‎Jan Massys : Renaissance Painter of Flemish Female Beauty.‎

‎, Brepols - Harvey Miller, 2024 Hardback, 239 pages, ENG. edition; 305 x 220 x 20 mm; llustrations: 82 b/w, 223 col., 2 tables b/w., 1 tables col. .*new ISBN 9782503607207.‎

‎This book rediscovers the Antwerp painter Jan Massys (c.1510-1573) and his artistic milieu. / The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals ? both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique. TABLE OF CONTENTS Chapter 1 Johannes Massiis alias Quintens Chapter 2 A career of ups and downs Chapter 3 Jan Massys and female beauty Chapter 4 A varied painting technique for depicting beauty, lechery, and luxury Chapter 5 Inside Jan Massys? Workshop: good and not-so-good workshop practices Chapter 6 Inside Jan Massys Workshop: known and unknown assistants Chapter 7 ConclusionBIO Maria Clelia Galassi graduated in art history at the University of Genoa and obtained her PhD from the University of Milan. Since 2000 she is professor at the University of Genoa, where she teaches History of collecting and Technical Art History. She focused her researches on Flemish and Italian painting technique during the Early Modern Age, and in the artistic relationship between Genoa and the Netherlands in the 15th and 16th centuries.‎

‎voyage d'Europe au fil des siècles - Europa's Journey through the Ages. Histoire et réception d'un mythe antique‎

‎, Brepols, 2022 Hardback, 160 pages, Size:156 x 234 mm, Illustrations:9 b/w, 1 tables b/w., Language(s):French, English. ISBN 9782503591537.‎

‎Summary Le mythe d'Europe dont les premières attestations remontent au VIIIe siècle av. J.-C., dans les Poèmes Homériques et la Théogonie d'Hésiode, façonne de nouvelles visions, figures et images dans les productions littéraires européennes tout comme dans les milieux artistiques, dès l'Antiquité gréco-romaine à nos jours. Il s'agit d'un voyage énigmatique dont il est impossible de déterminer les véritables prémices et dont la fin est probablement encore lointaine. Le centre d'attention du présent volume est Europe, princesse phénicienne, et non l'Europe, idée géopolitique. Avec un regard multidisciplinaire et diachronique, cet ouvrage explore de différentes facettes de la réception du mythe. Les contributeurs proposent des réflexions autour de la caractérisation du personnage mythique d'Europe, pour les périodes archaïque et classique, et autour de la réélaboration du mythe à l'époque hellénistique et humaniste. L'enquête s'étend jusqu'à l'étude de la persistance du mythe d'Europe dans l'art et dans la littérature des époques moderne et contemporaine. TABLE OF CONTENTS Luigi Spina, À la recherche des grands yeux d'Europe Christy Cones, Embracing the Other: the Asteas Krater of Europa Valeria Pace, Aetiology in Moschus' Europa Serena Cannavale, Not only Moschus. Aetiology in the Hellenistic versions of the myth of Europa and the bull Johanna A. Michels, Migration and Foundation in the Wanderings of Europa and Cadmus Isabella Walser-Bürgler, Draco volans: A Political Replacement of the Myth of Europe in Seventeenth-Century Latin Cosmographies Caterina Sansoni, Europa, une héroïne moderne La princesse phénicienne dans le récit de Massimo Bontempelli, Viaggio d'Europa Pascal Dethurens, « Quand le voyage prend fin. Sur quelques avatars du mythe d'Europe au XXe siècle » Bibliographie Index‎

‎Voyage archéologique en Italie‎

‎, GRUND , 2001 Hardcover, 320 pages, Texte en Francais, 335 x 250 x 28 mm, jaquette illustreé, Comme Neuf !, illustrations en couleur ! ISBN 9782700024524.‎

