‎Robert A. M. Stern. 1965 - 1980 ‎

‎ Rizzoli Rizzoli, 1981. In-4 broché, couverture illustrée de 305 pages. Nombreuses photos et plans en noir et blanc et couleur. Texte en anglais. Parfait état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎La chapelle de la Béroche. Photos de Benedik Rast (de l’oeuvre de Nicolas-Manuel Deutsch).‎

‎Fribourg, St-Paul, 1939, in-8°, 1 p. + 4 p. + 16 planches photogr. (vitraux, statuaires, triptique du XVè) avec descriptions, brochure originale.‎

‎Europ ische Einbandkunst aus sechs Jahrhunderten. Beispiele aus der Bibliothek Otto Sch fer.‎

‎Schweinfurt:, Bibliothek Otto Sch fer, 1992 Gebundene Ausgabe, Leinen, 494 Seiten, 32.5 x 23.5 cm, Sprache: Deutsch. *Wie neu.‎

‎Europ ische Einbandkunst aus sechs Jahrhunderten. Beispiele aus der Bibliothek Otto Sch fer.‎

‎Arnobius Iunior, Praedestinatus‎

‎, Brepols, 2022 Paperback, 256 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503596761.‎

‎Summary For the first time in English, the Praedestinatus represents a moment in the fifteen-century old theological conversation in Latin Christianity about the topics of grace, predestination and free will. Written as a response to Augustine's growing theological influence, this book should not merely be regarded as a work of apologetics, despite the author's intention, but seen as breaking controversial new ground because of his claim that a small circle of heretics was acting as a 'fifth column' within the Church, undermining orthodox beliefs concerning God, his providence and all-inclusive love. The introduction sheds light on the authorship, dating and historical context of this work. It documents how this text was received and critically assessed for a period of over twelve centuries: from the time of Augustine in the fifth century to that of the bitter Jansenist controversy in the seventeenth. It entered those latter debates shortly after its rediscovery by Jacques Sirmond in the library of the Reims cathedral in a manuscript that, in the ninth century, was in the possession of Hincmar - the archbishop of Reims who in his time had revived disputes about grace and free will. Sirmond named the text '[the] Praedestinatus' when he published its first edition in 1643. After a three hundred year hiatus, interest in the Praedestinatus revived in the twentieth century thanks to German and French scholars who studied the book's theological trajectory and claims. Its critical edition was eventually accomplished in 2000 by Italian scholar Franco Gori. The present translation is based on Gori's edition.‎

‎2G 94 b+‎

‎Barcelona, Verlag der Buchhandlung Walther und Franz K nig, 2025 Illustrated hardcover, 30 x 23, 160 pages, 135 col.ill. | 75 bw.ill. English. *New. ISBN 9783753307824.‎

‎This issue of 2G is not a portfolio of completed works. It is a reflection on the first three years of b+, a practice formed in a new constellation and working model, and on the questions that have emerged through working on different projects and constellations in that time. The projects shown are snapshots ? some ongoing such as Midway Contemporary Art Garage, some experimental such as Lutz, some self-initiated such as M usebunker CC and some even already gone such as TAS ? revealing the larger themes shaping the field of architecture today: the urgent need for a fundamental value shift in the building sector ? socially, ecologically, and economically. ‎

‎Luc Dondeyne Third Eye /// SIGNED!!!!! ‎

‎, MER - Borgerhoff & Lamberigts, softcover, 166 pag. *** met handgeschreven opdracht / gesigneerd door LUC Dondeyne. ISBN 9789463931144.‎

‎Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the triangle between the artist as viewer, spectator and maker. Those looking at the works are in the middle of this triangle, and consequently they become part of the artist?s gaze and therefore also of the work. The intuition, imagination and inner wisdom with which the third eye or the sixth chakra fills us, may also open the gate to the collective memory, on which not only Dondeyne relies but also the spectator who looks at the artist?s works. Frequently, Dondeyne refers in his titles and images consciously or subconsciously to the history of art and culture. He invites us to open our own third eye and to join him to tap into his huge source of knowledge and associations that allows him to connect that which he sees through the third eye with that which he depicts thereof on the canvas or on paper, and with the spectator who contemplates the final result.‎

