‎Mit Sphaera und Astrolab. 'Die Entdeckung der Natur' in s dostdeutschen Kl stern im hohen Mittelalter‎

‎, Brepols, 2023 Hardback, 432 pages, Size:156 x 234 mm, Illustrations:30 b/w, 21 col., 16 tables b/w., 5 maps b/w, Language: German. ISBN 9782503598901.‎

‎Summary This book offers a study of the scientific landscape of medieval Bavaria during the higher Middle Ages. Based on manuscripts as well as medieval library catalogues, it tries to quantify the so-called 'Discovery of Nature' and tries to analyse it from the perspective of a monastic landscape in which the arrival of the astrolab in the 11th century marked a significant turning point. By introducing new methods and questions into the traditional body of Carolingian astronomy, monastic scholars of this area played a decisive, albeit neglected, role in the development of medieval astronomy. The book reconstructs the studies of the monk Wilhelm von Hirsau who tackled some of the most urgent problems of astronomy of his time: correcting the dates of the solstices and finding latitude. These studies are then placed in the broader development of medieval science, particularly focusing on his sphaera, an instrument that has often been wrongly understood as a teaching device. In contrast, the present study argues that this instrument is not only William's lost astronomical clock, but also the first example for stationary observational astronomy in medieval Europe as well as an important milestone towards the empirical astronomy of future centuries. Dieses Buch untersucht die Wissenslandschaft des deutschsprachigen S dostens im hohen Mittelalter. Auf Grundlage berlieferter Handschriften und mittelalterlicher Bibliothekskataloge wird die sogenannte ?Entdeckung der Natur' quantifiziert und aus der Perspektive einer Klosterlandschaft analysiert, in der die Ankunft des Astrolabs im 11. Jahrhundert einen bedeutenden Wendepunkt markierte. Durch die Einf hrung neuer Methoden und Fragen in den tradierten Wissenskosmos des fr hen Mittelalters spielten die monastischen Gelehrten dieses Raumes eine entscheidende, wenngleich vernachl ssigte Rolle f r die Entwicklung der mittelalterlichen Astronomie. Das Buch rekonstruiert die Studien des M nchs Wilhelm von Hirsau, der sich mit einigen der dr ngendsten Problemen der Astronomie seiner Zeit befasste: der Neudatierung der Sonnenwendepunkte sowie der Suche nach dem eigenen Breitengrad. Vor allem wird seine Sphaera in den Blick genommen, ein Instrument, das bislang vor allem als Lehrger t gedeutet wurde. Im Gegensatz dazu vertritt die vorliegende Studie die These, dass es sich bei diesem Instrument nicht nur um Wilhelms verlorene astronomische Uhr handelt, sondern um das erste berlieferte Beispiel eines station ren Observatoriums im mittelalterlichen Europa und damit um einen wichtigen Meilenstein in der Geschichte der empirischen Astronomie. TABLE OF CONTENTS Abbildungsverzeichnis Tabellenverzeichnis Danksagung Kapitel 1: Einleitung: Von franz sischen Kathedralschulen ins monastische Milieu des S dostens Kapitel 2: Methodologische Grundlagen und Quellenkorpus Begriffskl rung: Kosmoswissen als analytisches Konzept Methodologische Grundlagen einer Wirkungschronologie Quellen einer Wirkungschronologie Vom Diskurs zur Praxis: Methodologische Grundlagen praxeologischer Wissenssysteme Quellen praxeologischer Wissenssysteme Gliederung der vorliegenden Arbeit Kapitel 3: Die Formierung des Kosmoswissens im S dosten bis zum Ende des 12. Jahrhunderts Inhaltliche Auswertung der erfassten Wissensbest nde Die Best nde des prim ren Wissens Die Best nde des sekund ren Wissens Wirkungschronologie der s dostdeutschen Wissenslandschaft Von der Antike ins Fr he Mittelalter: Der S dosten als postkolonialer Raum Das 9. und 10. Jahrhundert: Integration und Rezeption Das 11. Jahrhundert: Gorzer Reform und Astrolab Das 12. Jahrhundert: Neue Kl ster, neues Wissen Die hochmittelalterliche Wissenslandschaft des S dostens Die tragenden Institutionen der Wissenslandschaft Inhaltliches Profil Analyse der gesammelten Daten Kapitel 4: Der Kosmos im Wandel: Innovationsprozesse in Regensburger Kl stern Ursachen: Innovation durch Irritation Das Astrolab und seine Konstruktion in St. Emmeram Das Wissen um den eigenen Breitengrad Das Wissen um die Zeit Observative Astronomie und die Sphaera von St. Emmeram Analytisches Zwischenfazit Bedingungen: Institutionalisierung und Professionalisierung Die soziale Dimension kosmologischer Innovationsprozesse Astronomie und Zeitmessung Kosmologisches Wissen im Dienst des Experten Analytisches Zwischenfazit Kapitel 5: Schluss Zusammenfassung Fazit und Ausblick Anhang Fragmente der Astronomia Tabellen Erweitertes Handschriftenregister Literaturverzeichnis Archivquellen Handschriften Prim rquellen Sekund rquellen Handschriftenndex Personen-, Orts-, Sachindex‎

