‎Les Maurras d'Albiosc et le Serre d'en Aups.‎

‎Imprimerie Ribaud Frères Gap 1941 Plaquette in-8 ( 255 X 165 mm ) de 19 pages, agrafée sous couverture imprimée. 5 planches hors-texte. EDITION ORIGINALE au tirage limité à 100 exemplaires. Dos et une partie des plats insolés, intérieur pur.‎

‎LES ORIGINES CHRETIENNES. LERINS et JERSEY bases insulaires des Gaules au Ve siècle. L'extension tardive aux masses rurales de l'église urbaine primitive de Lyon.‎

‎A. Dragon Aix-en-Provence 1929 In-8 ( 255 X 165 mm ) de 43 pages, broché sous couverture imprimée. 1 planches hors-texte. EDITION ORIGINALE au tirage limité à 100 exemplaires. Dos et une partie des plats légèrement "ombrés", intérieur pur.‎

‎LES ORIGINES DE L'EUROPE. Tomes I, II et III. ( 3 volumes ).‎

‎Société Etudes Des Hautes Alpes Gap 1935-1937 3 volumes in-8 ( 255 X 165 mm ) brochés sous couverture imprimées. EDITION ORIGINALE au tirage limité à 200 exemplaires pour les tomes I et II et à 150 exemplaires pour le tome III. Beaux exemplaires.- Tome 1: Progression des noms du groupe fluvial de la Loire d'Egypte jusqu'en Ligurie. 1935. 150 pages.- Tome 2: Le site de l'Egypte. La langue. Les confins religieux constants, les capitales successives et les tombes. Le calendrier et le Zodiaque. 1936. 302 pages. 9 planches, certaines dépliantes.- Tome 3: Le site de l'Inde. 1937. 310 pages. 22 planches.‎

‎Les Ports, les Gués et les cols des voies primitives en Europe selon les dialectes indo-européens. II. De l'Oder au Nil.‎

‎Louis Jean, Imprimeur-Editeur Gap 1931 In-8 ( 255 X 165 mm ) de 276 pages, broché sous couverture imprimée. EDITION ORIGINALE au tirage limité à 150 exemplaires. Bel exemplaire, non coupé.‎

‎Les voies fluviales primitives et leurs cols dans les Alpes.‎

‎Louis Jean, Imprimeur-Editeur Gap 1928 Plaquette in-8 ( 255 X 165 mm ) de 41 pages, agrafée sous couverture imprimée. EDITION ORIGINALE. Dos et une partie des plats légèrement "ombrés", intérieur pur.‎

‎Le vase de Montclus.‎

‎Louis Jean, Imprimeur-Editeur Gap 1932 Plaquette in-8 ( 240 X 155 mm ) de 8 pages, agrafée sous couverture imprimée. 2 planches hors-texte. EDITION ORIGINALE au tirage limité à 100 exemplaires. Dos et marges de la couverture légèrement "ombrés" bel exemplaire.‎

‎L'EXPANSION DE MARSEILLE dans le monde antique.‎

‎Louis Jean, Imprimeur-Editeur Gap 1929 Plaquette in-8 ( 255 X 165 mm ) de 43 pages, agrafée sous couverture imprimée. EDITION ORIGINALE au tirage limité à 100 exemplaires. Dos et une partie des plats insolés, intérieur pur.‎

‎L'HEBREU PRIMITIF. ( Avant-Propos ).‎

‎Imprimerie Ribaud Frères Gap 1947 Plaquette in-8 ( 250 X 165 mm ) de 20 pages, agrafée sous couverture imprimée. EDITION ORIGINALE. Bel exemplaire.‎

‎Mr DE PIERREFEU.‎

‎Imprimerie Ribaud Frères Gap 1941 Plaquette in-8 ( 255 X 165 mm ) de 32 pages, agrafée sous couverture imprimée. EDITION ORIGINALE au tirage limité à 100 exemplaires. Dos et une partie des plats insolés, intérieur pur.‎

‎Piété, Pitié.‎

‎Imprimerie Ribaud Gap 1941 In-8 ( 250 X 160 mm ) de 76 pages, broché sous couverture imprimée. EDITION ORIGINALE au tirage limité à 100 exemplaires. Marges de la couverture jaunie, bel exemplaire.‎

‎Une dédicace nimoise au Mars de la Nauque ( 197-222 ) et l'incursion des Alamans ( 262 ).‎

‎L. Jean Et Peyrot Gap 1910 Plaquette in-8 ( 255 X 165 mm ) de 19 pages, agrafée sous couverture imprimée. EDITION ORIGINALE au tirage limité à 100 exemplaires. Petites décharges de papier collant sur les gardes, bel exemplaire.‎

‎Women in Textiles. Remuneration, Labour Relations, and Gender in Europe during Industrialization (Eighteenth to Early Twentieth Centuries)‎

