‎L'architecture française au Togo et l'oeuvre de Georges Coustère au Togo. Préface de Paul Ahyi.‎

‎Lomé: Editions Haho, 2000 in-4 oblong, 118 pages, 158 photos, 2 cartes. Broché, couv. illustrée, livre lég. gauchi, bon état. Réalisations de l'architecte Georges Coustère au Togo pendant la période coloniale.‎

‎L'architecture française au Togo et l'oeuvre de Georges Coustère au Togo. Préface de Paul Ahyi. (Lomé: Editions Haho, 2000). [M.C.: Afrique noire, Togo, histoire, architecture coloniale, urbanisme]‎

‎"Quercy Roman"‎

‎"collection la Nuit des Temps. La Pierre qui Vire (Yonne). 17 cm x 22 cm. 1959. Cartonné. 339 pages. La Pierre qui Vire (Yonne) Éditions Zodiaque coll. la Nuit des Temps e.o. 1959. Cartonné bien complet de la jaquette 17 cm x 22 cm 339 pages photos noir & blanc et couleur cartes et plans index des noms de lieux. Textes de Marguerite Duval Jean Maury et Jean Porcher photographies inédites de Jean Dieuzaide. Léger accroc sur la jaquette sinon très bon état" "Léger accroc sur la jaquette sinon très bon état"‎

‎Espaces de jeux - De la boîte à sable au terrain d'aventure‎

‎Editions D. Vincent 1976 Format italien - Reliure toile jaune éditeur - Jaquette glacée photo - 156 pages Bon état - Page de garde avant pliure - Jaquette état correct frottée au niveau des coins 796 g‎

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‎Anton Rooskens : Beyond Cobra / Voorbij Cobra‎

‎, Jap Sam Books, 2023 Hardcover, 208 pag., NL / ENG, 285 x 225 mm, NEW / NIEUW, illustrated in colour / b/w. ISBN 9789492852854.‎

‎With the support of Stichting Van Eelen-Weeber, Jaap Harten Fonds, Theodora Versteegh Stichting, family archive Rooskens and support from the Prins Bernhard Cultuurfonds beheerde het Charema Fonds voor geschiedenis en kunst and Het Prins Fonds.‎

‎Alger L’Hiver.‎

‎Collection de l’Algérie artistique & pittoresque. In folio broché, couverture illustrée, dos renforcé. Faux-titre, titre, 34 pages, 2 pages de table des illustrations, illustrations hors texte et dans le texte photos d’après nature de GERVAI-COURTELLEMONT. Alger Gervais-Courtellemont & Cie éditeur 1893. ‎

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‎Villas de Lucques : Les délices de la campagne‎

‎ 2015 Gourcuff Gradenigo 2015 grand volume In4 relié sous jaquette 294 pages, ‎

‎ bon état ‎

‎Antoni Gaudi 1852-1926 : Van natuur naar architectuur‎

‎, Taschen / De Morgen, 2007 Hardcover, 96 pag. NL, 240 x 190 mm, goede staat, ill. in kleur / z/w. ISBN 9789077686522.‎

‎Urban Hierarchy. The Interaction between Towns and Cities in Europe in Late Medieval and Early Modern Times‎

‎, Brepols, 2021 Hardback, 228 pages, Size:178 x 254 mm, Language(s):English, French. ISBN 9782503577272.‎

