‎Préinventaire des monuments et Richesses Artistiques - SAVIGNY ‎

‎ RHONE LE DEPARTEMENT In-8°, broché, couverture élégante blanche ornée d'une photographie, ensemble en parfaite condition, dense et très richement documenté dans le texte en noir ( marque et noms des tailleurs de pierre, photographies, plansetc), 278 pages.‎

‎N° 31 DE CETTE SERIE - Somme réalisée collectivement richement documentée au fil du texte et composant un ensemble dense et pondéreux. Très Bon Etat Franco de port pour la France par MONDIAL RELAY dés 20 euros pour les ouvrages modernes . Paiement immédiat par Paypal . Chèques et virement acceptés. Votre Libraire vous accompagne dans toutes les étapes de vos achats. Achat et déplacement France Suisse. ‎

‎LA VILLE FIGUREE. Plans et vues gravées de Marseille, Gênes et Barcelone.‎

‎Parenthèses Marseille 2005 In-4 ( 295 X 210 mm ) de 141 pages, broché sous couverture illustrée rempliée. Illustrations en couleurs et en noir dans et hors-texte. Etat de neuf.‎

‎Bâtir pour les hommes / nombreuses photographies en couleur hors texte‎

‎Marseille in4 a l'italienne. Sans date. broché. Très bon état‎

‎Revealing Women: Feminine Imagery in Gnostic Christian Texts‎

‎, Brepols, 2021 Paperback, 231 pages, Size:156 x 234 mm, Language: English. ISBN 9782503586687.‎

‎Summary Revealing Women offers a detailed and textually oriented investigation of the roles and functions of female characters in Gnostic Christian mythologies. It answers questions such as: to what end did Gnostic Christian theologians employ feminine imagery in their theology? What did they want to convey through it? This book shows that feminine imagery was a genuine concern for Gnostic theologians, and it enquires about how it was employed to describe the divine through a contextual reading of Gnostic Christian texts presenting Ophite, Sethian, Barbeloite and Valentinian mythologoumena and theologoumena. Overall, it argues that feminine imagery ought to be acknowledged as an important theological framework to investigate and contextualize Gnostic works by showing that these theologians used feminine imagery to exemplify those aspects of the Godhead which they considered paradoxical and, yet, essential. The claims made in the first chapters are later substantiated by an in-depth investigation of understudied Gnostic texts, such as the so-called Simonian Gnostic works, the Book of Baruch of the Gnostic teacher Justin and the Nag Hammadi treatise known as Exegesis of the Soul.‎

‎Au-del de l' pithalame. Le mariage dans la litt rature latine (IIIe s. av. - VIe s. ap. J.-C.)‎

‎, Brepols, 2022 Paperback, 584 pages, Size:156 x 234 mm, Illustrations:1 b/w, 1 tables b/w., Language(s):French, English, Italian. ISBN 9782503595733.‎

