Yale university press, 1979. Format 20x26 cm, reliure editeur sous jaquette illustree, V+344 pages. Ouvrage en langue anglaise.Tres bon etat.
Antwerpen , Houtekiet, 2002 Softcover, 239 pagina's, 23.5 x 15.5 cm. Gesigneerd door de auteur.
London, Mark Hill Publishing, 2023 Softcover, 223pp., 17x24cm., lavishly illustr. in col., *new. Text English. ISBN 9780992968939.
Stylish and colourful, Italian ceramics of the 1950s-70s reflect the vibrant fashions, latest developments in ceramic design, and modern art of the period. Although made in large quantities and exported around the world, little is known about the companies and designers who behind them. From Bitossi to Bertoncello, and from Fantoni to Fornasetti to the many potteries on San Marino, this book breaks open a treasure chest of mid-century modern ceramic design including the rediscovery of a forgotten factory. Illustrated with over 380 stunning, specially commissioned, full colour photographs, this is the first publication to identify and bring together many of the leading factories and designers, and examine the diverse influences behind these highly varied and innovative ceramics. A specially written, illustrated introduction puts them in context, and an extensive illustrated directory of marks and labels helps you identify your ceramics. Contents include: -Over 380 stunning, specially commissioned full colour photographs. - Chapters open with a detailed history of the factory or pottery including full biographical details of designers and their inspirations and influences. A ?Hallmark Design? box gives more details about their most iconic and successful design. - Chapters on Bagni, Bitossi & Aldo Londi, Bertoncello & Rigon, Desimone, Fratelli Fanciullacci, Fantoni, Fornasetti, Gambone, and potteries on San Marino including Libertas and Marmaca. - A chapter on other makers, including objects from Mancioli, La Freccia, Pucci, and the many factories in and around Florence and Deruta. - The book closes with an illustrated chapter of marks and labels, with pages dedicated to marks used by Bagni, Bitossi, Fratelli Fanciullacci, and distributors and importers such as Raymor and Rosenthal Netter
Un ouvrage de 960 pages, format 160 x 210 mm, illustré, broché couverture couleurs rempliée, publié en 2013, bon état
Préface de François Barré
Phone number : 04 74 33 45 19
Mark K. Deming / Serge Antoine / Dominique Daeschler
Reference : 30200
ISBN : 2905840056
Demi Cercle (1 janvier 1988). - Fondation Claude-Nicolas Ledoux. In-4 broché (34 x 24 cm), 143 pages, illustrations en couleurs, belle impression sur papier glacé.- 940g. - Excellent état, comme neuf.
Relié, 560 pages, paru le 19 octobre 2017 chez Thames & Hudson, livre comme neuf.
Mark Manders, Frank Demaegd (Zeno X Gallery) and Marjolein Sponselee.
Reference : 66756
, Hannibal Books , 2022 Hardcover, 262 pages, 28,5 x 22 cm, Quadrichromy, English edition. *New . ISBN 9789464366907.
In-depth review of the oeuvre of the artist Mark Manders Mark Manders Zeno X Gallery, 28 Years of Collaboration offers an overview of the long-standing collaboration between the artist Mark Manders (b. 1968) and Zeno X Gallery in Antwerp. The review has been published to accompany his most recent solo exhibition in the gallery and highlights a number of important exhibitions and special projects in Belgium and abroad in which Manders was invited to take part from the 1990s to the present day. Mark Manders has been working since 1986 on what he calls his ?self-portrait as a building?. His oeuvre ? consisting of installations, sculptures, works on paper and drawings ? is ascribed the metaphor of a fictional building, divided into separate rooms whose precise shape and size are undefined. There is no beginning and no end. Manders strives for timelessness and universality using archetypal forms and familiar-looking materials such as clay, bronze and wood. His bronze sculptures and installations consequently appear more vulnerable than they are in reality. Publication accompanying the exhibition in Zeno X Gallery, which takes place from 3 September to 15 October 2022.
, Roma Publications, , 2012 Hardcover, Cloth, 538 pages, illustrated, 24 x 17,5 cm, English * new and in perfect condition. . ISBN 9789077459867.
Dutch artist Mark Manders - who will represent the Netherlands at the 55th Venice Biennale in 2012 - was awarded the Heineken Prize for Art 2012. The jury praised him "for his ability to create a personal world with a distinct visual language that both intrigues and becomes fixed in the memory." On the occasion of this award, Roma Publications compiled this almost encyclopedic book which covers Manders' entire oeuvre from the late 1980s until the present. It contains facsimiles of the artist's publications and a focus on a large number of recent, never-published works.
