Flammarion. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Nombreuses photos et illustrations monochromes et en couleurs dans et hors texte.. . . . Classification Dewey : 720-Architecture
"Collection ""Tout l'art"". Classification Dewey : 720-Architecture"
1968 Editions Edita Lausanne, La bibilothèque des Arts - 1968 - Fort in-4, cartonnage toilé vert avec titre au dos, jaquette illustrée - 491 p. - Illustrations en N&B in et hors-texte
Bon état - Jaquette légèrement défraichie (frottements, légère déchirure au niveau de la tranche supérieur, insolation)
Adaptation française par Dausy Lion-Goldschmidt. Chargée de mission au Musée Guinet. Sans lieu, Edita. La Bibliothèque des Arts, 1968. 491 pp. Nombreuses illustrations, certaines en couleurs. Reliure éditeur bradel pleine toile vert d'eau. Dos avec titre et auteur dorés. Très bon état. Format in-4°(28x23).
COLLECTIF
, Exhib Intern/ Mercator 2019, 2019 Hardcover, 424 pages, English/Francais, 305 x 260 mm, with illustrations, book in perfect order, with dustjacket, . ISBN 9789462302488.
This third in a planned four-volume catalogue raisonn of works by the French avant-garde artist Francis Picabia (1879-1953) includes paintings and selected drawings dating from mid-1927 through 1939. Innovative collage-paintings and flamboyant figural compositions known as "monsters" that dominated Picabia's output in the mid-1920s gave way, during 1927, to new artistic directions. The most important of these was an exploration of the concept of transparency in many forms, first through the addition of new elements to his own pre-existing works, then through the elaboration of tangled compositions, the so-called "transparencies," superimposing outlined figures, animals, plants, and other motifs of various origins. Picabia's characteristic refusal of consistency of style endured, however, and his production during the period also encompassed imposing representational compositions with firmly contoured and solidly colored forms, thickly painted topographical landscapes, curvilinear abstractions, and, toward the end, photo-based figural paintings foreshadowing his notorious painted nudes of the early 1940s.
, Wordsworth Editions Ltd, 1988 Hardcover, 234 pages, ENG, 240 x 160 mm, dustjacket, good condition, with b/w illustrations. ISBN 9781853269158.
, Brepols, 2013 Paperback, 525 pages , 156 x 234 mm, Languages: English. ISBN 9782503548791.
William Durand (c. 1230-Nov. 1, 1296), Bishop of Mende, France, was unquestionably the most renowned liturgical scholar of the later Middle Ages. His encyclopedic allegorical exposition of the rites and worship services of the Latin Church, the Rationale divinorum officiorum, or "Rationale for the divine offices," is the best known medieval work in its genre. Divided into eight books of varying length, the Rationale is exhaustive in its treatment of a wide variety of subjects: the church building and liturgical art; the ministers of the church and their functions; liturgical vestments; the Mass and the Divine Office; the Church's calendar and its feast days. Modern scholarship has clearly shown that Durand's Rationale superseded all previous liturgical commentaries within only a few years of its publication (c. 1292-1296). By the end of the fifteenth century, it had become one of the most widely disseminated treatises of its kind in western Europe. Book 4, Durand?s lengthy and detailed commentary on the Mass, has never been translated into English. The present volume makes this important text available for modern students of liturgy, musicology, theology, and art history for whom the original Latin text is not accessible. The present translation also provides extensive annotation and explanation of Durand?s sometimes cryptic etymologies, while bringing to light important source material embedded within his commentary. The source text of this volume appeared in Corpus Christianorum Continuatio Mediaeualis as Guillelmus Durantus - Rationale divinorum officiorum IV (CCCM 140). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation. Corpus Christianorum in Translation (CCT 14)
William J. Mitchell ; Betsky Aaron ; Eizenberg Julie
Reference : 60001
(1996)
ISBN : 0847819442
Rizzoli 1996 Livre en anglais. In-8 broché 28 cm sur 21,9. 224 pages. Très bon état d’occasion.
Très bon état d’occasion
, Phaidon Press Ltd, 1996 Hardcover, 736 pages, ENG, 250 x 220 x 45 mm, dustjacket (not in good condition) book itself is in very good state, illustrated in colour / b/w , 3rd edition. ISBN 9780714835242.
Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value. For the third edition the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Almost every chapter has been expanded and updated, and seven chapters are entirely new, including the whole of Part Four, which covers recent world architecture. Described by James Ackerman of Harvard University as 'immeasurably the finest work covering this field in existence', this book presents a penetrating analysis of the modern tradition and its origins, and traces the creative interaction between old and new that has generated such an astonishing richness of architectural forms throughout the century.
, MUSEO NACIONAL CENTRO DE ARTE REINA, 2017 softcover / Tapa blanda / 236 pages / CASTELLANO / Espanol. ISBN 9788480265607.
Cat logo de la exposici n Basta y sobra de William Kentridge. La muestra preparada en esta ocasi n por el Museo Reina Sof a plantea que el trabajo esc nico de Kentridge (Johannesburgo, 1955), galardonado con el Premio Princesa de Asturias de las Artes 2017, no se puede entender como un discurso en paralelo al pl stico. Al contrario, se trata de una misma esencia que encuentra manifestaciones distintas que se retroalimentan continuamente. La propia evoluci n de la trayectoria intelectual y profesional de Kentridge, artista poco frecuente en los museos de Espa a, testimonia perfectamente la simbiosis de ambos "mundos".
BE - , LYSA, 2022 Hardcover with dusjacket, 284 pages, LYNX, vol. 1 ? Hardback, rounded spine, sewn, dust jacket, reading ribbon, Language: English & Latin, fine!. ISBN 9789464447668.
Pascasius Justus Turcq was born in the Flemish town of Eeklo. As a young man, he travelled through Spain before devoting himself to the study of philosophy and medicine in Italy. On gaining his doctorate, he returned north and settled in Bergen-op-Zoom, where he worked as a physician and eventually became the city?s mayor. He attended to William the Silent as one of the physicians who worked to save the Prince?s life after the assassination attempt of 1582. Alongside tales of gambling princes and perceptive accounts of the mental suffering experienced by problem gamblers, Pascasius? De alea is remarkable for its singular insights into 16th-century medical science. Basing himself on the authority of the ancient, late-antique and mediaeval traditions, Pascasius first fuses discrete theoretical systems into an innovative framework, allowing him to propose a novel description of compulsive gambling as a psychological disorder. Secondly, Pascasius articulates a series of pioneering cures. He describes this therapy in cognitive terms reminiscent of approaches to non-substance addiction in use today. On Gambling was routinely referenced in scholarship on gambling into the 18th century before disappearing almost entirely from view. Newly available here, with a critical Latin text and English translation, On Gambling epitomises the creative potential of 16th-century medical humanism.
, Arts Council of Great Britain, 1980 Paperback, 147 pages, ENG, 255 x 255 mm, in good condition, illustr. in colour / b/w. ISBN 0728702088.
, Centro Cultural,, 1998 Hardcover with dusjacket, 258 pages, illustrated, (Spanish Edition) FINE!. ISBN 9789806334380.
1950: El espi ritu moderno (Spanish Edition) William Nino Araque
William Ploegaert, Willy Van den Bussche, Paul Demets, Roland Jooris, Jean-Marie Byttebier, Jo lle Dubois.
Reference : 62352
, Snoeck Publishers / Museum van Deinze , 2023 PB, 280 x 200 mm, 208 pages, ENG-NL edition. ISBN 9789461618658.
Antoon De Clerck (1923-2001) bekleedt een opmerkelijke positie in het landschap van de 20ste-eeuwse schilderkunst in Belgi . In 2023 zou hij 100 jaar geworden zijn, hoog tijd dus voor een terugblik met zowel een retrospectieve tentoonstelling als een monografie. Antoon De Clerck kwam in Deinze al vroeg in contact met Hugo Claus en Roger Raveel, en zou met die laatste levenslang bevriend blijven. Na een eerste periode van schilderen die vanuit de academie nog sterk aanleunde tegen het werk van leermeesters zoals Hubert Malfait en Jos Verdegem, geraakte Antoon De Clerck sterk ge ntrigeerd door de Nieuwe Visie van Raveel, met onder andere enkele gemeenschappelijke projecten als gevolg (Beervelde, Dulcia). Ondertussen onderscheidde Antoon De Clerck zich met zijn talent op vlak van grafisch ontwerp en typografie, en vond hij wat later een eigen weg die sterk aanleunde bij het vigerende hyperrealisme. In zijn uitgepuurde beeldtaal streeft hij vooral de waarachtigheid na, een kijk op het echte leven die dan weer sterk aanleunt bij de visie binnen de popart en door hemzelf soms 'visuele hygi ne' genoemd.
