‎750 jaar Hove : geschiedenis van een dorp in de wereld‎

‎Hove, Lokaal Bestuur Hove, 2022 Gebonden, Hardcover, 128 pagina's met foto's in kleur.‎

‎Naar aanleiding van 750 jaar Hove schreven Jelle Simons en Davy Verbeeck een boek over de rijke geschiedenis van ons dorp. Schepen van Cultuur Gerda Lambrecht: ?Het was Hugo Peerlinck van verzamelaarsclub Hofila die de aanzet gaf om opzoekingswerk te gaan doen rond 750 jaar Hove. Het vorige geschiedenisboek dateert uit 1957. Een actualisatie was zeker aan de orde. Na vijf maanden verzamelen en schrijven zijn we trots dit nu voor te stellen. We beoogden een vlot leesbaar boek uit te geven waarin ook duidelijk blijkt dat onze slogan niet voor niets 'het dorp is een wereld' is: wat gebeurde er in de wereld en welke weerslag hadden die gebeurtenissen op Hove? Ik denk dat de auteurs daar met de hulp van Hugo (Hofila) en Frans Sermeus en Eddy Beyens van Heemkundige Kring De Markgraaf met glans in geslaagd zijn."‎

‎Tate Gallery: An Illustrated Companion‎

‎, Tate Gallery, 1990 Paperback, 311 pages, ENG, 270 x 210 mm, in good condition, illustr. in colour / b/w. ISBN 9781854370587.‎

‎Like Breath on Glass : Whistler, Inness, and the Art of Painting Softly‎

‎, Mass. Sterling and Francine Clark Art Institute, 2008 Hardcover, grey cloth with silver imprint, 268 pages, dustjacket, 275 x 250 x 35 mm, book itself is in New condition, illustrated in soft colours / b/w, " easily a Collectors Item", *****The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass."*****. ISBN 9780300134063.‎

‎Released in conjunction with a 2008 exhibition. The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass." Catalog is accompanied by these articles: Painting Softly, An Introduction / Marc Simpson -- Whistler, Modernism, and the Creative Afflatus / Marc Simpson -- George Inness, Softness, and the Vapor Barrier / Leo G. Mazow -- True Illusions in Soft Paintings / Cody Hartley -- Materials for Immateriality / Joyce Hill Stoner -- The "Inaction Painters" and Their Moment / Michael J. Lewis -- Reflections on "The Color of Mood" / Wanda M. Corn. Simply stated, an exquisite book, and one that is worthy of any coffee table or personal library. Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic, this catalogue explores this painterly phenomenon. This copy was once owned by interior and garden designer Henriette Suhr and carries her bookplate at front.‎

‎Crafting Knowledge in the Early Medieval Book. Practices of Collecting and Concealing in the Latin West‎

‎, Brepols, 2023 Paperback, 524 pages, Size:178 x 254 mm, Illustrations:7 b/w, 19 col., 22 tables b/w., Language: English. ISBN 9782503602479.‎