Philadelphia, The American Philosophical Society, 1966, in-4to, XVIII + 335 p., ill. with 215 fid. in black and white, original yellow cloth, orig. jacket.
Phone number : 41 (0)26 3223808
, Uitgeverij P, 2021 Oorspronkelijk uitgeversomslag, 77 pagina's, 24 x 17 cm. Nederlandstalig. Als nieuw. ISBN 9789493138360.
In het oog van de stilte
, Brepols, 2023 Hardcover Pages: vi + 339 pages, Size:160 x 240 mm, Language; Dutch. ISBN 9782503607825.
Van den vos Reynaerde, een middeleeuwse klassieker in de Nederlandse letteren, staat in een lange traditie van dierengedichten, waar ook de Franse Roman de Renart en de Latijnse Ysengrimus, het geniale dierenepos uit de Gentse Sint-Pietersabdij, toe behoren. In deze studie zijn twee minder bekende dierengedichten uit de Latijnse traditie gebundeld, geschreven door en voor monniken uit de benedictijnse kloosterwereld. De Ecbasis cuiusdam captivi per tropologiam - De ontsnapping van een gevangene, in figuurlijke zin -, een ongehoord werk aldus de dichter, vertelt het verhaal van een kalf dat op de vooravond van Pasen uit zijn stal ontsnapt en verdwaalt in het bos. De tekst, die bol staat van zowel serieuze als ironische citaten en allusies, laat zich lezen als het tegelijk allegorische en autobiografische werk van een monnik die, gevangen in luiheid, zijn slechte gewoontes van zich af schrijft in een fictioneel gedicht. Zoals zijn geliefde Horatius het in de veelvuldig geciteerde Ars poetica voorschreef, verenigde hij in zijn dichtwerk voor literaire fijnproevers het nuttige (bezigheidstherapie en een stichtelijk verhaal tegen de achtergrond van Pasen) met het aangename (vermaak voor zijn medebroeders ter gelegenheid van het Paasfeest en het vreugdevolle einde van de vasten) in een unieke mengelmoes van autobiografie, fabel, satire en paasverhaal. Aan het eind van de twaalfde eeuw, in Engeland, schreef Nigel van Canterbury zijn Speculum stultorum (Spiegel voor dwazen), een omvangrijke satire in de vorm van een dierengedicht vol maatschappijkritiek: de paus, koningen, bisschoppen, monniken, nonnen, kooplieden, studenten, boeren ? alle standen, van hoog tot laag, krijgen er van langs. De anti-held van dit verhaal is een domme ezel die van het ene ongeluk naar het andere blundert, mislukkingen en gefnuikte ambities aan elkaar rijgt en uiteindelijk dezelfde dwaas is die hij altijd al was, maar deze harde les moet bekopen met het verlies van zijn staart en oren.I. Ecbasis cuiusdam captivi - De ontsnapping van een gevangene: vertaling II. Nigel van Canterbury, Speculum stultorum - Een spiegel voor dwazen: vertaling III. Een brief van Nigel aan Willem van Longchamps: vertaling IV. Toelichting 1. De voorgeschiedenis van het Latijnse dierenepos 2. De ontsnapping van een gevangene: proloog, de buitenfabel, de binnenfabel, de Ecbasis als kloostertekst, de Ecbasis en de Ysengrimus 3. Een spiegel voor dwazen: inhoud, Nigels brief, de Speculum stultorum en de Ysengrimus 4. Van de middeleeuwse benedictijnse kloosterwereld naar de 20e eeuw
DETAIL. 2015. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 115 pages. Nombreuses illustrations / plans, en couleur et noir et blanc, dans et hors texte. Jaquette légèrement abîmée en coiffe de pied. En allemand et anglais.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Museum of Fine Arts,Boston 2002, 2002 Paperback, 448 pages, English, 265 x 210 x 28 mm, New, with illustrations in b/w. ISBN 9780878466283.
Originally published in 1928, Surrealism and Painting is the most important statement ever written on surrealist art, and the only book on the subject composed by the movement's founder and prime theorist. It contains Breton's seminal treatise on the origins and foundations of artistic surrealism, with his trenchant assessments of its precursors and practitioners, and his call for the plastic arts to "refer to a purely internal model." Also included are essays - on Picasso, Duchamp, Dali, Ernst, Masson, Miro, and many others, as well as pieces on Gaulish art, outsider art, and the folk arts of Haiti and Oceania. But what makes this book most compelling is Breton's mix of rigorous erudition and visceral passion, his sense of adventure, and his discoveries of many of Modernism's most prominent figures early in their careers. Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism.
