‎L'étude pratique des plans de villes : introduction à l'art de dessiner les plans d'aménagement et d'extension. Traduit de l'anglais par William Mooser, traduction revue et mise au point par Léon Jaussely‎

‎Paris, Librairie Centrale des Beaux-Arts 1922 In-4. Cartonnage éditeur cachou, XLI-443 pp., 300 figures, photographies & plans dans et hors texte, 7 plans repliés in fine. Cartonnage légèrement passé. Bon exemplaire.‎

‎Les principes de construction rapide et économique de maisons, tout en maintenant des standards satisfaisants en jardins, intimité et espace intérieur, donneront une grande influence à Raymond Unwin (1863-1940). Bon état d’occasion ‎

‎L'Étude pratique des plans de villes : Introduction à l'art de dessiner les plans d'aménagement et d'extension (Formes urbaines)‎

‎L'Équerre 1981 in8. 1981. Broché. 370 pages. Bon Etat‎

‎L'étude pratique des plans de villes. Introduction à l'art de dessiner les plans d'aménagement et d'extension.‎

‎ Paris, L'Equerre, 1981 ; in-8, broché. XXXVII-370 pp. - 7 plans hors-texte sur 4 grands feuillets dépliants insérés dans le dernier plat de couverture. 300 figures in-texte. Couverture un peu jaunie. Pelliculage en partie absent. ‎

‎Réimpression de la traduction française donnée en 1922 de ce texte anglais qui constitue un des premier manuels d'urbanisme, publié à Londres en 1909. BIEN COMPLET DES PLANS DEPLIANTS ! ‎

‎L'Étude pratique des plans de villes. Introduction à l'art de dessiner les plans d'aménagement et d'extension (Formes urbaines)‎

‎ L'équerre L'équerre, 1981. Grand In-8 broché de 370 pages ornées de photos, dessins et plans.Complet des plans dépliants volants (2 préfaces de l'auteur et plus de 300 illustrations). Bon état.‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Svensk byggnadskonst 1530-1760.‎

‎Stockholm, (1904). Stor4to. Orig. helshirt. 200 pp. samt 100 plancher. Tekstillustreret.‎

‎Die Architektur der Renaissance in Schweden 1530-1760. 100 Tafeln mit Text.‎

‎Dresden, Gerhard Kühtmann, (1901). Large folio. Text and plates loose as issued in orig. portfolio. Portfolio rubbed. 132 pp., textillustr. and 100 fine plates (Lichtdruck). Titlepage and the first textleaves frayed in right margin. Otherwise clean.‎

‎PLAN ET PROSPECTIVES : LES VILLES l'urbanisation. ‎

‎Paris, Armand collin, 1970; in 16, 225 pp., broché. Commisariat général du plan.‎

‎Commisariat général du plan.‎

‎Nouveaux Paris La Ville et ses possibles. Publié à l’occasion de l’exposition créée par le Pavillon de l’Arsenal, mars 2005‎

‎éditions du Pavillon de l’Arsenal - éditions A. & J. Picard 2005 In-4 broché. In-4 étroit 30 x 18 cm. Broché sous couverture illustrée en couleurs à rabats, illustrations en couleurs, 1 DVD sous pochette in fine. Exemplaire en bon état.. Bon état d’occasion.‎

‎En vingt-et-un scénarios, quel est le potentiel d’évolution de Paris au regard des enjeux du développement durable et des nouvelles pratiques citadines qui apparaissent aujourd’hui ? Bon état d’occasion ‎

‎Alternances urbaines. Centre de Création Industrielle (CCI), Centre Georges Pompidou, du 9 mai au 10 septembre 1979. Chef de projet : Jean-Paul PIGEAT.‎

‎ P., Centre Georges Pompidou, CCI, 1979, in 8° broché, 64 pages ; nombreuses illustrations ; couverture illustrée. ‎

‎ ...................... Photos sur demande ..........................‎

‎Lot of 3 books.‎

‎1) Wynn, M.: Housing in Europe. 1984 / 2) Chadwick, G.: A systems view of planning. Towards a theory of urban and regional planning process. 1971 / 3) Eckardt, W. von: A place to live. The crises of the cities.1967. ‎