‎Room 606: The SAS House and the Work of Arne Jacobsen. ‎

‎, Phaidon, 2003 Hardcover 271 pages, very richly illustrated with coloured illustrations. 28x21cm. Fine condition. ISBN 0714842893.‎

‎masterwork of Danish architect and furniture designer Arne Jacobsen in the centre of Copenhagen, on the sixth floor of the Royal Hotel, a single room preserves a microcosm of the definitive masterwork of Danish architect and furniture designer Arne Jacobsen (1902-71). Room 606 is the last surviving interior of the SAS House: an unparalleled example of modern architecture and design, completed in 1960. Jacobsen was one of the outstanding architects of the twentieth century, throughout his career, creating complete settings for daily life and dissolving the boundaries between architecture, interior and industrial design. The chapters are organized thematically: each consists of three sections that together look at Room 606 as a microcosm of the SAS House, reconstruct the original building, and trace the connections between Jacobsen's masterpiece and his other works - from whole buildings to household objects.‎

‎Late Medieval Cistercian Monastery of Fountains Abbey, Yorkshire. Monastic Administration, Economy, and Archival Memory‎

‎, Brepols, 2020 Hardback, 208 pages, Size:156 x 234 mm, Illustrations:17 b/w, 18 tables b/w., Language: English. ISBN 9782503567716.‎

‎Summary Founded in 1132, Fountains Abbey became the wealthiest English Cistercian monastery - yet relatively little analysis has been made of its surviving records to investigate how its wealth was controlled and sustained. This book deals with this secular aspect of the religious community at Fountains, investigating in particular the way in which prosaic business records were compiled and redacted. It traces the transmission of data from original charters through successive versions of cartularies, and in the process establishes the existence of a previously unknown manuscript. It also reveals how abbots in the fifteenth century interacted with and adapted the records in their care. In this process, two quite different aspects of monastic life are uncovered. First, it sheds new light on the history of Fountains Abbey through the fourteenth and fifteenth centuries, amongst other things how it responded to the turmoil of the Black Death, and discloses for the first time the allegiance of one abbot to the Lancastrian cause during the Wars of the Roses. Second, it reveals the worldly skills shown by the community of Fountains that were successfully applied to exploit the monastery's large landholdings across Yorkshire, mainly through wool and agricultural production, but also through fisheries, tanning, mining, and metalworking. The economic success of these activities enabled the abbey to become a prosperous institution which rivalled the wealth of the aristocracy. This book addresses recordkeeping and archival memory at one, Cistercian, monastery - albeit a well-endowed and prosperous one - in the north of England. However, its treatment of archival sources could be extended to other houses in different geographical locations and different orders, to enable comparisons between monasteries dealing with economic change and social and political upheaval in the later Middle Ages. TABLE OF CONTENTS List of Illustrations Acknowledgments List of Abbreviations Introduction Chapter 1: Fountains Abbey: Origins and Development, Antiquarians, and Modern Scholarship Chapter 2: Fountains Abbey in the Long Fifteenth Century Chapter 3: Charters, Cartularies, and Archival Redaction Chapter 4: Abbot Greenwell's Aide-Memoire? The President Book of Fountains Abbey Chapter 5: Creative Redaction: Reassembling the Past and Developing an Audit Trail Chapter 6: Reflective Redaction: Reviewing the Past Chapter 7: A Forensic Approach to Fountains Cartularies Conclusion Appendix A: The President Book of Fountains Abbey Appendix B: Cartulary 2, WYAS 150/5384 Appendix C: Cartulary RP, Univ. Coll. MS 167 Appendix D: Rentals, Add MS 40010 Appendix E: Fountains Abbey Manuscripts Appendix F: The Charter of William of Goldsborough Bibliography Index‎