, teNeues Publishing, 2018 hard Hardcover with dusjacket, 256 pages , 36 x 28 cm. ISBN 9781419726613.
Mark Seliger's extraordinary portfolio is 30 years in the making. In 1987 Seliger began shooting small assignments for Rolling Stone; in 1992 he became their chief photographer, a position he kept for 15 years. During the course of his time at the magazine, he photographed more than 125 covers. He has captured some of the most iconic images of the most famous and influential faces of our time, including Kurt Cobain, Nelson Mandela, Leonardo DiCaprio, Barack Obama, Hillary Clinton, Emma Stone, Angelina Jolie, Bruce Springsteen, David Byrne, Matthew Barney, Jennifer Lawrence, Mick Jagger, Bob Dylan, Jerry Seinfeld, Jay-Z, Misty Copeland, Amy Schumer, and Paul McCartney. Mark Seliger Photographs showcases his best-known portraiture, as well as never before seen outtakes and select standouts from his landscape and personal work including portraits of Holocaust survivors and transgender men and women on Christopher Street, and documentary photography of Cuba. Accompanying the photographs is an interview between Mark Seliger and Judd Apatow, in which Seliger shares stories behind some of his most iconic work: Kurt Cobain showing up for a Rolling Stone shoot in a Corporate Magazines Still Suck T-shirt; taking a road trip with Brad Pitt; and navigating a room full of Tibetan monks while shooting His Holiness the Dalai Lama. In addition, the book also features an essay by Lyle Lovett. Mark Seliger Photographs is the ultimate celebration of one of the most in-demand portrait photographers.
, Prestel Verlag, 1988 Paperback, 232 seiten, Deutsch, 320 x 240 mm, in gute kondition, illustr. in farbe. ISBN 9783791308890.
, Tim Van Laere Books , 2023 Hardcover, 96 pages, ENG / NL / FR / ITA., quadrilingual, 260 x 210 mm, NEW, illustrated in colour / b/w. ISBN 9789464004250.
ADRIAN GHENIE 1977 Baia-Mare, Romania. Lives and works in Rome and Berlin.
Antwerp, Tim Van Laere, 2023 Gebonden, Hardcover 104 pages, Illustrated. * quadrilingual: English, Dutch, French, and German. ISBN 9789464004236.
The expressive paintings of the Armenian artist Armen Eloyan (b. 1966) are as cute and seductive as they are repulsive. According to Eloyan, a good painting is like a good joke: the pieces must fit together. Noted for his large-scale, irreverent paintings of anthropomorphic animals and figures, he depicts absurd narratives in his darkly comic work. Though Eloyan doesn?t define himself as a writer, his paintings tell sardonic, sometimes erotic stories. Inspired partly by cartoons and street art, as well as the European masters, his works are heavily impastoed with colorful paints and thick black outlines, adroitly balancing dark humor with a searing existential vision of a dystopic world.
Markus Stegmann, Text(e) von Markus Stegmann, Rudij Bergmann, Beitr ge von Jean-Christophe Ammann
Reference : 59616
, , Hardcover, 148 pages, 219 Illustratons, English and German Edition 24,10 x 31,70 cm . ISBN 9783775719049.
Mit seinen Interieurs, deren gro e Bandbreite diese Monografie mit Werkverzeichnis beeindruckend vor Augen f hrt, nimmt Matthias Weischer (*1973 in Elte) ein klassisches Genre auf und kn pft an holl ndische Meisterwerke des 17. Jahrhunderts an. Doch in Weischers kargen, wie erstarrt wirkenden Inszenierungen fehlt der Mensch, jedes belebende oder pers nliche Element. Der K nstler intensiviert die installationshafte Wirkung des Dargestellten durch Wandscheiben und Einrichtungsteile wie Matratzen, Tische oder Vorh nge, die sich als reine Formen oder Ornamente in den gew hlten Bildausschnitt schieben. Extrem pastoser Farbauftrag betont zudem die Leinwandoberfl che und zerst rt die malerische Illusion. Weischers virtuose Gem lde offenbaren dem Betrachtenden private Innenwelten, die jedoch artifiziell bleiben und Fragen nach Vergangenheit und Erinnerung stellen. Ausstellungen: Museum zu Allerheiligen Schaffhausen 13.5.?12.8.2007 Kunsthalle Mannheim 22.9.2007?1.1.2008 Gemeentemuseum Den Haag 12.1.?13.4.2008
, Skira , 2024 Hardback, 288 pages, Dimensions 300 x 240 mm, 370 Illustrations col.ill. English ed. ISBN 9788857251431.
