1970 / 215 pages. Broché. Editions Weber / La Connaissance.
Bon état malgré la présence de rousseurs éparses.
PENGUIN BOOKS. 1966. In-12. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 349 pages. Texte en anglais. Jaquette illustrée en couleurs, légèrement passée. Nombreuses planches de photos en noir et blanc.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
PENGUIN BOOKS. 1953. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 275 pages. Premier plat illustré en couleurs. Nombreuses planches de photos en noir et blanc. Texte en anglais.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
PENGUIN BOOKS. 1952. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 496 pages. Jaquette en couleurs. Nombreuses planches de photos en noir et blanc. Texte en anglais.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
PENGUIN BOOKS. 1962. In-12. Relié toilé. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 696 pages. Plan en noir et blanc en frontispice. Jaquette illustrée en couleurs légèrement passée. Nombreuses planches de photos et plans en noir et blanc. Texte en anglais.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Brepols, 2020 Paperback, 296 pages, Size:220 x 280 mm, Illustrations:205 b/w, 173 col., 3 maps b/w, 30 plans, Language: English. ISBN 9782503584096.
Summary This book tells the astonishing story of a secular building and its inhabitants over six centuries and four successive civilizations. The Bailo House was constructed as a public loggia in the 14th century by Venetian officials in their Aegean colony of Negroponte on the Byzantine island of Euripos. Italian designs were followed and copied in the style of the lagoon's palaces, digging the foundations through the earlier Byzantine layers. It later housed an Ottoman official, along perhaps with his apothecary. Thereafter, it was severely damaged before passing into the hands of a local Ottoman dignitary, who completely transformed it into a typical Middle Eastern mansion. In the late 19th century it was reshaped once more with a neoclassical fa ade to conform to the European models promoted by the Modern Greek state. Extensive study, excavations and restorations over a ten-year period revealed remarkable evidence for one of the few remaining examples of secular architecture in the Eastern Mediterranean, as well as abundant and rare information about urban planning, material culture, economic and cultural exchanges, art and aesthetics, etc. It is the tale of a harbor town that was always cosmopolitan, a port of call along the Silk Road, the winter base of the Ottoman fleet, a European enclave in the East. TABLE OF CONTENTS Preface Part 1. Introduction A. The Restoration Chronicle - Eugenia Gerousi-Bendermacher B. Chalcis: A Historical Overview - Nikos D. Kontogiannis Part 2. Archaeological Investigation and Finds A. Excavation Report: Architectural Data and Use of the Spaces - Stefania S. Skartsis and Panagiota Taxiarchi B. Catalogue of Finds - Stefania S. Skartsis and Panagiota Taxiarchi C. Venetian Mortars and Ottoman Drinking Jugs: Pharmacy and Sociability in the Bailo House - Valentina Pugliano, with Catalogue by Stefania S. Skartsis Part 3. Architectural Study Plans A1 - D3 A. Architectural History of the Bailo House - Nikos D. Kontogiannis, Yorgos Kourmadas, and Panagiota Taxiarchi B. Architectural Sculpture and Spolia - Stefania S. Skartsis C. The Use of Timber in the Construction of the Bailo House - Yorgos Kourmadas and Eleftheria Tsakanika D. Dendrochronological Dating of the Bailo House with a Supplementary Comment on the Church of Ayia Paraskevi - Tomasz Wazny, Peter Kuniholm, and Charlotte Pearson Part 4. The Relation of the Bailo House to the City and the World A. The Bailo House as Part of the Urban Fabric of Chalcis - Nikos D. Kontogiannis and Evrydiki Katsali B. The Place of the Bailo House in the History of Architecture - Nikos D. Kontogiannis Part 5. The Restoration Project and the Impact on the Modern City A. Restoration of the Bailo House: An Overview - Yorgos Kourmadas B. Reintegrating the Monument in the Modern City - Pari Kalamara Concluding Remarks - Nikos D. Kontogiannis and Stefania S. Skartsis Bibliography Index
, Brepols, 2020 Paperback, 114 pages, Size:180 x 265 mm, Languages: Coptic, Italian. ISBN 9782503588407.
Summary Sur la base du manuscrit M 583 de la biblioth que Pierpont Morgan de New York et tenant compte de neuf t moins suppl mentaires, ce fascicule pr sente pour la premire fois l' dition critique de la Passion en copte sa dique de saint Philoth e d'Antioche, dont le martyre aurait eu lieu sous Diocl tien qui est un des personnages cl s du r cit. Le texte copte est accompagn d'une traduction italienne, avec des notes critiques.
ATHENES. 1973. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 96 pages. Couverture rempliée illustrée en couleurs. Nombreuses photos et illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
1 vol. in-8 br., Editions Otava SA, Helsinki, 1993, 159 pp.