‎Summary Urban hierarchy means a new study approach that focuses on the reciprocal concurrence of relationships between urban centers, their complementarity, opposition, support and ongoing collaboration. The goal is to go beyond the single analysis of a city and focus on the interaction between towns and cities and to distinguish their dynamics and the degree of specialization within a political framework. The final objective is to provide a comprehensive historical analysis as urban history requires, open to the advantages of interdisciplinarity and the contributions of the international researchers that will take part in the book. The processes of urban hierarchisation are not only vital for observing the dynamics of cities, but also for studying in depth the response capabilities of the urban systems in the face of new challenges and stimuli. These aspects of the historical analysis of cities are still quite unexplored and, therefore, they will receive a great deal of attention in the book. The initial regional frameworks will not exclude small towns and rural centers since, even though they may look less potentially relevant, they might display greater specific development. Thanks to a renewed methodology and special attention to the empirical basis, it is possible to improve our knowledge of the urban systems of European regions at the end of the Middle Ages and the beginning of the Early Modern Era, shedding light on some aspects of the medieval past that will also influence other scientific areas of humanities. TABLE OF CONTENTS Introduction Urban Hierarchies in Pre-Modern Europe Maria Asenjo-Gonz lez Part I - Urban Networks and Central Place Rouen : p le urbain et centre de consommation Anne Kucab Le r seau erfurtois la fin du Moyen ge. Une construction politique en marge du seigneur Morwenna Coquelin Urban Hierarchies in the Heart of the Po Valley (12th-15th century). Persistence and Change Andrea Gamberini Part II - Capital Cities and Political Actions Rethinking Madrid during the Sixteenth Century. An Approach from Urban Hierarchies David Alonso Garc a About the Urbanization in the Kingdom of Naples. The Campanian Area in 15th-16th Centuries Francesco Senatore Urban Networks 'in Defence of the Realm'. Castilian Cities in Valladolid's Orbit of Influence (1504-1520) Mar a ngeles Mart n Romera Part III - Dynamics of Government. Cooperation, Rivalry and Conflict between Cities The Town of Kol n and its Communication Horizons in the Late Middle Ages Jan Vojt ?ek Urban Hierarchies and the Institutional Fabric of Late Medieval European Towns Arie van Steensel Resistance to Jurisdictional Predominance and Hierarchical Ambitions. Cadahalso versus Escalona (1232-1480) scar L pez G mez The Interaction between the Bohemian Royal Towns and their Relation to the Cities of Central Europe in 1526-1620 Jana Vojt ?kov ‎

‎Waters Robin de Puy ‎

‎Antwerpen , Hannibal Books, 2023 Linnen binding met opdruk, 100 pagina's, 24.5 x 19 cm. Nederlandstalig. *Nieuw. ISBN 9789464666199.‎

‎Fotografe Robin de Puy herdenkt de Watersnoodramp van 1953 In 1953 voltrok zich in grote delen van Nederland een enorme natuurramp, veroorzaakt door een storm bij springtij. Fotografe Robin de Puy ( 1986) portretteert zeventig jaar later een aantal bewoners van het eiland Goeree-Overflakkee, dat zwaar getroffen werd. Velen van hen hebben de Watersnoodramp zelf meegemaakt, anderen groeiden op in de schaduw van wat hun (groot)ouders hebben beleefd.‎

‎Jan Massys : Renaissance Painter of Flemish Female Beauty.‎

‎, Brepols - Harvey Miller, 2024 Hardback, 239 pages, ENG. edition; 305 x 220 x 20 mm; llustrations: 82 b/w, 223 col., 2 tables b/w., 1 tables col. .*new ISBN 9782503607207.‎

‎This book rediscovers the Antwerp painter Jan Massys (c.1510-1573) and his artistic milieu. / The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals ? both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique. TABLE OF CONTENTS Chapter 1 Johannes Massiis alias Quintens Chapter 2 A career of ups and downs Chapter 3 Jan Massys and female beauty Chapter 4 A varied painting technique for depicting beauty, lechery, and luxury Chapter 5 Inside Jan Massys? Workshop: good and not-so-good workshop practices Chapter 6 Inside Jan Massys Workshop: known and unknown assistants Chapter 7 ConclusionBIO Maria Clelia Galassi graduated in art history at the University of Genoa and obtained her PhD from the University of Milan. Since 2000 she is professor at the University of Genoa, where she teaches History of collecting and Technical Art History. She focused her researches on Flemish and Italian painting technique during the Early Modern Age, and in the artistic relationship between Genoa and the Netherlands in the 15th and 16th centuries.‎

‎voyage d'Europe au fil des si cles - Europa's Journey through the Ages. Histoire et r ception d'un mythe antique‎

‎, Brepols, 2022 Hardback, 160 pages, Size:156 x 234 mm, Illustrations:9 b/w, 1 tables b/w., Language(s):French, English. ISBN 9782503591537.‎