‎Anne Daems. Drawings / 9789076979106‎

‎, Mer Paper Kunsthalle, 2013 softcover 176 pages ill. text in English. ISBN 9789076979106.‎

‎Het werk van Anne Daems is aandacht (in al zijn varianten), en toont in video, fotografie en tekeningen hoe vreemd het alledaagse met het sublieme is verweven, en hoenvaak, zij het onopgemerkt, de grenzen tussen het private en het publieke verdwijnen. Dit boek toont een overzicht van haar werk tot heden.nnAll the aspects of 'attention' are a recurring theme in the art of Anne Daems. In her video work, photography and drawings, she shows how everyday life intertwines with the sublime and how -often without noticing - private and public issues get mixed up. This book is an overview of her work.nnAnne Daems was born in Antwerp in 1966.‎

‎Peter of Ireland, Writings on Natural Philosophy. Commentary on Aristotle?s On Length and Shortness of Life and the Determinatio Magistralis‎

‎, Brepols, 2023 Paperback, 226 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503605685.‎

‎Summary Peter of Ireland (Petrus de Ybernia) was born sometime around the beginning of the thirteenth century in Ireland, probably of a Norman family. He probably left Ireland aged around age 15 to pursue his studies abroad. His interest in medical and scientific questions would suggest a stay at Oxford, whereas his approach to logic would suggest a Parisian influence. By the middle of the century he was Professor of Logic and Natural Philosophy at the University at Naples. Peter is perhaps one of the best known of medieval Irish thinkers on the continent owing to the fact that he was held to be the teacher of the young Thomas Aquinas at Naples University from 1239-44. As such, it would be he who, in all likelihood, first introduced Thomas to the study of Aristotle and perhaps also to the commentaries of Avicenna and Averroes. The works presented here date from at least a decade later, and relate to lectures given at Naples in the 1250s and 1260s. The extent to which he was held in respect by his contemporaries is to be seen in his solution (determinatio) to the disputed question on the origin of the design of an animal's body which was held before King Manfred around 1260. It was, perhaps the culmination of a famous scholarly career. TABLE OF CONTENTS Preface Introduction Life, Longevity and Death Peter of Ireland, Life and Works The De longitudine commentary The Determinatio Magistralis Principles of the Edition and Translation Text and Translation Bibliography Indices‎

‎Tolerance and Concepts of Otherness in Medieval Philosophy. Acts of the XXI Annual Colloquium of the Soci t Internationale pour l' tude de la Philosophie M di vale, Maynooth, 9-12 September 2015‎

‎, Brepols, 2022 Hardback, xxiv + 448 pages, Size:156 x 234 mm, Language(s):English, German, French. ISBN 9782503600413.‎