‎Summary Comment les Romains parlaient-ils du mariage ? Cette question a t pos e vingt et un sp cialistes de litt rature latine archa que, classique, post-classique et tardive dans le but de comparer la rh torique discursive des Romains propos d'une institution qui occupe une place de choix dans la soci t . Ce volume collectif offre des analyses du motif du mariage tel qu'il est trait dans les textes litt raires et juridiques, au prisme de genres vari s (com die, d clamation, l gie, pigramme, genre pistolaire, pop e, historiographie, po sie pidictique, satire, trag die, textes patristiques, trait s philosophiques), mais au-del de l' pithalame, c'est- -dire en dehors ou la fronti re de ces discours de circonstance tr s tudi s depuis vingt ans, tout en tenant compte de leur apport rh torique, po tique et id ologique. Si le mariage est avant tout pour les Romains un moyen de perp tuer par cette alliance une lign e et d'accro tre le corps civique, sa repr sentation est plurielle. Elle se montre en constante interaction avec le projet litt raire propre chaque auteur, le genre qui la v hicule, les mod les suivis ou encore le contexte socio-politique, religieux et juridique de l' poque de production du texte. De ces tudes vari es merge une vision d'ensemble diachronique sur les permanences et volutions de la pens e et du discours romains propos de la notion de couple, des relations entre poux, du r le de la femme, de la place des enfants, de la part de l' ros conjugal et des sentiments dans le mariage. TABLE OF CONTENTS Introduction (Lavinia Galli Mili? & Annick Stoehr-Monjou) Fin heureuse ou fin de la f te ? Les deux faces du mariage dans la com die romaine (Marion Faure-Ribreau) Mariage et philosophie Rome : de Lucilius Musonius Rufus (Sabine Luciani) De l'exaltation id alis e au rejet provocateur du mariage : itin raires l giaques (Sylvie Laigneau-Fontaine) Vergil's Tragic Epithalamium (Karen Klaiber Hersch) Marriage, fama, and the Story of Idomeneus in Vergil's Aeneid (Damien P. Nelis) Dira canam : Marriage and War in Ovid's Metamorphoses (Alison Keith) Nubere dulce est ? Repr sentations du mariage dans la rh torique antique (Danielle van Mal-Maeder) Hercules' Wives: Broken Marriages, Revenge and Death in Seneca's Hercules Furens and in the Hercules Oetaeus (Chiara Battistella) Le mariage l' preuve de la mort dans la Pharsale de Lucain (Fabrice Galtier) Pelea iam desiste queri thalamosque minores (Stat., Achil., 1.90) : le mariage en filigrane dans l'Achill ide de Stace (Lavinia Galli Mili?) Calpurnia of Comum and the Ghost of Umbria: Marriage and Regional Identity in the Epistulae of Pliny (Roy K. Gibson) Nubit amicus. Literary Tradition and Social Criticism in Juvenal's Portrait of Gracchus' Wedding (Sat., 2.117-148) (Biagio Santorelli) La tomba dell'amore: il matrimonio nel romanzo apuleiano (Lara Nicolini) Le bonheur et l'affection dans le mariage. Remarques sur quelques textes de la litt rature latine chr tienne (Fr d ric Chapot) H liogabale, ou le mariage perverti (R my Poignault) Cum dignitate venustas. Eros coniugale e rielaborazione degli auctores classici in Ausonio (Alfredo Mario Morelli) Matrimonio e matrimoni nella poesia non epitalamica di Claudiano (Franca Ela Consolino) Satirische Transformation des Epithalamiums des Sidonius Apollinaris, Carm., 15 (Henriette Harich-Schwarzbauer) Consortia blanda (Laud. Dei, 1.363 ; Romul., 8.5). L'utilisation du pr verbe com- pour dire le mariage chez Dracontius (Annick Stoehr-Monjou) Au-del du mariage charnel : l' loge de la sponsa Christi selon Avit de Vienne (Nicole Hecquet-Noti) Matrimonio e ricchezza femminile a Roma. Glossario giuridico (Aglaia McClintock) Bibliographie Index nominum Index locorum‎

‎PALLAS DORDOGNE.‎

‎PALLAS. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 317 pages en anglais. Nombreuses photos en couleurs et en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Greek architechture --- The Pelican History of Art‎

‎Penguin books 1962 in4. 1962. Cartonné jaquette.‎

8 Images

‎livre en bon état intérieur propre avec sa jaquette (ternie bords un peu frottés)‎

‎Greek Architecture. Middlesex, (1962).‎

‎Small 8vo. Orig. full cloth. XXXIV,327 pp. and 152 plates.‎

‎Flandre et la mer - De Pieter l'Ancien Jan Brueghel de Velours‎

‎, Snoeck, 2015 Hardcover, 175 pages, Texte en Francais, 300 x 230 x 25 mm, bon condition, Illustrations,. ISBN 9789461612182.‎

