‎Droit de l'urbanisme et de l'environnement (2 volumes).‎

‎Bruxelles, Etablissements Emile Bruylant, 1974-1975. 16 x 24, 2 volumes, 616 + 44-269 pages, broché + complément (agrafé), bon état (cachet d'ex-propriétaire dans chaque volume).‎

‎Cathédrale de Troyes Les vitraux ‎

‎Tetraktys, 1972, in-8 br. (17 x 22), 107 p., illustrations n. et b. et coul., un plan, très bon état. ‎

5 Images

‎Description des remarquables vitraux de la nef de la cathédrale de Troyes. ‎

‎230 modèles de ferronnerie. Lampadaires, lustres, appliques, guéridons, porte-pots de fleurs, ornements d'église‎

‎Eyrolles, 2000. In-4. Broché. Couverture illustrée. 198 pages. 230 modèles de ferronnerie d'art et décorative dans différents styles. Mention de neuvième édition. Très bon état.‎

‎Jouarre, ses cryptes, son église, son abbaye.‎

‎St. Léger, Ateliers de la Pierre-qui-Vire, s.d. (ca 1990). 17 x 22, 56 pp., 36 figures, broché, très bon état.‎

‎Ancient Glass in the Yale University Gallery. ‎

‎ New Haven,, Yale University Gallery, 1980 softcover, 152 pages, 29.5 x 22 cm. ENG illustr ISBN 0894670107.‎

‎Ancient Glass in the Yale University Gallery. ‎

‎Thai Textiles‎

‎, British Museum Press 1992, 1992 Paperback, 192 pages, ENG, 275 x 215 mm, the cover has some creases in the front but the book itself is in good condition , with images/ illustratiions in colour and b/w. ISBN 9780714125060.‎

‎The textile industry in Thailand is one of the largest commercial businesses for jobs and economic growth in the country. Although they are in constant competition with China, Bangladesh, and Vietnam, their textile industry has made them a headquarters for Cotton USA.‎

‎VAN DYCK 350‎

‎, National Gallery of Art, 1994 Hardcover, 372 pages, ENG / ITA, 285 x 235 mm, In Fine State / Primo Condicione. ISBN 9780894682018.‎

‎Van Dyck werd geboren in 'Den Berendans' op de huidige Groenplaats in Antwerpen. Hij was het zevende kind van twaalf van de rijke textielhandelaar Francois van Dyck en Maria Cuypers. Het gezin bestond uit vier jongens en acht meisjes, drie stierven er jong. Catharina, Maria, Cornelia II en Franchois jr. waren ouder dan Antoon. Na hem kwamen Susanna, Anna, Dierick en Elisabeth of Isabella. Ze verhuisden in 1599 van de Grote Markt naar de Korte Nieuwstraat, waar op 7 maart 1607 ook het belendende pand 'De Stadt van Gendt' werd gekocht. Antoons moeder stierf echter een maand later, op 17 april 1607. Vanaf december 1610 waren er problemen, een privé-aangelegenheid: de Hondschootse Jacobmyne de Kueck moest uit de stad worden verbannen, na ruiten te hebben ingegooid en Franchois van Dyck te hebben bedreigd met de dood. Antons oudere zusters Catharina en Maria waren getrouwd in respectievelijk 1610 en 1615 en vanaf de zomer van 1615 gingen Franchois' zaken minder goed. Zijn schoonzonen daagden hem in juli 1615 voor het gerecht. Zijn boedel werd geïnventariseerd en verkocht. Antoon ging tegen zijn zwagers in het verweer. De florerende handelaarsfamilie was een moederloos gezin met serieuze problemen geworden. Mogelijk waren de gezinsleden niet langer 'sociaal aantrekkelijke kandidaten op de Antwerpse huwelijksmarkt' en werden daarom Susanna, Isabella en Cornelia begijn, Anna non en Dierick norbertijner kanunnik. De ouderlijke woning, 'De Stadt van Gendt', werd op 20 mei 1620 gedwongen verkocht. Rond 1620 was het gezin van Francois van Dyck 'sociaal gestigmatiseerd' en alleen Antoon kon de goede naam van de familie redden.‎

