La place de Lévita dans la création littéraire juive de la fin du Moyen Âge et de la Renaissance Chapitre III : Expérimentations chevaleresques en Italie au tournant du XVe et du XVIe siècle Chapitre IV : L'évolution de l'oeuvre chevaleresque de Lévita : du paradigme de Pulci au modèle de l'Arioste Chapitre V : l'oeuvre satirique de Lévita, entre invective burlesque et dérision complice Conclusion Annexes Bibliographie Index des noms propres (personnalités et oeuvres)‎

‎L'Art Religieux Moderne. Ouvrage orné de 320 héliogravures.‎

‎ 1936 Grenoble, Arthaud, 1936, in 8° broché, 101 pages ; couverture rempliée illustrée (petits défauts d'usage) ; importante bibliographie ; bel envoi autographe signé sur le faux-titre. ‎

‎Exemplaire sans le second volume (contenant principalement les illustrations). ...................... Photos sur demande ..........................‎

‎L'Art Religieux Moderne. Ouvrage orné de 320 héliogravures.‎

‎ 1936 Grenoble, Arthaud (Collection "Arts et Paysages" n°9), 1936, 2 volumes in 8° brochés, 101 et 243 pages ; couvertures rempliées illustrées. ‎

‎Bien complet en 2 volumes. ...................... Photos sur demande ..........................‎

‎L' art religieux moderne‎

‎ Arthaud, 1936, gr in8br, 101pp Langue: Français ‎

‎COURS D'ARCHITECTURE ET DE CONSTRUCTIONS CIVILES - TOME 1‎

‎LIBRAIRIE POLYTECHNIQUE CH. BERANGER. 1931. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur acceptable. 606 pages. Nombreuses illustrations en noir et blanc dans le texte; Nombreuses notes au stylo dans les marges.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Freiburger Kulturgüter. Patrimoine Fribourgeois N° 13.‎

‎Villars-sur-Glâne, Service des biens culturels, 2001, in-4to, 88 p. richement ill., brochure originale ill.‎

‎Claude Castella / Aloys Lauper: Le passé présent / Claude Castella / Aloys Lauper: Die Vertonung der Vergangenheit / Claude Castella: Le patrimoine architectural hors zone à bâtir / Claude Castella: Transformation d’une ferme au hameau du Jordil à St-Martin / Hans Kunz / Philipp Speiser: Umnutzung eines Kleinbauernhauses im Hinteren Brand, Zumholz / Philipp Speiser: Die Restaurierungen des Hauses Mooses in Freiburg / Carmen Reolon: La chapelle de la Salette à Broc: restauration du béton / Daniela Schneuwly-Poffet / Philipp Speiser: Die neue Chorausstattung in der Kirche Schmitten / Anne-Catherine Page: La restauration de la salle de la Grande Société à Fribourg / Jean-Pierre Anderegg: Siedlung, Flur und Kulturlandschaft - Das Beispiel Ferenbalm / Marianne Progin Corti: Das ehemalige Bezirksspital Tafers / Bernard Jacqué: Les papiers peints du grand salon de la maison d’Alt à Fribourg / Aloys Laupter /Frédéric Arnaud: Le jeu de douves de la Joux / Aloys Lauper: L’église „ogivale“ d’Attalens / Hermann Schöpfer: L’église du Cugy / Marie-Thérèse Torche: La restauration de l’église de Cugy. ‎

‎Damas: Urbanisme et architecture 1860-1925‎

‎Actes Sud, coll. « Sinbad » 2006 In-8 broché 22,6 cm sur 14,1. 355 pages. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Cours d'architecture et de constructions civiles, par M. E. Arnaud, professeur à l'École centrale des arts et manufactures et à l'École nationale supérieure des beaux-arts. Cours professé à l'École centrale en deuxième année [5 volumes + 1 Atlas]‎

‎Paris, Imprimerie des Arts et Manufactures 1923 5 volumes + 1 Atlas. 5 volumes, in-8 23 x 17,5 cm. Reliures demi-chagrin havane, dos à nerfs, 187-558-554-531-115 pp., 22-262-47 planches hors texte - 1 Atlas, in-folio à l’italienne 28 x 45 cm, reliure demi-chagrin havane, dos à nerfs, 262 planches. Rare ensemble, bien complet de l’atlas. ‎

‎Comprend : Première partie : 1 volume, Ensemble des opérations à envisager pour l'édification des bâtiments - 2e partie : 3 volumes , Technique du bâtiment. édification du bâtiment (Béton armé - Fondations - Maçonnerie - Planchers) ; (Combles - Couvertures - Escaliers) ; (Serrurerie - Installations diverses et décoration) - 3e partie : 1 volume, Applications du cours de constructions civiles. Bon état d’occasion ‎