‎Lieux dits. Dictionnaire étymologique et historique des noms de lieux en Alsace‎

‎Editions du Rhin, La Nuée Bleue 2003 In-8 cartonnage éditeur. 23,5 cm sur 16,5. 363 pages. Plusieurs illustrations en noir et blanc. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Planetarium of Kiro Urdin. SIGNED !!‎

‎, Neways electronics International , 1997 Hardcover with dusjacket. unpag. Illustrated. text in English. . ISBN 9080386316.‎

‎ed. by Gerard Meulensteen; photogr. ill. in colour by Marin Dimeski; cloth, silver stamped SIGNED BY URDIN‎

‎SAGA. UNE VIE D'ART ET DE REGARDS de Eug ne Atget Tarrah Krajnak ‎

‎, Ludion, 2024 HB BOX, 300 x 240 mm, 576 pages, FR edition. ISBN 9789464781045.‎

‎Il y a vingt ans, Art Basel, Astrid Ullens a achet , plus ou moins sur un coup de t te, une photographie de Brancusi. Cette impulsion a t le premier pas dans la constitution d'une collection impressionnante, qui compte aujourd'hui plus de 5.000 photographies, dont certaines de professionnels aussi c l bres que Lewis Baltz, Lee Friedlander, Helen Levitt et Walker Evans, et d'autres de jeunes photographes comme Francesco Neri, Georges Senga, Massao Mascaro et Tarrah Krajnak. Astrid Ullens, qui a confi sa collection une fondation cr e cet effet, la Fondation A Stichting Bruxelles, n'a rien d'une chasseuse de troph es. Pour elle, seuls importent le regard et l'attitude du photographe, et sa collection s'inscrit dans un projet plus vaste, visant promouvoir la photographie comme mode de vision et de compr hension du monde, tout en contribuant soutenir ceux qui la pratiquent. Cet ouvrage substantiel constitue une excellente introduction la collection, avec pas moins de 2000 images repr sentant plus de 100 photographes. De ce fait, il entra ne le lecteur dans un voyage fascinant travers la photographie documentaire, autor flexive et conceptuelle, du vingti me si cle, de nombreuses surprises voisinant avec des points de rep re bien connus. Il brosse galement le portrait d'une cohorte de photographes qui ont tous cherch , d'une mani re ou d'une autre, faire mieux comprendre au spectateur le monde, la nature, l'humanit , la soci t et la photographie elle-m me - ce qui ne va plus de soi dans le flot d'images qui nous submergent aujourd'hui, remises en question par les progr s de l'IA. En plus des images et de br ves notices sur les diff rents photographes, l'ouvrage inclut plusieurs essais de chercheurs et d'autres, dont le conservateur Urs Stahel, l'auteur et journaliste Guy Duplat, et le directeur du Mus e de la Photographie de Charleroi, Xavier Canonne. Ouvrage indispensable tous les passionn s de la photographie, SAGA sera publi l'occasion de l'exposition When Images Learn To Speak, aux Rencontres d'Arles, durant l' t 2024.‎

‎Bildhaueraufnahmestucke der Academie Royale de Peinture et de Sculpture in Paris 1700-1730.‎

‎Petersberg, Imhof, 2012 Hardcover, 22 x 30 cm, 264 Seiten, 12 Farb- und 224 S/W-Abbildungen, . German Text. New! ISBN 9783865686657.‎

‎Fur die begehrte Mitgliedschaft der 1648 gegrundeten Academie Royale de Peinture et de Sculpture in Paris reichten die sich bewerbenden Kunstler ein Aufnahmestuck ein. Es diente zur Ausstattung der Versammlungssale und fungierte als Lehrmaterial fur die auszubildenden Studenten. Das vorliegende Buch thematisiert die sogenannten ?morceaux de reception? der Bildhauer vorwiegend im Zeitraum von 1700?1730 ? eine Werkgruppe, die vielschichtige Erkenntnisse uber den kunstlerischen Schaffensprozess und die individuelle Gestaltungsfreiheit, aber auch uber institutionelle Abhangigkeiten prasentiert. Anhand von zahlreichen Beispielen werden Themen wie Sujetwahl, typologische Vorbilder, der Sockel als Buhne der Figur, die Darstellung von Bewegung und Schmerz u. v. m. behandelt.‎