‎Van Dyck, a complete catalogue of the paintings catalogue raisonne Sir Anthony Van Dyck ENG. edition ‎

‎, YALE , 2004 Hardcover, 692 pages, English, 320 x 260 mm, fine. 632 b/w + 202 color illus. catalogue raisonne. FINE!! ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982?83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck?s drawings. ‎

‎Van Dyck - A Complete Catalogue of the Paintings. Catalogue raisonne. Sir Anthony Van Dyck‎

‎, Yale University, 2004 Hardcover in dusjacket, 792pp, 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982-83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck's drawings. ‎

‎Constructions of Gender in Late Antique Manichaean Cosmological Narrative‎

‎, Brepols, 2019 Paperback, 324 pages, Size:156 x 234 mm, Languages: English, Latin. ISBN 9782503586663.‎

‎Summary Manichaeism emerged from Sasanian Persia in the third century CE and flourished in Persia, the Roman Empire, Central Asia and beyond until succumbing to persecution from rival faiths in the eighth to ninth century. Its founder, Mani, claimed to be the final embodiment of a series of prophets sent over time to expound divine wisdom. This monograph explores the constructions of gender embedded in Mani's colourful dualist cosmological narrative, in which a series of gendered divinities are in conflict with the demonic beings of the Kingdom of Darkness. The Jewish and Gnostic roots of Mani's literary constructions of gender are examined in parallel with Sasanian societal expectations. Reconstructions of gender in subsequent Manichaean literature reflect the changing circumstances of the Manichaean community. As the first major study of gender in Manichaean literature, this monograph draws upon established approaches to the study of gender in late antique religious literature, to present a portrait of a historically maligned and persecuted religious community. TABLE OF CONTENTS 1. Introduction: This discusses the history of gender studies and its application to religious studies; a summary of previous literature relating to gender in Manichaeism; a brief life of Mani and its relation to his canon of texts. It outlines the contents of the following chapters. 2. The Manichaean Father: exploration and identification of gendered attributes associated with masculinity with reference to Connell's model of hegemonic masculinity. The Manichaean Father is considered as embodiment of desirable masculine traits and the appropriate exercise of masculine rulership and authority. 3. The Chief Archon: This chapter examines the construction of gender implicit in the characterization of the chief archon. Mani's writings characterize the chief archon in polar opposition to the Manichaean Father as exemplum of masculine rulership which embodies lust for power and territory. Mani characterizes the chief archon as a dangerous outsider who seeks to invade. This is expressed through the trope of the cannibal. The chief archon's acts of cannibalism mark him as alien, uncivilized and savage. Manichaean texts written after Mani's death reflect the persecution of the Manichaean community. The characterization of the chief archon develops to reveal a tyrannous ruler who incites fear and terror in his own subjects. 4. The First Man: This chapter considers the apparent paradox of the two competing constructions of masculinity evident in the characterization of the Manichaean First Man, who plays a central role in Manichaean cosmological drama. His characterization as both valiant warrior and suffering victim in defeat is explored in the context of the changing circumstances of the Manichaean community facing persecution. Parallel models of endurance as a worthy expression of masculinity in Jewish, Judaeo-Christian and early Christian literature are discussed. 5. The Mother of Life: This chapter explores the gendered characterization of the Manichaean Mother of Life in Manichaean literature. As mother of the First Man, the Mother of Life embodies positive motherhood, demonstrating nurturing characteristics. Her role in the mythological drama is considered as an expression of the Jewish/Judaeo-Christian literary Wisdom figure (Sophia, Hokmah). The Mother of Life shares and extends imagery attached to Hokmah to encompass wisdom as a weapon. The Mother of Life is also characterized as a model of feminine imprecation to masculine authority through the valorization of her prayer to the Manichaean Father on behalf of the beleaguered First Man. This is discussed in relation to the veneration of Hannah's prayer (1 Sam.) in rabbinic literature. 6. The Manichaean Demoness Az and the yetzer hara: This chapter explores parallels between the feminine-gendered demon Az and the evolving Jewish concept of the "evil inclination" (the yetzer hara) as expressions of the human propensity to sin. As mother of Adam and Eve and mother of the demons, the maternal style of the demoness Az polarizes the motherhood of the Mother of Life. 7. The Maiden of Light: This chapter explores the characterization of the Maiden of Light and her epithets of purity and wisdom in the context of the seductive display of her image to the archons in Manichaean mythology. This act is considered in the context of the model used by feminist biblical scholars of the male as owner of the gaze and the female as object of male gaze. The chapter argues that the characterization of the Maiden of Light should be considered in relation to the biblical characterizations of Susanna, Judith and Esther. These reveal the female as both victim and manipulator of male gaze. These texts reveal that the seeking of male gaze is extolled in cases of communal threat when authorized by masculine authority. It is argued that the seductive display of the Maiden of Light allows doubt concerning the exploitation of females within the Mnichaean community. 8. Conclusions: The conclusion draws together the research findings of the previous chapters. Polarized positions within and across constructions of gender are considered.‎