‎Summary The proceedings of the S.I.E.P.M. Colloquium at Maynooth published in this volume shed new light on the development of the perception of the other within the different philosophical, religious, and cultural traditions in the late Middle Ages as well as the early modern era in both Christian and Islamic thought. The contributions consider not only the theological background but also the philosophical presuppositions of the concepts which were used to develop various apologetic writings and theological treatises that dealt with questions of cultural and religious difference. The rich and diverse medieval and early modern tradition of engaging with the other and the arguments for or against toleration on topics that are equally diverse are discussed with reference to both the Western and Eastern Christian tradition, to the contributions of Islamic Thinkers on the topic, and to the flourishing tradition of a constructed interreligious dialogue such as that between Christians and Jews. Finally, this book includes a number of important investigations exploring the relationship between toleration and rights not only within Europe but also in the lands of the so-called new world and its indigenous peoples where arguments of exclusion were grounded intheories such as grace-based dominium. TABLE OF CONTENTS Michael W. Dunne, Susan Gottl ber, Introduction David Luscombe, Tolerance and Rights 1. Toleration and Otherness Between East and West Christopher Schabel, Tolerating the Greeks? Augustinian Hermits on the Filioque from the Black Death to the Great Schism Mikhail Khorkov, Konflikt, Toleranz und Dialog zwischen orthodoxen und katholischen Christen und Muslimen in den polemischen Schriften von Maxim Grek Jeremiah Hackett, Roger Bacon and his ?Relative? Tolerance of ?The Others Lidia Lanza, Utrum haeretici sint tolerandi:The Debate in the Sixteenth-Century Iberian Commentary Tradition on Thomas Aquinas's Summa theologiae, II-II, q. 11 2. Toleration and Otherness in Islamic Philosophy Terence Kleven, Al-F?r?b?'s Book of Resolution (Kit?b al-Ta?l?l) Aicha Lahdhiri, Comment penser la tol rance et l'intol rance travers les deux trait s Fay?al al-tafriqa d'Ab? ??mid al-Ghaz?l? (1058-1111) et Fa?l al-maq?l d'Ab? al-Wal?d Ibn Rushd (1126-1198)? Luis Lop z Farjeat, Al-F?r?b? on Tolerance, Religious Pluralism, and Philosophical Exclusivism 3. Toleration, Recognition, and Dialogue Natalia Jakubecki and Gustavo Fern ndez Walker, Ne in delis transeat ex hac vita. Some Remarks on the Notion of Tolerance and Its Applicability to Abelardian Hermeneutics Heikki J. Koskinen and Ritva Palm n, Recognition Theory and Agreement in Conict: The Case of Peter Alfonsi's Dialogus contra Iudaeos Edit Anna Lukacs, On the Foundations of Faith in Thomas Bradwardine?s De causa Dei, Book I. Dialogues about Otherness in the Circle of Richard de Bury Kent Emery, jr., Veritas odium parit: Denys the Carthusian's Dialogue with the Saracens Walter Andreas Euler, Dialogue and Toleration in Cusa. Section Four: Toleration, Otherness, and the Question of Rights Andrea Aldo Robiglio, Toleration by Ordeal: A Note on Intolerance and Dueling in Medieval Thought Virpi M kinen, Recognizing the Rights of Infidels in William of Ockham's Ideas on Secular Government Michael W. Dunne, Richard FitzRalph on Toleration Thomas Dewender, Francisco de Vitoria on the Natural Rights of the People of the 'New World' Roberto Hofmeister-Pich, Tolerance in First and Second Scholasticism?Some Major Problems Index‎

‎Anatomical Studies 1./ Study heads and anatomical studies / Corpus Rubenianum Ludwig Burchard , vol. 20.1‎

‎, , 2022 Hardcover with dusjacket, 220 pages, Size:175 x 260 mm, Illustrations:94 b/w, 62 col. fine!. ISBN 9780905203805.‎

‎The central theme of Rubens?s paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history painter, Rubens?s acclaimed skill in rendering the human body whether male or female, lean or fleshy, mature in years or young, animated or lifeless, vigorous or diseased, heroic or cowering, sensuous or decrepit, idealised or blemished and imperfect enabled him to vie with the greatest artists ever known, while creating increasing demand for his work among Europe?s intellectual, cultural, religious and political lite. His mastery in depicting human figures and their dynamic movements suggests that he followed the example of Leonardo da Vinci (1452?1519), Michelangelo Buonarroti (1475?1564) and other Italian artists he admired, who made extensive studies of human anatomy. As pointed out by two recent perceptive scholars, however, the robust, muscular male nudes in action who appear in so many of Rubens?s narrative paintings are often anatomically inaccurate. Moreover, and as will become clear in this volume, Rubens?s approach to anatomical study was not closely similar to that of any of his forbears. In many respects his ways of working are comparable to those of Michelangelo, who used the knowledge he acquired through dissection not to pursue verisimilitude but to invent the anatomy of his figures according to his own idea of physical beauty, strength and expression. Yet unlike Italian Renaissance artists such as Leonardo, Michelangelo, and Alessandro Allori (1535?1607), Rubens did not perform or witness dissections and seems to have rarely studied from the live nude model. What, then, was the nature and extent of Rubens?s study of human anatomy? The present volume will offer an answer to that question, while also establishing when and where most of his anatomical works were made and reassessing the issue of their intended purpose.‎

‎Hong Kong Whispers‎

‎, Hannibal Books, 2024 Hardcover, 160 pages, Illustrated, 25x19cm, Text in English. Fine . ISBN 9789464941203.‎