‎Summary Le mythe d'Europe dont les premi res attestations remontent au VIIIe si cle av. J.-C., dans les Po mes Hom riques et la Th ogonie d'H siode, fa onne de nouvelles visions, figures et images dans les productions litt raires europ ennes tout comme dans les milieux artistiques, d s l'Antiquit gr co-romaine nos jours. Il s'agit d'un voyage nigmatique dont il est impossible de d terminer les v ritables pr mices et dont la fin est probablement encore lointaine. Le centre d'attention du pr sent volume est Europe, princesse ph nicienne, et non l'Europe, id e g opolitique. Avec un regard multidisciplinaire et diachronique, cet ouvrage explore de diff rentes facettes de la r ception du mythe. Les contributeurs proposent des r flexions autour de la caract risation du personnage mythique d'Europe, pour les p riodes archa que et classique, et autour de la r laboration du mythe l' poque hell nistique et humaniste. L'enqu te s' tend jusqu' l' tude de la persistance du mythe d'Europe dans l'art et dans la litt rature des poques moderne et contemporaine. TABLE OF CONTENTS Luigi Spina, la recherche des grands yeux d'Europe Christy Cones, Embracing the Other: the Asteas Krater of Europa Valeria Pace, Aetiology in Moschus' Europa Serena Cannavale, Not only Moschus. Aetiology in the Hellenistic versions of the myth of Europa and the bull Johanna A. Michels, Migration and Foundation in the Wanderings of Europa and Cadmus Isabella Walser-B rgler, Draco volans: A Political Replacement of the Myth of Europe in Seventeenth-Century Latin Cosmographies Caterina Sansoni, Europa, une h ro ne moderne La princesse ph nicienne dans le r cit de Massimo Bontempelli, Viaggio d'Europa Pascal Dethurens, Quand le voyage prend fin. Sur quelques avatars du mythe d'Europe au XXe si cle Bibliographie Index‎

‎Voyage arch ologique en Italie‎

‎, GRUND , 2001 Hardcover, 320 pages, Texte en Francais, 335 x 250 x 28 mm, jaquette illustre , Comme Neuf !, illustrations en couleur ! ISBN 9782700024524.‎

‎Le patrimoine arch ologique de l'Italie a de tout temps suscit un int r t constant. Carrefour entre l'Europe, l'Afrique et l'Asie, la p ninsule vit s' panouir de nombreuses cultures pr historiques, fut habit e par les Celtes, les Etrusques, les peuples italiques, les Ph niciens, les Grecs et les Carthaginois. Puis commen a l'extraordinaire aventure de Rome, qui fondit dans son propre langage artistique le g nie des Grecs et le pragmatisme italique, de sorte que l'architecture et l'art romains sont aujourd'hui encore consid r s comme l'une des tapes essentielles de l'histoire de l'art occidental. A cette Italie du pass et ses pr cieux vestiges, il fallait un ouvrage prestigieux. Les sites s lectionn s, c l bres ou m connus, permettent de parcourir, dans le temps et dans l'espace, le riche pass arch ologique de l'Italie, depuis les gravures pr historiques des peuples alpins aux magnifiques mosa ques de la fin de l'Empire romain, en passant du rude climat des vall es du Nord la splendeur radieuse de la Sicile et de la Sardaigne. Ils poss dent en commun la possibilit de s duire et d'int resser l'ensemble des lecteurs. Accompagn d'illustrations de qualit , le texte rigoureux fient compte des derni res d couvertes tout en offrant une lecture agr able.‎

‎Exit Morandi, Giorgio Morandi ‎

‎, Forma Edizioni, 2019 hardcover, 112 pages Illustrated. 31x25cm, English, *New. ISBN 9788855210027.‎

‎This book takes as a starting point four important paintings in the collection of the Museo Novecento, which belonged to collector Alberto Della Ragione, including a rare watercolour of a female figure that reveals Morandi's extraordinary artistic abilities. It illustrates paintings, drawings, and prints that have been kept in various private collections. Exit Morandi also celebrates Morandi's relationship with art critics such as Roberto Longhi, Carlo Ludovico Ragghianti, Cesare Brandi and Francesco Arcangeli. An informative accompaniment to an exhibition of Giorgio Morandi's work at the Museo Novecento, Florence that focuses on the artist's relationships with some of the greatest contemporaneous art critics.‎

‎Vestiges de la Gr ce antique dans leur cadre naturel :Tome 1, L'Attique et les Iles ‎

‎, Rossolis , 2006 Hardcover , 188 pages, Texte en Francais, 295 x 230 x 20 mm, Comme Neuf !, illustrations en couleur. ISBN 9782940365111.‎

‎Consacr la Gr ce antique, ce livre montre avec po sie et en images comment les sites arch ologique se fondent en toute harmonie dans les paysages qui les entourent, et quel point ils marquent le voyageur qui les parcourt. Ses pages invitent la visite des monuments et la communion avec leur site. Le travail exceptionnel des photographes Maria Fakidi et Dora Mina di, au-del des vestiges eux-m mes, rend hommage aux lieux et leur magie. Le texte de l'arch ologue Maria Beloyanni ajoute l'image le socle de la connaissance. Le tome I parcourt l'Attique et les les de la mer g e. Les tomes II et III sont consacr s la Gr ce continentale et au P loponn se.‎

