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Ecocriticism and Old Norse Studies. Nature and the Environment in Old Norse Literature and Culture
, Brepols, 2023 Hardback, 312 pages, Size:156 x 234 mm, Illustrations:2 col., Language: English. ISBN 9782503604848.
Summary Ecocriticism and Old Norse Studies is the first anthology to combine environmental humanities approaches and the study of premodern Nordic literature and culture. The chapters gathered here present innovative research based on the most recent developments within ecologically informed literary and cultural studies. Covering a wide variety of sources, the volume provides new insights into the Old Norse environmental imagination, showing how premodern texts relate to nature and the environment ? both the real-world environments of the Viking Age and Middle Ages, and the fantastic environments of some parts of saga literature. Collectively, the contributions shed new light on the role of cultural contacts, textual traditions, and intertextuality in the shaping of Old Norse perceptions and representations of nature and the environment, as well as on the modern reception and (mis-)use of these ideas. The volume moreover has a contemporary relevance, inviting readers to consider the lessons that can be learned from how people perceived their environments and interacted with them in the past as we face environmental crises in our own times. TABLE OF CONTENTS Aknowledgements Combining Ecocriticism and Old Norse Studies: Opportunities and Challenges Reinhard Hennig, Emily Lethbridge, and Michael Schulte Aesthetic Expressions of Nature in Skaldic Verse Hannah Burrows Trees in the Saga Dreamscape Timothy Bourns 'Brúðir berserkja barðak í hlés eyju': A Material-Ecocritical Consideration of the Role of the Sea in Myths and Rituals of Premodern Scandinavia Jonas Koesling Legal Perspectives on Nature in Old Norse-Icelandic Lawcodes Elizabeth Walgenbach Imagining a Viking Age Risk Society: Environmental Threats, Risks, and Manufactured Uncertainties in the Sagas of Icelanders Reinhard Hennig Out of the Garden and Into the Forest: The Corruption of the Natural World in Old Icelandic Literature Tiffany Nicole White Askr and Embla: The Creation of Man from Trees Sabine Heidi Walther The Establishment of Niðaróss: The Nexus between Urban, Environmental, Political, and Salvation History Stefka G. Eriksen Imagining Trees in Mágus saga jarls Philip Lavender Son of the Soil and Son of Óðinn: Unveiling a Farmer's Eddic Poetry (1920) and Colonial Germanic Concepts of Nature in South West Africa, Now Namibia Juliane Egerer Index
Zum Logos der Kunst Rogier van der Weydens. Die "Beweinungen Christi" in den Königlichen Museen in Brüssel und in der Nationalgalerie in London. 2 vols.
, AD OPUS, 2000 softcover, 888 pages. + 41 illustrations, 24cm x 16cm 2 vols *fine. ISBN 9783825841584.
Zum Logos der Kunst Rogier van der Weydens. Die "Beweinungen Christi" in den Königlichen Museen in Brüssel und in der Nationalgalerie in London. Vols 1 & Vol. 2. Zum Logos der Kunst Rogier van der Weydens. Variante I. Bei einer einbändigen Ausgabe auf der Klappenrückseite. Bei einer zweibändigen Ausgabe auf der Klappen rückseite des l. Bands. Logos heißt die die authentische und originale Rede der Kunst, die ihren Bildungen immanente Vernunft. Im Logos zeigen sich die kunstspezifischen Formen des Denkens, die schöpferischen Gestaltungsprinzipien der Kunst, ihre Erfindungen in Plan und Entwurf. Kunst ist daher nur in Kunstwerken zu denken und zu erfahren. Der Logos des Kunstwerkes erhellt sich als ein in Mannigfaltigkeit gegliedertes und geordnetes, ein bis in seine kleinsten Verhältnisse stimmendes, in sich selbst vollendetes Ganzes. Er ist die geistige Struktur des Werkes in der ihr adäquaten sinnlichen Form.
BECKMANN : 1884-1950 : The Path To Myth
, Taschen, 2011 Hardcover, 200 pages, ENG, 320 x 260 x 25 mm, in good condition, dustjacket, illustrated in colour / b/w. ISBN 9783836532532.
