, Brepols, 2024 Hardback, 203 pages, Size:156 x 234 mm, Illustrations:18 b/w, 2 tables b/w. Language: English. ISBN 9782503604329.
This book explores the broad scope of political, economic, and social aspects of relations between Central Europe (focused on Poland and the lands of the Czechs) and Ireland. Taking a longitudinal approach, this study charts the interaction between the western and the central-eastern peripheries of Europe from the Middle Ages to the period after the Third Partition of Poland-Lithuania in 1795. The authors examine how the relationship between the geographically opposite ends of Europe evolved. Shaped by the shifts of political tectonic plates they argue that the evolution can be described in general terms: from a largely unidirectional to an interconnected chain of events. This book demonstrates similarities and analyses differences in a complex, yet unexplored, past of the three emergent nations; nations which in the public perception were overshadowed by their mighty neighbours for far too long.- Chapter 1. The Middle Ages Christianity in Ireland, Poland, and the Bohemian Principality The Earliest References and Research Chapter 2. Selected Seventeenth-Century Relations Religious Matters and Irish Martyrs as Models of Holiness in Seventeenth-Century Poland External Travel Destinations for the Polish and Czech Nobility Seats of Learning as Centres of Mutual Interest Czech Protestants and the Idea of Settlement in Ireland The Conquest of Ireland Unitas Fratrum in the Polish-Lithuanian Commonwealth The Issue of Emigration and Oliver Cromwell Looking for a New Homeland: The English Proposal Conclusion Chapter 3. Towards Self-Governance in the Nineteenth Century The Irish, Poles, and Czechs at the End of the Eighteenth and the Start of the Nineteenth Centuries Mutual Interests In the Parliament of the United Kingdom The Period of European Revolutions Conclusion Appendix 1. Information Concerning Ireland Included in Polish Encyclopaedias Appendix 2. Selected Irish Biographies
, Arthaud 1997, 1997 Hardcover, 198 pages, Texte en Francais, 260 x 255 mm, Tres belle exemplaire ! beaucoup illustrations!. ISBN 9782700311495.
Robert Wakefield, Thomas Wakefield, James P. Carley (ed), Charles Burnett (ed)
Reference : 63140
, Brepols- PIMS, 2024 Hardback, 348 pages, Size:152 x 229 mm, Language: English. ISBN 9780888442314.
Summary Robert Wakefield and his brother Thomas were pioneers in the study and teaching of Hebrew in early modern England. Robert was trained at Cambridge, acquired expertise in Aramaic, Hebrew, and Arabic, and obtained professorial status in Louvain, Cambridge, and Oxford. Thomas took possession of his brother's books and manuscripts upon his death; he enjoyed long tenure as praelector in Hebrew at Cambridge and was a compulsive annotator of his books. This volume draws together the political, linguistic, and bibliographical materials that shaped the careers of these two scholars, revising previous claims and producing a compelling analysis of Hebrew learning in sixteenth-century England. TABLE OF CONTENTS List of Figures Abbreviations Preface 1 James P. Carley and Charles Burnett Introduction 2 James P. Carley Robert and Thomas Wakefield: A Biographical Sketch 3 Jessica Crown Robert Wakefield's Inaugural Orations in Context 4 Joanna Weinberg The Remarkable Hebraism of Robert Wakefield 5 Charles Burnett Robert Wakefield and Arabic 6 Richard Rex Robert Wakefield and the King's Great Matter 7 Saverio Campanini The ?Ezra Scroll? of Bologna in the Crossfire of the Royal Divorce: John Fisher, Robert Wakefield and an Erased Text 8 Judith Olszowy-Schlanger ?My Silent Teachers?: Hebrew Manuscripts as the Source of Robert Wakefield's Hebraism 9 James P. Carley Robert Wakefield's Manuscript Collections and the English Monastic Libraries: A Parallel to John Leland's Mission 10 James P. Carley Books Owned or Annotated by the Wakefield Brothers 11 Benjamin Williams ?Great Mountains Suspended from Every Single Letter?: Thomas Wakefield and His Hebrew Bibles 12 Herbert L. Kessler Thomas Wakefield's ?Antiquissimus Codex? and San Marco's Musivum Novissimum Appendix 1 David R. Carlson Robert Wakefield, ?Oratio Oxonii habita in Collegio Regio? (1532) Appendix 2 Joanna Weinberg A Hebrew Responsum about Levirate Marriage (1530) Bibliography Contributors Index of Manuscripts Indexes of Printed Books General Index