‎Ma Ville a un Passé. Histoire de Mèze. ‎

‎ 1966 Editions Déhan - 1966 - In-8, broché, couverture illustrée - 391 pages - Quelques reproductions photographiques en N&B hors-texte ‎

‎Assez bon état - Couverture tâchée, insolée et frottée - Plis de lecture au dos - Intérieur propre ‎

‎Francis Picabia. Catalogue Raisonne. Volume II (1915-1927)‎

‎, mercaterfonds - fondsmercator, 2016 Hardcover, Hardback, 295x250mm, 496p, 625 bw and col. illustrations. English/ French edition . ISBN 9789462301436.‎

‎The second of an important multi-volume catalogue project, this publication features work by Francis Picabia (1879-1953) that dates from 1915 into mid-1927. Beginning with Picabia's elaboration of a personal machinist aesthetic, the book continues by looking at the artist's central role in the formulation of the Paris Dada movement. That irreverent movement included Picabia's increasingly provocative mechanomorphic compositions, complemented by his unorthodox writings and graphic designs as well as socially powerful performances. The volume finishes with a look at Picabia's creations of the mid-1920s, which included memorable collages and flamboyant figurative compositions known as the "monsters." This catalogue raisonne offers scholarly readings of his work by major authors ‎

‎Sweden, Russia, and the 1617 Peace of Stolbovo‎

‎, Brepols, 2023 Hardback, 398 pages, Size:156 x 234 mm, Illustrations:57 b/w, 17 col., 4 tables b/w., 6 maps b/w, 2 maps color, Language: English. ISBN 9782503601007.‎

‎Summary In 1617, after seven years of war between Sweden and Russia and talks facilitated by English and Dutch diplomats, the peace treaty of Stolbovo was signed. This important but little-studied document was to form the basis for relationships between Sweden and Russia for the next one hundred years, before it was replaced by the Peace of Nystad in 1721, and it had a huge influence on the lives of the people who lived in the region. This wide-ranging volume draws together contributions by scholars from Britain, Sweden, Germany, Estonia, Russia, and Finland to offer new insights into, and analysis of this peace treaty and its impact on the wider region during the seventeenth century. Covering disciplines including political and economic history, church history, and Slavonic and Classical philology, the chapters gathered here shed new light on, and provide a new understanding of, the Early Modern period in the Baltic Sea area. TABLE OF CONTENTS List of Illustrations Preface Arne Jönsson and Arsenii Vetushko-Kalevich Introduction Arne Jönsson and Arsenii Vetushko-Kalevich Stolbovo in Perspective. Jacobean Diplomacy in the Baltic Region, 1589-1618 Steve Murdoch The Dutch Republic, Sweden, and Moscow.The Dream of the Russian Market Kristian Gerner Cartographic Knowledge and Geographic Ignorance. Karelia and the Cap of the North in the Swedish Imagination around 1600 Stefan Troebst The Stolbovo Treaty and Tracing the Border in Ingria in 1617-1618 Adrian Selin The Symbolic Uses of the Early Modern Russo-Swedish Border Alexander Tolstikov Ryssgården. The Russian Factory in Stockholm in the Seventeenth Century Elisabeth Löfstrand The Treaty of Stolbovo and Tallinn's Customs Rental Agreement (1623-1629) Enn Küng Influence of the Peace of Stolbovo on Estonia and Livonia Ülle Tarkiainen Ingria as a Swedish Province in the Seventeenth Century Kasper Kepsu The Treaty of Stolbovo and Its Impact on Narva's Urban Development Stefan Herfurth Petitions, Letters, Wills, and Receipts. A First Road Map to The King's Russian-Writing Subjects in Swedish Ingria, 1617-1656 Alexander I. Pereswetoff-Morath The Mosaic of Knowledge about Muscovy in Sweden in the Great Power Era Kari Tarkiainen Superstitious Christians. Lutheran Views on the Russian Orthodox Church in the Swedish Great Power Era David Gudmundsson The Peace of Stolbovo as Reflected in the De la Gardie Archives. Some Manuscript Examples Per Stobaeus Historia Vladislai by Stanis?aw Kobierzycki as a Source of Historia Belli Sveco-Moscovitici by Johannes Widekindi Arsenii Vetushko-Kalevich The Treaty of Stolbovo. A Failure or Success of Russian Diplomacy? Gennady Kovalenko Index of Persons Index of Places Index rerum Contributors‎

‎Robert A. M. Stern. 1965 - 1980 ‎

‎ Rizzoli Rizzoli, 1981. In-4 broché, couverture illustrée de 305 pages. Nombreuses photos et plans en noir et blanc et couleur. Texte en anglais. Parfait état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Arne Quinze‎

‎Tielt, Lannoo, 2021 Hardcover linnen bound, 348 pages, 32 x 25 cm. English. ISBN 9789401475877.‎