‎Building in Egypt : Pharaonic Stone Masonry‎

‎Oxford, Oxford University Press, 1991 Cloth binding under illustrated dustjacket, 316 pages, 28.5 x 22 cm, english text. *fine condition. ISBN 9780195063509.‎

‎Building in Egypt : Pharaonic Stone Masonry‎

‎Rossini after Rossini. Musical and Social Legacy‎

‎, Brepols, 2020 Hardback, 436 pages, Size:210 x 260 mm, Illustrations:30 b/w, Languages: English, Italian, French. ISBN 9782503588209.‎

‎Summary This volume reflects on Gioachino Rossini (1792-1868) and the international reception of his work 150 years after his death. Rossini was the most influential opera composer of the first half of the 19th century. His exceptional position in contemporary cultural life and the international success of his works meant that monuments were erected during his lifetime and biographies, novels and plays about him appeared. The volume explores his literary reception and the dissemination of his operas in the 19th and 20th centuries in various countries, focusing in particular on stylistic and compositional legacy, the theory and practice of operatic singing, treatises and biographical memoires, and Rossini's position in politics, society and public opinion. Translations and adaptations of Rossini's libretti are analyzed with regard to their functions within in the performances in different cultures and languages. Several chapters address the influence of Rossini and his music on other composers such as Giacomo Meyerbeer, Ottorino Respighi and Ferruccio Busoni. The fame that once surrounded Rossini, however, has been lost in the course of time, and many of his works fell into oblivion. The last section of the volume sheds new light on the so-called 'Rossini Renaissance', the revival of his works in the second half of the 20th and the beginning of the 21st centuries. TABLE OF CONTENTS Arnold Jacobshagen, Preface Rossini's literary reception Jehoash Hirshberg, The Appreciation of Rossini: Two Phases Arnold Jacobshagen, Final Curtain: Commemorating Gioachino Rossini Matthieu Cailliez, Ricezione di Rossini nella stampa musicale internazionale tra il 1868 e il 1918 Renato Ricco, Dominio del genio versus agilit dell'estro : Giuseppe Rovani di fronte a Gioachino Rossini St phane Leli vre, Rossini de Ren Fauchois (1920), ou quand le compositeur monte sur sc ne Rossini on the International Stage Paolo Fabbri, Zelmira , un'opera da esportazione? Marco Beghelli, Singing Bodies: The Visual Metamorphosis of Rossini's Arnold from Canto di grazia to Belting Vesa Kurkela - Markus Mantere, Rossini in the Grand Duchy of Finland: A Review of Public Reception in the 19th Century Agnieszka Muszy?ska-Andrejczyk, Rossini and Poland: Libretto Translations and Presence in Polish Theatres in the Past and Today Vjera Katalinic, Rossini on the Musical Stage in Zagreb (1850-1880): Repertoire and Reception Miguel Angel R os Mun?oz, Rossini en espa ol, la transformaci n de pera en zarzuela V ctor S nchez S nchez, Resilience rossiniana nel furore wagneriano a Madrid (1875-1910) Rossinian Influence on Other Musicians Tom Me?barki, Rossini: un (post)moderno? Dal classicismo al neoclassicismo. Il potenziale rossiniano nell'estetica musicale neoclassica: il potenziale neoclassico nell'opera buffa rossiniana Maria Birbili, Rossini in Meyerbeer Federico Gon, Oh! It's a Great Thing to be Rossini : Verdi from the Sinfonia in Do to Un giorno di regno John Lam Chun-fai, Gamme chinoise as Rossinian Notion Roberto Scoccimarro, Hovering Above Profundity with Smiling Lightness : Lines of Affinity between the Aesthetics of Ferruccio Busoni and the Comic Theatre of Rossini Rossini Renaissance Zoila Mart nez Beltr n, Rossini's Rosina Resists the Test of Time : A 20th-century Spanish Soprano Generation Focused on Il barbiere di Siviglia Olga Jesurum, La riscoperta del Turco in Italia . Dal Teatro Eliseo al Teatro alla Scala Marco Pollaci, The Revival of Rossini and His Critical Reception in Italy between 1950 and 1960 Reto M ller, Il viaggio a Reims : The Cult Opera of the Rossini Renaissance Arnold Jacobshagen, Beyond the Renaissance: Rossini Today‎