Max Beckmann (1884-1950) found his central theme in the angst of 20th-century interwar experience. With a style between Expressionism and New Objectivity, later softened into more radiant naturalism, the painter and printmaker probed the strife of the human condition in portraits, self-portraits, and allegorical tableau. Beckmann's early pictures showed the influence of Impressionism, with a leaning towards biblical, historical, and allegorical themes. Serving in the medical corps in Belgium during World War I, he was discharged after a nervous breakdown, and would return to art with anguished new strategies of distortion, angularity, and exaggerated color. In chaotic scenes of the circus, cabarets, carnivals, and candelit chambers, he emphasized the theatricality of life and seemed to foretell the doom of the interwar Weimar Republic with his cast of lurid characters, often peppered with ominous fragments of myth, biblical reference, and opaque allegory. Beckmann's Departure is the first in a series of triptych paintings recalling the juxtaposed scenes of heaven and hell, sin and salvation typical to medieval or Renaissance altarpieces. Though the artist denied that Departure had specific meaning, it is often regarded as an emblematic response to the rise of National Soclalism, painted at the time that the Nazis fired Beckmann from his professorship at the Frankfurt Art Academy. This monograph features more than 180 of Beckmann's from 1907 to 1950, including many of his most famous self-portraits and triptychs. Biographical essays cover his war years, the 1920s in Frankfurt, his Nazi exile years in Amsterdam, and his emigration to the United States. Bonus additional material includes photographs on which many of his paintings are based, several exhibition shots, and images from other artists as Pablo Picasso, Eugene Delacroix, Max Ernst, and Edvard Munch that visualize Beckmann's inspirations and context.
La CATHEDRALE de REIMS. Son histoire, son architecture, sa sculpture, ses vitraux.
Laffitte Reprints Marseille 1983 In-8 carré ( 250 X 175 mm ) de 253 pages, cartonnage de skivertex maroquiné chocolat à la bradel de l'éditeur. 48 illustrations hors texte et 12 figures dans le texte. Réimpression de l'édition Paris, 1963. Très bel exemplaire.
La cathédrale de Reims. Son histoire, son architecture, sa sculpture, ses vitraux.
Marseille, Laffitte Reprints 1983, 240x170mm, 253pages, broché. Bel exemplaire.
photos n/b, réimpressions de l’édition de Paris, 1963, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
. Peter Paul Rubens Tod Und Sieg Des Romischen Konsuls Decius Mus
, Bank Liechtenstein 1988, 1988 Softcover, 143 seiten, Deutsche sprache, 290 x 255 mm, in guten zustand,.
Rubens Im Wettstreit Mit Alten Meistern :Vorbild Und Neuerfindung
, Hatje Cantz Verlag 2009, 2009 Hardcover, 272 seiten, Deutsche sprache, 270 x 220 mm, im sehr guten zustand, mit viele abbildungen. ISBN 9783775725132.
Publikation anlassich der Ausstellung Rubens im Wettstreit mit Altern Meistern. Vorbild und Neuerfindung. Alte Pinakothek, Munchen, 23. Oktober 2009 bis 7. Februar 2010.
K.P.C. De Bazel - architect
Leiden, Universitaire Pers 1965 245pp. met 88 zw/w illustraties in tekst + 2pp. stellingen, 27cm., Doctoraal proefschrift (Rijksuniversiteit te Leiden), gebroch., stempetje op achterzijde titelblad, tekst is helder en in goede staat, S112630
Die Kunstdenkmäler des Kantons Luzern, Band 2: Die Stadt Luzern, 1. Teil: Stadtentwicklung, Kirchen. ‘KDS’, 30.
Basel, Birkhäuser, 1953 in-4°, XII + 428 S., mit 306 Abbildungen, Original-Leinen.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Die Kunstdenkmäler des Kantons Luzern, Band 3: Die Stadt Luzern, 2. Teil: Staats-und Wohnbauten. ‘KDS’, 31.