‎Le patrimoine archéologique de l'Italie a de tout temps suscité un intérêt constant. Carrefour entre l'Europe, l'Afrique et l'Asie, la péninsule vit s'épanouir de nombreuses cultures préhistoriques, fut habitée par les Celtes, les Etrusques, les peuples italiques, les Phéniciens, les Grecs et les Carthaginois. Puis commença l'extraordinaire aventure de Rome, qui fondit dans son propre langage artistique le génie des Grecs et le pragmatisme italique, de sorte que l'architecture et l'art romains sont aujourd'hui encore considérés comme l'une des étapes essentielles de l'histoire de l'art occidental. A cette Italie du passé et à ses précieux vestiges, il fallait un ouvrage prestigieux. Les sites sélectionnés, célèbres ou méconnus, permettent de parcourir, dans le temps et dans l'espace, le riche passé archéologique de l'Italie, depuis les gravures préhistoriques des peuples alpins aux magnifiques mosaïques de la fin de l'Empire romain, en passant du rude climat des vallées du Nord à la splendeur radieuse de la Sicile et de la Sardaigne. Ils possèdent en commun la possibilité de séduire et d'intéresser l'ensemble des lecteurs. Accompagné d'illustrations de qualité, le texte rigoureux fient compte des dernières découvertes tout en offrant une lecture agréable.‎

‎Exit Morandi, Giorgio Morandi ‎

‎, Forma Edizioni, 2019 hardcover, 112 pages Illustrated. 31x25cm, English, *New. ISBN 9788855210027.‎

‎This book takes as a starting point four important paintings in the collection of the Museo Novecento, which belonged to collector Alberto Della Ragione, including a rare watercolour of a female figure that reveals Morandi's extraordinary artistic abilities. It illustrates paintings, drawings, and prints that have been kept in various private collections. Exit Morandi also celebrates Morandi's relationship with art critics such as Roberto Longhi, Carlo Ludovico Ragghianti, Cesare Brandi and Francesco Arcangeli. An informative accompaniment to an exhibition of Giorgio Morandi's work at the Museo Novecento, Florence that focuses on the artist's relationships with some of the greatest contemporaneous art critics.‎

‎Vestiges de la Grèce antique dans leur cadre naturel :Tome 1, L'Attique et les Iles ‎

‎, Rossolis , 2006 Hardcover , 188 pages, Texte en Francais, 295 x 230 x 20 mm, Comme Neuf !, illustrations en couleur. ISBN 9782940365111.‎

‎Consacré à la Grèce antique, ce livre montre avec poésie et en images comment les sites archéologique se fondent en toute harmonie dans les paysages qui les entourent, et à quel point ils marquent le voyageur qui les parcourt. Ses pages invitent à la visite des monuments et à la communion avec leur site. Le travail exceptionnel des photographes Maria Fakidi et Dora Minaïdi, au-delà des vestiges eux-mêmes, rend hommage aux lieux et à leur magie. Le texte de l'archéologue Maria Beloyanni ajoute à l'image le socle de la connaissance. Le tome I parcourt l'Attique et les îles de la mer Égée. Les tomes II et III sont consacrés à la Grèce continentale et au Péloponnèse.‎

‎JUJOL‎

‎Taschen 1994 Expédition très soignée, tous les mardis et vendredis. . In-4. Broché. Livre en Français. Bon état d’occasion. Poids sans emballage : 1000 grammes.‎

‎ Bon état d’occasion ‎

‎Domènech I Montaner. An Art Nouveau Architect. Achitect du Modern Style. Arquitecto del Modernismo. Architekt des Jungendstil‎

‎Paris, Ediciones Poligrafa. Tudor Publishing Company., 1971, in-4 carré, relié-jaquette éditeur, Bon état. 244 illustrations couleurs et N/B. Texte en anglais, français, espagnol et allemand. ‎

8 Images

‎Mexique ancien : Histoire et culture des Mayas, Aztèques et autres peuples précolombiens ‎

‎, Grund , 1998 Hardcover, 292 pages, Texte en Francais, 365 x 265 x 30 mm, jaquette illustreé, Tres belle exemplaire !!!.Grand Format !!, illustrations pleine page !! ISBN 9782700021387.‎

‎Entre le deuxième millénaire avant notre ère et le XVIe siècle après J.-C., une mosaïque d'ethnies diverses a donné lieu aux civilisations du Mexique ancien. Avant d'être anéantis par les conquistadores, les Zapotèques, les Mayas, les Aztèques et d'autres cultures moins connues avaient développé une production architecturale et artistique extrêmement originale, et accumulé de vastes connaissances clans des domaines comme les mathématiques et l'astronomie. Avec des textes passionnants qui rendent compte des dernières découvertes, de nombreuses photographies et reconstitutions des sites archéologiques, cet ouvrage entraîne le lecteur à l'exploration d'un monde perdu et encore, à certains égards, méconnu et mystérieux,‎