London ; Longman, Hurst, Reese, Orme, and Brown ; 1817 - 1st edition - 4to, hardcover, VIII+607 pp. contains maps, plans, engraved plates, panoramic views... state: acceptable /// édition originale - fort in-4, reliure cartonnée demi toile marron, titre doré sur pièce de dos, VIII+607 pages et cartes, vues panoramiques, plans, gravures... - état d'usage, plats très frottés, dos abimé, intérieur assez propre mais qqs pages roussies
Reliure éditeur avec jaquette - 17 x 22 - 350 pp - année 1965- 4ème édition - Collection La Nuit des Temps n°22 - Editions Zodiaque - illustrations
EDITION DES DERNIERES NOUVELLES. 1969. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 210 pages + 122 planches en noir et blanc. Nombreuses illustrations en noir et blanc, dans le texte. Quelques planches en couleurs. Jaquette défraichie.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Préface de Robert Heitz. Classification Dewey : 720-Architecture
, Brepols, 2023 Hardback, 282 pages, Size:156 x 234 mm, Illustrations:7 b/w, 20 col., Language(s):English, French. ISBN 9782503605586.
Summary The cult of saints is one of the most fascinating religious developments of Late Antiquity and the early Middle Ages. Christians admired martyrs already in the second century, but for a long time they perceived them only as examples to follow and believed they could pray directly to God, whom they addressed as 'Our Father'. A new attitude toward saints, now considered above all as powerful friends of God and efficient intercessors, started to emerge in the third century. Once this process gained momentum in the Constantinian era, the cult of saints constantly changed and rapidly adapted to new conditions and demands. This evolution highlighted many factors: the popularity of specific saints and the different types of sanctity, the spread of cults and customs, and the ways in which the saints were described, visualised, and represented. This volume seeks to capture the dynamic of these adaptations, showing both those aspects of cult which evolved quickly and those which remained stable for a long time. It studies the evolution of the cults in a broad period from the third to the seventh centuries and in various regions from Gaul to Georgia, with a particular interest in the two greatest centres of the cult of saints: Rome and Constantinople. In response to changing needs and different circumstances, new generations of believers repeatedly modified the cults of established saints, even as they introduced new saints. TABLE OF CONTENTS Robert Wi?niewski: Introduction I. Seeing and Hearing the Saints Robin M. Jensen: Icons as Relics: Relics as Icons Maria Lidova: Placing Martyrs in the Apse: Visual Strategies for the Promotion of Saints in Late Antiquity Julia Doroszewska: Saintly In-betweeners: The Liminal Identity of Thekla and Artemios in their Late Antique Miracle Collections Arkadiy Avdokhin: Resounding Martyrs: Hymns and the Veneration of Saints in Late Antique Miracle Collections Xavier Lequeux: Les saints myroblytes en Orient et en Occident jusqu'à l'an mil: Prolégomènes à l'histoire d'un phénomène miraculeux II. Local and Cosmopolitan Cults András Handl: Reinvented by Julius, Ignored by Damasus: Dynamics of the Cult of Callixtus in Late Antique Rome Stephanos Efthymiadis: The Cult of Saints in Constantinople (Sixth-Twelfth Century): Some Observations Anna Lampadaridi: The Origins and Later Development of the First Italo-Greek Hagiographies: The Dossiers of the Sicilian Martyrs Agatha, Lucia, and Euplus III. Constructing Paradigms Ian Wood: The Lives of Episcopal Saints in Gaul: Models for a Time of Crisis, c. 470-550 Micha? Pietranik: Saints and Sacred Objects in Eastern Roman Imperial Warfare: The Case of Maurice (582-602) Nikoloz Aleksidze: Martyrs, Hunters and Kings: The 'Political Theology' of Saints' Relics in Late Antique Caucasia
, Lannoo, 2024 Hardcover, 320 pag. NL / ENG. edit.,260 x 205 x 27 mm, Nieuw / New, afb. in colour / b/w. ISBN 9789401497114.