‎Rinus Van de Velde: Inner Travels‎

‎, Hannibal Publishing / BOZAR, 2022 hardcover, 330 x 220 mm, 208 pages, EN-FR-NL edition.*nieuw in folie ISBN 9789464366167.‎

‎Expo: 18/02/2022 - 15/05/2022, Bozar Europalia Rinus Van de Velde in dialoog met internationale topkunstenaars In zijn internationaal gevierde werk cre ert Rinus Van de Velde ( 1983) een parallel universum waar elementen uit de realiteit en de verbeelding samensmelten tot een unieke vorm van visuele storytelling. Van de Velde neemt ons mee op een reis door zijn verbeelding, een plaats die tijd en ruimte overstijgt, waarin alle ontmoetingen mogelijk zijn en waarin elk pad bewandeld kan worden. Dit boek schetst een circulair verhaal van vertrekken en terugkeren, met de trein als metafoor, en biedt een overzicht van Van de Veldes recentste werken. Het geheel gaat in dialoog met moderne en hedendaagse kunstenaars zoals o.a. Pierre Bonnard, Joseph Cornell, Fischli/Weiss, Joan Mitchell, Claude Monet, Monster Chetwynd, Laure Prouvost, Josephine Troller en Jean Tinguely, van wie eveneens werk werd opgenomen. Inner Travels is het boek bij de gelijknamige tentoonstelling, die van 18 februari tot 15 mei 2022 plaatsvindt in Bozar, en verschijnt naar aanleiding van het EUROPALIA Arts Festival. Met tekstbijdragen van Ursula Str bele, Koen Sels, Stefaan Vervoort, Julie Verheye en Dirk Vermaelen. ///// Rinus Van de Velde in dialogue with leading international artists In his internationally acclaimed work, Rinus Van de Velde (b. 1983) creates a parallel universe in which elements of reality and the imagination are fused into a unique form of visual storytelling. He takes us on a journey through his imagination, a place that transcends time and space, where all encounters are possible and every path can be walked. This book presents a circular narrative of departure and return, using the metaphor of a train, and offers an overview of Van de Velde?s most recent works. It enters into a dialogue with the work of modern and contemporary artists such as Pierre Bonnard, Joseph Cornell, Fischli/Weiss, Joan Mitchell, Claude Monet, Monster Chetwynd, Laure Prouvost, Josephine Troller and Jean Tinguely. Inner Travels is the book accompanying the exhibition of the same name, which runs at Bozar from 18 February to 15 May 2022. Its publication coincides with the EUROPALIA Arts Festival. With text contributions by Koen Sels, Ursula Str bele, Julie Verheye, Dirk Vermaelen and Stefaan Vervoort.‎

‎Das Vater Unser eines Underwaldners erfunden von J. Martin Usteri in Zürich, ausgeführt und in Tuschmanier geäzt von Marquard Wocher in Basel.‎

‎Basel, beim Verfasser und bey Schoell et Comp., 1803. 4°. Typogr. Titelblatt, Aquatinta-Titelblatt und 7 Aquatinta-Tafeln, montiert. Späterer Leinenband mit goldgepr. Deckeltitel.‎

‎Thieme/Becker 34, 8. – Lonchamp 3066 (mit dem franz. Titel «l'oraison dominicale d'un habitant d'Unterwalden». – Erste Ausgabe, erschien gleichzeitig in französischer Sprache. Johann Martin Usteri (1763–1827) «war in Anlehnung an Salomon Gessner die Verkörperung eines Künstler-Dilettanten, der gleichermassen als Zeichner, Dichter und Sammler Bedeutung erlangte» (e-Hls). – Das Papier durchgehend etwas stockfleckig. Vorsätze gebräunt. Der Einband berieben.‎

