‎Many Antwerp Hands : Collaborations in Netherlandish Art ‎

‎, Brepols - Harvey Miller, 2021 Hardcover, 242 pages, English, 280 x 220 mm, 80 colour ill., 2 b/w tables. ISBN 9781912554737.‎

‎A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic ? and especially painterly ? practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. Abigail D. Newman is a part-time professor of Art History in the History Department at the University of Antwerp and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianum.‎

‎kunstgalerij. Verhalen der provincie Antwerpen.‎

‎Gent, Willem Roggh 1875 , Gebonden, originele gekartonneerde band, 89 pp., 13.5x18cm., in matige staat (voorplat hangt nagenoeg los, rug beschadigd, boekblok zlf in goede staat.).‎

‎(vulgariserende) publicatie bevattende talrijke historische verhalen en schetsen uit de provincie Antwerpen. met o.a Durer in Antwerpen, ‎

‎Les places d'Arras - étude historique et archéologique sur la Grande-Place et la Petite-Place d'Arras et la rue de la Taillerie qui les relie entre elles Arras Sueur-Charruey 1881‎

‎Il s'agit des photocopies en recto uniquement de l'ouvrage d'Adolphe de Cardevacque, ainsi que d'autres articles pris dans d'autres ouvrages sur le sujet, reliées en un volume in4 à l'italienne, dos chagrin à nerfs, plats marbrés, titres et filets dorés, 450 pp environ. Onglets en papier.‎

7 Images

‎coins frottés, des annotations. Ouvrage servant de documentation à celui qui l'a constitué dans le but d'écrire un livre sur Arras. - ARRAS - REGIONALISME - ARTOIS - URBANISME - ARCHITECTURE‎

‎Resplendence of the Spanish Monarchy Renaissance Tapestries and Armor from the Patrimonio Nacional ‎

‎, Abrams New York 1991, 1991 Hardcover, 172 pages, English, 335 x 215 mm,in fine condition,. ISBN 9780810964082.‎

‎Tapestries and armor, two very different art forms, are brought together to portray the taste and formidable power of Hapsburg monarchs Charles V and his son Phillip II in Spain during the 16th century in this catalogue of an exhibition that celebrates the quincentennial of the European discovery of America and introduces American audiences to two of the Patrimonia's most prized collections. The 157 new color photos focus on both the complete works and specific details in each, with complementary text describing each piece, and an introduction setting forth the context. 9<1/4>x12<1/4>". Distributed by Abrams. Annotation copyright Book News, Inc. Portland, Or.‎

‎L'architecture en transition.‎

‎Dunod. 1967. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 185 pages - nombreuses figures en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Traduit par P.Huberson. Classification Dewey : 720-Architecture‎

‎Andrea Zittel : Gouaches and Illustrations ‎

‎, Steidl / Edition7L, 2008 Paperback, 203 pages, ENG, 250 x 200 x 20 mm, NEW, illustrated in colour. ISBN 9783865217226.‎

‎This volume is the first to compile Andrea Zittel's gouaches and paintings on wood, which she has been creating since 1992. Zittel is best known for A-Z West, her live‎

‎Jules Schmalzigaug Futurismo‎

‎, Hannibal Books, 2024 softcover, 270 x 220 mm, 144 Pages, English ed. ISBN 9789464941722.‎

‎Meet the work of the one and only Belgian futurist Recent years have seen revived interest in Jules Schmalzigaug (1882?1917). The only Belgian representative of Futurism deserves his place in the Royal Museum of Fine Arts Antwerp, which holds the world?s largest collection of his work. A talented pioneer of the international avant-garde, he also loved the work of Peter Paul Rubens and James Ensor, two other masters whose work is featured in the museum?s collection. Schmalzigaug experimented with a singing red and vibrant colours. Thanks to a generous gift by Gallery Ronny Van de Velde in 2022, the museum is now able to provide full access to the fascinating evolution of Schmalzigaug?s creative process. From his earliest academic studies and stylised city drawings to the Futurist arabesque rhythms he created in Venice and the pastels he made in The Hague and Scheveningen towards the end of his life: with this collection book, this young deceased colour artist receives the recognition he deserves. The Jules Schmalzigaug (1882?1917). Futurismo! exhibition runs in the print room at the Royal Museum of Fine Arts Antwerp from 28 September 2024 to 12 January 2025.‎