‎The posthumous release of the last book that Michael Wolf himself worked on, published to mark the fifth anniversary of his death Award-winning German photographer Michael Wolf (1954?2019) grew up in Canada, Europe and the United States. In 1994, Wolf moved to Hong Kong, where he worked for eight years as a contract photographer for Stern Magazine. The core of Wolf?s work consisted of capturing life in megacities. Many of his projects depict the architecture and popular culture of metropolises, and Hong Kong Whispers is no exception. This book contains a stunning series of photos showing the vibrant global city of Hong Kong. Wolf?s photographs are displayed in dialogue with the acerbic and ambiguous drawings of Arpa s Du Bois ( 1973). Based on intense engagement with Wolf?s series of images, she reflects on unnoticed moments and events that characterise life in the metropolis. The visual exchange between photographs and drawings took shape during Du Bois?s stay of several weeks in Hong Kong (2014), during which the two artists observed the city both together and individually.‎

‎SPANISH GLASS IN THE HERMITAGE ENG / RUS‎

‎, Aurora Art Publications, Leningrad, , 1970 180 pp. 300 col. & b./w. ills. Hardcover, no d./j. No slipcase.Text in English and Cyrillic.‎

‎Robert Devriendt : Broken Stories‎

‎, Ludion, 2014 Hardcover, 208 pag. NL / ENG, 300 x 250 x 25 mm, NIEUW / NEW, full of photographs / illkustrations in colour. ISBN 9789491819049.‎

‎Het oeuvre van de Belgische kunstenaar Robert Devriendt is onlosmakelijk verbonden met film: zijn schilderijen zijn klein en kunnen bekeken worden als een reeks stills. De samenhang van deze ?filmische montages? is vaak enigmatisch - er is geen vastomlijnd script. De toeschouwer ervaart de schilderijenreeksen als onopgeloste zaken, waarbij de personages op het schilderij de rol spelen van acteurs: een man kijkt ons aan, een meisje blijkt net vermoord te zijn ? of ligt ze te slapen? De kijker wordt automatisch getransformeerd in coregisseur en cre ert zijn eigen verhaal. De series van Robert Devriendt zijn als gebroken verhalen, waarbij de interpretatie van de toeschouwer centraal staat. Broken Stories biedt een overzicht van de carri re van Robert Devriendt, met de nadruk op zijn recente werk.‎

‎Micha l Borremans the Badger's Song.‎

‎BE - , Hannibal Books, 2020 Hardcover, 380 x 275 mm, 176 pages, English edition. FINE CONDITION !!! ISBN 9789463887564.‎

‎Ambiguity and contradiction are the twin hallmarks of the paintings, drawings and films of Micha l Borremans (b. 1963). He deploys his technical virtuosity to create apparently familiar scenes, which on closer inspection have an unsettling effect. He combines black humour, violence, absurdism and beauty to produce images that are strange and alienating, in which the subject seems to be situated in an undefined time and space. This catalogue provides an overview of Micha l Borremans' work since 2013. The majority of the works have never been published before. The book focuses on the different series of paintings he has exhibited over recent years: 'Black Mould', 'Fire From the Sun' and 'Coloured Cones'. Working in series is a recent development in Borremans' oeuvre. Micha l Borremans has staged solo exhibitions in a variety of venues, including Galerie Rudolfinum in Prague, CAC M laga, Dallas Museum of Art, Tel Aviv Museum of Art, BOZAR in Brussels, Hara Museum of Contemporary Art in Tokyo, The Cleveland Museum of Art, S.M.A.K. in Ghent, De Appel in Amsterdam and Parasol Unit in London.Overzicht van alle reeksen schilderijen van Micha l Borremans sinds 2013 De schilderijen, tekeningen en films van Micha l Borremans ( 1963) worden gekenmerkt door ambigu teit en contradictie. Hij cre ert met technische virtuositeit schijnbaar vertrouwde taferelen, die bij nader inzien een ontregelend effect hebben. Hij combineert zwarte humor, geweld, absurdisme en schoonheid met elkaar met vervreemdende beelden als resultaat, waarbij het onderwerp zich in een ongedefinieerde tijd en ruimte lijkt te bevinden. Deze catalogus biedt een overzicht van alle werken die Micha l Borremans sinds 2013 in reeksen heeft geconcipieerd. Het gaat hierbij om zeven verschillende series, onder meer Black Mould, Fire from the Sun? en Girl with Hands. De meeste van deze werken werden nooit eerder gepubliceerd. Het werken in reeksen is een recente ontwikkeling in het oeuvre van Borremans.‎