‎Cult, Devotion, and Aesthetics in Later Byzantine Poetry‎

‎, Brepols, 2024 Paperback, 249 pages, Size:156 x 234 mm, Illustrations:6 col., 2 tables b/w., Language(s):English, Greek. ISBN 9782503611723.‎

‎Summary Public religious ritual and private devotional practice together occasioned much of the production of Byzantine poetry. This includes not only hymns, an integral part of the liturgy since Late Antiquity, but also versified texts with a specific liturgical function (synaxaria, calendars, metrical prefaces), metrical hagiography, epigrams (inscribed on church buildings, icons, religious objects, books), or poems with a more personal character, such as versified prayers, catanyctic poems (i.e., poems of contrition) and self-addressed poems (eis heauton). These texts often have much in common, well beyond their metrical form: from their contexts of performance and reception to the themes, literary motifs, and rhetorical devices they contain. It was not uncommon for a single author to write in a variety of the aforementioned genres; and yet these texts are rarely studied together (not least due to the specialized nature of the expertise of individual scholars). Later Byzantium offers us a particularly rich spectrum of sacred poetry, which has only recently started to arouse significant interest. While most of its poetic genres have a long history in Byzantine literature, their metamorphoses in this period - connected to changes in socio-political, cultural and religious conditions - deserve closer study. It is the purpose of this volume to propose a broader scholarly approach to the aesthetics of Byzantine poetry, taking into consideration the contexts of religious practice and devotion from c. the 11th to the 15th centuries. TABLE OF CONTENTS Maria-Lucia Goiana & Krystina Kubina, Introduction Stratis Papaioannou, The History of the Kontakion Revisited: And a Plea for the Study of the Byzantine Sacred Song after the Year 1000 Maria-Lucia Goiana & Krystina Kubina, Worshipping Verse: Liturgy as Occasion in Nikephoros Kallistou Xanthopoulos's Poetry Silvia Tessari, 'New Music' in MS Milan, Biblioteca Ambrosiana L 36 sup. (Martini-Bassi 476): With a New Critical Edition of the Set of Megalynaria Ascribed to Patriarch Germanos Maria Tomadaki, A Forgotten Liturgical Poem on the Passion of Christ (BHG 413m) Paraskevi Toma, George Eugenikos's Kanon on Saint Spyridon Dimitrios Skrekas, Neophytos, Bishop of Grevenou, a Lesser-Known Fifteenth-Century Hymnographer and his Hymnographic Activity Ioanna Skoura, Teaching Easter Computus with Verse: A Didactic Poem in Laur. Plut. 87.16‎

‎Use of Pragmatic Documents in Medieval Wallachia and Moldavia (Fourteenth to Sixteenth Centuries)‎

‎, Brepols, 2020 Hardback, xvii + 329 pages, Size:156 x 234 mm, Illustrations:26 b/w, 2 tables b/w., 1 maps b/w, Language: English. ISBN 9782503587974.‎

‎Summary In the region that was to become Moldavia and Wallachia, there are almost no traces of the use of writing for the millennium after the Roman Empire withdrew from Dacia. Written culture surfaces only by the second half of the fourteenth century, after the foundation of state institutions. This book surveys the earliest extant documents, their issuers, and the motives that triggered the development of documentary culture in Moldavia and Wallachia. By the fifteenth century, Moldavians were already accustomed to the use of charters. In Wallachia, noblemen also appealed to written records, but at that stage mainly in extraordinary circumstances. Women could not inherit land, and noblemen requested princely charters confirming a legal fiction that turned their daughters into sons. After the mid-sixteenth century, Wallachia experiences a steep growth in the number of charters issued. In this period of economic and social upheaval, charters proved an extraordinary means for the protection of landed property. Yet neither principality held secular archives - the storage of documents for later use in private hands suggests an early stage in the development of documentary culture. By covering the 'birth' and spread of pragmatic literacy in medieval Moldavia and Wallachia, this book thus fills an important lacuna in what is known about the development of literacy in the later Middle Ages. TABLE OF CONTENTS Preface, List of Illustrations, Abbreviations, Abbreviations, Map Introduction 1. Historical Background PART 1. A SURVEY OF THE SOURCES 2. The Evidence: Archives and (Indirect) Sources 3. Documents Issued by the Office of the Prince 4. Diversification of Document Producers 5. Moldavian and Wallachian Chancery Scribes PART II. USE AND DISSEMINATION OF PRAGMATIC DOCUMENTS 6. Records and their Uses 7. Falsification of Charters 8. The Use of Written Evidence in Wallachian and Moldavian Dispute Settlements 9. The Use and Function of Land Charters beyond the Courts 10. The Perception of Land Charters 11. Uses and Functions of Letters and the Status of their Users 12. Uses of Written Documents in the Process of Government 13. The Documentary Culture of the Merchant Milieu Conclusions Appendix: Reigns of the Wallachian and Moldavian Princes (Fourteenth to Sixteenth Centuries) Bibliography Index‎