‎Jules Schmalzigaug Futurismo‎

‎, Hannibal Books, 2024 softcover, 270 x 220 mm, 144 Pages, Nederlands ed. ISBN 9789464941715.‎

‎Maak kennis met het werk van de enige echte Belgische futurist Jules Schmalzigaug (1882-1917) is voor velen een ontdekking. Deze enige echte Belgische vertegenwoordiger van het futurisme hoort helemaal thuis in het KMSKA, dat de grootste verzameling ter wereld van zijn werk beheert. Dit toptalent van de internationale avant-garde hield ook van Peter Paul Rubens en James Ensor, twee andere KMSKA-toppers. Hij experimenteerde met zingend rood en kleur pur sang. Dankzij een genereuze gift van Galerie Ronny Van de Velde in 2022 kan het museum de boeiende evolutie in Schmalzigaugs creatieve proces volledig ontsluiten. Van zijn vroegste academiestudies en aangezette stadstekeningen tot zijn futuristische arabeskenritmes die hij in Veneti maakte en de latere Haagse en Scheveningse pastels: dit collectieboek geeft deze jonggestorven kleurkunstenaar de erkenning die hem toekomt. De tentoonstelling Jules Schmalzigaug (1882?1917). Futurismo! loopt van 28 september 2024 tot 12 januari 2025 in het prentenkabinet van het Koninklijk Museum voor Schone Kunsten Antwerpen.‎

‎Quinten Ingelaere Paragon (Paintings)‎

‎Antwerpen , Oktober Publications, 2021 Hardcover, 160 pages, illustrated, 27x19cm, English Text. ISBN 9789082681956.‎

‎Quinten Ingelaere ( 1985, Gent) woont en werkt in Antwerpen en Rosciszow. Hij studeerde af aan de Koninklijke Academie voor Schone Kunsten Antwerpen in 2009 optie schilderkunst, en is er nu docent schilderkunst. Zijn schilderijen interpreteren, herdefini ren en hercontextualiseren klassieke thema?s, iconografie en gemeenschappelijke, collectieve beeldtaal. De titel Paragon verwijst naar ?vergelijking?. **** Quinten Ingelaere ( 1985, Ghent) lives and works in Antwerp and Rosciszow. He graduated from the Royal Academy of Fine Arts Antwerp in 2009 option painting, and now teaches painting there. His paintings interpret, redefine and recontextualize classical themes, iconography and common, collective imagery. The title Paragon refers to ?comparison‎

‎Paul Joostens Oeuvre - Works ‎

‎Oostende , MuZEE, Oostende , 2014 Hardback, 336 pages, English/ Dutch (NL) edition (deel 2). ISBN 9789074694124.‎

‎De tentoonstelling Cinema Joostens wordt begeleid door een tweeledige catalogus die in woord en beeld de neerslag vormt van nieuw kunstwetenschappelijk onderzoek naar het oeuvre en de beweegredenen van Paul Joostens. Het eerste deel verscheen op 1 maart, het tweede deel op 28 juni.Deel een bevat divers en vaak ongepubliceerd fotomateriaal, maar ook meer dan 400 illustraties van tekeningen, schilderijen, collages en assemblages. Deel twee belicht dan weer het oeuvre van Paul Joostens in relatie tot onder andere cinema, filosofie en psychoanalyse, en omvat eveneens onbekende teksten van zijn hand. ‎

‎P.L.Flouquet,J.L onard en L.Kass k: de architectuur van het beeld tijdens het Interbellum Modernisme‎

‎Oostende , Mu.Zee, 2018 Gebonden, Hardcover 351 pagina's, illustraties , 26,6 x 19,8 x 3,5 cm text in English + Nederlands . ISBN 9789074694285.‎