‎Manichaeism: Encounters with Death. Studies in the Parabolic, Material and Spiritual Body‎

‎, Brepols, 2025 Paperback, 342 pages, Size:156 x 234 mm, Illustrations:4 tables b/w., 1 maps b/w, Language: English. *new ISBN 9782503614267.‎

‎Summary Born in Persian Mesopotamia in the year 232 CE, the self-proclaimed prophet Mani promulgated a dualist faith that rapidly spread throughout the Roman Empire, Central Asia and China. This monograph comprises a series of studies of the Manichaean conceptualization of death and the afterlife in the context of Manichaean soteriology, eschatology and anthropology. Material, documentary and liturgical evidence is analysed to enrich knowledge of Manichaean funeral ritual and mourning practice. The book explores the thematic symbolism of the corpse in Manichaean parabolic literature, offering fresh interpretations and exploring the influence of Buddhist teachings on the impermanence of the body, karma and metempsychosis. TABLE OF CONTENTS Chapter 1: The Journey of the Soul Chapter 2: The Hour of Need Chapter 3: The Care of the Dead Chapter 4: The Death of Mani Chapter 5: The Parable of the Drunk Man and the Corpse Chapter 6: The Parable of the Monk and the Virgin Chapter 7: The Parable of the Corpse and the Treasure Chapter 8: Manichaean Doctrine, Karma and Metempsychosis‎

‎Odyssee in der Spätantike. Bildliche und literarische Rezeption‎

‎, Brepols, 2020 Paperback, xii + 362 pages, Size:216 x 280 mm, Illustrations:53 b/w, 2 tables b/w., Languages: German, Latin, Greek. ISBN 9782503583792.‎