Basel, Birkhäuser, 1954, in-4°, VIII + 348 S., mit 280 Abbildungen, Original-Leinen.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Die Kunstdenkmäler des Kantons Luzern, Band 4: Das Amt Sursee. ‘KDS’, 35.
Basel, Birkhäuser, 1956, in-4°, XII + 528 S., mit 511 Abbildungen, Original-Leinen.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Die Kunstdenkmäler des Kantons Luzern, Band 5: Das Amt Willisau, mit St. Urban. ‘KDS’, 42.
Basel, Birkhäuser, 1959, in-4°, XII + 456 S., mit 379 Abbildungen, Original-Leinen.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
Die Kunstdenkmäler des Kantons Luzern, Band 6: Das Amt Hochdorf. ‘KDS’, 47.
Basel, Birkhäuser, 1963, in-4°, XII + 544 S., mit 355 Abbildungen, Original-Leinen.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
stellvertretende Bildnis. Plastiken und Gemälde von der Antike bis ins 19. Jahrhundert.
Zürich, Artemis, 1984 Pappband mit Schutzumschlag, 352 Seiten, 32 x 25 cm, Deutsch. *wie neu. ISBN 9783760806327.
Das stellvertretende Bildnis. Plastiken und Gemälde von der Antike bis ins 19. Jahrhundert.
Atlas of the Dutch Urban Landscape a millennium of spatial development
, Thoth, 2017 Hardcover, 304 PAGES, Illustrated. 35x25cm FINE. ISBN 9789068686906.
Atlas of the Dutch urban landscape The Netherlands is the most densely urbanised country in Europe. Its crowded landscape of greater and smaller, older and younger towns was formed in the course of a millennium. What were the roots of this urban landscape, and how did it develop? What do the urbanisation histories of the Netherlands and the rest of Europe have in common, and how do they differ? The book 'Atlas of the Dutch Urban Landscape. A Millennium of Spatial Development' contains a comprehensive synthesis of a millennium of spatial development in the Netherlands. Series of maps, photos and paintings clearly illustrate processes of growth, stagnation and decline in Dutch towns and place them in an international perspective.
Erwin Olaf Freedom (ENG)
, Hannibal Books, 2025 hardcover, 34 x 25,4 cm, 384 pages, illustraties Quadrichromie, Text in English. *new . ISBN 9789493416185.
Photographer, artist, activist Erwin Olaf (1959?2023) is regarded as one of the most influential photographic artists in the Netherlands. His visual language is instantly recognizable: meticulously composed, technically refined, and charged with meaning. With a sharp eye for lighting and mise-en-scène, he was able to bring aesthetics and commitment together. Olaf was both an artist and a fighter. He stood up for the freedom to be who you are. His fight was waged not only with his camera, but also through film, sculpture, and the queer parties he organized. The publication Erwin Olaf ? Freedom offers an in-depth survey of the full reach of his rich, varied and groundbreaking work, from the early 1980s until just before his death. It is an indispensable book for anyone who views art as a catalyst for change. With contributions by Charlotte Cotton, Gemma Rolls-Bentley, Jonathan Turner, Rein Wolfs and others, as well as conversations with Taco Dibbits, Hans van Manen, Charl Landvreugd and Shirley den Hartog and Els Wuyts. This book is published on the occasion of the exhibition of the same name in Stedelijk Museum Amsterdam from October 11, 2025, to March 1, 2026.
Erwin Olaf Freedom (NL)
, Hannibal Books, 2025 hardcover, 34 x 25,4 cm, 384 pagina?s, illustraties Quadrichromie, Nederlandstalige editie . ISBN 9789493416178.