‎Summary Collection and concealment were hallmarks of early medieval book culture. Materials of all kinds were collected, collated, concealed, condensed, correlated, paraphrased, reorganised, and repurposed in early medieval manuscripts. This volume of essays explores how knowledge was made in the early medieval book in the Latin West through two interrelated practices: collecting and concealing. It provides case studies across cultures and areas (e.g. exegesis, glossography, history, lexicography, literature, poetry, vernacular and Latin learning). Collectio underpinned scholarly productions from miscellanies to vademecums. It was at the heart of major enterprises such as the creation of commentaries, encyclopaedic compendia, glosses, glossaries, glossae collectae, and word lists. As a scholarly practice, collectio accords with the construction of inventories of inherited materials, the ruminative imperative of early medieval exegesis, and a kind of reading that required concentration. Concealment likewise played a key role in early medieval book culture. Obscuration was in line with well-known interpretative practices aimed at rendering knowledge less than immediate. This volume explores the practices of obscuring that predate the twelfth-century predilection, long recognised by historians, for reading that penetrates beneath the ?covering? (integumentum, involucrum) to reveal the hidden truth. Cumulatively, the papers spotlight the currency of two crucial practices in early medieval book culture - the practices of collection and concealment. They demonstrate that early medieval authors, artists, compilers, commentators, and scribes were conspicuous collectors and concealers of knowledge. TABLE OF CONTENTS Sin ad O'Sullivan, Collecting and Concealing in the Field of the World Anna A. Grotans, Understanding the Scope of Knowledge in Early Medieval St Gall Mariken Teeuwen, The Intertwining of Ancient and Late-Antique Authorities in the Margins of Carolingian Manuscripts Michael W. Herren, Philology and Mercury after the Wedding: Truth and Fiction in Three Didactic Works David Ganz, Latin Shorthand and Latin Learning Franck Cinato, Critical Cumulation? How Glossaries were Constituted in the Early Middle Ages (6th-8th Centuries) Patrizia Lendinara, Unveiling the Sources of the Glosses to the Third Book of the Bella Parisiacae Urbis by Abbo of Saint-Germain-des-Pr s Rosalind C. Love, ?But what Polybius the Greek Physician Says is More Correct?: Sources of Knowledge in the Glosses to Boethius's Consolation of Philosophy at Tenth-Century Canterbury Kees Dekker, Collecting Encyclopaedic Knowledge in the Vocabularius Sancti Galli Evina Stein, Early Medieval Catechetic Collections Containing Material from the Etymologiae and the Place of Isidore of Seville in Carolingian Correctio John J. Contreni, Hic continentur ista: Collecting and Concealing in an Early Ninth-Century Instruction-Reader (Laon, Biblioth que Municipale ?Suzanne Martinet,? MS 265) Ildar Garipzanov, Graphic Ciphers and the Early Medieval Practices of Collectio and Concealment Andy Orchard, Building a Splendid Library: The Background and Context of the Bibliotheca magnifica Michael James Clarke, Medieval Scholarship and Intertextuality: A Case Study of Saxo Grammaticus on the Giants Ciaran Arthur, Harvesting Wisdom from Books and the Beauty of the Unknown Index of Manuscripts General Index‎

‎Art and architecture in the Netherlands: H.P. Berlage‎

‎Amsterdam, Meulenhoff 1969 28pp. + 32 plates out-of-text, 24cm., softcover, S68870‎

‎CATHEDRALE - ICI COMMENCE UN MONDE AUTRE - OUVERT DANS LA LOURDEUR DU MONDE HABITUEL‎

‎EDITIONS COPRUR. 1997. In-4. Relié. Etat du neuf, Couv. remarquable, Dos impeccable, Intérieur frais. 158 pages augmentées de nombreuses photos en couleur dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Singier. peintures à l'aquarelle.‎

‎Paris, Galerie de France, 1961. 4°. 43, (4) Bl. Mit zahlr. Illustr. Illustr. Orig.-Broschur.‎

‎Erschien zur Ausstellung: «l'exposition des aquarelles de Singier», 10 février – 7 mars 1961. Eins von 2000 Exemplaren. – Titelblatt mit Widmung und Zeichnung des Künstlers.‎

‎Manhattan in‎

‎In-8 broché de format à l'italienne, Studio S, sans date, non paginé (une soixantaine de pages). Un peu frotté, très bon état général. Ex dono (ou envoi d'un des auteurs ?) en page de garde. Texte en italien et anglais. Poids 520 g. Frais d'envoi 5,35 euros sur la France, 10 euros UE et Suisse, 12 euros pour le reste du monde (tarifs de base hors envois suivis). Possibilité de remise en mains propres sur Paris, n'hésitez pas à me contacter avant de passer commande.‎

‎Vivre le pays Cathare. Avec la partisipation de Jean-Michel Leniaud pour les légendes.‎

‎MENGES, 1992, in-4to, volumineux volume pages non num., plein d’images en couleurs, sur garde ms. ‘Noel 92’, reliure en toile originale. Jaquette, étui ill.‎