‎Summary Homer's Odyssey is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the Odyssey's reception in late antiquity, the period that witnesses the transformation of classical culture into the world of the middle ages. The epic's late antique pictorial reception was a selective one. Artists represented but a small canon of topics: Odysseus' encounter with the terrifying one-eyed Cyclops, with the dangerous sorceress Circe, with the bewitching song of the Sirens, and with Scylla the man-eater; a handful of iconographically diverse depictions can be related to the hero's return to Ithaca that never attracted as much attention as Odysseus' adventures in the course of the wandering. In all cases, the book stresses the close relation between viewer, or context of reception, and specific form of artistic rendering. Depending on context and intended viewer, Odysseus e.g. can be characterized as a person with whom the man in the street can identify, as a problematic and ridiculous figure, or as an example of virtue. Almost all late antique depictions of Odysseus' wanderings have been found - and produced - in the Western provinces of the Roman Empire. In the course of Roman antiquity, the Greek hero and his wanderings had become what they are still: a part of Western cultural identity. The Odyssey's late antique literary reception was much more multifaceted than the artistic one, as regards topics and geography. In this book, though, the focus will be on those topics that were dealt with in the visual arts, too. Contrasting the late antique pictorial reception with the literary one, and contrasting both with the Homeric epic, reveals the originality of late antiquity's artists and writers. Both employ the classical heritage with means and ends of their own (or of their patrons), and both are nevertheless deeply embedded in and influenced by late antique discourse, be it on religion, philosophy, slavery, heroism, or gender relations. Homers Odyssee fasziniert die Menschen seit beinahe dreitausend Jahren. Das Epos inspirierte zahlreiche Kunstschaffende aller Epochen und aller Genres und brachte enorme Mengen an Forschungsliteratur hervor. Das vorliegende Buch widmet sich erstmals der Rezeption der Odyssee in der Spätantike, also jener Epoche, in der das kulturelle Erbe der Antike für Mittelalter und Neuzeit sortiert, transformiert und zumindest teilweise bewahrt wurde. Analysiert werden diejenigen Episoden des Epos, die in der Spätantike noch bildlich umgesetzt wurden: die Begegnung des Odysseus mit dem einäugigen Riesen Polyphem, mit der Zauberin Kirke, mit den verführerischen Sirenen und mit der Menschenfresserin Skylla; außerdem verschiedene Momente der Heimkehr nach Ithaka, die allerdings bei weitem nicht so populär war wie die Abenteuer der Irrfahrt. Eine Gegenüberstellung von bildlicher und schriftlicher Rezeption sowie eine Gegenüberstellung beider mit dem Homerischen Text macht die Eigenständigkeit und Originalität der spätantiken Rezeption deutlich. Sowohl bildende Künstler als auch Literaten verfolgten mit je eigenen Mitteln je eigene Zwecke und Aussageintentionen. Beiden gemeinsam ist die Einbettung in die Diskurse der spätantiken Gesellschaft, zu denen sie mit ihren Interpretationen der Odyssee auch selbst einen Beitrag leisteten. Das betrifft nicht nur die Diskurse zum Thema Religion oder Philosophie, sondern auch zu Themen wie Heldentum, Sklaverei oder Geschlechterverhältnis. TABLE OF CONTENTS Inhaltsverzeichnis Abbildungsverzeichnis Vorwort Kapitel I: Einleitung Übersicht über die spätantike literarische Rezeption der Odyssee Zeitrahmen Gegenstand der Untersuchung und ältere Forschung Fragen Methodische Prämissen Aufbau des Buches Kapitel II: Polyphem Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur spätantiken Rezeption des Polyphem-Abenteuers Kapital III: Kirke Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur spätantiken Rezeption des Kirke-Abenteuers Kapital IV: Sirenen Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur spätantiken Rezeption des Sirenen-Abenteuers Kapital V: Skylla Der homerische Text Die literarische Rezeption Die bildliche Rezeption Zusammenfassung der Ergebnisse zur spätantiken Rezeption des Skylla-Abenteuers Kapital VI: Heimkehr nach Ithaka Der homerische Text Die literarische Rezeption Die griechischen Zeugnisse Die bildliche Rezeption Zusammenfassung der Ergebnisse zur spätantiken Rezeption der Heimkehr nach Ithaka Kapital VII: Fazit Anhänge Bibliographie Register‎

‎Crossing parallels Agostino Carracci - Hendrick Goltzius. ‎

‎, Imhof verlag, 2021 Hardcover, 24 × 30 cm, 304 pages with 289 illustrations. English text. ISBN 9783731909712.‎

‎Crossing Parallels Agostino Carracci, Hendrick Goltzius Graphische Sammlung ETH Zürich: 9. Dezember 2020 bis 14. März 2021 Agostino Carracci and Hendrick Goltzius were the leading engravers of the late 16th century ? one north and the other south of the Alps. They have not only achieved revolutionary achievements in technical terms, but have also had a lasting impact on the medium of copperplate engraving with the selection and design of their image content. While there are already numerous publications on Goltzius as well as on Carracci, the obvious comparison of the two great figures of the engraving around 1600 is undertaken here for the first time. In four detailed essays and catalog texts on all exhibited engravings, the amazing parallels in the life and work of the two masters are shown, their artistic development is comparatively analyzed and the readers eyes are sharpened for the sophistication of their virtuoso engraving technique.‎