‎Pierre-Louis Flouquet, Lajos Kass kand Jos L onard were three visual artists and graphic designers who shaped the interwar years by harnessing the endless possibilities of the line and the plane, and the circle, triangle and square.They shared the conviction that geometric abstraction could bea blueprint for a renewed society after the First World War.It was a message that was advanced through the international avantgarde network of magazines that included, amongst others, Kass k's MA, the Brussels-based 7 Arts with Flouquet as artistic director and Het Overzicht run by Jozef Peeters and Michel Seuphor in Antwerp, with L onard as an occasional contributor. For Constructivist artists there was no clear distinction between West and East, or centre and periphery. 'Connection' was the keyword, for example between the Belgian and Hungarian avantgarde movements in Antwerp, Brussels, Budapest and Vienna. Pierre-Louis Flouquet, Lajos Kass k en Jos L onard zijn drie beeldende kunstenaars en grafische ontwerpers die na de Eerste Wereldoorlog een nieuwe wereld wilden cre ren vanuit de eindeloze mogelijkheden van de lijn, het vlak, de cirkel, de driehoek en het vierkant. Deze tentoonstelling verbindt abstract, constructivistisch en (typo)grafisch werk van de Belgische kunstenaars L onard en Flouquet met de artistieke praktijk van de Hongaarse kunstenaar Lajos Kass k.‎

‎bladen voor de grafiek nr.2 jrg 3- MICHEL BRACKE‎

‎, Lier, 1970., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎MICHEL BRACKE De bladen voor de grafiek nr.2 jrg.3‎

‎Hiver Oc an, Een Winter Aan Zee‎

‎Belgique, Librairie des Arts, 1969 Oorspronkelijk uitgevers omslag, 225 pagina's,19 x 11 cm, Tweetalig: Frans/Nederlands, Genummerd: 379/500 .‎

‎(Transl.) Saint-R my, Guy Vaes‎

‎L on Spilliaert. (1881 - 1946) (Eng. ed)‎

‎Brussels, Royal Academy of Arts, 2020 Hardcover, 176 pages, 29 x 22 cm. English text. *Fine condition. ISBN 9781912520220.‎

‎Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso?s circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city?s cultural life. Although often associated with the key figures of Belgian Symbolism, L on Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor.‎

‎From Jesus to Christian Origins. Second Annual Meeting of Bertinoro (1-4 October, 2015)‎

‎, Brepols, 2020 Paperback, 534 pages, Size:156 x 234 mm, Illustrations:32 b/w, Languages: English, Italian, French. ISBN 9782503583273.‎

‎Summary Within the contemporary renewal of the exegetical and historical research on Jesus and early Christianity, this book stresses the importance of new epistemological and methodological perspectives in exegesis and History of Christianity (from the point of view of Cultural Anthropology and Comparative Religion). The articles of the first section present a consequent interpretation of Jesus within Jewish culture of the First century. Jesus activity is located within the Jewish movement of John the Baptizer. His words and political attitude is interpreted in the Jewish context of the Land of Israel under Roman administration. His movement is seen as a sub-group within Jewish society. The section dedicated to the first groups of Jesus' disciples in the Land of Israel and in the ancient Mediterranean world mainly focuses on three constellations of questions: (a) the multiplicity and fractionation of Jesus' groups, for example in Jerusalem in the period between 30 an 70 of the First century, (b) the fact that the post-Jesus Movement was sociologically characterized by a multiplicity of sub-groups of Jewish groups and movements; (c) the radical modifications provoked by the abandonment of Jewish contexts when the majority of followers was composed by Gentiles with limited relation with the daily practice of Jewish life and religion. Particular attention is dedicated to the connection of contemporary research with the interpretations of Jesus and early Christianity developed in the modern age. TABLE OF CONTENTS Adriana Destro, Mauro Pesce, Questions about Christian origins. An introduction I. Methodology F. Remotti, A immagine di Dio. Dalla critica delle identit al nodo delle somiglianze F. Sbardella, Silence and Words: Monastic Soundscapes S. C. Mimouni, Les paroles et les actions de J sus de Nazareth dans le juda sme de son temps. Quelques remarques et r flexions d'un historien L. Arcari, "Alethurgical" Discourses on Jesus. The Gospel-Narrations as "True Discourses" R. Alciati, Contra fontes: una via d'uscita dalla crisi per la Storia del cristianesimo D. Ullucci, Sacrifice, Supersition and the Problem of 'Spiritual' Offerings II. From Jesus to His First Followers A. Destro - M. Pesce, The Groups of Jesus' Followers in Jerusalem. Fractionation and Divergencies (30-70 CE) F. Adinolfi, Jesus and the Aims of John: Abandoning the Underivable Jesus G. Massinelli, The Parable of the Two Sons and the Quest for the Authentic Parables of Jesus C. Facchini, Historicizing Jesus: Leon Modena (1571-1648) and the Magen ve-herev F. Bermejo Rubio, Was Von dem Zwecke Jesu und seiner J nger an Innovative Contribution? On Reimarus' Significance in the History of Jesus Research III. James, Peter, and Paul. Literature, Archeology, and Documentary Papyri C. Carletti, Archeological Investigations Under the Vatican Basilica: from Pope Pacelli's Project to Revisions of the 50s P. De Santis, La 'memoria' di Pietro in Vaticano: morfologia e funzionalit P. Artz-Grabner, Census Declarations, Birth Returns, and Marriage Contracts on Papyrus and Paul's Ideas on These Matters C. Antonelli, The death of James the Just according to Hegesippus (Eusebius of Caesarea, Ecclesiastical History 2,23,10-18). Narrative Construction, Biblical Testimonia and Comparison with the Other Known Traditions IV. Early Christian Groups and Literature A. Annese, The Gospel of Thomas and Paul: Status Quaestionis, Historical Trajectories, Methodological Notes T. Witulski, A New Perspective on Dating the Book of Revelation M. Sommer, How Jewish is the (Ethiopic) Apocalypse of Peter? G. Marchioni, Shepherds and Good Shepherd: Text and Images in Pastoral Metaphors E. Rubens Urciuoli, Tertullian, the Bishops of Elvira, and the Precession of Simulacra. Unpacking Strategies of a Christian Political Engagement before Constantine F. Berno, Erasing Apocalypticism: An Historical Trajectory from the "School of Valentinus" to Plotinus (and vice versa) L. Cerioni, Feminine and Bridal Imagery in the Book of Baruch of the Gnostic Teacher Justin‎