The highly original and unique art of Escher, one of the most celebrated artists of the 20th century. Published on the exhibition in Rome, the volume gathers over 300 works, including new acquisitions and many of his most notable pieces that have made him famous all over the world, documenting the story of the Dutch artist's genius with the most iconic works of his production.
, Pandora Publishers 1997, 1997 Paperback, 151 pagina's, Nederlands, 240 x 175 mm, in prima staat, . ISBN 9789053250853.
Een bundeling van teksten die Mark Verstockt schreef in de marge van zijn kunstenaarsactiviteiten, gaande van reeds gepubliceerde essays tot vluchtig neergeschreven krabbels. Anderzijds zijn een aantal bijdragen opgenomen van vrienden-auteurs die zijn werk telkens vanuit een zeer persoonlijke invalshoek benaderen. A collection of texts Marc Verstockt wrote in the margin of his artistic activities, ranging from already published essays to brief scribbles and scrabbles. On the other hand this Art-Script is a 'liber amicorum' in which his author friends speak about his work in a very personal way.
, Brepols, 2020 Hardback, xii + 464 pages, Size:156 x 234 mm, Illustrations:3 col., Language: English. ISBN 9782503574776.
Summary Devotional compilations were the staple spiritual food for lay and religious readers in the late medieval period. As well thought-out assemblages of texts or extracts of texts, they provided readers with material from basic catechetic instruction to advice and tools for the practice of contemplation. Their exploration enables a more sophisticated understanding of the authorial roles played by compilers, the reading practices of their recipients, and the patronage of compilations carried out by religious and secular individuals and communities. It also offers a new window into late medieval English religiosity as well as demonstrating the complexity and creativity associated with compiling activity. In this volume, leading scholars in the field of medieval English literature consider the role and impact of a substantial number of devotional compilations, offering new evidence about the manuscripts, sources, and contexts that frame this important corpus. TABLE OF CONTENTS Introduction - MARLEEN CR , DIANA DENISSEN, AND DENIS RENEVEY Part I: The Dynamics of Devotional Compilations Building a Bestseller: The Priest, the Peartree, and the Compiler - VINCENT GILLESPIE Compilation: The Gift that Keeps on Giving - RALPH HANNA Theorizing the Miscellaneous and the Middle English Biblical Paratext - IAN JOHNSON A Talkyng of the Loue of God: The Art of Compilation and the Compiled Self - ANNIE SUTHERLAND Reading Late Medieval Devotional Compilations in the Fifteenth and Sixteenth Centuries - MARGARET CONNOLLY Part II: Compiling the Compilation: Manuscript Transmission Form and Fluidity: Reshaping The Pore Caitif and Contemplations of the Dread and Love of God in Oxford, Bodleian Library, MS Bodley 423 and Oxford, Bodleian Library, MS Bodley 938 - DIANA DENISSEN Suffering for Love: Compilation and Asceticism in Life of Soul - SARAH MACMILLAN Compilers' Voices in Cambridge, University Library MS Ii. 6. 40 - MARLEEN CR Part III: Compilation and Devotional Practice A Hagiographic Compilation of Medieval Native Women in the South English Legendaries: Oxford, Bodleian Library, MS Bodley 779 - MAMI KANNO Devotional Compilations and Lollard Sanctity in a Fifteenth-Century Anthology - NICOLE RICE 'When is a man proude. Whe[n] he wol not beknowen suche as he is': Knowing oneself in London, British Library, MS Additional 27787 - SHERI SMITH Resignation or Rebuttal?: Three Biblical Exempla in Richard Whitford's Dyuers Holy Instrucyons and Teachynges - BRANDON ALAKAS Part IV: Mystics Compiled 'Desyrable is thi Name': Fashioning the Name of Jesus in Some Devotional Compilations - DENIS RENEVEY The Scale of Perfection in Devotional Compilations - MICHAEL G. SARGENT The Liber Specialis Gratiae in a Devotional Anthology: London, British Library, MS Harley 494 - NAOE KUKITA YOSHIKAWA Part V: Texts, Images and Affect The Living Book of Cambridge, Trinity College MS B.15.42: Compilation, Meditation, and Vision - LAURA SAETVEIT MILES The Desert of Religion: A Textual and Visual Compilation - ANNE MOURON What Grace in Presence: Affective Literacies in The Chastising of God's Children - A.S. LAZIKANI Afterword The Terminology and Ethos of Vernacular Compilatio - NICHOLAS WATSON *** Index of Manuscripts General Index
, Uitgeverij Polder, 2014 272 pagina's. Hardcover. Fine copy. Including an index. 4to Illustrated. ISBN 9789081706346.