‎Meissener Blaumalerei aus drei Jahrhunderten: Eine Ausstellung aus der Deutschen Demokratischen Republik im Museum fu?r Kunst und Gewerbe Hamburg, 16. September bis 12. November 1989 (German Edition)‎

‎, Edition Leipzig, 1989 Hardcover, 352 seiten, German, 275 x 215 mm, dustjacket, gut, illustr. in farbe / s/w. ISBN 9783361002739.‎

‎Text in German. Published to a accompany an exhibition held September to November 1989, featuring 387 items of blue/white ware from 3 centuries. Included are precursors to the European blue/white (Persian, Turkish, East Asian), the Delft, Italian Majolica, and more, all in the first chapter. The subsequent chapters all pertain to various aspects of Meissen blue/white, with text by different authors, expert documentation, etc. With the catalogue of works, including some marks. Very thorough‎

‎Starting to Paint : Watercolour Tips and Technology ‎

‎, Search Press Ltd 2002, 2002 Paperback, 96 pages, English, 290 x 215 mm, fine copy, lots of illustrations, . ISBN 9781903975237.‎

‎Arnold Lowrey offers an envigorating and creative introduction to the medium and in clear, simple-to-understand terms he explores the materials you will need to start painting. Using a vibrant and colourful palette, he clearly illustrates all the techniques from laying initial washes and capturing atmosphere to adding interest and detail - and includes a series of step-by-step demonstrations to build up skills. Before you realise it you will be painting your own beautiful paintings - with this fresh, innovative introduction to watercolours.‎

‎Fortune di Arnolfo‎

‎edifir 2004 Livre en italien. In-4 broché 28 cm sur 21. 151 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Hier!, Alyosha deel 2‎

‎Nederland, Korenmaat, 2024 Oorspronkelijk uitgevers omslag, 24 pagina's, 22.5 x 14.5 cm, oplage van 120 exemplaren, gesigneerd door de auteur. .‎

‎In dit boekje volgen we het derde levensjaar van Alyosha Grunberg op de voet. Zijn ontwikkeling, zijn gecharmeer, zijn weerspannigheid en zijn gedrag overal ter wereld. Want met een vader als Arnon Grunberg reis je heel wat af. De tekst werd gezet uit de Spectrum en in 120 exemplaren gedrukt onder de Korenmaat. Ted Struwer leverde een portret van het knaapje. ‎

‎vlaamse schilderkunst in het prado‎

‎, Mercatorfonds 1989, 1989 Hardcover, 318 pagina's, Nederlands, 310 x 260 mm, In Cassette !, In zeer goede staat, met vele afbeeldingen en illustraties van de Vlaamse meesters, . ISBN 9789061531982.‎

‎De grote rijkdom van de Vlaamse schilderijencollectie in het Prado is hoofdzakelijk te danken aan de grote belangstelling van de Spaans-Habsburgse vorsten voor de Vlaamse kunst. Karel V en zijn zoon Filips II waren verwoede verzamelaars van Vlaamse kunst; door Filips II bezit het Prado een aantal belangrijke werken van Hieronymus Bosch. De Vlaamse Primitieven zijn in het museum aanwezig met belangrijke werken van Van der Weyden, Bouts en Memling en uit de 16e eeuw bezit het museum schilderijen van o.a. Gossaert, Metsys, en Pieter Bruegel de Oude. De 17e eeuw wordt gedomineerd door Rubens. Het Prado bezit verder belangrijke werken van Van Dyck, Jordaens, Fyt, Seghers en anderen. Het boek bevat een catalogus van alle Vlaamse schilderijen. Met 500 illustraties, waarvan 100 in kleur.‎

‎Peinture Flamande : Au Kunsthistorisches Museum De Vienne‎

‎, Fonds Mercator , 1987 Hardcover, 301 pages, Texte en Francais, 310 x 260 x 35 mm, jaquette illustre , Comme Neuf !, illustrations en couleur / n/b ,dans un manteau solide !. ISBN 9789061531845.‎