Paris, Flammarion 1990, 1990 Paperback, 422 pages, Texte en Francais, 290 x 230 mm, tres bon etat, illustrations de couleur et n/b. ISBN 9782080114013.
Georges Braque (Argenteuil, 13 mei 1882 - Parijs, 31 augustus 1963) was een Franse kunstschilder, tekenaar, beeldhouwer en maker van collages. Hij was mede toonaangevend voor nieuwe richtingen in de moderne 20ste-eeuwse kunst. Samen met de Spaanse kunstschilder Pablo Picasso was hij de grondlegger van het kubisme. Braque was ook actief als sieraadontwerper.
, Thames & Hudson Ltd, 1996 Hardcover, 495 pages, ENG, 310 x 240 x 45 mm, dustjacket, in Very Good Condition !!, illustrated in colour / b/ w. ISBN 9780500237243.
The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, charcoal and other media to illustrate the solutions Picasso invented to solve the "problem" of the modernist portrait. Published to accompany an exhibition to be shown at The Museum of Modern Art, New York, in 1996, the book contains eight essays examining different periods and aspects of Picasso's career. The personal relationships between Picasso and his subjects are clarified
Images Publishing Group Pty Ltd 2009 Livre en anglais. In-4 relié 30,6 cm sur 23,2. 256 pages. Jaquette en bon état. Bon état d’occasion.
Bon état d’occasion
, Yale University Press, 1995 Hardcover with dusjacket, 301 pages, Illustrated. index. ISBN 9780300063387.
This lavishly illustrated book is the first to examine the development of Gothic sculpture throughout Europe. It discusses not only the most famous monuments?such as the cathedrals of Chartres, Amiens, and Reims, Westminster Abbey, and the Siena Duomo?but also less familiar buildings in France, England, Italy, Germany, Spain, and Scandinavia. Paul Williamson begins by setting the sculptures of the cathedrals in their social context. He then focuses on the working methods of the sculptors, illustrating the stages of making Gothic sculpture with a number of previously unpublished examples. Moving from country to country, Williamson traces the transition from Romanesque to Early Gothic style and then examines the flowering of "mature" Gothic in the early thirteenth century and in the less well-known sculptures of the last half of the thirteenth century. Throughout, he includes descriptions of wood sculpture, so often neglected by others, and he sheds new light on figures and reliefs in bronze and ivory.
, Abrams Harry N. 1990, 1990 Hardcover, 228 pages, English, 310 x 310 mm, with dustjacket, book is New, . ISBN 9780810938168.
Gathers Stoller's photographs of office buildings, schools, research centers, libraries, and homes designed by Frank Lloyd Wright, Marcel Breurer, Walter Gropius, Mies van de Rohe, Philip Johnson, Eero Saarinen, Louis Kahn, I.M. Pei, and Richard Meier
, Weidenfeld & Nicolson 1981, 1981 Paperback, 365 pages, English; 280 x 215 mm, book in fine condition, with illustrations in colour and b/w,. ISBN 9780297780359.
, Harvard University Art Museums 2002 YALE, 2002 Softcover, 299 pages, ENG, 295 x 245 mm, with illustrations / images in colour and b/w, book in fine condition. ISBN 9781891771248.
This book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, Hendrick Avercamp, among others - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period.
Cambridge, Cambridge University Press 1988 Complete in 3 volumes: cxxxiv,630 + xiii,776 + xi,722 pp., with b/w ills., reprint of the original 1886-edition, 25cm., softcovers, good condition, weight: 5.2kg., S108130
, Thames & Hudson, 2009 Hardcover. Text in English language 25 x 28 cm. 400 p. with 900 (747 col.) ills. . ,. ISBN 9780500342541.
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Leipzig, Wilhelm Engelmann, 1905, in-4°, XVIII + 414 S., reich ill. mit Zeichnungen und Abb. + VI + 12 Falttafeln, Original-Halbleinenband, Ecken.
Phone number : 41 (0)26 3223808
Images Publishing Group Pty Ltd 2010 Livre en anglais. In-8 relié 24,1 cm sur 23,9. 360 pages. Jaquette en bon état. Très bon état d’occasion.
Très bon état d’occasion
Zodiaque, 1970, in-8 rel. toile ed., 350 p., 2ème édition, coll. "La nuit des temps - 22", préface de Hans Haug, texte en français, allemand et anglais, photographies n. et b. et en coul., cartes, plans, jaquette, très bon état.
Voir le sommaire sur photos jointes