‎ART NOW : 137 ARTISTS AT THE RISE OF THE NEW MILLENIUM‎

‎, Taschen 2002, 2002 Softcover, 638 pages, English, 255 x 205 mm, fine copy. ISBN 9783822814444.‎

‎This volume offers updated biographical information on 150 influential artists. It includes a section produced in collaboration with The Art Newspaper which lists museums, restaurants and hotels, and even gives the scoop on how much one can expect to pay for a Damien hurst or a Sharon Lockhart.‎

‎From Sun-Day to the Lord's Day. The Cultural History of Sunday in Late Antiquity and the Early Middle Ages‎

‎, Brepols, 2023 Hardback, 528 pages, Size:156 x 234 mm, Illustrations:8 b/w, 2 tables b/w., 1 maps b/w, Language(s):English, German. *new ISBN 9782503598260.‎

‎Summary Ever since the Christianization of the planetary week in Late Antiquity, the notion of Sunday as a day of rest, as well as the rhythm of a seven-day week, has been a constant. Yet the cultural history of Sunday in Late Antiquity and the Early Middle Ages is complex. Detailed research reveals a greater diversity than appears at first glance. For example, Sunday did not simply replace the Sabbath, nor was the Jewish Sabbath commandment directly adopted. Furthermore, the Sunday laws of Emperor Constantine officially gave the inhabitants of the Roman Empire a day of rest free of work, but the effect and reception of the laws is hard to grasp, even among Christian authors. Moreover, Sunday was by no means a central theme in the history of late antique Christianity, so that the scattered references must be interpreted. This edited collection, based on a conference in Vienna in 2019, investigates the relevance of Sunday and the weekly rhythm in Late Antiquity and the Early Middle Ages in the everyday life of people, in monasticism, in synods, in further imperial and ecclesiastical laws, and in disciplinary and liturgical developments. It also covers controversies with the Jewish Sabbath as well as reflections on the aspect of rest, freedom, and of charity. While exploring different views and regional differences, the contributions show the growing importance of the Lord's Day, especially since the sixth century, as part of the Christianization of society and the sacralization of the calendar. TABLE OF CONTENTS From Sun-Day to the Day of the Lord: Introduction ? Uta Heil Imperial Legislation Christianisation of the Empire or Power Struggle with Licinius? The Sunday Legislation of Constantine the Great and Its Historical Context ? Fritz Mitthof Missachtung der Sonntagsruhe als Kapitalverbrechen. Einige Bemerkungen zu dem Neufund einer sp tantiken Kaiserkonstitution aus Anaia ? Uta Heil / Fritz Mitthof The Emperor Never Rests ? Sofie Remijsen Parting of the Days Sabbath or Sunday? Rabbis and Church Fathers in Dialogue ? G nter Stemberger Redefining the Sabbath Rest in the Sermons of Augustine: Of Heart, (Re)Quies, and Time ? Marie-Ange Rakotoniaina Structuring of Time Business as Usual? Sunday Activities in Aphrodito (Egypt, Sixth to Eighth Century AD) [evidence mainly from papyri] ? Sofie Remijsen In Search of Synodical Activities on Sundays ? Thomas Graumann Sunday in Late Antique Arabia and Palestine according to Epigraphy and Hagiography ? Basema Hamarneh The Sunday in Palestinian Monasticism ? Andreas M ller Discipline and Punishment The Christian Sunday in the Sixth Century: The Sunday Discourse in Politics ? Mischa Meier Hagiography and the Canons on Sunday Work ? Ian Wood Sunday and the Organisation of Freedom in Late Roman Law and Early Medieval Liturgy ? Els Rose Sunday Observance ? Norms and Norm Deviation in Late Antiquity ? Wolfram Kinzig Liturgical Celebration Remarks on Sunday in the Early Church ? Michael Durst Sunday Celebration in the Early Church:A Review of Basic Structures, Characteristic Elements and Significant Developments ? Harald Buchinger Not Every Sunday Is the Same:Observations on the Development of the 'Sunday propria' in the Liturgies of the Old Gallican Rite in the Early Middle Ages ? Volker Drecoll Propter magna mysteria: Some Observations on Sunday and on Numerology in Walahfrid Strabo's Handbook ? Richard Corradini *** Indexes Bible Passages Sources Names and Places Councils/Synods‎