‎Life with the Gods in Their Yoruba Homeland‎

‎Worgl, Perlinger Verlag, 1983 Hardcover with dustjacket, 235 Pages, 30.5 x 25.5 cm, illustrated in color and B&W, English. ISBN 3853990150.‎

‎A Life with the Gods in Their Yoruba Homeland‎

‎KERRY JAMES MARSHALL : The Graphic Work ‎

‎, Ludion, 2023 HB, 305 x 240 mm, 256 pages, ENG edition, NEW, dustjacket, illustrated in colours / b/w. ISBN 9789493039759.‎

‎Best known as a painter, Kerry James Marshall has also produced a vast graphic oeuvre that has been seldom seen and rarely documented. This catalog raisonné offers the first public account of his graphic work and is also the first in-depth study of the role of printed images and print processes in Marshall's work as a whole. One of the most important American contemporary artists, Kerry James Marshall is known for artworks that address the 'crisis of under-representation' of the black figure in the pictorial traditions of the Western world, from museums to comic books. His work has been widely celebrated in major museum retrospectives such as Kerry James Marshall: Painting and Other Stuff (Antwerp, Copenhagen, Barcelona, Madrid) in 2014 and Mastry (Chicago, New York, Los Angeles) in 2017, and through numerous awards, including a MacArthur Fellowship in 1997. An assiduous worker, he spent his youth acquiring time-honored skills of art - drawing and painting, but also wood engraving and printing. By his mid-twenties, he recalls, 'I could paint in egg tempera... I was good at printmaking. I could do woodcuts, etchings, aquatints. I knew all of those techniques.' Most of his prints have been produced not in professional print workshops, but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12 panel woodcut Untitled (1998-99), to iterations of his ongoing magnum opus, Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist's archive and are unknown to the public. This catalog raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall's work as a whole. ‎

‎Paul Klee - Les plus grands chefs-d’oeuvre‎

‎Flame Tree Publishing, United Kingdom, London, 2014. L'art de Klee fait appel à nos instincts primaires et nous pousse à regarder au-delà de l'ordinaire. Dessinateur naturel, maître de la couleur et artiste extrêmement influent, Klee échappe à toute classification, ayant été associé à diverses reprises à l'expressionnisme, au cubisme, au futurisme, au surréalisme et à l'abstraction. Faisant partie d'une nouvelle série de magnifiques livres d'art à offrir, Paul Klee Masterpieces of Art regorge de la chaleur subtile et de l'humour d'un artiste unique. Avec une introduction fraîche et réfléchie à la vie et à l'art de Klee, le livre présente ensuite ses œuvres clés dans toute leur splendeur.‎

7 Images

‎Très bon état général.‎

‎. André Beauneveu. Pas de pareil en nulles terres -Artiste aux cours de France et de Flandre.‎

‎, Paul Holberton Publishing 2008, 2008 Softcover, 216 pages, Texte en Francais, 270 x 225 mm, Tres belle exemplaire. ISBN 9781903470718.‎

‎Andr Beauneveu has long been known as one of the greatest European artists of the late 14th century. This book re-examines the oeuvre of the artist as first and foremost a master sculptor. Nash surveys the whole of his work including sculpture and stained glass originally for Jean, duc de Berry's chapel at Bourges. This is an important revisionary contribution to the study of late medieval art and the practice of its workshops. Susie Nash is a senior lecturer at the Courtauld Institute of Art.‎

‎LAutriche. Couverture dYves BRAYER. Ouvrage orne de 274 heliogravures.‎

‎Grenoble, Arthaud (« Les Beaux Pays, 157 »), 1960. grand in-8°, 362 pages, carte h.t. depl., index, broche, couv. rempliee.‎