Uniek licht op de twintigjarige carrière en werkwijze van de fotograaf, waarin de mens steeds centraal staat Ordinary People is het eerste overzichtswerk van Rob Hornstra. De Nederlandse fotograaf heeft tijdens zijn carrière wereldfaam bereikt met zijn maatschappelijk betrokken projecten. In de rijke traditie van de humanistische fotografie - waar onder anderen grootheden als Henri Cartier-Bresson, Dorothea Lange, Walker Evans en Ed van der Elsken toe behoren ? legt hij zich er op toe om een menselijk beeld van zijn eigen tijd te schetsen. Dat doet hij - geïnspireerd op de Duitse fotograaf August Sander - al twintig jaar aan de hand van een zelf gedefinieerde lijst van categorieën die als wegwijzer fungeert in de productie van nieuw werk. Dit boek geeft een verrassende inkijk in het twintigjarige oeuvre van een bevlogen fotograaf.
Paris A la Librairie Illustrée sans date vers 1890. In-4 3 feuillets non chiffrés 2-331pp. Cartonnage éditeur de percaline grise, dos et plats ornés en noir et doré de monuments normands, non rogné. Belles et nombreuses illustrations par Robida dans le texte, à pleine page et 40 lithographies hors texte. Légère usure du cartonnage sur les coiffes et les coins, le décor restant frais; cahiers légèrement déboîtés, intérieur en bon état et complet.
Paris, Maurice Dreyfous, éditeur 1880, 260x180mm, 324pages, Plat supérieur et dos richement illustrés d’ornementations à froid et dorées. Tranches dorées. Bel exemplaire. Belle reliure.
reliure cartonnage orné de l’éditeur, Rousseurs marginales.
Librairie Illustrée Paris S.D. (1890) Fort in-4 ( 315 X 235 mm ) de 332 pages demi-chagrin vert-sapin, dos à nerfs janséniste, couvertures illustrées et dos conservés. Beau livre illustré de 40 lithographies sous serpentes hors-texte et nombreux dessins dans le texte dessinés par ROBIDA. Très bel exemplaire, très pur, sans aucune rousseur.
In 8 demi-cuir rouge à nerfs, titre et fers dorés, faux-titre, frontispice illustré, titre, 324 pages, 125 dessins à la plume d’Albert ROBIDA, reproduits en fac-similé dans le texte et hors-texte ; Paris Maurice DREYFOUS éditeur 1880. Rousseurs, plus fortes en début et fin de volume.
1992 Editions Inter-Livres, Aubin Imprimeur - 1992 - In-4, cartonnage de l'éditeur, sous jaquette illustrée - 324 p. - Nombreuses illustrations et lithographies en N&B in-texte et hors-texte
Bon état - Jaquette légèrement frottée, avec deux renforts au scotch
, Gent, 1983., Originele uitgeversomslag, twee delen 16x24cm, 245 +- 579 pagina's , rijkelijk geïllustreerd met 458 buitentekstplaten z/w.
Inventaris van het kunstpatrimonium XV, provincie Oost - Vlaanderen. In goede staat.