Makelaar en fervent amateurarcheoloog Martien Weel (1935-2011) legde al rond 1950 de basis voor zijn eigen collectie bodemvondsten. In de periode waarin hij gewapend met schop, laarzen en (later) detector op pad ging, veranderde niet alleen het hobbygraven zelf, maar ook de manier waarop men naar deze liefhebberij keek. De vele vindplaatsen door grootschalig grondverzet, koerswijzigingen binnen de archeologie, de ontdekking van de metaaldetector, nieuwe wetgeving? Al die ontwikkelingen worden belicht in het boek.>Goed gevonden vormt een kleine geschiedenis van (amateur)archeologie in Nederland, maar vertelt bovenal het levensverhaal van een gelukkige graver. Ook bovengronds: alle vondsten werden met zorg gearchiveerd. De mooiste en meest bijzondere worden nu onthuld. Van munten, insignes en riembeslag tot steengoed, aardewerk, tegels en glas.Treed in Weels voetsporen en volg hem tijdens zijn zoektochten in onder meer Medemblik, Hoorn en Amsterdam. Hoe ging hij te werk? Waar werd gegraven? Wat is de geschiedenis van de vindplaatsen? Marleen Weel vertelt het levensverhaal van haar vader. Verschillende (amateur)-archeologen en andere verzamelaars onderzoeken de vondsten en het vinden door de jaren heen. Het levensverhaal van een gelukkige graver- Een kleine geschiedenis van (amateur)archeologie- Rijk geillustreerd
BE - , Kannibaal- HANNIBAL, 2020 Hardcover, 248 bladzijden, 28,5 x 22 cm, Tweetalige editie Engels-Nederlands. ISBN 9789463887465.
Overzicht van vijfentwintig jaar werk van Marlene Dumas. Marlene Dumas ( 1953, Kaapstad) wordt beschouwd als een van de invloedrijkste schilders van de twintigste eeuw. Al meer dan dertig jaar raakt ze met haar schilderijen en tekeningen existenti le onderwerpen aan die vaak refereren aan kunsthistorische motieven en actuele politieke thema's. Ze laat zich daarbij inspireren door beelden die ze in tijdschriften en kranten vindt of door persoonlijke foto's die ze van haar naasten maakt. Via haar werken probeert ze de sociale, politieke, psychologische en emotionele aspecten van een beeld te onderzoeken en te onthullen. Deze catalogus biedt een overzicht van alle werken die in Zeno X Gallery werden getoond gedurende haar Marlene Dumas Zeno X Gallery 25 years of collaboration vijfentwintigjarige samenwerking met de Antwerpse galerie. Dumas presenteerde er sinds 1993 vijf solotentoonstellingen, getiteld Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice en Double Takes. Het boek bevat begeleidende teksten van de kunstenaar bij haar tentoonstellingen, evenals krantenartikels en archieffoto's. Marlene Dumas had solotentoonstellingen in Fondation Beyeler in Basel, Tate Modern in Londen, Stedelijk Museum in Amsterdam, Haus der Kunst in M nchen, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokio, the Art Institute in Chicago, Centre Pompidou in Parijs, MMK in Frankf rt, et cetera. Marlene Dumas ( 1953, Kaapstad) wordt beschouwd als een van de invloedrijkste schilders van de twintigste eeuw. Al meer dan dertig jaar raakt ze met haar schilderijen en tekeningen existenti le onderwerpen aan die vaak refereren aan kunsthistorische motieven en actuele politieke thema?s. Ze laat zich daarbij inspireren door beelden die ze in tijdschriften en kranten vindt of door persoonlijke foto?s die ze van haar naasten maakt. Via haar werken probeert ze de sociale, politieke, psychologische en emotionele aspecten van een beeld te onderzoeken en te onthullen. Deze catalogus biedt een overzicht van alle werken die in Zeno X Gallery werden getoond gedurende haar vijfentwintigjarige samenwerking met de Antwerpse galerie. Dumas presenteerde er sinds 1993 vijf solotentoonstellingen, getiteld Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice en Double Takes. Het boek bevat begeleidende teksten van de kunstenaar bij haar tentoonstellingen, evenals krantenartikels en archieffoto?s. Marlene Dumas had solotentoonstellingen in Fondation Beyeler in Basel, Tate Modern in Londen, Stedelijk Museum in Amsterdam, Haus der Kunst in M nchen, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokio, the Art Institute in Chicago, Centre Pompidou in Parijs, MMK in Frankf rt, et cetera. De tentoonstelling Double Takes zal plaatsvinden van 1 april tot 2 mei 2020 in Zeno X Gallery, Antwerpen. //// Marlene Dumas ( 1953, Cape Town) is considered one of the most