‎James McNeill Whistler‎

‎, Tate Gallery, 1994 Paperback, 335 pages, ENG, 300 x 235 mm, in good condition, illustr. in colour / b/w. ISBN 9781854371454.‎

‎Of latine and of othire lare: Essays in Honour of David R. Carlson‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 374 p., Size:152 x 229 mm, Language(s):English. ISBN 9780888448354.‎

‎The literature of the late middle ages provides the main focus for this collection of eighteen essays, which engage with the tight interweavings of poetry, book production, and politics at a time when all three were in a state of flux. Primarily covering the period from Richard II to Mary Tudor, the essays explore such topics as medieval guides to Ovid, aspects of late fifteenth- and early sixteenth-century book history, and the major court poets of the Ricardian period, Chaucer and Gower.‎

‎BREUER MARCEL (1902-1981)‎

‎ Paris, Centre de création industrielle Centre Beaubourg, 7 juin 9 septembre 1974, 222x222mm, broché couverture photographique à rabatsExposition organisée par le Metropolitan Museum of Art de New York. Nombreuses illustrations en noir et en couleurs. Texte de Richard G Stein, maquette réalisée par Chermayeff et Geismar Associates, photo de couverture d’Yvan Chermayeff.(103569) ‎

‎Printed Stuff : Prints, Posters And Ephemera By Claes Oldenburg - A Catalogue Raisonne 1958-1996‎

‎, Hudson Hills Press Inc.,U.S. 1997, 1997 Hardcover, 448 pages, English, 300 x 220 mm, In New Condition !, very richly illustrated with coloured illustrations, with dustcover,. ISBN 9781555951238.‎

‎The printmaking career of a leading Pop artist, influential creator of public monuments, and bravura draftsman. More than 250 limited-edition graphics.‎

‎Greek Lamps and Their Survivals (Athenian Agora IV) ‎

‎Princeton, The american school of classical studies at athens, 1958 Blue cloth binding, 261 pages, 56 pages of illustrations, 1 chart, 31 x 24 cm. EN . ISBN 9780876612040.‎

‎The author has used the trustworthy chronological data supplied by the scientific excavation of closed deposits at the Athenian Agora to build a continuous series of lamp types from the 7th century B.C. to the 1st century A.D. Many photographs and profiles of sections permit ready identification, and a handy graphical chart of lamp types facilitates quick checking of the chronological range of each.‎

‎Renaissance Illuminators in Paris. Artists & Artisans 1500-1715‎

‎, Brepols - Harvey Miller, 2019 Hardback, 280 pages, Size:220 x 280 mm, Illustrations:65 col., Languages: English, Latin, French. ISBN 9781912554287.‎

‎Summary The commercial manuscript book-trade in Paris, that had begun as early as the mid-12th century, was severely disrupted by the arrival of the first printing presses in Paris around 1475. This new invention converted a traditional system of book production that had developed and flourished over the centuries from a handcraft to the mechanical printing press. It was a change that affected not only the livelihood of those who wrote the books and the artists who decorated them, but also the social life of the whole workforce involved in the production of books. This publication traces the activities to which 16th- and 17th-century book artisans had to turn, faced as they were with a dwindling market for manuscripts. Those most affected were the illuminators and scribes who now had to seek alternative ways of making a living and so devise strategems for finding employment in other trades that would benefit from their skills. Thus the reader will discover well-known artists and illuminators finding jobs like adding illustrations to printed books, colouring wood-block prints and designing patterns and motifs for embroideries, tapestries and even glass and metal objects. A most interesting opportunity for illuminators was to get involved with the decorating of fans, a new fashion promoted late in the 17th century by the Sun King Louis XIV himself. In addition to the richly illustrated text, the volume also includes a Register of more than 500 named Illuminators in alphabetical order, giving also their affiliation to their alternative trades and listing personal details including family members and professional associates. The authors Richard and Mary Rouse, who are already widely known for their thorough research into the medieval book trade in Paris with their volume Manuscripts and their Makers, published a similar biographical Register of documented book producers up to the year 1500. With the present publication they are able to reconstruct how much the younger members and relatives of whole families of previous manuscript illuminators were able to continue to contribute to the now newly developing book-trade. This volume is therefore not only a contribution to the history of art and that of the book, but also provides a vivid glimpse into the social history of the period. TABLE OF CONTENTS Acknowledgements Publisher's Note Introduction PART ONE - Paris Illuminators in the Age of Print- a Métier Redefined Chapter 1: The Continuation in the Illuminator's Trade in Renaissance Paris I. An Uncertain Community II. Illuminators, Painters and Illuminator/Painters III. Redefinition by Qualification IV. Lesser Hyphenations V. Community or not? The Location of the Illuminator's Trade VI. Common Threads Chapter 2: Beyond Definition: Other Survival Strategies in the Illuminator's Trade I. Illuminating the Printed Book II. Second Jobs III. Multi-Tasking IV. Partnerships V. Family VI. Family Diversity Chapter 3: Contracts and Inventories I. Contracts II. Post-mortem Inventories Chapter 4: Apprenticeships I. Norms of Apprentice Training II. Apprenticing of Illuminator's Sons-and Daughters? III. Why Did Apprenticeships Continue? Chapter 5: The Vanishing Point? Appendixes 1. University Suppôts, c. 1505-1518 2. Denial of an Illuminator's Guild, 1608 3. A Parisian Illuminator Hired at Chartres, 1546 4. An Apprenticeship Contract, 1541 PART TWO - The Register Register of Parisian Illuminators and Artisans of the Manuscript Book 1500-1715 Glossary Abbreviations Bibliography Handlist of Books and Documents Index of the Manuscripts cited List of Illustrations General Index‎