‎L'Ordine nuovo e la pianificazione del grande spazio. Estratto de "Il Mulino" n. 238 - marzo-aprile 1975.‎

‎Bologna Societa editrice Il Mulino 1975 in-8 plaquette agrafée Bologna, Societa editrice Il Mulino, 1975. 21,5 x 15 cm, in-8, paginé 252-269 - 1 f. bl., plaquette agrafée sous couverture blanche imprimée.‎

‎Tiré à part de la revue "Il Mulino" (n° 238, mars-avril 1975). Bel exemplaire. Très bon ‎

‎Architecture maure en andalousie‎

‎TASCHEN. 2007. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 240 pages illustrées en couleur - jaquette correcte. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Dan Graham : Werke 1965-2000‎

‎, Richter Verlag , 2002 Hardcover, 428 seiten, D, 280 x 215 x 35 mm, mit illustrazionen in farbe und s/w. dustjacket ISBN 9783933807717.‎

‎Werke 1965 - 2000 ; [anläßlich der Ausstellung Dan Graham Werke 1965 - 2000 ; Museu de Arte Contemporânea de Serralves, Porto, 13. Januar bis 25. März 2001, Musée d'Art Moderne de la Ville de Paris, Paris, 21. Juni bis 30. September 2001, Kröller-Müller-Museum, Otterlo, 25. November bis 10. Februar 2002, Kiasma. Museum of Contemporary Art, Helsinki, 18. Mai bis 18. August 2002, Kunsthalle Düsseldorf, 13. Oktober 2002 bis 5. Januar 2003]‎

‎Political Ritual and Practice in Capetian France. Studies in Honour of Elizabeth A. R. Brown‎

‎, Brepols, 2021 Hardback, 457 pages, Size:156 x 234 mm, Illustrations:27 b/w, 9 col., 2 tables b/w., 3 maps b/w, Language: English. ISBN 9782503593029.‎

‎Summary In this volume, thirteen of the world's leading scholars of medieval France explore some of the most important ideas, events, personalities, and artistic creations of the Capetian world (987-1328). From some of the earliest medieval attempts to make narrative treatments of French history, through the invention of the schools, the creation of Gothic architecture, the practices of chivalry, the practice of statecraft, and the promulgation of law codes, the volume offers a panoramic view of the kingdom and the era that has come to define the medieval world in both the scholarly and popular imaginations. The scholars brought together in this volume share as well a common sense of gratitude and an intellectual debt to Elizabeth A. R. Brown, whose own rigour and brilliance has inspired their work and shaped their sense of the past. Political Ritual and Practice in Capetian France is both a tribute to a scholar of real accomplishment and a collection of original scholarship raised upon on the foundations that Elizabeth A. R. Brown herself set down. TABLE OF CONTENTS List of Illustrations, List of Contributors Introduction Jay Rubenstein and M. Cecilia Gaposchkin Suger: An Abbot's Fame Rolf Grosse Suger, Orderic Vitalis, and the Vexin: Some Observations on Bibliothèque Mazarine MS 2013 Elisabeth van Houts Countess Blanche, Philip Augustus, and the War of Succession in Champagne, 1201-22 Theodore Evergates 'Those Who Act More Strictly': Monks, Jews, and Capetian Religious Politics in the Bibles moralisées Sara Lipton Eudes of Châteauroux and the Holy Blood of Neuvy-Saint-Sépulchre Nicholas Vincent Philippe of Cahors: Or, What's in a Name? William Chester Jordan Jean d'Acre, Butler of France, Diplomat and High Servant of the Capetian Crown (d. January 8, 1296) Xavier Hélary Louis IX, Heraclius, and the True Cross at the Sainte Chapelle M. Cecilia Gaposchkin Writing and Illustrating History in Thirteenth Century France: The Chronique de l'anonyme de Béthune and Vincent of Beauvais's Speculum historiale Alison Stones Jacob of Santa Sabina Warns Philip the Fair that Boniface VIII is Antichrist by Means of Scripture and the Oraculum Cyrilli Robert E. Lerner The Templar Confessions in Bigorre, December 1307 and March 1308 Sean L. Field The Capetians and the River Seine (Thirteenth-Fourteenth Century) Elisabeth Lalou The Judicial Duel in Later Medieval France: Procedure, Ceremony, and Status Justine Firnhaber-Baker Index‎