‎La peinture flamande se d veloppe du d but du xve au xviie si cle. Les Flandres ont produit les principaux peintres de l'Europe du Nord et ont attir de nombreux jeunes peintres prometteurs des pays voisins. Ces peintres flamands taient invit s travailler dans les cours d'autres pays et ont eu une influence dans toute l'Europe. Depuis la fin de l' re napol onienne, les peintres flamands ont contribu restaurer la bonne r putation acquise avec les Vieux Ma tres‎

‎Peinture flamande au Prado : Flandria extra muros‎

‎, Albin Michel, 1989, 1989 Hardcover, 318 pages, Texte en Francais, 310 x 260 mm, dans un manteau solide, Tres belle exemplaire. ISBN 9782226037480.‎

‎Fortuyn/O'Brien: Works and Projects ‎

‎, Ludion, 2000 cartonnage diteur , dos toile marron titr , 24 x 30,5 cm , de 208 pages illustr es . ISBN 9789076588063.‎

‎Fortuyn/O'Brien: Works and Projects ‎

‎Marcel Breuer 1902-1981 : Vormgever van de 20e eeuw‎

‎, Taschen / De Morgen, 2007 Hardcover, 96 pag. NL, 240 x 190 mm, goede staat, ill. in kleur / z/w. ISBN 9789077686621.‎

‎Afrikanische Keramik‎

‎M nchen, Hirmer, 1984 Gebundene Ausgabe, 408 Seiten, 22 x 22 cm, GERMAN. *Wie neu. ISBN 9783777437705.‎

‎Catalogue of exhibition sponsored by the Staatliches Museum f r V lkerkunde M nchen, and held at the Staatliches Museum f r V lkerkunde M nchen, Dec. 10, 1984-May 12, 1985, and at the Hetjens-Museum, Deutsches Keramikmuseum, June 16, 1985-Sept. 15, 1985‎

‎La vieille France. La Touraine‎

‎Texte, dessins et Lithographies de A. Robida 40 planches hors-texte lithographiées en deux tons et 229 dessins dans le texte en noir par Albert Robida volume in folio, 320x230, tranche de tête dorée, parfait état intérieur, 336pp. Couvertures d'origines avec dos conservés. Paris, Librairie Illustrée, vers 1890.‎

14 Images

‎Carla Arocha: Chris ‎

‎Clermont-Ferrand, FRAC Auvergne, 2006 Softcover, 70 pages, 25 x 20 cm, French/English. *fine condition. ISBN 9782907672016.‎

‎Exhibition catalog: September 22 through October 22, 2006 ‎

‎L'ART SCANDINAVE‎

‎ Reliure éditeur avec jaquette - 17 x 22 - 2 tomes 380-460 pp - année 1968- 4ème édition - Collection La Nuit des Temps n°28 - Editions Zodiaque - illustrations ‎

‎La Cambre et l'architecture - Un regard sur le Bauhaus belge‎

‎Editions Pierre Mardaga, Architecture + Recherches, Bruxelles, 1982. In-8, broché sous couverture illustrée, 195 pp. Introduction - Création de La Cambre : le lieu et l'heure. - la doctrine. - la pédagogie - La querelle de l'ornement - La Cambre et la fin du Bauhaus - La Cambre et les congrès internationaux d'Architecture moderne - ...‎

‎Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com‎

‎La Cambre et l’architecture. Un regard sur le Bauhaus belge‎

‎Pierre Mardaga, coll. « Architecture + Recherches », n° 17 1982 In-8 broché 22 cm sur 15. 195 pages. Nombreuses photographies en noir et blanc.. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Le contrôle esthétique en '40. Les Cahiers de La Cambre, architecture, N° 3, mai 1986.‎

‎Bruxelles, Paul-Emile Vincent, 1986. 21 x 20, 83 pp., nombreuses illustrations en N/B, broché, très bon état.‎

‎A.R.Penck:Manner, Michael Werner In Koln 1984 ‎

‎K ln,, Michael Werner, 1984 Original publishers paper-covered boards, Oblong 30x21cm, 20 pages, 6 Tipped-in Color Plates. Text German.‎

‎catalogue expo A.R.Penck:Manner, Michael Werner In Koln 1984 ** pseudonym of Ralf Winkler (Dresden, October 5, 1939 - Zurich, May 2, 2017), was a German painter, graphic artist, sculptor and jazz drummer.‎