‎Wim Delvoye, Introspective.‎

‎Brux., mercaterfonds - fondsmercator, 2012 Hardcover ,Pagina's: 400 , Afmetingen: 29.75 x 24.5 cm geilustreerd in kleur.prachtig geillustreerde boek !! NL tekst ISBN 9789061535027.‎

‎Wim Delvoye Intropective bevat bijdragen van meerdere belangrijke auteurs als Adrian Dannatt, Bernard Marcade, Dirk Snauwaert en Bart Verschaffel, die het werk op een verschillende manier benaderen en interpreteren. De Brit Adrian Dannatt en de Belg Dirk Snauwaert die al sinds lang nauwe contacten hebben met de kunstenaar, werpen een kritische en persoonlijke blik op de kunstenaar, zijn leven en zijn werk. De Franse kunstcriticus Bernard Marcade interpreteert het werk op een eigenzinnige manier op basis van themas als de proliferatie, het barbaarse, de pragmatische utopie of het tactische conformisme. In een meer iconografische benadering, belicht de Belgische filosoof Bart Verschaffel het werk van deze uitvinder van de hedendaagse kunst vertrekkend van tien belangrijke werken. Het prachtig geillustreerde boek dat in nauwe samenwerking met de kunstenaar tot stand kwam, wordt vervolledigd met een levendige en geillustreerde biografie van de hand van Olivier Duquenne.‎

‎Secrets of the Maze : An Interactive Guide To The World's Most Amazing Mazes‎

‎, Thames and Hudson, 1997 Hardcover (ringband) , 96 pages, ENG, 320 x 290 x 15 mm, In New Condition, with illustrations in colour, . ISBN 9780500018118.‎

‎Where did mazes come from? Why were they made? What are the secrets of maze design and how can you make one yourself? Aerial photographs, overhead plans and archive illustrations help unravel the answers to these questions in this introduction to the world of the maze. Features include: an acetate sheet and wipe-off pen to enable the reader to trace an exit from 50 of the world's mazes; instructions on designing a maze; and an international gazeteer of the world's mazes.‎

‎Adrian Ghenie. expo 2014‎

‎Antwerp, Tim Van Laere Books 2014, 2014 Hardcover, 50 pages, illustr. throughout in col., 25.5x20.5cm., as new. Text in Dutch and English. ‎

‎Adrian Ghenie. expo May 2014‎

‎Adrian Ghenie. expo 2020‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Hardcover, unpag. (ca. 90pp), illustr. throughout in col., 25.5x20.5cm., as new. Tekst in Dutch and English. ISBN 978464004052.‎

‎15 october 2020 - 15 january 2021‎

‎La Renaissance à Florence, panorama d'une civilisation.‎

‎Paris, Plon, 1964. 25 x 34, 284 pp., 300 illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.‎