‎TEMPLES OF BOOKS Magnificent Librairies Around the World‎

‎, Gestalten Verlag, 2022 HB, 260 x 209 mm, 288 p, throughout illustrations color.ENG edition. ISBN 9783967040241.‎

‎In 2016, the world's oldest existing library reopened in Fes, Morocco. It opened for the first time in the 9th Century. These shrines to the written word date back even further, and continue to be built today. They're a place where some of the oldest written texts are preserved and some of the newest technology connects visitors with vast amounts of knowledge. Libraries are changing, but, as places that are fundamentally free and open to all, they're also staying the same. Libraries of the World explores the most stunning examples, but it also explores how varied the idea of a library can be. It can be a grand Baroque hall with leather-bound tomes or a mid-century masterpiece, but it can just as easily be a few shelves in a repurposed phone booth. ‎

‎Found in Translation: Itinerant French Epics in Medieval Scandinavia‎

‎, Brepols, 2024 Paperback, x + 256 pages, Size:152 x 229 mm, Language: English. ISBN 9780888443144.‎

‎Summary This volume contains English translations of three Old Norse?Icelandic renderings of French chansons de geste (Elis saga ok Rósamundu, Bevers saga, and Flovents saga), and of one Icelandic chivalric romance (Bærings saga). The French epics translated into Old Norse-Icelandic were composed under the influence of courtly romance and were anonymous narratives subject to revision and recreation. These translations resulted in a new Icelandic genre, the riddarasaga or chivalric saga, of which Bærings saga is the first. TABLE OF CONTENTS Preface Abbreviations and Conventions Introduction Heroic Epic and Courtly Romance in the Germanic Realm Translating French Epics and Romances The Creation of a New Literary Genre in Iceland Four Old Norse-Icelandic Epics Rendering Old Norse-Icelandic Sagas into English he Romance Epic of Elis and Rosamunda The Romance Epic of Flovent The Romance Epic of Bevers The Romance Epic of Baering Bibliography Index‎

‎Koppig Begeesterd Geniaal, Kunstenaars met een eigen museum in Wallonië‎

‎Borgerhout, Marianne Vanderauwera, 2024 Softcover, 275 pagina's, 21 x 14.5 cm. Nederlandstalige tekst. *Nieuw. ISBN 9789090393384.‎

‎Donas, Ianchelevici, Redouté, Grétry, Folon, Gaspar, Martin, Rops, Hergé, Sax‎

‎A Margem do Problema Arquitetônico Nacional.‎

‎Rio de Janeiro: Artes Graf.- C. Mendes Junior, 1943 gr. in-8, 136 pages. Demi reliure à coins, dos à nerfs orné de fleurons et de filets et filets perlés dorés, couverture conservée, lég. épidermures, bon état. ENVOI. Ex-libris. Edition originale. Rare. Texte portugais.‎

‎A Margem do Problema Arquitetônico Nacional. (Rio de Janeiro: Artes Graf.- C. Mendes Junior, 1943) [M.C.: Brésil, architecture]‎

‎DES ARCHITECTURES POUR MIEUX VIVRE. Dix-huit exemples internationaux.‎

‎1980 / 188 pages. Broché. Editions Moniteur.‎

‎Trés bel état.‎

‎Les sphères, les astres et les théologiens. L'influence céleste entre science et foi dans les commentaires des Sentences (v. 1220 - v. 1340)‎

‎, Brepols, 2021 Hardback, 2 vols, xxvi + 1306 pages, Size:156 x 234 mm, Language: French. *new ISBN 9782503590868.‎