‎, Brepols, 2026 Hardback, Pages: 244, Size:216 x 280 mm, Illustrations:25 b/w, 10 col., 24 tables b/w., Language: English. ISBN 9782503619873.‎

‎Summary This volume investigates the gendered dynamics of labour in the French and European textile industries, focusing on the economic roles of women within and beyond the household. While the presence of women in textile production is well documented, this collection probes deeper into the structure of their remuneration, the division of labour between domestic and income-generating tasks, and the temporal organization of work. By examining how working-class families balanced household responsibilities with wage labour, the book reconstructs the composition of individual and family incomes across a range of textile trades, including silk weaving, hosiery, lacemaking, and glove-making. Combining original qualitative and quantitative sources with innovative methodologies from the digital humanities, the contributors offer a nuanced analysis of both normative frameworks and everyday practices. The volume situates the household as a central unit of economic activity and social negotiation, revealing how gender shaped access to work, time allocation, and the valuation of labour. Through this interdisciplinary approach, the chapters gathered here provide new insights into the historical construction of wage systems and the lived realities of working-class women in Europe in the eighteenth to early twentieth centuries. TABLE OF CONTENTS List of Illustrations Introduction: Capturing Gendered Working Time and Remuneration During Industrialization Manuela Martini Part 1. Editing and Processing Qualitative Sources on Labour in the Textile Industry 1. Digital Humanities in the TIME-US Project: Richness and Contribution of Interdisciplinary Methods for Labour History Marie Puren 2. Data and Metadata for a Digital (Re)-Edition of a Corpus of Social Science Surveys: Le Play's Les Ouvriers des deux mondes (1857-1930) St phane Baciocchi and Jean-Damien G n ro 3. The Gains and Losses of a Weaving Workshop: The Domestic Economy and Role of Women in Lyon's Silk Industry in the Mid-Nineteenth Century Manuela Martini Part 2. Labour Organization, Social Hierarchies, and Gender Relations 4. A Privileged Workforce? Masters' Daughters in Lyon's Silk Industry in the Eighteenth Century Anne Montenach 5. Re-Assessing 'Women's Work': Producing Embroidery in Eighteenth-Century Paris and Lyon Tabitha Baker 6. Pay, Debt, and Theft: Wages in the Milan and Como Silk Industry (1780-1860) Lorenzo Avellino 7. Women's Work in the Fabrique Collective. The Case of Gloveresses in the Grenoble Region St phane Baciocchi, Julien Caranton, Audrey Colonel-Coquet, Anne Lhuissier, and Mathieu Rivero 8. Migrant Linen and Jute Female Workers, from Dundee to Continental Europe (c. 1840-c. 1880) Fabrice Bensimon and Christopher Whathey Part 3. Forms of Remuneration and Wage Definition 9. A Forgotten Industry: Hosiery in Occitania and Catalonia: Labour Organization, Wages, and Gender (Eighteenth Century) C line Mutos-Xicola 10. Apprenticeship, Gender, and Remuneration in the Parisian Textile Industry during the Second Empire Ana s Albert 11. What's Behind a Wage? Female Work in the Silk Spinning Mills of Nineteenth-Century Tyrol Cinzia Lorandini 12. Contracts, 'Ways to Make' and the Price of Labour: The Public Hearings of the Lyon Labour Court and the Workers' Point of View (1831-1851) Manuela Martini and Pierre Vernus 13. Rise and Decline of Female-Breadwinner Spinners in a Barcelona Cotton Mill (1849-1888) Cristina Border as 14. Equal Tariffs, Unequal Earnings: Pay Inequality between Female and Male Weavers in a Ghent Cotton Mill (1835-1914) Peter Scholliers‎

‎Georgia as a Bridge between Cultures. Dynamics of Artistic Exchanges‎

‎, Brepols, 2021 Paperback, 189 pages, Size:210 x 270 mm, Language: English. ISBN 9788021098886.‎

‎TABLE OF CONTENTS Introduction: Manuela Studer-Karlen, Georgia as a Bridge between Cultures: Dynamics of Artistic Exchange (introduction to A. Palladino's translation of H. Belting) - Ivan Foletti, Belting from Belting. From Moscow to Constantinople, and to Georgia (translation of H. Belting's article) Adrien Palladino, The Painter Manuel Eugenikos from Constantinople in Georgia, translated from Hans Belting Articles: Ekaterine Gedevanishvili, The Khakhuli Dome Decoration Irene Giviashvili, Liturgy and Architecture: Constantinopolitan Rite and Changes in the Architectural Planning of Georgian Churches Nato Chitishvili, Altars in Medieval Georgian Churches: Preliminary Notes on their Arrangement, Decoration, and the Rite of Consecration Thomas Kaffenberger, Liminal Spaces of Memory, Devotion, and Feasting? Porch-Chapels in Eleventh-Century Georgia Manuela Studer-Karlen, The Monastery of the Transfiguration in Zarzma: At the Intersection of Biblical Narration and Liturgical Relevance Irma Mamasakhlisi, The Theme of the Last Judgment in Medieval Georgian Art (Tenth-Thirteenth Centuries)‎