‎Au travers d'une s lection exceptionnelle de peintures et de gravures des xvie et xviie si cles venues d'Europe et des tats-Unis, l'exposition porte un regard neuf sur la repr sentation de la mer dans l'art flamand. Car si les marines sont une sp cialit de la peinture hollandaise, ce sont les artistes flamands qui en sont les v ritables inventeurs. On doit Pieter Bruegel l'Ancien les premi res sc nes en pleine mer comme en t moigne la Bataille navale dans le golfe de Naples, l'un de ses chefs-d'oeuvre, exceptionnellement pr t pour cette exposition par la Galleria Doria Pamphilj Rome.‎

‎Poetry, Art, and Music in Guillaume de Machaut's Earliest Manuscript (BnF fr. 1586)‎

‎, Brepols, 2021 Paperback, 476 pages, Size:178 x 254 mm, Illustrations:119 col., 22 tables b/w., 1 maps b/w, 18 musical examples, Language: English. ISBN 9782503586915.‎

‎Summary Around the middle of a career lasting over forty years, Guillaume de Machaut (c.1300-77) was afforded an outstanding opportunity to present his oeuvre in a book. The occasion arose in the late 1340s, when a special manuscript was commissioned, perhaps by Queen Jeanne de Bourgogne, for the first time collecting all of Machaut's works, including narrative poems, lyrical poems, musical settings of lyrics, and motets. The manuscript would celebrate Bonne of Luxembourg, the wife of a future king of France. Only the royal treasury could have funded the extraordinary team of craftsmen involved in its production - from the careful preparation of fine parchment, to the calligraphy and ornament of the text, to the carefully copied innovative ars nova musical notation, to the miniatures painted in a shop directed by one of the greatest illuminators in France. Then Bonne died of the Black Death in 1349, just before the manuscript was completed. It would be finished for her son, the future King Charles the Wise. Although Machaut would go on to supervise other manuscripts, none were so luxuriously executed as his first complete-works manuscript (Paris, Biblioth que nationale de France, fr. 1586), known today as Machaut MS C. The present volume, the first dedicated entirely to MS C, offers a multidisciplinary collection of essays written by fourteen leading scholars, who provide innovative approaches to literary, musical, art-historical, and manuscript studies. It is replete with images, including over sixty colour reproductions from MS C itself. TABLE OF CONTENTS Introduction - Lawrence Earp The Manuscript: Aspects of Production and Reception Machaut's First Single-Author Compilation - Elizabeth Eva Leach Made to Measure? On the Intimate Relations between Parchment and Text in MS C's Remede de Fortune - Anne Stone A Multimodal Reading of MS C: Order, Decoration, Mutation - Kate Maxwell Art-Historical Genre and Invention Courting Convention, Compiling Context: Chansonnier Iconography and Beyond in Machaut's MS C - Kathleen Wilson Ruffo The Master of the Remede de Fortune and Parisian Ateliers c.1350 - Kyunghee Pyun Artifice and Ornament in the Dit dou lyon Garden Miniature - Margaret Goehring Coming of Age in Guillaume de Machaut's First Illuminated Dit de l'alerion - Domenic Leo Narrative and Lyrics Telling Tales: What Is a dit? - Helen J. Swift La Loange des dames: Questions of Genre, Layout, Style, and Chronology in the Collection of Unnotated Lyrics in Machaut's Earliest Manuscript - Tamsyn Mahoney-Steel Guillaume de Machaut and the Advent of a New School of Lyric c.1350: The Prestige of the Past - Yolanda Plumley Music: A Focus on the Motets Approaching the Motets in MS C: Structure, Sonority, Sense - Jared C. Hartt Sound and Cipher: Number Symbolism in Machaut's Motets - Jacques Boogaart Traces of Revision in Machaut's Motet Bone pastor - Karen Desmond Appendix: Gathering Structure of MS C Bibliography General Index Index of Manuscripts Index of Lyrics by Machaut‎