‎Summary Pour la totalité des savants médiévaux, les sphères et astres causent de multiples phénomènes terrestres, des événements météorologiques jusqu'aux changements dans le corps humain. Mais qu'en disent les théologiens ? Ce livre propose la première reconstitution de la théorie de l'influence céleste à partir d'une analyse exhaustive du corpus des commentaires des Sentences (v. 1220-v. 1340). Non seulement ces auteurs adhèrent à la doctrine de la causalité céleste, mais aussi ils prônent une approche originale. D'une part, ils traitent de l'influence « ordinaire », celle des corps supérieurs connus des astronomes : son étendue, ses mécanismes, ses limites. D'autre part, ils dépeignent une influence « hors normes », celle des sphères, des planètes et des étoiles dont l'existence est postulée par la foi chrétienne : le ciel empyrée, demeure des bienheureux, ou les corps célestes métamorphosés par l'Apocalypse. Dotés, à première vue, de propriétés contraires à l'ordre naturel, ces cieux sont néanmoins décrits avec la philosophie naturelle aristotélicienne. La théologie s'adapte donc à la science, mais en renouvelant cette dernière : en englobant le cas des cieux « atypiques », la théorie de l'influence céleste en ressort profondément modifiée. Il s'agit d'une clé pour comprendre l'innovation du savoir scientifique médiéval et, peut-être, pour penser les évolutions scientifiques ultérieures. Ce livre est la version retravaillée d'une thèse de doctorat distinguée par deux prix : le prix Daniel et Michel Dezès (décerné par le Comité français des sciences historiques sous l'égide de la Fondation de France) et le prix de la Société française d'histoire des sciences et des techniques (SFHST). TABLE OF CONTENTS This book is the first exhaustive study of one of the fundamental theory for medieval science: the theory of celestial influence. The analysis of the Sentences commentaries reveals different conceptions of celestial causality and shows the interactions between secular and Christian cosmologies. L'auteur a reçu la Médaille Jeanbernat Barthélemy de Ferrari Doria de l'Académie des Inscriptions et Belles-Lettres pour cet ouvrage.‎

‎RUBENS 1577-1640‎

‎, Confidential Concepts Int. 2012, 2012 Hardcover, 255 seiten, Deutsche sprache, 170 x 155 mm, im neue zustand. ISBN 9781780423685.‎

‎Für seine wohlgeformten, lasziven nackten Frauen berühmt, war Peter Paul Rubens erstes Anliegen die Darstellung der Sinnenfreuden in all ihren Formen. Ein Barockmaler, der in seinem gesamten künstlerischen Schaffen die Freuden und Wunder des Körperlichen feierte, die strikten sozialen Vorschriften zugunsten einer emotionalen und sinnlichen Porträtierung der Nacktheit aufgebend, um die Schönheit des menschlichen Körpers zu zelebrieren, die für den Künstler ebenso natürlich war wie die Landschaften seiner Jugend. In einem üppig illustrierten Bildband entdecken Maria Varshavskaya und Xenia Egorova diesen flämischen Künstler und setzen einen einzigartigen Fokus auf sein Werk.‎

‎Marly‎

‎Tel 1947 110 pages in4. 1947. Broché. 110 pages. nombreuses illustrations en noir et blanc et en couleurs‎

4 Images

‎Etat Correct intérieur propre‎

‎BAYEUX, Ville d'Art - Les Hôtels particuliers(La cité Gallo-Romaine, la ville féodale, maisons de bois, manoirs à tour, l'époque Louis XIII, au temps du goût français, Louis XVi ou la ville en chantier, les entrées de Bayeux...)‎

‎ CAEN, Imp. Le Brun, 1990 - Broché - In-8, 18 x 24 cm - Bonne iconographie couleurs et noir et blanc - complet des 2 cartes dépliantes - 216 pages - bon exemplaireEnvoi manuscrit de l'auteur ‎

‎French Renaissance Music and Beyond. Studies in Memory of Frank Dobbins‎

‎, Brepols, 2019 Paperback, 730 pages, Size:190 x 290 mm, Illustrations:227 b/w, 37 tables b/w., Languages: English, French, Italian. ISBN 9782503579603.‎