‎From a Glassworks to a Museum ? Tapio Wirkkala and the Design of the Finnish Glass Museum‎

‎Jelgava, Parvs Publishing Company, 2019 Hardcover, 141 pages, 25.5 x 21 cm, Finnish-English text. *New. ISBN 9789527226438.‎

‎Tapio Wirkkala, a leading figure in Finnish glass industry and designer of iconic objects, realized his vision of the Finnish Glass Museum as a total work of art. Wirkkala designed the spaces and the permanent exhibition for the museum in an old industrial building, formerly a glassworks. The impressive museum opened in Riihim ki in 1981, showcasing Wirkkala's extensive experience as a globally esteemed interior and exhibition designer. The book presents the architecture of the museum building, its exhibitions, and Tapio Wirkkala's unique design work.‎

‎HELENA TYNELL LOVE FOR GLASS.‎

‎, The Finnish Glass Museum, 2018 Softcover, 72 pages, FIN / ENG, 245 x 220 mm, NEW, with pictures in colour and b/w. ISBN 9789525571813.‎

‎Helena Tynell (1918-2016) is best known as a designer for the Riihim en Lasi Glassworks (1946-1976), but she enjoyed an international career that was remarkably versatile for the time, working in Sweden, the USA and as a longtime designer of lamps and lighting in Germany. This book by Uta Laur n was published in connection with an exhibition ( 18.5. - 28.10.2018 )at the Finnish Glass Museum.‎

‎Die Seidenraupenzucht. Ein Frauenberuf. Einei Bild-Erzählung.‎

‎Zürich, Die Waage, 1962. Folio. (4) Bl. Mit 12 farbigen Tafeln von Kitagawa Utamaro. Orig.-Mappe mit Rohseidenbezug.‎

‎Lose Blattsammlung. – Die Mappe mit Gebrauchspuren, Gelenke geplatzt sowie der Bezug mit Einrissen, fleckig und verblichen.‎

‎sicut commentatores loquuntur. Authorship and Commentaries on Poetry / Autorproblematik und antike Dichterexegese‎

‎, Brepols, 2023 Paperback, 480 pages, Size:156 x 234 mm, Illustrations:7 b/w, 6 tables b/w., Language(s):English, German, Italian. ISBN 9782503605340.‎

‎Summary Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. Nevertheless, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions. TABLE OF CONTENTS Introduction: Authorship and Commentaries on Poetry (Ute Tischer, Thomas Kuhn-Treichel & Stefano Poletti) 1. Author, Authorship, and Authority as a (Critical) Problem Memoriae suae causa: Some Considerations on the Relationship between Author and Commentary in (Late) Antiquity (Luigi Pirovano) The Commentator as Curator: Parathesis, Authority, and Anonymity in the Greek Tradition (Joshua Smith) The Author(s) and the Authorship of the 'Philargyrian' Exegetical Corpus (Fabio Stok) Hucusque Iunilius. Autorfiguren und auktoriale Strategien in drei Textzeugen des Servius und des Corpus Bernense (Ute Tischer) 2. Authorial Viewpoints in Stratified Texts Per un lessico dei commenti tardoantichi a Virgilio. Il caso di Servio (Massimo Gioseffi) In Addition: The Rhetoric of Copia in Servius (Auctus) (D niel Koz k) Eine Frage der Perspektive. Servius und Servius auctus ber Vergils subjektiven Stil (Stefano Poletti) Respexit, transtulit, imitatus est: An Authorial Perspective on Dynamics of Allusion and Imitation? (Camilla Poloni) 3. Authorial Roles and Authority Aristarch aber?: Evokation von Autorschaft durch namentliche Verweise in den Pindarscholien und dar ber hinaus (Thomas Kuhn-Treichel) Alii dicunt... Servius and Virgil's Anonymised Readers (Frances Foster) Der Dichter und sein Richter - Die Autorit t des Dichtungskritikers in den kommentierenden Scholien zur ?????? ????????? des Dionysios Thrax (Markus Hafner) 4. Commentators as Authors within Exegetical Traditions M thodes grammaticales et auctorialit s ex g tiques dans le commentaire de Servius (Daniel Vallat) Il magister Servius nella tradizione scoliastica tardoantica (Concetta Longobardi) Asper's Commentary in Servius and the Scholia Veronensia: Between Authority and Anonymity (Janyce Desiderio) Index locorum About the Authors‎