Etat très satisfaisant pour cet ouvrage d'architecture. L'auteur était professeur d'histoire de l'art à l'Université d'Helsinki.
Nils Arne Pedersen, Ren Falkenberg, Claudia Leurini, John M ller Larsen
Reference : 64773
, Brepols, 2022 Hardback, xix + 362 pages, Size:210 x 297 mm, Language(s):English, Syriac, Greek. ISBN 9782503601052.
Summary Biblia Manichaica is a reference work citing all biblical quotations and allusions in the Manichaean sources as far as they are available in editions. The third volume of the Biblia Manichaica series continues the two previous volumes, covering Manichaean quotations and allusions of the remaining New Testament; that is, Acts, The Pauline letters, the Letter to the Hebrews, the catholic letters, and Revelation, in Semitic languages, Greek, Coptic, and Iranian languages.
, Brepols - Harvey Miller, 2024 Hardcover with dusjacket, 2 vols Pages: 802 pages, Size:180 x 265 mm Illustrations:158 b/w, 110 col., 1 tables b/w. Language(s):English. ISBN 9781915487278.
The decoration of the Luxembourg Palace galleries was the largest commission Rubens ever received. On Saturday 26 February 1622, the artist signed two contracts at the Louvre with the agreement ?to make and paint with his own hand each and every one of the figures? of the paintings which would decorate the two parallel galleries of the palace that the Queen Mother, Maria de? Medici (1573?1642), had begun to have built on the left bank of the Seine. According to the first contract, the western gallery was now ready and Rubens ?will be bound and obliged to design and to paint with his own hand twenty-four paintings depicting the history of the very illustrious life and heroic exploits? of the Queen Mother, conforming to an incomplete memoir, of which he had received a copy. Rubens arrived in Paris to put the final touches to the finished canvases celebrating the life of Maria de? Medici at the beginning of February 1625. But at this time the eastern gallery, planned to display the ?battles? and triumphs? of King Henri IV (1553?1610), Maria?s late husband, was still under construction. The Henri IV Gallery was to be an unfinished masterpiece: after a temporary suspension of the work in 1630, the project was definitively abandoned in 1631. Alexis Merle du Bourg?s in-depth study of the Henri IV Series was published as Part XIV.2 of the Corpus Rubenianum Ludwig Burchard in 2017. The present volume charts the earlier part of the Medici commission, which happily survives, splendidly completed. It presents Maria in her relationship with Henri, her public role after her husband?s death and, not least, her difficulties and then reconciliation with Louis XIII, her son. Here Rubens invoked the gods of ancient myth and a whole company of personified abstractions to help mask problematic episodes, dignify banal events and create a glorious commemoration of the life and aims of the Queen Mother.
, Phoebus Focus XXIV, 2021 Paperback, 80 pages, ENG, 210 x 145 mm, New, illustrated in colour / b/w. Phoebus Focus 24 ISBN 9789464366129.
Servius Sulpicius Galba was a Roman emperor who overthrew and succeeded Nero during the Year of the Four Emperors, 68-69 AD. In this ?Phoebus Focus? Nils B ttner places the extraordinary emperor portrait that Peter Paul Rubens (1577-1640) painted of him in its context. B ttner does not only whisks the reader off to first-century Rome, he also makes an analysis of Rubens? support medium and painting method, his fascination with Antiquity, his sources of inspiration and many inventions. In addition, B ttner elaborates on the long tradition of painting portraits of rulers and their integration in Baroque interiors.
, Phoebe Focus XXIV, 2023 Softcover, 80 pag. NL.,210 x 150 mm, Quadrichromie, Nieuw, illustr. in kleur / z/w. ISBN 9789464366112.
Servius Sulpicius Galba (kortweg Galba) is een Romeins senator en generaal die Nero in het Vierkeizerjaar, 68-69 n.Chr., ten val brengt en opvolgt. In deze editie van ?Phoebus Focus? plaatst Nils B ttner het bijzondere keizersportret dat Peter Paul Rubens (1577-1640) van hem maakte in zijn context. B ttner neemt de lezer niet alleen mee naar het Rome van de eerste eeuw, maar analyseert ook de drager en de schilderwijze van Rubens, zijn fascinatie voor de oudheid, zijn inspiratiebronnen en zijn vele inventies. Daarnaast gaat hij dieper in op de lange beeldende traditie van heersersportretten en hun plaatsing in barokke interieurs. In de reeks Phoebus Focus gaan experts en wetenschappers in op topstukken uit de rijke collectie van kunststichting The Phoebus Foundation.
, Gestalten Verlag, 2015 HB, 284 x 222 mm, slipcase, 200 pages, throughout colour illustrations, E/ F/ G/ SP/ IT edition. ISBN 9783899555639.