‎Summary This volume presents 34 studies (750p) in English, French, and Italian, assembled as a tribute by friends and former students from around the world to the late Frank Dobbins (1943-2012), distinguished scholar of the French chanson in early modern Europe. The book is built around studies of music in the Renaissance and Baroque periods (which form the core of the book), together with contributions about music composed between the second half of the eighteenth century and the twentieth centuries; these reflect both the wide-ranging variety of Frank's interests, and the range of his friendships. Secular, sacred, vocal, and instrumental music are all treated, while individual essays focus upon codicology, music printing and editing, music analysis, music theory, text-setting, biography, music and literature, music and theology, and both the reception and sociology of music. They include major discoveries about the diffusion of Jacques Moderne's choirbooks, Josquin's music, and musical and archival sources, while a number cast new light on different repertories. Contributors : C. Ballman, I. Bartlett, C. Cavicchi, D. Charlton, A. Coeurdevey, M. Cornaz, E. Corswarem. A. Di Profio, J. Duchamp, M. Egan-Buffet, D. Fabris, I. Fenlon, F. Fitch, M. M. Fontaine, G. Garden, O. Grellety Bosviel, J. Griffiths, L. Guillo, F. Guilloux, M. Ham, R. Jacob, T. Knighton, G. Mc Donald, F. de Médicis, P. Nicolas, L. Sawkins, A. Scarcez, K. Schiltz, M. Talbot, A. Tacaille, S. Thieffry, D. Trottier, H. Vanhulst, O. Wahnon de Oliveira, D. Wright, V. Zara. TABLE OF CONTENTS BIBLIOGRAPHICAL ABBREVIATIONS PREFACE ARTICLES Christine Ballman Le grand deul (B-Br Ms IV 90 et B-Tv Ms 94) : méthodologie d'une tentative de reconstruction Ian Bartlett Thomas Philips, Lord Chesterfield and the Enigma of a Popular Eighteenth-Century Ballad by William Boyce: a New Conspiracy Theory Camilla Cavicchi Sealed in an Envelope: Binchois and Du Fay on a Fragment from Fifteenth-Century Ferrara David Charlton The Politics of Payments: Rameau, Rousseau and the Opéra Inventory, 1749-1757 Annie Coeurdevey Les recueils manuscrits de c.1480 à c.1540 : particularités scripturales et organisationnelles Marie Cornaz La cantate italienne et française au sein de la collection musicale des archives d'Arenberg : nouvelles perspectives Émilie Corswarem La chanson à Liège au XVIe siècle Alessandro Di Profio Mozart suo malgrado. Un proto-Don Giovanni a Parigi (1791) Jean Duchamp Passions lyonnaises : un unicum liturgique de Jacques Moderne Máire Egan-Buffet Music and Musicians in a French Provincial Salon 1922-1948 Dinko Fabris Il libro di liuto di Andrea Falconieri e Giuseppe Antonio Doni : trent'anni dopo Iain Fenlon Jacques Moderne's Choirbooks and the Iberian Trade Fabrice Fitch Du fragment de texte poétique considéré comme « voix lacunaire » : le rondeau d'Ockeghem Se vostre cueur Marie Madeleine Fontaine Musiques, danses et paroles. Leur pratique dans le Printemps d'Yver de Jacques Yver (1572) Greer Garden Mademoiselle de Menetou, 'grande musicienne' of the La Ferté-Senneterre Family, and Her Airs serieux à deux (Paris, 1691) Olivier Grellety Bosviel Mise en livre et négoce des imprimés parisiens de messes polyphoniques au XVIe siècle. Le cas des bi-feuillets de 1568 publiés par Nicolas Du Chemin John Griffiths Heteroclito Giancarli and His Composizioni musicali of 1602 Laurent Guillo et Alice Tacaille Les réponses de Loys Bourgeois aux invectives de Simon Gorlier (Lyon, 1554) Fabien Guilloux Notes d'archives lyonnaises : les Pénitents blancs du Confalon et le Recueil des Psalmes (1610) Martin Ham Attaingnant and the O Antiphons of the Liber septimus Roger Jacob Double-Choir Dialogue as an Expressive Medium in the Sixteenth-Century Eight-Voice French Chanson from Phinot to Lassus Tess Knighton Approaches to Text-Setting in Castilian-Texted Devotional Songs c. 1500 Grantley McDonald The Debate Over Church Music Between Jacob Andreae and Théodore de Bèze at the Colloquy of Montbéliard (1586) François de Médicis 'Une musique secouée de frissons, d'élans, d'étreintes' : les gestes mimétiques dans l'oeuvre lyrique de Jules Massenet Patrice Nicolas La chanson A qui direlle sa pensée et ses dérivés : quelques réflexions à la lumière d'une attribution tardive Lionel Sawkins Some Observations on French Vocal Practice and Technique 1670-1750 Katelijne Schiltz Coins and Crosses: Cruciform Riddles in Cerone's Melopeo Michael Talbot 'Le plus habile compositeur qui soit à Venise': Vivaldi's Reputation in Eighteenth-Century France Sandrine Thieffry La Société Schott Frères et la SACEM : un épisode des relations éditoriales entre la Belgique et la France (fin XIXe- début XXe siècle) Danick Trottier Monumentum pro Gesualdo di Venosa : quand Stravinski s'invite à sa façon dans la re-découverte de la musique ancienne Henri Vanhulst et Alicia Scarcez Les éditions de musique polyphonique de Pierre Attaingnant retrouvées depuis 1969 Olivia Wahnon de Oliveira Léon Jongen et la diffusion de la musique de Joseph Jongen en France David Wright Mechanized Music and the New Market for Musical Journalism Vasco Zara Du faux-bourdon aux tabulæ compositoriæ : René Ouvrard et le secret pour composer en musique INDEX NOMINUM INDEX LOCORUM‎