‎ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lekt re antiker Literatur‎

‎, Brepols, 2022 Paperback, 378 pages, Size:156 x 234 mm, Illustrations:16 b/w, 5 col., 2 tables b/w., Language(s):English, German. ISBN 9782503598666.‎

‎Summary The leitmotif of this volume is the concept of ?author images?, which is used in modern literary studies to describe processes of production and reading of literary works and is here applied for the first time to the study of ancient works. As a means of analysing ancient literature, it captures the aspect of personification, which is characteristic of ancient author concepts, and at the same time points to the fact that there is a difference between ?image? and ?author? and that it is only an image and not the author himself that can be seen and grasped by readers. This makes the ?author image? particularly suitable for examining the intersections of material, rhetorical and mental representations of literary authorship that form the subject of this volume. Using selected examples from Latin and Greek literature, the contributors explore the fields of cultural experience that nourish authorial images. They discuss the manifold possibilities of visualising and representing a person's quality of being an author in general or being an author of specific works, be it physically through artworks or pictures, metaphorically through evoked authorial figures, through thematised representations of authors in a text, or through the combination of authorial images and texts. These issues are addressed in four overlapping sections, each focusing on different areas of the metaphor's application, namely material images in the form of artworks, knowledge about persons, textual images as authorial strategies and images in reception. TABLE OF CONTENTS ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lekt re antiker Literatur (Ute Tischer, Ursula G rtner & Alexandra Forst) The Cultural Imagination of Authorship (Wolfgang Hallett) I. Images of Authors and Author Images as Material Representations Pliny the Elder and the Portraits of Ancient Authors (Eva Falaschi) Menander daheim. Die pompejanische Casa del Menandro als Autorbild (Katharina Lorenz) sequens philosophos fecit. Abbildungen griechischer Philosophen und Dichter und deren Rezeption in der antiken Literatur (Margit Linder) II. Authorial Images between Text and Biography Symmachus als pagane Galionsfigur. Die dritte relatio und ihre Bedeutung f r ein wirkm chtiges Autorbild (Alexandra Forst) Servius velut latenti similis. Das Autorbild des Vergilkommentators Servius (Ute Tischer) III. Authorial Images as Created by Authors Medial Representation of the Author ?Naso?. Rhetorical Strategies of Self-dramatization in Ovid?s Epistulae ex Ponto (Therese Fuhrer) Aesopi ingenio statuam posuere Attici. The Author Image in Phaedrus's Fables (Ursula G rtner) Autorbild und Autorfiktion bei Babrios und Minoides Mynas (Lukas Spielhofer) Nobody's Home. Surrogacy, Substitution, and the Failed Search for ?Calpurnius Siculus? (Tom Geue) IV. Authorial Images from a Historical Perspective Author as Audience. Staging Virgil in Tacitus's Dialogus de oratoribus (Talitha Kearey) Virgil the Wise. Genesis of a Myth (Fabio Stok) Fathers and Sons - and Daughters. Genealogical Co-authorship, Offspring Metaphors and the Language of Legitimacy (Markus Hafner) Index locorum‎

‎Urbaniser la lutte de classe‎

‎Paris Utopie 1969 in-8 plaquette agrafée Edition originale Paris, Utopie, 1969 (décembre). 22,5 x 14 cm, in-8, 48 pp., plaquette agrafée sous couverture blanche imprimée.‎

‎Edition originale rare. Rousseurs à la couverture sinon très bon. Bon ‎

‎URBANISER LA LUTTE DES CLASSES ‎

‎Paris Utopie 1989 in 8 (22x14) 1 volume broché, couverture imprimée, 48 pages. Très rare. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