‎JUJOL‎

‎Taschen 1994 Expédition très soignée, tous les mardis et vendredis. . In-4. Broché. Livre en Français. Bon état d’occasion. Poids sans emballage : 1000 grammes.‎

‎ Bon état d’occasion ‎

‎Domènech I Montaner. An Art Nouveau Architect. Achitect du Modern Style. Arquitecto del Modernismo. Architekt des Jungendstil‎

‎Paris, Ediciones Poligrafa. Tudor Publishing Company., 1971, in-4 carré, relié-jaquette éditeur, Bon état. 244 illustrations couleurs et N/B. Texte en anglais, français, espagnol et allemand. ‎

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‎Mexique ancien : Histoire et culture des Mayas, Azt ques et autres peuples pr colombiens ‎

‎, Grund , 1998 Hardcover, 292 pages, Texte en Francais, 365 x 265 x 30 mm, jaquette illustre , Tres belle exemplaire !!!.Grand Format !!, illustrations pleine page !! ISBN 9782700021387.‎

‎Entre le deuxi me mill naire avant notre re et le XVIe si cle apr s J.-C., une mosa que d'ethnies diverses a donn lieu aux civilisations du Mexique ancien. Avant d' tre an antis par les conquistadores, les Zapot ques, les Mayas, les Azt ques et d'autres cultures moins connues avaient d velopp une production architecturale et artistique extr mement originale, et accumul de vastes connaissances clans des domaines comme les math matiques et l'astronomie. Avec des textes passionnants qui rendent compte des derni res d couvertes, de nombreuses photographies et reconstitutions des sites arch ologiques, cet ouvrage entra ne le lecteur l'exploration d'un monde perdu et encore, certains gards, m connu et myst rieux,‎

‎Cult, Devotion, and Aesthetics in Later Byzantine Poetry‎

‎, Brepols, 2024 Paperback, 249 pages, Size:156 x 234 mm, Illustrations:6 col., 2 tables b/w., Language(s):English, Greek. ISBN 9782503611723.‎

‎Summary Public religious ritual and private devotional practice together occasioned much of the production of Byzantine poetry. This includes not only hymns, an integral part of the liturgy since Late Antiquity, but also versified texts with a specific liturgical function (synaxaria, calendars, metrical prefaces), metrical hagiography, epigrams (inscribed on church buildings, icons, religious objects, books), or poems with a more personal character, such as versified prayers, catanyctic poems (i.e., poems of contrition) and self-addressed poems (eis heauton). These texts often have much in common, well beyond their metrical form: from their contexts of performance and reception to the themes, literary motifs, and rhetorical devices they contain. It was not uncommon for a single author to write in a variety of the aforementioned genres; and yet these texts are rarely studied together (not least due to the specialized nature of the expertise of individual scholars). Later Byzantium offers us a particularly rich spectrum of sacred poetry, which has only recently started to arouse significant interest. While most of its poetic genres have a long history in Byzantine literature, their metamorphoses in this period - connected to changes in socio-political, cultural and religious conditions - deserve closer study. It is the purpose of this volume to propose a broader scholarly approach to the aesthetics of Byzantine poetry, taking into consideration the contexts of religious practice and devotion from c. the 11th to the 15th centuries. TABLE OF CONTENTS Maria-Lucia Goiana & Krystina Kubina, Introduction Stratis Papaioannou, The History of the Kontakion Revisited: And a Plea for the Study of the Byzantine Sacred Song after the Year 1000 Maria-Lucia Goiana & Krystina Kubina, Worshipping Verse: Liturgy as Occasion in Nikephoros Kallistou Xanthopoulos's Poetry Silvia Tessari, 'New Music' in MS Milan, Biblioteca Ambrosiana L 36 sup. (Martini-Bassi 476): With a New Critical Edition of the Set of Megalynaria Ascribed to Patriarch Germanos Maria Tomadaki, A Forgotten Liturgical Poem on the Passion of Christ (BHG 413m) Paraskevi Toma, George Eugenikos's Kanon on Saint Spyridon Dimitrios Skrekas, Neophytos, Bishop of Grevenou, a Lesser-Known Fifteenth-Century Hymnographer and his Hymnographic Activity Ioanna Skoura, Teaching Easter Computus with Verse: A Didactic Poem in Laur. Plut. 87.16‎