‎Theatres of Belief: Music and Conversion in the Early Modern City‎

‎, Brepols, 2022 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:11 b/w, 12 col., 10 tables b/w., Language: English. ISBN 9782503598871.‎

‎Summary These eleven essays, all centrally concerned with the intimate relationship between sound, religion, and society in the early modern world, present a sequence of test cases located in a wide variety of urban environments in Europe and the Americas. Written by an international cast of acclaimed historians and musicologists, they explore in depth the interrelated notions of conversion and confessionalisation in the shared belief that the early modern city was neither socially static nor religiously uniform. With its examples drawn from the Holy Roman Empire and the Southern Netherlands, the pluri-religious Mediterranean, and the colonial Americas both North and South, this book takes discussion of the urban soundscape, so often discussed in purely traditional terms of European institutional histories, to a new level of engagement with the concept of a totally immersive acoustic environment as conceptualised by R. Murray Schafer. From the Protestants of Douai, a bastion of the Catholic Reformation, to the bi-confessional city of Augsburg and seventeenth-century Farmington in Connecticut, where the indigenous Indian population fashioned a separate Christian entity, the intertwined religious, musical, and emotional lives of specifically grounded communities of early modern men and women are here vividly brought to life. TABLE OF CONTENTS Introduction Marie-Alexis Colin, Iain Fenlon and Matthew Laube 1. Converting Tondalos: Musical Culture on a Lutheran Spiritual Pilgrimage of the Late Sixteenth Century Martin Christ (University of Erfurt) 2. Catholicising the City: Music, Ritual and Identity in Sixteenth-Century Córdoba Iain Fenlon (King's College, Cambridge) 3. Sound and the Conversion of Space in Early Modern Germany Alexander J. Fisher (University of British Columbia) 4. Music Books for Lima Cathedral and their Social Context in the Early Seventeenth Century: Black Slaves as a Guarantee for Producing a New Plainchant Library María Gembero-Ustárroz (Consejo Superior de Investigaciones Científicas) 5. Land and Conversion: New Frameworks for Colonial American Hymnody Glenda Goodman (University of Pennsylvania) 6. Lutheranising through Music: Tracing the Confessional Soundscapes of Early Seventeenth-Century Wolfenbüttel and Braunschweig Inga Mai Groote (Zurich University) 7. Sound Conversion? Music, Hearing and Sacred Space in the Long Reformation in Ulm, 1531-1629 Philip Hahn (University of Tübingen) 8. The Musical Cultures of Dissent and Anti-Catholicism in Counter-Reformation Douai Matthew Laube (Birkbeck, University of London) 9. A Jesuit Ceremony of Spiritual Exercises with Music in the Seventeenth Century: Devotional Connections between Perpignan, Barcelona, Madrid, Granada and Archbishop Palafox Emilio Ros-Fábregas (Institución Milá y Fontanals, Consejo Superior de Investigaciones Científicas) 10. Bells, Confessional Conflict and the Dutch Revolt, c. 1566-1585 Andrew Spicer (Oxford Brookes University) 11. Music for an Endless Conversion: A Cycle of Offertories from Jesuit Paraguay Leonardo Waisman (University of Córdoba, Argentina)‎