‎Medieval Svaneti: Objects, Images, and Bodies in Dialogue with Built and Natural Spaces‎

‎, Brepols, 2023 Paperback, 232 pages, Size:210 x 270 mm, Illustrations:100 col., Language: English. ISBN 9788028003821.‎

‎Summary The essays collected in this volume emphasize the importance of Svaneti, a historical region of the Georgian Great Caucasus as an unparalleled treasury of medieval arts, describe some of its outstanding monuments, provide interpretations of their political and religious role at the intersection of different cultural traditions, and explore the dynamics whereby they have constantly invested with new functions and associations throughout their long history. TABLE OF CONTENTS Introduction Michele Bacci & Ivan Foletti Svaneti and the Rhetoric of Distance Irine Elizbarashvili & Irene Giviashvili Architecture of the Upper Svaneti Salome Meladze Painted Chancel Screens in Upper Svaneti. The Evidence of Early Monuments Nina Chichinadze The Interactions of Images in Sacred Space. A Case Study: The Church of St Barbara in Khe, Upper Svaneti Marine Kenia The Image of the Virgin in the Medieval Painting of Svaneti Ekaterine Gedevanishvili Iprari Murals. Reading of the Scene of the Apparition of the Angel to Joshua Manuela Studer-Karlen Image and Liturgy. The Church of the Archangels in Tanghili Antony Eastmond Icons, Saints, and Society in Svaneti Nana Burchuladze Icons from Svaneti in the Context of Byzantine Paintings Nutsa Batiashvili & Nikoloz Aleksidze Symbolic Treasure, Care, and Materiality in Upper Svaneti‎

‎LA CATEDRAL DE SANTIAGO DE COMPOSTELA‎

‎EVEREST. 1976. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 96 pages. Premier plat illustré en couleurs. Nombreuses illustrations en couleurs dans et hors texte. Texte en espagnol.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Rédigé par la Société Centrale des Architectes. Deuxième édition, revue et augmentée.‎

‎P. Ducher 1879 3 vol. in-8, demi chagrin, dos à nerfs. ‎

‎Opera theologica. De processione Spiritus Sancti, De ordine in Trinitate, Epistula ad Alexium Iagoupem‎

‎, Brepols, 2022 Hardback, cliv + 435 pages, Size:155 x 245 mm, Language(s):Greek, English. ISBN 9782503528076.‎

‎Summary The volume comprises the editio princeps of the treatise On the Procession of the Holy Spirit by the Emperor Manuel II Palaeologus (1391-1425). The lengthy treatise was written in response to the tract of an anonymous Latin monk, presented to the Emperor during his sojourn in Paris (1400-1402). Information in the text and palaeographical evidence in the earlier version (Vat. gr. 1107) suggest that though the major part of the treatise was written in Paris, Manuel continued revising the text after his return to Constantinople, with the help of his fellow theologian Macarius Macres. The edition is based on the revised version (Barb. gr. 219) copied by an anonymous scribe belonging to Manuel's circle. The treatise comprises a brief Preface by the Emperor, a pr cis of the syllogism put forward by the Latin in defense of the dual procession of the Holy Spirit, and Manuel's refutation of the Latin arguments in 156 chapters, followed by the unpublished discourse On the Order in the Trinity. The volume also comprises an edition of Manuel's Letter to Lord Alexius Iagoupes, preserved in two manuscripts (Par. gr. 3041 and Barb. gr. 219). In this long epistolary discourse, addressed ostensibly to his oikeios Alexius Iagoupes, but in reality to an anonymous Latinophron, Manuel defends his views on the study of theology and, to some extent, his imperial duties towards the Church. Internal evidence in the Letter enables us to identify the anonymous critic with Manuel Calecas, placing its composition ca. 1396. The edition of these texts, accompanied by three apparatuses (locorum parallelorum, criticus and fontium), is preceded by Bibliography, an Introduction and a study of the manuscript tradition with detailed description of the extant manuscripts, an examination of the texts, the relations of the manuscripts, and the stemmata codicum, followed by indices locorum Sacrae Scripturae, nominum and verborum.‎

‎Voyage pittoresque en Suisse en Juillet et aout 1902. ‎

‎ Manuscrit resté anonyme, daté de 1902 ; 37 feuillets non chiffrés soit 73 pages écrites ou dessinées, dans un carnet in-24° oblong ( 9, 5 cm X 14 cm), pleine toile beige muette de l' époque.‎