‎Robert Mallet-Stevens, La Villa Cavrois ‎

‎, Picard, 2005 Softcover, 225pp., 24x17cm., neuf. ISBN 9782708407299.‎

‎L'etude de l'histoire de la villa Cavrois, (Robert Mallet-Stevens architecte) s'etend de 1925 a 2001. Le contexte local de la commande, l'histoire detaillee de la conception et de l'edification, l'analyse de l'edifice et de sa situation dans le contexte des annees trente mettent en evidence la dimension manifeste de la realisation ainsi que la strategie professionnelle de Robert Mallet-Stevens dans le Nord de la France. L'usage de l'edifice est etudie dans une duree (1939-1985) qui comprend son occupation militaire, ses transformations, la reception familiale et l'historiographie. Le processus de patrimonialisation ; (1986-2001) comprend, de maniere simultanee, la reconnaissance historique, un changement de proprietaire, la dispersion du mobilier, la degradation materielle et les premieres protections administratives. Les aleas politico-administratifs du dossier ainsi que l'etude du caractere patrimonial de sa reception terminent le recit qui s'acheve avec l'achat de l'edifice par l'Etat. Le recit ne neglige ni le maitre de l'ouvrage ni les usagers en impliquant tous les faits et les acteurs proches et lointains de l'oeuvre proposant ainsi des perspectives methodologiques sur l'histoire de l'architecture.‎

‎Alfonsine Astronomy: The Written Record‎

‎, Brepols, 2022 Hardback, 426 pages, Size:178 x 254 mm, Illustrations:56 col., 15 tables b/w., Language: English. ISBN 9782503595207.‎

‎Summary Compiled between 1262 and 1272 in Toledo under the patronage of Alfonso X, the Castilian Alfonsine Tables were recast in Paris in the 1320s, resulting in what we now call the Parisian Alfonsine Tables. These materials circulated widely and fostered astronomical activities throughout Europe. This resulted in a significant number of new works, of which there are a few hundred, extant in more than 600 manuscript codices and dozens of printed editions. These manuscripts and imprints, broadly contemporary to the works they witness, comprise the written record of Alfonsine astronomy and provide the focus of this volume. A first series of essays examines individual manuscripts containing Alfonsine works. The authors seek to reconstruct, from the manuscript evidence, the cultural, astronomical and mathematical worlds in which the manuscripts were initially copied, compiled, used and collected. A second series of essays turns from the particular codex to the individual work or author. These contributions ask how particular works have been transmitted in surviving manuscript witnesses and how broader manuscript cultures shaped the diffusion, over two centuries, of Alfonsine astronomy across Europe. A final essay reflects on the challenges and opportunities offered by digital humanities approaches in such collective studies of a large manuscript corpus. TABLE OF CONTENTS Richard L. Kremer, Matthieu Husson and José Chabás, Introduction Part I Laura Fernández, The Libro de las tablas alfonsies: New Documentary and Material Source Jean-Patrice Boudet, Laure Miolo, Alfonsine Astronomy and Astrology in Fourteenth-Century Oxford: The Case of MS Bodleian Library Digby 176 Richard L. Kremer, Exploring a Later Fifteenth-Century Astrologer's Toolbox: British Library Add Ms 34603 Alexandre Tur, From Computus Material to Preacher's Toolbox: Manufacturing a Bat-Book Almanac in the Fifteenth Century Eric Ramírez-Weaver, Bohemian King Wenceslas IV's Copy of the Alfonsine Tables and Their Place within his Astronomical and Astrological Corpus Part II José Chabás, Marie-Madeleine Saby, Editing the Tables of 1322 of John Lignères Alena Hadravová, Petr Hadrava, John of Lignères Quia ad inveniendum loca planetarum: An Edition and Translation José Chabás, New Texts and Tables Attributed to John of Lignères: Context and Analysis Mathieu Husson, Work Cohesion as a Test of Manuscript Transmission: The Case of John of Lignères' Tabule magne Laure Miolo, Retracing the Tradition of John of Genoa's Opus astronomicum through Extant Manuscripts Glen Van Brummelen, All In: Manuscripts of the Works of Giovanni Bianchini in the Fifteenth Century Galla Topalian, Mathieu Husson, From Document to Data: The Digital Projects of ALFA‎