‎Arne Quinze started out in the 1980s as a graffiti artist and soon moved from street art to public art. His name has become synonymous with monumental installations. We now find them all over the world, from Germany and France to the United States, China and Brazil. But his work also includes paintings, smaller sculptures and light installations. This book tells the story of Quinze's commitment to breaking the monotony of our contemporary society by giving space to the powerful beauty of nature. With over 500 photos, an exclusive interview with Hervé Mikaeloff and an essay by Xavier Roland. ‎

‎Ad Hoc Barok: Marcel Raymaekers' hergebruikarchitectuur in naoorlogs België ‎

‎, Rotor, 2023, softcover 196 pagina's, illustraties in kleur & z/w, 30 x21 cm, Nederlands . ISBN 9789464776638.‎

‎Ad Hoc Barok: Marcel Raymaekers' hergebruikarchitectuur in naoorlogs België Marcel Raymaekers (°1933) was van de jaren zeventig tot de jaren negentig een begrip in een groot deel van België. Meer dan een architect ? hoewel hij daar technisch gezien toch niet voor gekwalificeerd was ? bedacht en verkocht hij adellijke dromen aan de groeiende middenklasse van België via zijn zakenimperium The Queen of the South, een onwaarschijnlijke mix van antiekberging en nachtclub/restaurant. estaminet?/jazzlocatie. Bijna 50 jaar lang kocht en restaureerde Raymaekers duizenden tonnen antieke bouwonderdelen en hergebruikte ze in honderden gebouwen naar eigen ontwerp. Deze elementen, zonder uitzondering indrukwekkend in hun vakmanschap en materialiteit, waren ? en zijn nog steeds ? een getuigenis van materiële culturen uit het verleden en het duizelingwekkende aantal gebouwen dat in België sinds het einde van de Tweede Wereldoorlog is gesloopt. Vanaf de jaren 1960 realiseerde hij een omvangrijk oeuvre met materialen als zwerfkeien uit de maasvallei of kolommen en portieken van afgebroken kerken. Die doorgedreven toepassing van hergebruik laat hem aansluiten bij eeuwenoude bouwtradities, maar maakt van hem ook een buitenbeen in zijn tijd, een pionier van het circulair bouwen.‎

‎La chapelle de la Béroche. Photos de Benedik Rast (de l’oeuvre de Nicolas-Manuel Deutsch).‎

‎Fribourg, St-Paul, 1939, in-8°, 1 p. + 4 p. + 16 planches photogr. (vitraux, statuaires, triptique du XVè) avec descriptions, brochure originale.‎

‎Arnobius Iunior, Praedestinatus‎

‎, Brepols, 2022 Paperback, 256 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503596761.‎

‎Summary For the first time in English, the Praedestinatus represents a moment in the fifteen-century old theological conversation in Latin Christianity about the topics of grace, predestination and free will. Written as a response to Augustine's growing theological influence, this book should not merely be regarded as a work of apologetics, despite the author's intention, but seen as breaking controversial new ground because of his claim that a small circle of heretics was acting as a 'fifth column' within the Church, undermining orthodox beliefs concerning God, his providence and all-inclusive love. The introduction sheds light on the authorship, dating and historical context of this work. It documents how this text was received and critically assessed for a period of over twelve centuries: from the time of Augustine in the fifth century to that of the bitter Jansenist controversy in the seventeenth. It entered those latter debates shortly after its rediscovery by Jacques Sirmond in the library of the Reims cathedral in a manuscript that, in the ninth century, was in the possession of Hincmar - the archbishop of Reims who in his time had revived disputes about grace and free will. Sirmond named the text '[the] Praedestinatus' when he published its first edition in 1643. After a three hundred year hiatus, interest in the Praedestinatus revived in the twentieth century thanks to German and French scholars who studied the book's theological trajectory and claims. Its critical edition was eventually accomplished in 2000 by Italian scholar Franco Gori. The present translation is based on Gori's edition.‎

‎Luc Dondeyne Third Eye /// SIGNED!!!!! ‎

‎, MER - Borgerhoff & Lamberigts, softcover, 166 pag. *** met handgeschreven opdracht / gesigneerd door LUC Dondeyne. ISBN 9789463931144.‎

‎Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the triangle between the artist as viewer, spectator and maker. Those looking at the works are in the middle of this triangle, and consequently they become part of the artist?s gaze and therefore also of the work. The intuition, imagination and inner wisdom with which the third eye or the sixth chakra fills us, may also open the gate to the collective memory, on which not only Dondeyne relies but also the spectator who looks at the artist?s works. Frequently, Dondeyne refers in his titles and images consciously or subconsciously to the history of art and culture. He invites us to open our own third eye and to join him to tap into his huge source of knowledge and associations that allows him to connect that which he sees through the third eye with that which he depicts thereof on the canvas or on paper, and with the spectator who contemplates the final result.‎