4 Images

‎Illustré par l'auteur de 20 dessins dans le texte dont plusieurs à pleine page et 4 sur 2 petits feuillets de papier Canson volants: relevés de détails ou ensembles architecturaux faits dans les églises et cathédrales de Lausanne, Berne, Interlaken,etc.Le texte commente ces relevés et raconte le voyage, les paysages, les villes et villages traversés.Le voyage commence par un petit déjeuner sur la ligne Pontarlier-Lausanne.(GrD2) ‎

‎Patrick Conrad. leven, liefdes en werken van een Pink Poet : biografie‎

‎, Pelckmans Uitgevers, 2025 Hardcover, 608 pagina's, 15cm x 23cm, Tekst: Nederlands. met illustraties, ISBN 9789462347731.‎

‎Collega-filmregisseur Robbe De Hert zei ooit tegen Patrick Conrad: 'Schat, awen beste film is oewaige leve.' De Hert had gelijk. Het levensverhaal van Conrad is een rollercoaster, waarin we de in 1945 geboren Antwerpenaar eerst als dichter, vervolgens als tekenaar of allebei tegelijk en dan weer als filmmaker, schilder of misdaadauteur - afwisselend residerend in Antwerpen, Porto Alegre (Brazili ) en de Franse Provence - voorbij zien razen. Zijn liefdesleven was al even turbulent met vier huwelijken en talrijke minnaressen, onder de wie de internationaal vermaarde filmster Charlotte Rampling, die de hoofdrol speelde in zijn film Mascara. Aan de hand van Conrads levensverhaal wordt in dit boek een beeld geschetst van de Vlaamse artistieke scene tussen 1960 en 1990, vooral die in Antwerpen rond de priv club VECU - Conrads toenmalige habitat. Daarin figureren onder meer de prominente schrijvers Hugues C. Pernath, Paul Snoek en Hugo Claus die hij zijn vrienden mocht noemen. Ook de exploten van de Pink Poets, het illustere dandyeske genootschap, waarvan Conrad de oprichter was, worden uit de doeken gedaan.‎

‎Gotischer Baustil (Notre-Dame de Paris) - L'architecture gothique - Architettura di stile gotico - Gothic style.‎

‎Herzogenbuchsee, Ernst Ingold, 1965. Farblithographie auf Papier auf Leine aufgezogen. Bildgrösse: 65 x 90 cm.‎

‎Schw. Schulwandbild Nr. 128.‎

‎Chapelle Sixtine et salles de Raphaël.‎

‎Narni-Terni, Plurigraf, 1986. 20 x 26, 95 pp., très nombreuses illustrations en couleurs, broché, très bon état.‎

‎Piero Manzoni: Soucino 1933 - 1963 Milano ‎

‎Brussels, Marie-Puck Broodthaers, 1987 Softcover, geniet, 16 pagina's, 20.5 x 14 cm, Nederlandstalig/Fran ais .‎

‎Expocatalogus Piero Manzoni: Soucino 1933 - 1963 Milano ‎

‎Poetry of Mao Tse-Tung‎

‎London, Wildwood House, 1973 Hardcover with dustjacket, 113 pages, 22 x 14.5 cm, EN.‎

‎The Poetry of Mao Tse-Tung‎

‎Industries et metiers d' art en Belgique - Kunstambachten en nijverheid in Belgie 1937‎

‎, Wellens, Godenne, 1937 Commissariat General Du Governement, 1937 Oorspronkelijk uitgevers omslag, Illustrated. Texte en Francais / Nederlands, 28 x 20 cm, 215 pagina's waarvan 180 op hoogglans papier met zowel zwart wit foto's als ook kleuren foto's.‎

‎Uitgave over de Belgische deelname aan de wereldtentoonstelling 1937 in Parijs (tweetalig). Uitgegeven door de Belgische overheid waarin alle exposanten worden beschreven, onderverdeeld naar vakbekwaamheid. De opsteller is het Algemeen Commissariaat van de Belgische Regeering bij de Tentoonstelling van Parijs 1937. Dit alles onder verantwoordelijkheid van baron Vaxelaire, Commissaris-generaal der Belgische Regeering. De kunstenaars/ontwerpers worden benoemd en alle producten worden ondersteund door een foto."kunst en techniek in het moderne leven".‎

‎Mapplethorpe: Les femmes‎

‎Paris, Nathan, 1989 Yellow linen binding with dustjacket, 114 pages, 26 x 31 cm, FR. *As new. ISBN 9782092400272.‎

‎Les femmes. Introduction de Joan Didion. Adapt. fran aise de Dani le Laruelle, avec la collab. de Philippe Brunet. ISBN 10: 2092400274 / ISBN 13: 9782092400272‎