‎Frankish Manuscripts: The Seventh to the Tenth Century‎

‎, Brepols - Harvey Miller, 2022 Hardback, 2 vols, 708 pages, Size:230 x 330 mm, Illustrations:29 b/w, 302 col., Language: English. ISBN 9781872501253.‎

‎Summary Frankish Manuscripts covers the earliest period in this series devoted to manuscripts illuminated in France. The two volumes explore those manuscripts that originate in the period before the kingdom of France emerged at the end of the tenth century. From the seventh to the tenth century most of modern France was ruled by kings of the Franks, from dynasties known as Merovingian and Carolingian, whose territories also included significant portions of other modern nations, especially the Low Countries, Germany, Switzerland and Austria. The introductory essay in Volume I offers an overview of salient issues in this creative period, formative for later medieval manuscripts produced in France and elsewhere, in the former Frankish territories and beyond; the volume includes 341 photographs from the manuscripts in the catalogue, the great majority reproduced in colour. Volume II comprises a detailed catalogue of 100 manuscripts from this large region, each with a detailed description, an interpretive commentary focused on the decoration of the text as well as illustrations, and a survey of previous scholarly literature, including digital access when available. The catalogue includes some of the most famous early medieval manuscripts, decorated with luxury materials and exceptionally beautiful script, ornament and illustrations. In the spirit of a survey intended to show the range of Frankish illumination, it also includes manuscripts of ancient and contemporary poems, scientific works, commentaries, a cookbook, and one manuscript in a vernacular language. Together, these two volumes provide the most comprehensive survey of manuscript illumination in Francia, its large corpus of illustrations making the manuscripts more readily available for study not only by scholars of illumination but also by others interested in early medieval culture. TABLE OF CONTENTS Volume One Map of Writing Centres and Sites Mentioned Preface List of Manuscripts Catalogued in Volume Two Introduction 1 Frankish Manuscripts 2 Illumination and Illustration 3 Insular Manuscripts 4 Bibliography and Historiography 5 'Renaissance' and Copying 6 Places of Production and 'Schools' 7 Artists and Scribes 8 Description and Materials The Illustrations List of Illustrations Bibliography Volume Two List of Manuscripts Catalogued Catalogue Index of Manuscripts Cited General Index List of Illustrations in Volume One‎

‎THE PAINTINGS OF HENDRICK GOLTZIUS (1558 - 1617) A Monograph and Catalogue Raisonne.‎

‎, Davaco, 2013 Cloth bound with dust jacket, 4to. 466 pp. text, 207 plates and ills. (145 in colour). Fine condition! ISBN 9789070288281.‎

‎This long-awaited volume is a comprehensive study of the paintings of Hendrick Goltzius (1558-1617), the most important artist in the Netherlands at the turn of the seventeenth century. A poem published in Haarlem in 1617 lamented the death that year of the most artful master Hendrick Goltzius, in his life [a] skillful painter, draftsman, and artful engraver. The fact that "painter" heads the list of his accomplishments is significant, for although Goltzius enjoyed international fame as a draughtsman and engraver, to his contemporaries he was equally renowned for his skill in the art of painting, which was considered the highest artistic calling. This volume on his paintings, the first since Hirschmann's short study of 1916, finally completes a full assessment of this artist of Haarlem, whose drawings were the subject of Reznicek's publication of 1961 and whose prints were catalogued by Leesberg in the New Hollstein series that appeared in 2012. Goltzius abandoned his engraver's burin and turned to painting in the year 1600. Exploring the new medium, he worked on small coppers, as well as large canvases and panels. Goltzius's determination to work in oil, after acquiring international fame as a printmaker, was a deliberate decision to embrace an even greater challenge and to seek greater recognition for his artistry. Although archival records show that Goltzius painted more portraits than has previously been assumed, it was the depiction of the human nude that was his primary goal. He mostly chose to paint biblical and mythological themes: the same subject matter, in fact, that he had treated in his engraved histories. The difference, however, was that Goltzius now began to paint figures that were nearly life-size. His manner of depicting figures may be considered an extension of what he had learned during his stay in Rome (1590-91) and subsequently pursued in his prints of the 1590s. Only rarely are traces of his Spranger-inspired, anti-classical past encountered in his paintings. Instead, Goltzius strove with his brush to portray human forms at once idealized and naturalistic. His points of departure were antique Roman sculpture, the sixteenth-century masters - Michelangelo, Raphael, Titian, Veronese, Durer, and Van Heemskerck - and Rubens, his contemporary. Four chapters are dedicated to a consideration of the reasons for Goltzius's conversion to painting, his biography in the years 1600 to 1617, an examination of the style and iconography of his works in oil, and a thorough review of the critical appraisal of his paintings from his day to the present. The extensive catalogue discusses 59 paintings by Goltzius, and also includes 160 pictures known only from descriptions and 38 rejected works. A lengthy appendix - the result of extensive archival research - includes, in the original language, all known sources that mention Goltzius and every known inventory listing of his paintings.The catalogue of accepted works is ordered iconographically, whereas the color plates of Goltzius's entire extant oeuvre are arranged in chronological order, visually demonstrating the development of his career as a painter. In addition to the color plates, 121 black-and-white figures provide material for comparison. A complete bibliography and three indexes enhance the accessibility and usefulness of this volume. ‎