Werkbericht presents 51 pieces of furniture from the current collection of Nils Holger Moormann, one of the leading protagonists of "New German Design." This book is not a mere product catalog, but rather a focused exploration of each piece showcased within. The presentation of the products-consequently disassembled into their individual parts-is a stylistic device that directs the attention of the reader to precise individual solutions and concise formal expressions. Details truly come to the fore. Nils Holger Moormann's furniture is inspired by the central themes of intelligence, innovation, simplicity, and mobility. It can, for the most part, be disassembled and is designed for assembly without tools. Thus, the individual connecting elements gain an even greater significance. Werkbericht (literally "work report") also highlights their functional and aesthetic form.
, Taschen / De Morgen, 2007 Hardcover, 96 pag. NL, 240 x 190 mm, goede staat, ill. in kleur / z/w. ISBN 9789077686652.
Un ouvrage de 96 pages, format 190 x 230 mm, illustré, broché couverture couleurs rempliée, publié en 2006, Taschen, bon état
La dynamique de la création
Phone number : 04 74 33 45 19
, 72pp.avec ills., Reprint (Bruxelles 1996) de l'édition originale (Bruxelles, Schepens, 1904), bel état
, Brepols, 2024 Paperback, 242 pages, Size:216 x 280 mm, Illustrations:22 b/w, 10 col., 13 tables b/w., Language: English. ISBN 9782503609478.
Summary The roles played by women in history, and even the very idea of what it is to be female, have always been in flux, changing over centuries, between cultures, and in response to diverse social and economic parameters. Even today, women's roles and women's rights continue to face changes and pressures. In establishing the series Women of the Past: Testimonies from Archaeology and History, the ambition is to build on the profound theoretical and empirical developments that have taken place over the last fifty years of gender-focused research and to explore them in a contemporary context. The aim of this series is to shed light on not just the outstanding and extraordinary women who were trendsetters of their time, but also the not quite so outstanding women, often overshadowed by outstanding men, and the ordinary women, those who simply went about their everyday life and kept their world turning in their own quiet way. This edited volume, Women of the Past, Issues for the Present, is the inaugural volume of the series and shows the wide span of the series chronologically, geographically, and socially in terms of the research presented. From Roman slaves to Viking women, and from medieval wet-nurses to the nineteenth-century wives who supported their archaeologist husbands on excavation, this groundbreaking volume opens a new vista in our understanding of the past. TABLE OF CONTENTS List of Illustrations List of Abbreviations Nina Javette Koefoed and Rubina Raja Women of the Past, Issues for the Present Lien Foubert 1. Gendered Mobility in the Ancient Mediterranean Getting Rid of Faceless and Sexless Crowds Trine Arlund Hass and Sine Grove Saxkj r 2. Daughter of Caesar, Wife of Pompey The Role and Narratives of Julia Caesaris Nathanael Andrade 3. The Trafficking of the Enslaved Women and Children in the Legal Documents from the Roman Empire Alexandra Sanmark 4. An Examination of the Concepts of Sex and Gender and their Application to Viking-Age and Old Norse Society Jonas Lindstr m and Karin Hassan Jansson 5. Wet-Nurses and Verbs Methodological Experiences of Studying Gender and Work in Early Modern Europe Anne Montenach 6. Women in Trade: Female Advertisers in Eighteenth-Century French Provincial Towns Deborah Simonton 7. Working Girls: Girlhood, Mobility, and Gender in Eighteenth-Century Europe Kristine Dyrmann 8. Elite Women's Spaces and Practices of Letter-Writing in Late Eighteenth-Century Denmark Birgitte Possing 9. Will, Wisdom, Values, Life's Works, and Networks Karen Gram-Skjoldager 10. Gabriele Rohde and the Transformation of Mid-Twentieth-Century Diplomacy Rubina Raja 11. 'This Is a Man's World' Women Working in Jerash in the Early Twentieth Century and Some Notes on the Societal Contextualization of Research Interest Development Index
Antwerp, Plantin / Bibliofielen Gulden Passer, 2021 Hardcover with dusjacket, 319 pages, ill. ISBN 9789080885578.