‎Tres bel exemplaire [VU-1] ‎

‎EXAT 51. 1951-1956. Nuove tendenze. / Catalogo della mostra allestita a Siena nel 2003.‎

‎, Protagon, 2003 softcover, 160 pages, color and b/w illustrations, English / Italian edition .‎

‎Catalogo della mostra allestita a Siena nel 2003. Testo di Marijan Susovski. Edizione bilingue italiano/inglese. EXAT 51 (Experimental Atelier) identifica un movimento di pittori, disegnatori, architetti e artisti sorto a Zagabria nel 1951. In questo laboratorio sperimentale confluirono molti sostenitori croati dell'arte astratta, con il risultato che si creò uno stile inconfondibile anche nell'arte applicata, chiamato proprio con il nome del movimento EXAT. Il presente volume fornisce un'ampia documentazione, sia teorica che iconografica, sui risultati raggiunti dagli artisti di questo movimento.‎

‎MONTPELLIER ILLUSTRE ET SECRETE ‎

‎Nimes Editions Alcide 2018 in 4 (30,5x24,5) 1 volume reliure cartonnée illustrée de l'éditeur sous jaquette, 128 pages, avec de nombreuses aquarelles de Camille Penchinat. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en très bon état Reliure ‎

‎PARIS. AN ARCHITECTURAL HISTORY.‎

‎Yale Univ. Press, 1993, in-4 softcover,, 221 pp, illustrations. In english. Cover Used, inside very good.‎

‎PARIS - AN ARCHITECTURAL HISTORY.‎

‎Yale Univ. Press, 1993, in-4 hardcover,, 221 pp, illustrations. In english. Signature on 1st page. ‎

‎PARIS - AN ARCHITECTURAL HISTORY.‎

‎Yale Univ. Press, 1993, in-4 hardcover,, 221 pp, illustrations. In english. Cover in good condition, inside very good.‎

‎Kôji Nenkan 2596 / Annuel de construction 1936‎

‎Tokyo Shimizu-gumi 1936 1 305 x 245 mm, 200 p. dont 191 pages de photographies de constructions, 5 planches hors-texte dont une en couleurs, avec le nom de l'immeuble, du lieu et de l'architecte.Présentation des constructions réalisées au cours de l'année par le cabinet Shimizu, au Japon. Station Météo à Mito par Sutemi Horiguchi ; Mitsui & Co. Ltd. à Nagoya par Toshiro Yamashita ; Grands Magasins Mitsukoshi à Tokyo (7 pages) ; Magasin Kanebo à Tokyo Ginza par Gumpei Matsuda ; Théâtre Takarazuka à Yokohama ; grands chantiers en Mandchourie: routes et barrage. Reliure demi-toile de l'éditeur avec pièce de titre au dos. De nombreuses constructions dans le Japon: écoles et universités, hôpitaux, banques, usines, chemins de fer, tunnels, ponts, villas privées. Shimizu-gumi (Shimizu Kensetsu Kabushiki-gaisha) est un des plus anciens et plus importants cabinets de construction au Japon, réalisant de très nombreux monuments et immeubles; c'est lui qui a réalisé le célèbre stade de Yoyogi conçu par Kenzo Tange pour les jeux olympiques d'été de 1964. A côté de bâtiments plutôt traditionnels ou néoclassique destinés aux édifices publics on voit nettement se dessiner, surtout pour les villas particulières, un courant moderniste influencé par Frank Lloyd Wright et les avant-gardes européennes initiées par Antonin Raymond, les corbuséens Maekawa et Sakakura et les acquis du Bauhaus. (101066) ‎

‎ Bon Couverture rigide ‎

‎Willy Suter.‎

‎Ollon. Édition Cenre d'Art - Les Fontaines. 1984. Qudratische-4°. 99 Seiten, mit zahlreichen farbigen Illustrationen. Illustrierter Pappband.‎

‎Exemplar N°. HC. Gesamtausgabe von 1000 Exemplaren. Text in deutscher und französischer Sprache. - Tadellos erhalten. Mit handschriftlicher Widmung.‎