‎Bauhaus - Ecole du Design‎

‎Editions du Club France-Loisirs, avec l'autorisation des Editions Aimery Somogy, Paris, 1985. In-8, reliure pleine toile éditeur sous jaquette illustrée en couleur, 252 pp. Une école - Retour aux origines - Une naissance difficile - Une existence contestée - Un tournant - Art et technique, une nouvelle unité - Science et Architecture - Un fonctionnalisme scientifique - Une fin brutale - Pour l'inventaire d'un ...‎

‎Nombreuses illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com‎

‎Encyclopédie de l'expressionnisme‎

‎Editions Somogy, Paris, 1978. In-8, reliure pleine toile éditeur sous jaquette illustrée en couleurs, 288 pp. Le mouvement expressionniste, Lionel Richard - Peinture et gravure, Wolf Dieter Dube - Sculpture, L. Richard - Architecture, L. Richard - Litérature, Armin Arnold - Théâtre, Wilhelm Steffens - La Scène expressionniste, Denis Bablet - Cinéma, Jean Mitry - Musique, ...‎

‎Nombreuses illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com‎

‎Le Bauhaus, Ecole du design.‎

‎ Paris, Editions Aimery Somogy, 1985, reliure d'éditeur avec jaquette illustrée, 17x24 cm, 252 pages, illustrations en noir et blanc et quelques couleurs.‎

‎Jaquette légèrement défraichie. ‎

‎Munio Weinraub Gitai. Szumlany - Dessau - Haifa. Parcours d’'un architecte moderne.‎

‎Centre Georges Pompidou 2001 In-4 broché 27,9 cm sur 22. 78 pages. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎CIUDADES DEL SIGLO DE ORO : LAS VISTAS ESPAÑOLAS DE ANTON VAN DEN WYNGAERDE‎

‎, Ediciones El Viso, 1986 Hardcover, 430 paginas, SPA, 310 x 300 x 45 mm, NUEVO condicion !, estuche resistente !, con fantásticos mapas de la ciudad dibujados ! ISBN 9788486022242.‎

‎ Wyngaerde, Anton van den, -- -1571 -- Catálogos. Ciudades y pueblos -- España -- Historia -- Obras pictóricas -- Obras pictóricas -- Catálogos. Felipe -- II, -- Rey de España, -- 1527-1598 -- Mecenazgo artístico.‎

‎Architecture of David Lynch‎

‎, Bloomsbury Academic, 2014 PaperbackDimensions 216 x 138 mm 256 Pages, Language(s) Eng. ed. ISBN 9781472508812.‎

‎Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is anxious, absurd and utterly distinct. Contemporary architects such as Peter Eisenman, Gehry and Nouvel have responded to these spaces in fascinating ways. This book is the first sustained critical assessment of the role architecture and design play in Lynch's films.‎

‎RICHARD MEIER ARCHITECT. 1964-1984‎

‎NY, Rizzoli, 1984, in-4 softcover,, 411 pp, illustrations. In english. Cover Used, inside very good.‎

‎RICHARD MEIER. THE ARCHITECT AS DESIGNER AND ARTIST.‎

‎NY, Rizzoli, 2003, in-4 softcover,, 144 pp, illustrations. In english. Very Good Condition. ‎