‎Cathares. La terre et les hommes.‎

‎ Editions Place des Victoires, 2001, 27 X 32 cm., relié, 259 pp. Magnifique ouvrage abondamment illustré en couleurs. Pleine toile éditeur en très bon état, sous jaquette légèrement usagée. Intérieur impeccable.‎

‎Prévoir des frais de port supplémentaires. ‎

‎Oeuvres militaires, dédiées à son Altesse Monseigneur le Prince de Bouillon. En 4 volumes.‎

‎Charleville, Pierre Thesin, 1756, pt. in-8°, env. 1200 p., abondamment illustré de 60 planches dépliantes gravées sur bois, papier généralement très frais, avec signet, doublures et gardes en papier marbré caillouté à coquilles, solides et élégantes reliures en veau moucheté, dos à nerfs richement doré aux petits fers, pièces de titre et de tomaison en maroquin rouge, coupes dorées, deux coiffes supérieures légèrement touchées, çà et là quelques légers frottements, tranches rouges, bel ensemble, en très bon état.‎

‎Ouvrage intéressant et très complet touchant tous les aspects de la guerre et sa conduite. Les 24 livres couvrent les domaines suivants: aspects de la vie militaire (bonne conduite des soldats, vices à éviter, comme l'ivrognerie, les amourettes de garnison, la paresse et l'ennui, etc.), rôle de l'officier, instruction des recrues, éléments d'espionnage et autres ruses, théories et pratiques stratégiques, génie militaire, pyrotechnie, artillerie, architecture militaire (fortifications, places fortes, etc.), réflexions philosophiques sur la guerre, etc. Notre exemplaire, complet, contient 60 gravures gravées sur bois très nettes, montrant des fortifications, des plans stratégiques et l'utilisation de l'artillerie. Hoefer NBG -; Quérard -. ‎

‎Style Forms Function‎

‎ 1992 Amsterdam, Stedelijk Museum, 1992, 225x200mm, 72 pages with 18 photographic illustrations in black and white. Illustrated paper over boards. Very nice copy of an ineresting catalogue. Foreword by Wim Beeren. Design of the exhibition by Borek Sipek. First edition. From the catalogue: ‘Olaf’s photography derives their credibility from the combination of distance and theatricality, from a sometimes almost sociological outlook and a love of effect, from strict image construction, and from the registration of seemingly casual but significant details. A fascinating balance between staging and reality.’(103989) ‎

‎Berliner Läden und Geschäftshäuser von 1896 bis zur Gegenwart‎

‎Berlin, 1967 211pp., with 290 bl/w ills., 21cm., softcover, text in German, Doctoral dissertation (Von der Fakultät für Architektur der Technischen Universität Berlin zu Verleihung der akademischen Würde Doktor-Ingenieur genehmigte Dissertation), stamp at verso of title page, text is clean and bright, good condition, S109439‎

‎NEW YORK - A GUIDE TO RECENT ARCHITECTURE‎

‎ELLIPSIS / KONEMANN. Non daté. In-18. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 319 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte -. . . . Classification Dewey : 720-Architecture‎

‎OUVRAGE EN ANGLAIS // SOMMAIRE : HOW TO USE THIS BOOK / LOWER MANHATTAN / TRIBECA AND SOHO / UNION SQUARE / MIDTOWN / CENTRAL PARK Classification Dewey : 720-Architecture‎

‎New York - guide de l'architecture contemporaine‎

‎Ellipsis konemann. 1997. In-24. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 318 pages. Nombreuses photographies en noir et blanc, hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Moissac Abbaye Saint Pierre Guide de visite‎

‎Editions de l'association Montmurat-Montauriol. 1986. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages augmentées de nombreuses photos en noir et blanc et en couleurs dans texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎La pratica di prospettiva. 2 parts. - [FUNDAMENTAL WORK ON PERSPECTIVE]‎