‎Move tijd om te bewegen ‎

‎, Kunstboek, 2017 Gebonden, Hardcover HB, 330 x 245 mm, 160 pages , 60 Kleurenillustraties; NL edition. ISBN 9789058565839.‎

‎Dit bijzondere boek, een initiatief van de UA professoren Gaetane Stassijns en Marc Peeters, bundelt getuigenissen van bekende en minder bekende mensen uit de meest diverse disciplines en een aantal toegankelijke bijdragen van specialisten (professoren van de Universiteiten van Antwerpen en Rotterdam en de Harvard Medical School). Allen hebben de bedoeling de lezer te wijzen op het nauwelijks te overschatten belang van 'beweging' in het licht van een goede gezondheid. Bekende 'ervaringsdeskundigen' zijn onder meer Bart Peeters, Bart De Wever, Elodie Ouedraogo, Karel Van Eetvelt, Lydia Chagoll, Frank Deboosere, Hilde Crevits, Mia Doornaert, Jan Leyers, de chefs van sterrenrestaurant Cuines, 33 e.a. maar er zijn ook de indrukwekkende gertuigenissen van onbekende sporters die vooroordelen, ziekte of aandoening hebben overwonnen en onvermoede prestaties neerzetten.‎

‎VAN ANTWERPEN NAAR AMSTERDAM : Schilderkunst uit de zestiende en zeventiende eeuw‎

‎, Hannibal Books, 2023 Softcover met flappen, 408 pag. NL editie, 290 x 250 x 35 mm ,Nieuw !, Mooi dik boek met talrijke illustraties in kleur / z/w. ISBN 9789464666120.‎

‎Ontdek hoe Vlaamse en Brabantse meesters Nederland groot hebben gemaakt De Nederlandse kunst van de zeventiende eeuw wordt wereldwijd geroemd, maar hoe 'Hollands' zijn deze schilderijen werkelijk? Aan de hand van ruim negentig topstukken van Vlaamse en Hollandse meesters laat dit boek zien dat de bloei van de zeventiende-eeuwse Hollandse schilderkunst er niet was geweest zonder het zestiende-eeuwse Antwerpen. Religieuze vluchtelingen die vanuit deze metropool naar het noorden trokken, speelden hierin de hoofdrol. De Val van Antwerpen in 1585 resulteerde namelijk in de massale uittocht van Antwerpenaren naar het noorden. Aan de hand van persoonlijke verhalen en diepgaand onderzoek wordt kennisgemaakt met het verhaal van talentvolle en goed opgeleide kunstenaars en kooplieden die in het noorden godsdienstvrijheid en nieuwe handelsmogelijkheden zochten. Van Antwerpen naar Amsterdam toont unieke werken van grote meesters als Joos van Cleve, Pieter Aertsen, Maerten de Vos, Frans Floris, Frans Hals, Peter Paul Rubens, Antoon van Dyck, Jacob Jordaens, Jan Steen en Rembrandt van Rijn. Publicatie bij de tentoonstelling Ode aan Antwerpen, hoe Vlaamse meesters Nederland groot maakten in het Museum Catharijneconvent van 14 mei tot 17 september 2023. Van Antwerpen naar Amsterdam is geen catalogus maar een tijdloos referentiewerk dat in geen enkele kunstboekenbibliotheek mag ontbreken. Met tekstbijdragen van onder anderen Micha Leeflang, curator in het Museum Catharijneconvent, Koenraad Jonckheere, hoogleraar kunstgeschiedenis aan de Universiteit Gent en auteur van de bestseller A New History of Western Art, en Sven Van Dorst, hoofd van het restauratieatelier van The Phoebus Foundation.‎

‎Middeleeuwse beelden uit Utrecht 1430-1530 ‎

‎Antwerpen , Ludion, 2012 Softcover, 367 pagina's, 29 x 29 cm, Nederlandstalig. *Als nieuw. ISBN 9789461300782.‎