‎Use of Pragmatic Documents in Medieval Wallachia and Moldavia (Fourteenth to Sixteenth Centuries)‎

‎, Brepols, 2020 Hardback, xvii + 329 pages, Size:156 x 234 mm, Illustrations:26 b/w, 2 tables b/w., 1 maps b/w, Language: English. ISBN 9782503587974.‎

‎Summary In the region that was to become Moldavia and Wallachia, there are almost no traces of the use of writing for the millennium after the Roman Empire withdrew from Dacia. Written culture surfaces only by the second half of the fourteenth century, after the foundation of state institutions. This book surveys the earliest extant documents, their issuers, and the motives that triggered the development of documentary culture in Moldavia and Wallachia. By the fifteenth century, Moldavians were already accustomed to the use of charters. In Wallachia, noblemen also appealed to written records, but at that stage mainly in extraordinary circumstances. Women could not inherit land, and noblemen requested princely charters confirming a legal fiction that turned their daughters into sons. After the mid-sixteenth century, Wallachia experiences a steep growth in the number of charters issued. In this period of economic and social upheaval, charters proved an extraordinary means for the protection of landed property. Yet neither principality held secular archives - the storage of documents for later use in private hands suggests an early stage in the development of documentary culture. By covering the 'birth' and spread of pragmatic literacy in medieval Moldavia and Wallachia, this book thus fills an important lacuna in what is known about the development of literacy in the later Middle Ages. TABLE OF CONTENTS Preface, List of Illustrations, Abbreviations, Abbreviations, Map Introduction 1. Historical Background PART 1. A SURVEY OF THE SOURCES 2. The Evidence: Archives and (Indirect) Sources 3. Documents Issued by the Office of the Prince 4. Diversification of Document Producers 5. Moldavian and Wallachian Chancery Scribes PART II. USE AND DISSEMINATION OF PRAGMATIC DOCUMENTS 6. Records and their Uses 7. Falsification of Charters 8. The Use of Written Evidence in Wallachian and Moldavian Dispute Settlements 9. The Use and Function of Land Charters beyond the Courts 10. The Perception of Land Charters 11. Uses and Functions of Letters and the Status of their Users 12. Uses of Written Documents in the Process of Government 13. The Documentary Culture of the Merchant Milieu Conclusions Appendix: Reigns of the Wallachian and Moldavian Princes (Fourteenth to Sixteenth Centuries) Bibliography Index‎

‎L'Ordine nuovo e la pianificazione del grande spazio. Estratto de "Il Mulino" n. 238 - marzo-aprile 1975.‎

‎Bologna Societa editrice Il Mulino 1975 in-8 plaquette agrafée Bologna, Societa editrice Il Mulino, 1975. 21,5 x 15 cm, in-8, paginé 252-269 - 1 f. bl., plaquette agrafée sous couverture blanche imprimée.‎

‎Tiré à part de la revue "Il Mulino" (n° 238, mars-avril 1975). Bel exemplaire. Très bon ‎

‎ARABIA, CERAMICS ART INDUSTRY.‎

‎, Designmuseo, 2009 bound, hardback dusjacket,315 pages . illustre in color. fine! ISBN 9789529878628.‎

‎Founded in 1873, the Arabia factory grew to become one of Europe?s leading manufacturers of modern utility and art ceramics by the middle of the 20th century. In Arabia, Ceramics, Art, Industry, the contributors have placed a particular emphasis on design-related issues. The introductory chapter by Elise Kovanen gives an overview of the Arabia factory and its achievements over the years. Helena Leppanen presents a great deal of hitherto unpublished information on the working methods, techniques, and models of the Arabia decoration department, while Marjut Kumela describes the history of Arabia tableware services from the Asian-influenced revived styles of the 1870s to the incipient modernism of the 1930s and the new challenges brought about by the Second World War. Susanna Vakkari continues the narrative by discussing the design of utilitarian objects from the final breakthrough of modernism to products of the present day. Susann Vihma and Tapio Yli-Viikari analyse the design philosophy of Kaj Franck, who was an important artistic director at Arabia, with particular reference to Kilta and Teema, his best-known tableware services. Marianne Aav explores the output of the Arabia Art Department and its significance for the factory?s image. Each chapter is complemented by illustrations of works by Arabia4s designers. The book includes the Arabia Factory Marks.‎

‎Architecture maure en andalousie‎

‎TASCHEN. 2007. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 240 pages illustrées en couleur - jaquette correcte. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Dan Graham : Werke 1965-2000‎