‎The Getty center‎

‎1999 Phaidon broché, grand format carré couverture souple 120p. très bon état‎

‎Nombreuses photos n&b et couleurs, schémas, plans et coupes. En anglais. ‎

‎Mapplethorpe + Munch‎

‎, Mercatorfonds 2016, 2016 Hardcover, 255 pages, English, 280 x 250 mm, book in perfect condition, very richly illustrated with coloured and b/w illustrations. ISBN 9789462301313.‎

‎This revelatory catalogue delves into the many affinities shared between two widely renowned and discussed artists, Robert Mapplethorpe (1946-1989) and Edvard Munch (1863-1944), whose intensely studied work has, until now, never been considered in relation to one another. Mapplethorpe + Munch brings to light how these two monumental figures curiously relate on an existential level, in how they deal with questions concerning sexuality, and in their way of utilizing self-portraiture as a means to explore issues of personal identity . Featuring essays that examine the thematic impulses behind the accompanying exhibition, this publication establishes a previously unexplored association between two equally contentious art figures, while working to impart alternative perspectives and new insight into their respective outputs. Although distinct in their legacies, Mapplethorpe and Munch remain remarkably intertwined.‎

‎Complete architecture of Adler and Sullivan.‎

‎, Chicago Press , 2010 Hardcover with dusjacket, 472 pages, Illustrated. 31x31cm, Good condition. ISBN 9780966027327.‎

‎An incomparable reference will be treasured by readers interested in architecture, photography, and Chicago's rich history as an architectural mecca. Complete architecture of Adler and Sullivan Louis Sullivan (1856-1924) was a giant of architecture, the father of architectural modernism, and one of the earliest builders of the skyscraper. Along with Dankmar Adler (1844-1900) he designed many of the buildings that defined nineteenth-century architecture not only in Chicago but in cities across America-and continue to be admired today. Among their iconic designs are the former Chicago Stock Exchange, Chicago's Auditorium Building and Carson Pirie Scott flagship store, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. This first-of-its-kind catalogue raisonné of the work of Adler and Sullivan-both as a team and individual architects-is a lavish celebration of the designs of these two seminal architects who paved the way for the modern skylines that continue to inspire city dwellers today. The quest to pull together a complete catalogue of their work was first undertaken in 1952 by photographer Aaron Siskind and Richard Nickel, one of his graduate students at what is now the Illinois Institute of Technology in Chicago. This intense, decades-long labor of love has resulted in an extensive and unique resource that includes a complete listing of all of the buildings and projects undertaken by Adler and Sullivan. Each listing contains historic photographs, architectural plans (when available), and a description of each project. Alongside over two and hundred fifty essays are eight hundred photographs of their buildings-many of which have since been demolished-including images by Nickel, Siskind, and other noted photographers.‎

‎Richard of Saint-Victor, On the Trinity. Prologue and Six Books‎

‎, Brepols, 2021 Paperback, 304 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503594125.‎

‎Summary Richard of Saint-Victor's On The Trinity from the 12th century is a main source for our understanding of a leading intellectual tradition of the Western world in which love was regarded the highest and the best in the human world and therefore also was the reality in which the highest and the best, God, was to be seen. Richard understands human love as interpersonal so that love must be realized between two persons, but for being the highest love that excludes any private and selfish love, both loving persons must share their love with a third person. TABLE OF CONTENTS Acknowledgements Abbreviations Introduction 1. Richard of Saint-Victor and the 12th Century a. The Augustinian Tradition b. Human Love c. Richard's Influence 2. Richard and Saint-Victor a. The Abbey b. Monastery and School c. Internationalism d. The Death of Richard 3. The Theological Method a. Faith and Reason b. Reason and Experience c. The Augustinian-Anselmian Tradition d. The Necessary Reasons e. Reason and Mysticism 4. Love and Trinity a. Love and the Highest Love b. Caritas ordinata and amor discretus c. Condilectio d. Unity and Plurality in Love e. Anthropomorphism? Richard of Saint-Victor, De Trinitate / On The Trinity Latin Text and English Translation side by side. Bibliography Index of Names‎

‎With Our Backs to the Ocean': Land, Lordship, Climate Change, and Environment in the North-West European Past. Essays in Memory of Alasdair Ross‎

‎, Brepols, 2023 Hardback, xii + 326 pages, Size:156 x 234 mm, Illustrations:1 b/w, 5 col., 7 tables b/w., 2 maps b/w, 1 maps color, Language: English. ISBN 9782503596990.‎