‎Tijdens de middeleeuwen ontwikkelt zich in Utrecht - toen het belangrijkste centrum van de Noordelijke Nederlanden - een bloeiende kunstproductie, met name die van de beeldhouwkunst. Niet alleen de aanwezigheid van kapitaalkrachtige geestelijken en een invloedrijke adel werken deze ontwikkeling in de hand, maar vooral ook de langdurige bouw van de imposante Domkerk. Talrijke beeldhouwers, onder wie Adriaen van Wesel en Jan van Schayck, werkten jarenlang mee aan het gigantische bouwproject dat rijkelijk voorzien moest worden van religieuze symbolen, friezen, grafzerken en memorietafels. De Utrechtse beeldhouwers bekwamen zich in het bewerken van steen zowel als hout, en bouwen gaandeweg een reputatie op die tot vandaag overeind blijft. De gellustreerde catalogus over dit middeleeuwse fenomeen verschijnt naar aanleiding van de gelijknamige tentoonstelling in het Catharijneconvent in Utrecht. De auteurs tonen met verve het cultuurhistorische belang aan van de Domstad voor de ontwikkeling van de middeleeuwse beeldhouwkunst in de Lage Landen en de Rijnstreek.‎

‎Private Life and Privacy in the Early Modern Low Countries‎

‎, Brepols, 2023 Hardback, 316 pages, Size:156 x 234 mm, Illustrations:52 b/w, 24 col., Language: English. ISBN 9782503604442.‎

‎Summary This volume investigates the origins of one of the most important notions of contemporary society: privacy. Based on case studies from the early modern Low Countries, privacy is tackled from various historical perspectives: social and cultural history, and the history of art and architecture. The Dutch Republic is well known for its financial success, which went hand in hand with the development of a distinguished bourgeois culture and religious toleration. The accumulation of wealth among the urban population led to changes in various spheres, from daily life to art. Privacy, as a concept, started to develop in this period. Indeed, new ideas about housing with the invention of corridors, separate rooms that could be locked, and the separation of the 'common' and the 'private' space, all illustrate the growing importance of privacy in this geographical area. This volume traces perspectives on early modern privacy and private life based on primary sources in several domains: letters, diaries, and poems; genre painting in art; communal life as illustrated by the Jewish community; and finally, the homes of the Dutch elite. The essays in this volume make a key contribution to the emergence of early modern privacy studies as a research field, and to the ongoing discussion of privacy in the Low Countries. Equally, these case studies can serve as models for the analysis of privacy in other European contexts. TABLE OF CONTENTS The Low Countries, Private Life, and Privacy ? MICHA L GREEN and INEKE HUYSMAN 'For My Personal Use': Notions of Privacy in Egodocuments from Early Modern Amsterdam ? MICHA L GREEN Inward Dignity. The Liberated House in Simon Stevin's Architectural Knowledge System as Indication of his Early Modern Conception of 'Privacy' ? HEIDI DE MARE Privacy in Seventeenth-Century Dutch Cabinet Painting ? J RGEN WADUM 'Au couvert, sans estre vues'. Aspects of Privacy in the Residences of Charles de Cro (1560-1612) ? SANNE MAEKELBERG Huygens at Home. Constantijn Huygens (1596-1687) on Privacy in his Poem Dagh-werck (The Day's Work)?(1627-1638) ? AD LEERINTVELD Withdrawn and Secretive: Privacy among Portuguese Jews in Early Modern Amsterdam ? TIRTSAH LEVIE BERNFELD Private Life in Wartime: Captured Letters from 1672 ? JUDITH BROUWER Bibliotheca Furliana, 1714. The Public Sale of a Private Book Collection ? HANNA DE LANGE Sociability and Privacy. Eighteenth-Century Extended Homes of the Amsterdam Elite ? FREEK SCHMIDT Balancing between Mother and Wife: The Private Correspondence of Stadtholder Willem IV of Orange-Nassau (1711-1751) ? FAYROUZ GOMAA and INEKE HUYSMAN Index locorum Index nominum‎

‎L'art de l'ancienne Egypte.‎

‎Citadelles & Mazenod Paris 1983 Fort in-4 carré ( 320 X 255 mm ) de 605 pages, pleine toile sous jaquette illustrée en couleurs et étui maroquiné taupe. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état.‎