‎Maisons rustiques‎

‎Gründ Album cartonné avec jaquette 1994 In-4 (24,5 x 29 cm.), album cartonné sous jaquette illustrée, 144 pages, nombreuses photographies couleurs in-texte ; plats à peine défraîchis, légers frottements aux coiffes et coins, intérieur frais, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎VAN DYCK PAINTINGS AND DRAWINGS‎

‎, PRESTEL, 1999 Hardcover, 143 pages, English, 305 x 245 mm, in good condition, with fine illustrations,. ISBN 9783791320908.‎

‎Best known for his lavish portraits of 17th-century nobility at the court of King Charles I in particular, Anthony van Dyck was also a master in the arts of drawing, watercolour and engraving. While his formal commissions are couched in the language of conspicuous wealth and power, his sketches and drawings display a taste for the dramatic action scene as well as a keen sense of character and humour. This book published on the occasion of the 400th anniversary of Van Dyck's birth takes a close look at all aspects of the master's techniques, his subject matter from highly stylised royal portraits to sketches of a beloved dog, and the modernity of his watercolour landscapes. Through a wide variety of ink and chalk drawings the text explores the relationship of the painter with the different media, and with the artistic conventions of his time. The biography places van Dyck in his historical context and completes a fresh, unorthodox view of this artist.‎

‎VAN DYCK PAINTINGS AND DRAWINGS‎

‎, PRESTEL, 1999 Hardcover, 143 pages, English, 305 x 245 mm, in good condition, with fine illustrations,. ISBN 9783791320908.‎

‎Best known for his lavish portraits of 17th-century nobility at the court of King Charles I in particular, Anthony van Dyck was also a master in the arts of drawing, watercolour and engraving. While his formal commissions are couched in the language of conspicuous wealth and power, his sketches and drawings display a taste for the dramatic action scene as well as a keen sense of character and humour. This book published on the occasion of the 400th anniversary of Van Dyck's birth takes a close look at all aspects of the master's techniques, his subject matter from highly stylised royal portraits to sketches of a beloved dog, and the modernity of his watercolour landscapes. Through a wide variety of ink and chalk drawings the text explores the relationship of the painter with the different media, and with the artistic conventions of his time. The biography places van Dyck in his historical context and completes a fresh, unorthodox view of this artist.‎

‎LA ARQUITECTURA ROMÁNICA EN LA PROVINCIA DE GUADALAJARA‎

‎Madrid 1971 Livre en espagnol. In-8 broché 23,7 cm sur 16,5. 284 pages. Bon état d’occasion.‎

‎Seconde édition Bon état d’occasion ‎

‎Neolit Centralnog Balkana / Les Regions Centrales Des Balkans A L'Epoque Neolithique. ‎