‎Venice, Girolamo Franceschi, 1596. Folio (400x260 mm). Two parts bound in one later (presumably 19th century) sprinkled full calf with blindstamped geometrical ornamentations to boards. Leather on back board renewed. Engraved title-page neatly restored at inner margin, far from affecting imprint" old owner's inscription (""""Ex libris Ludovici A. la...""), crossed-out previous owner's name, and traces after a stamp to title-page. With Medici arms at the top and those of Sirigatti at foot of title-page, repeated on title-page of part two. As with all other copies we have been able to locate, the title-page is trimmed, affecting approximately 1 cm of the allegorical depictions in margin. Large woodcut printer's device at the end of the volume. Light occassional discolouring, but overall in very fine condition. 1 f. (allegorical frontispiece), 3 ff. (of dedication and index), 43 plates numbered with parallel text, 1 f. (large woodcut printer's device), 22 copper engraved plates (including the title-page of the second part) numbered 44-65. I.e. 65 plates in total - fully complete.‎

5 Images

‎The rare first edition of this most important work on the art of perspective: ""Questa e la più elegante delle edizioni di libri prospettici per i tipi, pei caratteri, per la carta"" (Cicognara 860). Sirigatti's work is famous for being one of the very earliest thorough works solely dedicated to the art of perspective. Combining the visual language of the German book tradition of Lencker and Jamnitzer with the Italian tradition of linear perspective treated previously by Serlio and Barbaro and earlier that of Leon Battista Alberti (unillustrated), as applied to stage design and architectural theory, this is one of the seminal Italian works on the subject of perspective. Presumably this work functioned as basis for Galileo’s drawing technique. The book quickly became very popular and several Italian editions were reprinted in the 17th century"" its reputation was so long-lived that an English translation was published no less than 160 years after the original. The work is divided in two parts: The first part is dedicated to the elementary rules of perspective to plane and solid geometric figures (which also contain musical instruments like the lute (plate 41 and 42)). The second part depicts architectural elements, facades of palaces and churches, in polyhedrons of various forms and regular Platonic solids, with several references to Luca Pacioli's ""divina proportione"". Furthermore, Sirigatti famously contributed to the study of theatrical perspective: ""He is the first to mention that the full effect of the perspective frame, for instance in a stage set, can be enjoyed only by those sitting along the main axis. This is a fundamental aspect of absolutist theater that no doubt had been noticed by designers of princely entertainments earlier, but is first commented on in print by Sirigatti, whose observations were taken up more extansively by Pietro Accolti."" (Millard).Two problems were endemic in perspective designs. First, because perspective scenery exploits the difficulty of the eyes in judging the sizes and distances of objects, it works best by assigning the spectator to a single point of vision and manipulating relative magnitudes to make small images represent objects that are larger and farther away. Second, the apparent magnitude and distance of painted objects tended to clash with the fixed size of live actors when applied to the theater, threatening to produce absurd combinations of scale when performers wandered upstage. Sirigatti was first to ""acknowledge the problem of spectator position. Sirigatti proposed a way to combine a painted perspective backdrop with fixed three-dimensional scenery that diminished in size as it neared an upstage vanishing point"". (Camp, The First Frame). Sirigatti was not only influential in the theory of architecture and stage design. ""Galileo ""most certainly studied"" La pratica di prospettiva, which was published in Venice while Galileo was teaching nearbyby in Padova, and that when Galileo and Thomas Harriot simultaneously pioneered the use of the telescope to study the moon's surface, it was Galileo's training in chiaroscuro that led him to see mountains and craters where Harriot only saw ""strange spottedness""."" (The Partnership of Art and Science: The Moon of Cigoli and Galileo).Sirigatti was a member of the Academy of Drawing (Accademia del Disegno), a school for artists and engineers (where Galileo studied as a young man). Any young artist or mathematician working his way through Sirigatti and learning to create the spikes on a ring diagram such as this would master perspective and the handling of light and shadow (chiaroscuro). Each spike must cast an appropriate shadow, not unlike the patches Galileo would later discern through his ""perspective tube"" and interpret as the shadows of mountains protruding up from the surface of the Moon.Adams S-1224Cicognara 860Fowler 336Graesse VI,417 Macclesfield 1896Mortimer 479Millard 129 (the 1625-edition)‎