‎L'Art De L'Egypte : Nouvelle Édition Revue et Augmentée‎

‎Paris Citadelles & Mazenod 1997 Grand In Quarto Jaquette illustée en couleurs avec quelques défauts d'usages . Collection " L'Art et les grandes Civilisations " N° 2 . Illustrations très nombreuses en couleurs hors-texte sur papier couché , et en noir et blanc . Calligraphie soignée , paragraphes aérés , grandes marges . Qualité unique de ces ouvrages à offrir en cadeau . Beaux Arts . Architecture . Religion . Spiritualité . - 622 p. , 3 kg 900 gr.‎

‎Couverture rigide Très Bon État . Jaquette en bon état ‎

‎Fouilles de Delphes. Tome II. Topographie et architecture. Le sanctuaire d'Ath na Pronaia (Marmaria). Le temple en calcaire. Relev s et restaurations par Hans Jakobsen et Jean Bl con. Texte et planches ‎

‎Athens, Ecole fran aise d'Ath nes, 1977 Porte-folio rabats et lacets, 49 x 33 cm 152 pages + 160 figures hors texte - 100 planches. Fran ais.‎

‎On the excavations at Delphi, the topography and architecture.‎

‎Faïences d'azur.‎

‎ Imprimerie Nationale 1996 Imprimerie Nationale Editions, 1996, 313 p., cartonnage éditeur sous jaquette, environ 31x27cm, bon état.‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Tranches de Savoir suivi du Secret de la situation politique ‎

‎Paris Lâge dor, Henri Parisot 1950 In-12° (167 x 130 mm), [1] pl. - 71 pp. - [2] ff., broché, couverture verte illustrée par Marx Ernst. ‎

‎Édition originale, un des 50 exemplaires de tête sur Marais Crèvecoeur avec leau-forte originale de Max Ernst, numérotée (le n°1) et signée. Suivent 1200 exemplaires sur Alfama. « Souvenir de foetus : Je me décidai un jour à porter bouche. Foutu ! Dans lheure, je macheminai, irrésistiblement, vers le type bébé dhomme. » Provenance : « P. R. Duperray », curieux ex-libris gravé à la fleur de lis, au bonnet phrygien, à la croix de lorraine, à la francisque et à la faucille croisée au marteau, à la devise « Sanctus Amor Patrie Dat Animum » et à la date de 1945, contrecollé sur la garde blanche. Dos et bords des plats légèrement passés. ‎

‎Ministère de l'instruction publique et des beaux-arts. Histoire et description du campanile de Saint-Germain l'Auxerrois..‎

‎Paris, E. Plon, Nourrit, s.d. in-4, titre, pp. 299-302, broché. ‎

‎Au CCF, exemplaires seulement à la BnF et à Moulins.Ex-libris Yves-Louis Mongrolle. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Nouvelle Architecture Pratique, ou Bullet rectifi et enti rement refondu.‎

‎, Chez Villet, Paris, Verdun, , 1818 Relie l'epoque, 2 ff., XXXII-636 pages. frontispice, et 23 planches hors texte. table des matieres, Bon etat / complet.‎

‎Edition de Mons de 1812 / La pr sente dition est peu courante.‎

‎Nouvelle architecture pratique ou Bullet rectifié et entièrement refondu... Deuxième édition mise dans un meilleur ordre, considérablement augmentée, accompagnée de notes et de seize nouvelles planches par M. Jaÿ, Architecte. Tome II [seul].‎

‎ 1825 Paris, Villet, 1825, in 8° relié demi-veau noir, dos lisse orné, 386 pages ; frottis d'usage. ‎

‎Tome II seul, avec 8 planches dépliants in-fine (numérotées 9 à 16). ...................... Photos sur demande ..........................‎

‎"L'Eglise Sainte-Gudule à Bruxelles; petit guide du visiteur."‎

‎Bruxelles, Alb. De Boeck, s.d. (ca 1910). 12 x 17, 31 pp., quelques illustrations en N/B, broché, bon état (couverture défraîchie, 1 cachet de l'auteur).‎

‎Michel-Ange architecte. Traduit de l'italien par Denis-Armand Canal.‎

‎Paris & Milan, Gallimard & Electa, 1991, in-4to, 387 p., rich. ill., cartonnage original ill., dos un peu abîmé, emboîtage ill.‎