‎Architecture géorgienne - université catholique de Louvain institut supérieur d'archéologie et d'Histoire de l'Art - docment de travail n°9‎

‎Louvain-La-Neuve 1978 in4. 1978. Broché. iconographie en noir et blanc‎

5 Images

‎Bon état cependant couverture défraîchie ternie petite tâches intérieur propre‎

‎Taste and the Antique The Lure of Classical Sculpture: 1500-1900. Revised and Amplified Edition‎

‎, Brepols - Harvey Miller, 2024 hardcovers, 3 vols, 1684 pages, Size:220 x 280 mm, Illustrations:186 b/w, 1592 col. Language(s): English.*NEW* ISBN 9781909400252.‎

‎For several hundred years, until about 1900, a limited number of antique sculptures were as much admired as are the Mona Lisa, Botticelli's Birth of Venus or Michelangelo's David today. They were reproduced in marble, bronze and lead, as plaster casts in academies and art schools, as porcelain figurines for chimneypieces and as cameos for bracelets and snuffboxes. They were celebrated by poets from Du Bellay and Marino to Byron and D?Annunzio, and memorably evoked by novelists as diverse as Marcel Proust and Nathaniel Hawthorne, George Eliot and Charles Dickens. Copies of some of these statues can be seen at Pavlosk and Madrid, at Stourhead, Charlottenburg, Malibu and Versailles, and in countless gardens, houses and museums throughout the world. How and when did these particular sculptures achieve such a special status? Who were the collectors, restorers, dealers, artists, dilettanti, scholars and archaeologists who created their reputations? Under what names (often wildly fanciful) did they first become famous? How were they interpreted, and how and when and why did their glamour begin to wane? These are some of the problems that are confronted in Taste and the Antique. Taste and the Antique has become a classic of art history since its original publication in 1981. This revised and amplified edition significantly updates the information based on new research undertaken in the last several decades, as well as expanding examples of the reception and influence of these works by artists and collectors from the Renaissance through to contemporary art. The original edition has been expanded into three volumes: Volume 1 is a revised and amplified version of the 1981 edition. Fifteen chapters trace in narrative form, with the support of a wide variety of plates, the rise and decline of this highly important episode in the history of taste. These chapters are followed by catalogue entries for 95 of the most celebrated sculptures, all of them illustrated, which provide information on when and where they were discovered, changes of ownership and nomenclature, as well as a record of varying critical fortunes designed to complement the more general discussion in the earlier chapters. Volume 2 contains especially commissioned new photography of over 90 statues catalogued in Volume 1. Volume 3 is entirely devoted to a visual survey of the full range of replicas and adaptations of the works catalogued and illustrated in the previous volumes. The book is indispensable for historians of taste, and to art historians concerned with the debt owed by numerous artists from the Renaissance onwards to the art of ancient Greece and Rome; and it is also of great value to students and collectors of the many surviving copies of the sculptures discussed. TABLE OF CONTENTS Volume I: Text Preface to the Revised and Amplified Edition An Updated Note on the Presentation of the Essay and Catalogue Introduction I. ?A New Rome? II. The Public and Private Collections of Rome III. Plaster Casts and Prints IV. Control and Codification V. Casts and Copies in Seventeenth-Century Courts VI. ?Tout ce qu?il y a de beau en Italie? VII. Erudite Interests VIII. Florence: The Impact of the Tribuna IX. Museums in Eighteenth-Century Rome X. The New Importance of Naples XI. The Proliferation of Casts and Copies XII. New Fashions in the Copying of Antiquities XIII. Reinterpretations of Antiquity XIV. The Last Dispersals XV. Epilogue Notes to the Text Updated Bibliography Catalogue Appendix Bibliography Index Volume II: Originals Volume III:Replicas and Adaptations‎

‎Penser l'amour avec Thomas d'Aquin. Lecture philosophique‎

‎, Brepols, 2023 Paperback, xii + 318 pages, Size:170 x 240 mm, Language: French. ISBN 9782503607801.‎