influential painters of the twentieth century. For more than thirty years she has touched on existential subjects with her paintings and drawings, which often refer to art-historical motifs and current political themes. She is inspired by images she finds in magazines and newspapers or by personal photos she takes of her loved ones. Through her works she tries to explore and reveal the social, political, psychological and emotional aspects of an image. This catalog offers an overview of all works that were shown in Zeno X Gallery during her Marlene Dumas Zeno X Gallery 25 years of collaboration twenty-five years of collaboration with the Antwerp gallery. Dumas has presented five solo exhibitions there since 1993, entitled Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice and Double Takes. The book contains accompanying texts by the artist to her exhibitions, as well as newspaper articles and archive photos. Marlene Dumas had solo exhibitions at Fondation Beyeler in Basel, Tate Modern in London, Stedelijk Museum in Amsterdam, Haus der Kunst in Munich, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokyo, the Art Institute in Chicago, Center Pompidou in Paris, MMK in Frankfurt, et cetera.
, Brepols - Harvey Miller, 2022 Paperback, 182 pages, Size:210 x 270 mm, Illustrations:50 col., Language: English. ISBN 9781915487018.
Summary This is the tenth volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. This was an important period in the history of book production in Britain, and the range of subject-matter illustrated is of significance to historians of art, religion, literature, costume, natural science, and social custom. The present volume extends the survey to Scotland and catalogues not only English but also Scottish and Gaelic manuscripts from the collections of the National Library of Scotland, Edinburgh, as well as manuscripts made on the Continent for English and Scottish book-owners. The catalogue contains entries for 112 manuscripts and notes the subject-matter of every illustration in each manuscript, from full-page miniatures and historiated initials to marginalia, added drawings and nota bene signs. A comprehensive index of pictorial subjects provides readers with complete references to the visual material with thematic groupings making the following categories easily accessible: animals, architecture, birds, Christ, costume, furniture, kings, musical instruments, occupations/professions, plants, saints, Virgin Mary, weapons, and women. The volume also includes a user's guide, an extensive glossary of subjects and terms, and indexes of authors/texts, manuscripts with coats of arms, and Scottish and English names. TABLE OF CONTENTS Introduction Users' Manual I. Scope of the Search II. Cataloguing the Manuscripts III. Principles of Pictorial Description IV. The Template: Opening Headings V. The Template: Pictorial Information VI. The Template: Costume of Specialized Interest VII. The Template: Headings under 'Other Information' List of Manuscripts Catalogued Other Manuscripts Examined List of Abbreviations Catalogue of Manuscripts The Template Edinburgh, National Library of Scotland Glossary of Subjects and Terms Index of Authors and Texts Index of Incipits Index of First Words of Acephalous Texts Index of Pictorial Subjects Index of Manuscripts with Coats of Arms Index of Scottish and English Names List of Illustrations Illustrations
, Arnoldsche 2018, 2018 Hardcover, 336 seiten / pages, D / ENG, 290 x 220 mm, New, dustjacket, Abb. in Farbe und Schwarz-Wei / Images in colour and b/w, . ISBN 9783897905207.
The grande dame of the Western European ceramics, Lotte Reimers (*1932), is an outstanding artist and at the same time a great collector. For more than twenty years she has been closely associated with the wide range of historical ceramic collections at Friedenstein Palace, Gotha. Lotte Reimers donated a collection of international ceramics to the Gotha Foundation from the excellent collections of her own museum in Deidesheim, Rhineland-Palatinate. This generous and magnificent donation of more than 300 contemporary ceramics by a total of 115 artists from all over the world is now being shown for the first time in Gotha. This special show is present in the entire palace building and corresponds with the historical Gotha collections.