Provinciebestuur Oost-Vlaanderen, Provinciebestuur Oost-Vlaanderen, 1997 softcover geillustreerde kartonomslag met flappen, 140 x 210mm., 56pp., zeer mooie en uitgebreide kleurillustratie. ISBN 90 74311 23 7. ISBN 9074311237.
Uitgegeven naar aanleiding van de herdenking van de 1600ste verjaardag van de dood van Martinus van Tours. De auteur ziet de bouwgeschiedenis van de kerk als een onvoltooide symfonie. Vier belangrijke bouwfasen staven die stelling. Telkens moesten de werken worden stilgelegd vooraleer de geplande ontwerpen waren uitgevoerd, wegens tekort aan fondsen, wegens de godsdiensttroebelen. Toch is het resultaat zowel inwendig als uitwendig een prachtig voorbeeld van Brabantse (dus late) gotische architectuur. Nieuw.
1887 1887 Henri Delesques, Caen, 18871 fascicule in-4 sou scouverture rempliée, 18 pageIllustrationsBon état
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
1887 In Etudes Normandes, Delesques, Caen, 1887. Une plaquette in-8 de 20 pages, frontispice. Non coupée, couverture défraîchie, intérieur frais.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
Couverture rigide. Cartonnage de l'éditeur.
Livre. (Construction à base de béton et fibro-ciment). Editions Eyrolles (Collection : Faites-le vous-même), 1971.
, Pictures Publishers, 2023 hardcover, formaat 345 x 270 x 35 mm, genaaid gebonden, 420 pagina's full colour, rijk geïllustreerd. . ISBN 9789492576637.
De geschiedenis van golf in Nederland is voor een groot deel de geschiedenis van de Nederlandse golfclubs en -banen. Daarom doen we een beroep op de historische commissies van alle Nederlandse golfclubs en -banen om een bijdrage te leveren aan golfgeschiedenis.nl. We nodigen alle verenigingen uit om golfhistorische documentatie met ons te delen. Wij plaatsen je documenten en beeldmateriaal op golfgeschiedenis.nl, waar ze ondergebracht worden in verschillende registers ('clubs/banen', 'personen', 'nationale wedstrijden', etc.). Als golfgeschiedenis.nl het centrale archief van alle Nederlandse golfclubs en -banen wordt, is de website waarlijk het archief van golf, colf en kolf in Nederland.
Editions Parenthèses Dos carré collé 1992 In-8 (19 x 24,4 cm), dos carré collé, 237 pages, n°27-28 des Cahiers de la recherche architecturale ; quelques petites marques d'usage sur le quatrième plat, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Editions Parenthèses Dos carré collé 1993 In-8 (19 x 24,4 cm), dos carré collé, 185 pages, n°32-33 des Cahiers de la recherche architecturale ; quelques petites marques d'usage sur les plats et le mors supérieur, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
, Publisher Museum Of Contemporary Art San, Hardcover, 160 pages , ills colour & bw, 22 x 24 cm, English. ISBN 9780934418713.
The architectural imaginary describes architecture in its broadest sense: images of cities drawn from collective experience and imagination. Hailing from 11 countries, each of the 14 artists who have contributed to this publication, engage the psychological and sociological aspects of architecture through their work, mapping the influence of the architectural imaginary on contemporary visual art. Organised into four thematic groupings, the book features Matthew Buckingham, Ann Lislegaard and Paul Noble on architecture?s relationship to language; ?Architecture and Memory,? includes installations by Saskia Olde Wolbers, Hiraki Sawa and Rachel Whiteread; ?Architecture as Model? encompasses installations by Michael Borremans, Los Carpinteros, Catharina van Eetvelde and Katrin Sigurdardottir; and the theme of surveillance is explored by Jakob Kolding, Sarah Oppenheimer, Julie Mehretu and Matthew Ritchie.
, Hannibal, 2021 hardcover, 31,7 x 24,3 cm, 140 pagina's, Tweetalige editie Engels-Nederlands ISBN 9789463887892.