‎, Richter Verlag , 2002 Hardcover, 428 seiten, D, 280 x 215 x 35 mm, mit illustrazionen in farbe und s/w. dustjacket ISBN 9783933807717.‎

‎Werke 1965 - 2000 ; [anl lich der Ausstellung Dan Graham Werke 1965 - 2000 ; Museu de Arte Contempor nea de Serralves, Porto, 13. Januar bis 25. M rz 2001, Mus e d'Art Moderne de la Ville de Paris, Paris, 21. Juni bis 30. September 2001, Kr ller-M ller-Museum, Otterlo, 25. November bis 10. Februar 2002, Kiasma. Museum of Contemporary Art, Helsinki, 18. Mai bis 18. August 2002, Kunsthalle D sseldorf, 13. Oktober 2002 bis 5. Januar 2003]‎

‎Political Ritual and Practice in Capetian France. Studies in Honour of Elizabeth A. R. Brown‎

‎, Brepols, 2021 Hardback, 457 pages, Size:156 x 234 mm, Illustrations:27 b/w, 9 col., 2 tables b/w., 3 maps b/w, Language: English. ISBN 9782503593029.‎

‎Summary In this volume, thirteen of the world's leading scholars of medieval France explore some of the most important ideas, events, personalities, and artistic creations of the Capetian world (987-1328). From some of the earliest medieval attempts to make narrative treatments of French history, through the invention of the schools, the creation of Gothic architecture, the practices of chivalry, the practice of statecraft, and the promulgation of law codes, the volume offers a panoramic view of the kingdom and the era that has come to define the medieval world in both the scholarly and popular imaginations. The scholars brought together in this volume share as well a common sense of gratitude and an intellectual debt to Elizabeth A. R. Brown, whose own rigour and brilliance has inspired their work and shaped their sense of the past. Political Ritual and Practice in Capetian France is both a tribute to a scholar of real accomplishment and a collection of original scholarship raised upon on the foundations that Elizabeth A. R. Brown herself set down. TABLE OF CONTENTS List of Illustrations, List of Contributors Introduction Jay Rubenstein and M. Cecilia Gaposchkin Suger: An Abbot's Fame Rolf Grosse Suger, Orderic Vitalis, and the Vexin: Some Observations on Biblioth que Mazarine MS 2013 Elisabeth van Houts Countess Blanche, Philip Augustus, and the War of Succession in Champagne, 1201-22 Theodore Evergates 'Those Who Act More Strictly': Monks, Jews, and Capetian Religious Politics in the Bibles moralis es Sara Lipton Eudes of Ch teauroux and the Holy Blood of Neuvy-Saint-S pulchre Nicholas Vincent Philippe of Cahors: Or, What's in a Name? William Chester Jordan Jean d'Acre, Butler of France, Diplomat and High Servant of the Capetian Crown (d. January 8, 1296) Xavier H lary Louis IX, Heraclius, and the True Cross at the Sainte Chapelle M. Cecilia Gaposchkin Writing and Illustrating History in Thirteenth Century France: The Chronique de l'anonyme de B thune and Vincent of Beauvais's Speculum historiale Alison Stones Jacob of Santa Sabina Warns Philip the Fair that Boniface VIII is Antichrist by Means of Scripture and the Oraculum Cyrilli Robert E. Lerner The Templar Confessions in Bigorre, December 1307 and March 1308 Sean L. Field The Capetians and the River Seine (Thirteenth-Fourteenth Century) Elisabeth Lalou The Judicial Duel in Later Medieval France: Procedure, Ceremony, and Status Justine Firnhaber-Baker Index‎

‎TEMPLES OF BOOKS Magnificent Librairies Around the World‎

‎, Gestalten Verlag, 2022 HB, 260 x 209 mm, 288 p, throughout illustrations color.ENG edition. ISBN 9783967040241.‎

‎In 2016, the world's oldest existing library reopened in Fes, Morocco. It opened for the first time in the 9th Century. These shrines to the written word date back even further, and continue to be built today. They're a place where some of the oldest written texts are preserved and some of the newest technology connects visitors with vast amounts of knowledge. Libraries are changing, but, as places that are fundamentally free and open to all, they're also staying the same. Libraries of the World explores the most stunning examples, but it also explores how varied the idea of a library can be. It can be a grand Baroque hall with leather-bound tomes or a mid-century masterpiece, but it can just as easily be a few shelves in a repurposed phone booth. ‎