the 500th anniversary of Christopher Plantin's birth (circa 1520-1589) Originally from Touraine, Plantin was trained as a bookbinder, but around 1549/50, he moved to Antwerp, a hub for international trade. In 1555, he laid the foundations for the largest printing company that has ever existed in Europe during the Ancien R gime. Plantin was a business genius and a talented typographer. In 1570, Philips II, king of Spain, bestowed on him the title of architypographer. Although Plantin was at times also involved in illicit activities, his company, bearing the device The Golden Compasses, became one of the most important supporters of the Counter Reformation. After his death, the business was passed on to his son-in-law Jan Moretus I, and remained in the hands of the family until the 19th century. From the outset, Plantin?s production was marked by its quality. Both his correspondence and the surviving business documents give testimony of his great ambitions, his understanding of the different buyers and markets, and his extreme care for book design. Christopher Plantin and his successors transformed the aesthetics of the Renaissance book and inaugurated the Baroque era in terms of its mise en page by mobilizing new typographical and ornamental materials and by promoting copperplate illustrations. In addition, they set up a privileged collaboration with the artist Pieter Paul Rubens. During this golden century of the Officina Plantiniana, which gave birth to more than 5,000 editions, visual temptation is combined with readability and efficiency in the shaping of the texts and book design. Published in 2021 in Antwerpen by Vereniging van Antwerpse bibliofielen. Volume 98, Nummer 2 van Gulden Passer/The Golden Compasses
Gand, W. Siffer, Imprimeur, 1928. "14 x 22, 21 pp., 9 planches, broché, état moyen (couverture abîmée; cachets du Collège jésuite Saint Stanislas à Mons; 1 petit manque à la page de titre)."
BE - , Hannibal Books, 2022 Hardcover, 120 pages, 32x31cm. English edition. Magnifiques illustrations en couleurs FINE!. ISBN 9789464366273.
Een unieke kijk op dans en choreografie door fotograaf Erwin Olaf en choreograaf Hans van Manen Ballet inspireert mij. De mens heeft de capaciteit om zich uit te drukken in vele kunstvormen, maar bij dans en zeker bij klassiek modern ballet verbaas ik me altijd weer over die ongelooflijk hoge vorm van expressie. Het is zo precies en zo ontzettend ambachtelijk, dat bewonder ik enorm. Fotograaf en filmmaker Erwin Olaf Dat de fotograaf kijkt via de camera is anders dan het direct aankijken van de figuur. Dat is voyeuristisch. De camera kan iets wat je als toeschouwer niet kan: een close-up maken. Choreograaf Hans van Manen Dit jaar viert de grootmeester van de Nederlandse dans, choreograaf Hans van Manen, zijn negentigste verjaardag. Dat wordt internationaal gevierd door vooraanstaande balletgezelschappen met het omvangrijke Hans van Manen-festival van 8 tot 29 juni 2022, de exclusieve publicatie Dance in Close-Up en de gelijknamige expo in Galerie Ron Mandos in Amsterdam van 19 juni tot 17 juli 2022. Vanaf de jaren zeventig tot de jaren negentig was Hans van Manen niet alleen een van ?s werelds vooraanstaandste choreografen maar eveneens een internationaal gevierde fotograaf. Het was in die tijd dat de toen piepjonge fotograaf Erwin Olaf de ver maarde kunstenaar ontmoette, die hem onmiddellijk bij de hand nam en hem met de wereld van de beel dende kunst en studiofotografie liet kennismaken. In dit boek wordt hun veertigjarige vriendschap gevierd met een fotoserie waarin Van Manen momenten uit zijn choreografie n regisseert, uiterst precies vastgelegd door Erwin Olaf. Met tekstbijdragen van auteurs Nina Siegal en Michael James Gardner.The grand master of Dutch dance, Hans van Manen, celebrates his ninetieth birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022. From the 1970s to the 1990s, Hans van Manen was not only one of the world?s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography. This book celebrates their forty years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf. With text contributions from the authors Nina Siegal and Michael James Gardner.
Montréal Atelier d'histoire d'Hochelaga-Maisonneuve 2001
in-4 bien illustré, noir et couleurs, 56p. Couverture illustrée couleurs. :: Guido Nincheri (Prato, Italie 1885 - Montréal, 1973), peintre, verrier, muraliste. :: Monographie et catalogue des pièces exposées au Château Dufresne. Textes de Paul Labonne, Ginette Laroche, Paul F. Norton, Michèle Picard et Pierlucio Pellissier. :: Broché. Bel état.
Brussel, Plazier prints, 2023 Poster formaat 70x50cm reprint.
geleverd in een stevige koker.
Troyes, Imprimerie et lithographie Dufour-Bouquot, 1895 in-8, 21 pp., broché, couverture partiellement déchirée.
- - VENTE PAR CORRESPONDANCE UNIQUEMENT
1971 Osaka, la municipalité d’Osaka, 1971, 280x225, 352p, cartonnage de l’éditeur en simili-cuir blanc avec titre, étui en carton avec étiquette photographique en couleur.Illustré de photographies en noir et en couleurs. Historique de l’exposition, programme des festivals (concert de Gilbert Bécaud collection Pierre Cardin), plan de développement et d’urbanisation de la ville, construction des autoroutes, organisme de communications, et autres.Texte en japonais, état neuf. (102561)
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