Fotograaf, kunstenaar, activist Erwin Olaf (1959?2023) geldt als een van de meest invloedrijke kunstfotografen van Nederland. Zijn visuele taal is direct herkenbaar: zorgvuldig gecomponeerd, technisch verfijnd en geladen met betekenis. Met een scherp oog voor belichting en mise-en-scène wist hij esthetiek te verbinden met urgentie. Olaf was kunstenaar én strijder. Hij kwam op voor de vrijheid om jezelf te kunnen zijn. Die strijd voerde hij niet alleen met zijn camera, maar ook met film, sculptuur en de feesten die hij organiseerde. De publicatie Erwin Olaf ? Freedom biedt een verdiepend perspectief op zijn rijke en grensverleggende werk. Een onmisbaar boek voor iedereen die kunst ziet als een katalysator voor verandering. Met tekstbijdragen van onder meer Charlotte Cotton, Gemma Rolls-Bentley, Jonathan Turner en Rein Wolfs, en gesprekken met Taco Dibbits, Hans van Manen, Charl Landvreugd en Shirley den Hartog. Deze publicatie verschijnt naar aanleiding van de gelijknamige tentoonstelling in het Stedelijk Museum Amsterdam van 11 oktober 2025 tot 1 maart 2026.
PIERRES PRÉCIEUSES DE NORMANDIE
Condé-sur-Noireau Charles Corlet 1995 1 4° Broché 86 pp Charles Corlet éditeur, 1995, Condé sur Noireau. Un volume in 4° broché de 86 pages dont 40 illustrations h-t pleines page
Envoi par lettre suivie, 6 Bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
Initiation a la symbolique romane.
Paris, Champs flammariion religieux, 1982; in-12, 312 pp., broché, couverture illustr. Bon état.
Bon état.
Archeologie chretienne ou précis de l'histoire des monuments religieux du moyen age.
Tours , Ad mame et cie , 1844; in-8, 380 pp., cartonnage romantique .
.
La france des Abbayes.
Paris, Hachette Réalités, 1978; in-4, 272 pp., cartonnage d'éditeur avec jaquette. Très bon état.
Très bon état.
Rembrandt - Handzeichnungen.
5. bis 7. Aufl. Mchn, Piper, 1921. 4°. 26, 87, 10 S. Zahlr. ganzs. Abb.. Orig.-HLn.
Einband berieben und bestossen, teilweise gebleicht und fleckig. Vorsätze stockfleckig.
Together Apart : Avant-Garde Cuisine as a Source of Inspiration for Architecture (Spanish)
, Lannoo, 2013 Hardcover, 200 pages, SPA, 290 x 290 x 27 mm, as New, illustrated in colour, . ISBN 9789401409926.
A cross-fertilization between the avant-garde cuisine of Ferran Adrià and the conceptual architecture of Hedwig Van Impe
Jacky De Maeyer
Zwijndrecht, Corporate Public Relations BP, 1986 Oorspronkelijk uitgevers omslag, 18 pagina's, 29.5 x 21 cm.
Jacky De Maeyer, BP Gallery
Jan Mankes : Schilder van tederheid.
, Uitgeverij Wbooks 2020, 2020 Hardcover, 240 pagina's, Nederlands, 248 x 178 mm, met illustraties in kleur, . ISBN 9789462583498.
Jan Mankes (1889-1920) werd slechts dertig jaar, maar liet bijna tweehonderd schilderijen na die meer dan ooit leven. De afgelopen decennia is de belangstelling voor zijn werk sterk toegenomen, met tal van publicaties en tentoonstellingen. Mankes zonderde zich het liefst af in de natuur en in zijn atelier. Uiterlijk was hij kalm, innerlijk was hij onrustig. Hij was een kunstenaar die uiting wilde geven aan zijn geestelijk leven en daartoe zocht hij naar manieren om dieper door te dringen in de objecten die hij afbeeldde. Zijn werk wordt gekenmerkt door verstilling, verfijning, eenvoud, zuiverheid en melancholie. Rémon van Gemeren volgt Mankes op de voet en geeft tegelijkertijd een scherp en intrigerend beeld van zijn persoonlijkheid en kunstenaarschap. Tevens plaatst hij Mankes in de context van zijn omgeving en zijn tijd. Schilder van tederheid vertelt een verhaal over een man die de tederheid van het bestaan wilde uitdrukken met behulp van alles wat hij mooi vond, een verhaal over de kracht en de kwetsbaarheid van het leven.