‎Summary Qu'est-ce que l'amour et quelles sont ses diff rentes formes? C'est la question que Thomas d'Aquin s'est pos e d s les d buts de son enseignement. Ce livre tudie ses r ponses. Lues au prisme de l'histoire de la philosophie, elles r v lent ce qu'est "essentiellement" l'amour : l'union de l'aimant et de l'aim , fond e sur une convenance de nature entre les deux. Cette conception philosophique de l'amour, que Thomas d ploie en th ologie, concerne tous les tants et les relie entre eux dans une sorte d'amiti qui, cependant, est propre aux tres spirituels et libres. L'intelligence et la volont , enracin es dans la libert de la substance spirituelle, concourent l'acte d'amour selon leur op ration propre et r ciproque. Le mouvement de la volont se fait lumi re chez l'intelligence: " L o se trouve l'amour, l est le regard '', crit Thomas. TABLE OF CONTENTS Pr face de Pasquale Porro Avant-propos Introduction 1. La question de l'amour chez Thomas d'Aquin 2. La philosophie dans les crits th ologiques de Thomas d'Aquin 3. M thode et propos de notre tude I. Qu'est-ce que l'amour en Dieu ? 1. Les autorit s r v l es et les autorit s philosophiques 2. Bien incr et bien cr 3. L'amour incr II. L'amour chez les cr atures purement spirituelles 1. La nature des substances s par es ou purement spirituelles 2. Y a-t-il une volont dans les anges ou substances s par es ? 3. L'amour chez les anges ou substances s par es 4. Aimer par nature soi-m me et Dieu plus que soi-m me 5. Conclusion : l'amour naturel de l'ange au premier instant de sa cr ation III. L'amour chez l'homme 1. La nature humaine : richesse et complexit 2. L' me et ses puissances 3. Les passions de l' me en g n ral 4. Excursus propos du mot complacentia 5. L'amour passion et l'amour en g n ral 6. Les causes ou principes de l'amour 7. L'union d'amour chez les cr atures 8. L'amiti comme union d'amour : son fondement et ses caract ristiques 9. Conclusion : La gratuit caract rise tout amour de bienveillance Conclusion g n rale Sigles et abr viations Bibliographie Index des noms et des ouvrages cit s‎

‎FOREIGNERS EVERYWHERE : Biennale Arte 2024 ‎

‎, Silvana Editoriale, 2024 2 VOL BOXED, 270 x 210 mm, 670 p. ENG edition. Illustrated in color. . ISBN 9788836657735.‎

‎The 60th International Art Exhibition, curated by Adriano Pedrosa, which will be held from April 20th to November 24th 2024 in Venice, is titled Foreigners Everywhere. The Exhibition takes its name from a series of artworks made in 2004 by the Claire Fontaine collective, and will be, as the Curator himself explained, "a celebration of the foreign, the distant, the outsider, the queer, as well as the indigenous". It "will focus on artists who are themselves foreigners, immigrants, expatriates, diasporic, migr s, exiled, and refugees- especially those who have moved between the Global South and the Global North" (Adriano Pedrosa). The Catalogue, published by Edizioni La Biennale di Venezia, is as always printed in two volumes, and follows the Exhibition route to accompany visitors and art lovers through the exhibition spaces of the Giardini and the Arsenale. It also presents the other projects on display in various locations around the city of Venice and at Forte Marghera, in Mestre. Volume I of the Catalogue is dedicated to the International Exhibition, curated by Adriano Pedrosa. The first pages of the book open with two short introductions by President Pie-trangelo Buttafuoco and President Roberto Cicutto, followed by an interview with Adriano Pedrosa by Julieta Gonz lez. Part One of the book is dedicated to the critical essays and a number of "Conversations", including interviews with Anna Maria Maiolino and Nil Yalter, Golden Lions for Life-time Achievement of the Biennale Arte 2024, and one with the Claire Fontaine collective. Part Two is dedicated to the presentation of the artists on exhibit and is divided into two main sections: Nucleo Storico and Nucleo Contemporaneo. The Catalogue includes essays by Jaider Esbell, Kobena Mer-cer, Luce Delire, Naine Terena, Ranajit Guha, Ticio Escobar and Walter Mignolo. Each artist is introduced by a critical essay that explores their work, and is illustrated with a rich iconographic apparatus. The book ends with a detailed listing of the artworks on display. The National Participations and the Collateral Events partici-pating in the 60th International Art Exhibition are gathered in Volume II, and are presented by texts illustrated with images that explore the works on exhibit in the Pavilions, the Giardini and the Arsenale, and the collateral events located in various venues throughout Venice.‎

‎L'art roman en Ombrie in-4,relié avec jaquette ,326 pages, illustrations en noir et blanc,plans.‎

‎ Zodiaque la nuit des temps. 1980‎