‎Historische gids voor de Sint-Pauluskerk te Antwerpen‎

‎Antwerpen, Sint-Paulusvrienden, 1989 Softcover, 21 x 15 cm, 88 pagina's, illustraties in kleur.‎

‎ENCYCLOPEDIE GENEALOGIQUE DES MAISONS SOUVERAINES DU MONDE. BRANCHES CADETTES. VOLUME IX: PREMIERE MAISON DE BOURGOGNE.‎

‎CHEZ L AUTEUR.. 1964. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 47 pages de texte + un arbre généalogique dépliant.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Histoire des arts anciens de la Chine. 1- La période préhistorique. L’époque Tcheou, L’époque Tch’ou et Ts’in 2- L’époque Han et les six dynasties3- La sculpture de l’époque Han à l’époque Ming4- L’architecture‎

‎Bruxelles et Paris, Van Oest, Annales du Musée Guimet, Bruxelles et Paris, Van Oest, Annales du Musée Guimet1929-1930 ; 4 volumes grand in-4, brochés, couvertures oranges imprimées rempliées, entièrement non rogné. (État de parution) 3 ff., 3 (1) pp., 95 (1) pp., 2 ff., 108 planches - 2 ff., 119 (1) pp., 2 ff., illustrations in-texte et 120 planches h-t - 2 ff., 105 (1) pp., 1 f., 128 planches - 2 ff., 100 pp., 2 ff., 120 planchesÉDITION ORIGINALE de cet ouvrage considérable sur l’histoire et l’archéologie chinoises. Les 476 planches photographiques en héliotypie portent pour la plupart plusieurs figures montrant des objets de mobilier : poteries, chaudrons, cloches, garnitures en bronze, pièces de chars en bronze, objets en jade, miroirs, broches, bijoux, lampes, sculptures, monuments et détails d’architecture, etc. Rare exemplaire complet des 4 volumes. Dos et couvertures insolés, un plat en partie détaché. Intérieur frais.‎

‎A karpat-medence fatornyai. Wooden Bell Towers in the Carpathian Basin.‎

‎ Budapest, 2001, 290x205mm, 365pages, illustrated cardboard binding by the publisher. Book in good condition.‎

‎ Fekete-fehér ábrák a szövegben és a szövegen kívül / Black-and-white images in the text and outside the text, bilingual edition: English - Hungarian / kétnyelv kiadás: angol - magyar, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Les Catacombes de Rome‎

‎Casa Editrice Frank & c.. Non daté. In-16. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 40 pages de texte + 48 planches d'illustrations en noir et blanc . Coins frottés. Quelques rousseurs. Légers accrocs au dos. Agrafes rouillées.. . . . Classification Dewey : 720-Architecture‎

‎"Collection ""Les monuments d'Italie"" n°14. Classification Dewey : 720-Architecture"‎

‎L'Arte di construire le città. A cura di Luigi Dodi‎

‎Vallardi Antonio Cartonné avec jaquette 1953 In-8 cartonné sous jaquette illustrée, 151 pp., étude architecturale, avec quelques illustrations dans le texte, texte en italien ; manques à la jaquette (deux au dos, pour env. 2 cm², un sur le bas du premier plat, env. 1 cm²), par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Colmar‎

‎Paris - Colmar, éditions Alsatia 1951 édition originale. L’un 40 des 300 exemplaires hors commerce au chiffre de la Ville de Colmar. Reliure de l’éditeur pleine toile bordeaux, avec report sur le premier plat du titre et des Armes de la Ville de Colmar dorés, sous jaquette papier gris, 159 pp., 38 illustrations en noir et blanc. Deux petites déchirures sur la jaquette, sinon bel exemplaire. ‎

‎Beau livre sur la perle de l’Alsace ou la plus belle ville de France. Bon état d’occasion ‎

‎RICHELIEU A RICHELIEU ARCHITECTURE‎

‎Silvana.2011.In-4 couv.souple à rabats ill.540 p.Iconographie importante.TBE.‎