?Hoe langer ik niet reis, hoe meer ik durf te kijken naar de plek waar ik woon. Ik zie hoe mijn nieuwe omgeving voor mij zorgt. Hoe allerlei verschillende soorten mensen dit hun dorp noemen, hun wijk, hun omgeving. Ik zie gezinnen die hier van generatie op generatie wonen, ik zie vluchtelingen ? in de breedste zin van het woord ?, ik zie verschoppelingen en geslaagden, ik zie een stadse diversiteit gemengd met een dorpse mentaliteit.? ? Robin de Puy Robin de Puy (°1986) woont sinds een paar jaar in Wormer, een klein dorp omringd door water, net boven Amsterdam. Ze is gefascineerd door het Amerikaanse platteland en ontdekte in de voorbije lockdown dat haar nieuwe omgeving heel universeel blijkt te zijn, inclusief het soort lokale small town icons die ze tijdens haar reizen door Amerika tegenkwam. Zo ontmoet ze onder meer een elfjarige sjamaan die haar blootvoets rondleidt op verboden terrein, rijdt ze rond met vier giechelende broertjes op de achterbank en ontmoet ze een handlezer die haar meteen de sleutels van zijn huis geeft. Tientallen ontmoetingen volgen en voorzichtig ontstaat er niet alleen een fotoboek, maar ook een wereld waarin ze zich thuis gaat voelen. Robin de Puy is fotograaf van onder meer de bekroonde publicaties If This Is True (Ludion) en Randy (Hannibal Books). Haar werk was eerder te zien in het Bonnefantenmuseum Maastricht, Fotomuseum Den Haag en Photoville Festival Brooklyn.
, Little Brown, 2010 Softcover, 240 pages, ENG. edition, 230 x 170 mm, NEW, illustrated in color. ISBN 9781408702130.
Inventive, glamorous, gorgeous - since the beginning VOGUE has set the platinum standard for fashion magazines the world over and has become an icon in its own right. VOGUE's covers sum up the superlative visual ideals of the whole magazine. For the first time, this book brings together in one volume nearly a century of covers both illustrated and photographic. Over two hundred stunning images have been selected from an archive of more than fifteen hundred. What sets VOGUE's covers apart is that each is so bold, so beautiful and so emphatically different. They mark the course of history, chart changing fashions and ideas of beauty and hold up a mirror to the cultural and social revolutions of the twentieth century. Since 1916 VOGUE's covers have celebrated the most striking women of our age, captured by the century's leading photographers, the greatest artists and the most inventive fashion. Brilliant, captivating and full of life, this is the face of the world's most influential magazine and the original style bible.
, Hirmer, 2012 Hardcover with dust jacket, 192 pag. ENG. 290 x 240 mm, Illustr. dustjacket, NEW, pictures in b/w. ISBN 9783777451510.
Vernier was innovative in his choice of locations and in the way he captured their essence in his backgrounds. But most especially his skill was in the way he composed his shots, blending the elements of the model, the clothes, moment and place. Uninterested in the cult of celebrity, he regarded himself as a craftsman in the trade of fashion photography, seeking to bring out the very best of every element. The Vernier ?look? is one of femininity; he captured his models when they were relaxed, enjoying wearing the clothes and confident that the photographer would only show both model and clothes at their best. He saw himself as working not only for the magazine, but also for the clothes and accessories makers, and most especially for the readers of Vogue. Within the frame, he was an artist. For most of Vernier?s time at Vogue, the vast majority of the imagery was in black and white, (and the reader was given a description of the missing colours). His choice reveals much about the secrets of his composition, not so much in the positioning of the elements, but in the sense of movement he brought to the image. Vernier was born in 1920 in southern France. During the war he worked as a war correspondent and a newsreel cameraman, documenting the exploits of the Free French forces under General de Gaulle. He worked for Pathé News in London, before opening his own London studio as a freelance photographer.