‎Rossini after Rossini. Musical and Social Legacy‎

‎, Brepols, 2020 Hardback, 436 pages, Size:210 x 260 mm, Illustrations:30 b/w, Languages: English, Italian, French. ISBN 9782503588209.‎

‎Summary This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death. Rossini was the most influential opera composer of the first half of the 19th century. His exceptional position in contemporary cultural life and the international success of his works meant that monuments were erected during his lifetime and biographies, novels and plays about him appeared. The volume explores his literary reception and the dissemination of his operas in the 19th and 20th centuries in various countries, focusing in particular on stylistic and compositional legacy, the theory and practice of operatic singing, treatises and biographical memoires, and Rossini's position in politics, society and public opinion. Translations and adaptations of Rossini's libretti are analyzed with regard to their functions within in the performances in different cultures and languages. Several chapters address the influence of Rossini and his music on other composers such as Giacomo Meyerbeer, Ottorino Respighi and Ferruccio Busoni. The fame that once surrounded Rossini, however, has been lost in the course of time, and many of his works fell into oblivion. The last section of the volume sheds new light on the so-called 'Rossini Renaissance', the revival of his works in the second half of the 20th and the beginning of the 21st centuries. TABLE OF CONTENTS Arnold Jacobshagen, Preface Rossini's literary reception Jehoash Hirshberg, The Appreciation of Rossini: Two Phases Arnold Jacobshagen, Final Curtain: Commemorating Gioachino Rossini Matthieu Cailliez, Ricezione di Rossini nella stampa musicale internazionale tra il 1868 e il 1918 Renato Ricco, «Dominio del genio» versus «agilità dell'estro»: Giuseppe Rovani di fronte a Gioachino Rossini Stéphane Lelièvre, «Rossini» de René Fauchois (1920), ou quand le compositeur monte sur scène Rossini on the International Stage Paolo Fabbri, «Zelmira», un'opera da esportazione? Marco Beghelli, Singing Bodies: The Visual Metamorphosis of Rossini's Arnold from «Canto di grazia» to «Belting» Vesa Kurkela - Markus Mantere, Rossini in the Grand Duchy of Finland: A Review of Public Reception in the 19th Century Agnieszka Muszy?ska-Andrejczyk, Rossini and Poland: Libretto Translations and Presence in Polish Theatres in the Past and Today Vjera Katalinic, Rossini on the Musical Stage in Zagreb (1850-1880): Repertoire and Reception Miguel Angel Ríos Mun?oz, Rossini en español, la transformación de ópera en zarzuela Víctor Sánchez Sánchez, «Resilience» rossiniana nel furore wagneriano a Madrid (1875-1910) Rossinian Influence on Other Musicians Tom Me?barki, Rossini: un (post)moderno? Dal classicismo al neoclassicismo. Il potenziale rossiniano nell'estetica musicale neoclassica: il potenziale neoclassico nell'opera buffa rossiniana Maria Birbili, Rossini in Meyerbeer Federico Gon, «Oh! It's a Great Thing to be Rossini»: Verdi from the «Sinfonia in Do» to «Un giorno di regno» John Lam Chun-fai, «Gamme chinoise» as Rossinian Notion Roberto Scoccimarro, «Hovering Above Profundity with Smiling Lightness»: Lines of Affinity between the Aesthetics of Ferruccio Busoni and the Comic Theatre of Rossini Rossini Renaissance Zoila Martínez Beltrán, «Rossini's Rosina Resists the Test of Time»: A 20th-century Spanish Soprano Generation Focused on «Il barbiere di Siviglia» Olga Jesurum, La riscoperta del «Turco in Italia». Dal Teatro Eliseo al Teatro alla Scala Marco Pollaci, The Revival of Rossini and His Critical Reception in Italy between 1950 and 1960 Reto Müller, «Il viaggio a Reims»: The Cult Opera of the Rossini Renaissance Arnold Jacobshagen, Beyond the Renaissance: Rossini Today‎

‎Meissener Blaumalerei aus drei Jahrhunderten: Eine Ausstellung aus der Deutschen Demokratischen Republik im Museum fu?r Kunst und Gewerbe Hamburg, 16. September bis 12. November 1989 (German Edition)‎

‎, Edition Leipzig, 1989 Hardcover, 352 seiten, German, 275 x 215 mm, dustjacket, gut, illustr. in farbe / s/w. ISBN 9783361002739.‎

‎Text in German. Published to a accompany an exhibition held September to November 1989, featuring 387 items of blue/white ware from 3 centuries. Included are precursors to the European blue/white (Persian, Turkish, East Asian), the Delft, Italian Majolica, and more, all in the first chapter. The subsequent chapters all pertain to various aspects of Meissen blue/white, with text by different authors, expert documentation, etc. With the catalogue of works, including some marks. Very thorough‎