‎Summary This collection of ten essays celebrates the life and career of Dr Alasdair Ross, one of Britain's foremost environmental historians, who died in 2017. Inspired by Ross' own research interests, the chapters gathered here explore interlinked themes of land management and property rights, terrestrial and aquatic resource exploitation, mortality crises, and environmental change, viewed largely through the lens of the Scottish experience within the broader context of the eastern North Atlantic region and covering a chronology that spans from the sixth century CE up to the present. Including a previously unpublished paper by Ross himself, which overturns long-held perceptions of fiscal regimes in medieval Scotland, the contributors present radically revisionist or wholly new analyses of key documents and datasets, mostly through applying an interdisciplinary 'environmental turn' to primary record and narrative sources, or advancing new methodological approaches to systems analysis. From saintly interactions with nature to monastic exploitation of natural resources, charter records of land-ownership to the physicality of the landscapes recorded on parchment, and the human cost of subsistence and mortality crises, these papers humanize the discourse around historical climate and environmental change. TABLE OF CONTENTS List of Illustrations Abbreviations Introduction: Alasdair Ross and the Environmental History of Medieval and Early Modern Scotland Richard Oram Saints on the Shore: Coastal Encounters in the Early Medieval West Ellen Arnold 'Verbalist Ingenuity' and the Evidential Basis for Virgin-Soil Smallpox Epidemics in the Sixth Century: From Iona to ?an??? Timothy P. Newfield 'Away was sons of alle and brede': The Decline of the Medieval Climate Anomaly and the Myth of the Alexandrian Golden Age in Scotland Richard Oram A Post-Plague Golden Age? Scotland, Antiqua Taxatio, and Thirteenth-Century Climate Change Alasdair Ross 'To the abbottis profeit': The Cistercian Abbey of Coupar Angus and the Scottish Export Economy Victoria Hodgson A New Theoretical Approach to the Study of Medieval Scottish Park Emergence and Resource Management Kevin Malloy From Kestrels to Foul Marshes: Light on a Parish in the Merse c.1200 Simon Taylor The Tale of Two Wandering Charters: Towards the Political and Environmental Background of the Mac-Dòmhnaill-Mhic an Tòisich Alliance in the 1440s Philip Slavin Salmon Variability Related to Phases of the Little Ice Age: Consilience from Arctic Russia to Scotland? Richard C. Hoffmann Pathos and Poverty: Fuel Economies of the Poor in the British Isles in the Late Medieval and Early Industrial Periods Ian D. Rotherham Works Cited Index‎

‎Charles Auffret, sculpture.‎

‎, Somogy, 2007 hardcover with dusjacket, 120pp illustre !. ISBN 9782757200827.‎

‎monografie, Edition bilingue francais-italien‎

‎L'ARCHITECTURE INTERNATIONALE DE DEMAIN nouvelles constructions-Meilleures habitations-Villas, maisons de week-end et logis de vacances-Construits dans neuf pays-Exemples extraits de la revue d'architecture "Construction+Habitation" (Adolf Pfau, Editeur)‎

‎IN 4 OBLONG-176 PAGES-NOMBREUSES ILLUSTRATIONS NOIR ET BLANC ET PLANS-TEXTE EN FRANCAIS-RELIURE TOILEE MARRON-(21F)‎

5 Images

‎CHARLES GAY-ROCHECORBON (INDRE-ET-LOIRE) COUVERTURE RIGIDE ETAT TRES BON‎

‎Vineyard Summer‎

‎, Little Brown & Co, 1994 Hardcover, 120 pages, ENG , 265 x 265 x 15 mm, dustjacket, illustrated in colour. ISBN 9780316783453.‎

‎The affection photographer and Martha's Vineyard resident Alison Shaw feels for her immediate surroundings is clearly expressed in each of her photos of the island. Shaw turns her lens on everything from the architectural details of island houses to fresh blueberries in their crates at the farmer's market and early-morning fisherman at Sengekontacket. She is not afraid to experiment with various polarizing and density filters, which give her images a range of dreamy effects--purple fog lifting off a lagoon, a fiery orange sunset at Paul's Point--and supersaturated colors. This is Shaw's second book of photography of the Vineyard. Her images are strong and colorful, though not always inventive. Still, readers who share her passion for the Vineyard should be happy to peruse this book.‎

‎SAINT-RIQUIER‎

‎La revue Française. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette d'env. 15 pages illustrée de nombreuses photos en noir et blanc et en couleur.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