‎Beograd / Belgrade: , Musee National / Narodni muzej, , 1968 Original publishers paper-covered boards, 61 pages + photo's b/w. Texte en Francais.‎

‎Neolit Centralnog Balkana / Les Regions Centrales Des Balkans A L'Epoque Neolithique ‎

‎Les styles de l'architecture et du mobilier -Gisserot patrimoine culturel- art egyptien, art grec, art romain, art gothique, art roman, art nouveau, renaissance francaise, second empire, la regence, epoque louis XVI, louis XV, louis XIV et louis XIII,....‎

‎JEAN PAUL GISSEROT. 2000. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages. Très nombreux dessins en noir et blanc, dans et hors texte, de LAZE.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Hommage à Henri Matisse - XXe siecle‎

‎XX° siècle / Spadem 1970 In-4, cart. éditeur sous jaquette, 30 planches couleurs et 125 illustrations en noir et blanc.‎

‎ Très bon état d’occasion ‎

‎HENRY MOORE. SCULPTUREN/ SCULPTURES. TEKENINGEN/ DRAWINGS.‎

‎Antwerpen , Openluchtmuseum voor Beeldhouwkunst/ MUseum van Hedendaagse Kunst, 1999 Gebonden, ge llustreerde kartonomslag, 205 x 275mm., 143pp., zeer uitgebreide illustratie in kleur en z/w. ISBN 9072828070.‎

‎Tentoonstelling van 23-5-1999 / 15-8-1999. Boek is in goede staat.‎

‎"L'Architecture Communale Française"‎

‎"1948. Paris Éditions S.E.P.T. OEuvres et Maitres d'Oeuvre n°10 1948 - Broché 24 cm x 31 cm 62 pages - Eai de doctrine d'après les documents contemporains réunis et commentés par L. Boulonnois : plans et photos noir documents divers - Bon état bien complet de l'erratum" ‎

‎Rogier van der Weyden and Spain - Rogier van der Weyden y Espana ‎

‎, Brepols - Harvey Miller, 2017 Paperback, /200 p., 100 b/w ill. + 36 colour ill., 200 x 250 mm, languages: English, Spanish . ISBN 9788484803744.‎

‎Lorne Campbell, The Late Style of Rogier van der Weyden Francisco de Paula Canas Galvez, Juan II de Castilla y el Triptico de Miraflores: marco espiritual, proyeccion politica y propaganda regia en torno a una donacion real (1445) Stephan Kemperdick, The Miraflores Triptych and the Issue of Rogier van der Weyden's ?authenticated? Paintings David Chao Castro, Egas Cueman en Castilla y el desarrollo de la tipologia sepulcral con imagen orante Griet Steyaert, "A Deposition including two Men on two Ladders", Carel van Mander?s Description of Rogier?s Deposition and the Deposition by the Master of the Legend of Saint Catherine Bart Fransen, One Altarpiece, one Way: From Brussels to Laredo Yao Fen-You, Another Piece of the Rogerian Puzzle: Recent Findings on the Arenberg Lamentation Catherine Reynolds, Evolution or Derivation: The Prado Descent from the Cross and the lost Carrying of Christ?s Body to the Tomb Jose Juan Perez Preciado, En torno al Triptico de la Redencion del Museo del Prado Lisa Monnas, Textiles in the Paintings of Rogier van der Weyden Maite Jover, Laura Alba, Maria Dolores Gayo, Maistros viajerosm obras importadas. Las tablas del Maestro de Sopretan Laura Alba, El Descendimiento de Rogier Van der Weyden. Aspectos tecnicos de sus copias mas fieles Maria Antonia Lopez de Asiain, La restauracion de La Crucifixion del Maestro de la Leyenda de santa Catalina en el Prado Maria Dolores Gayo, Maite Jover de Celis, El Calvario de Rogier van der Weyden: los materiales del soporte y de la pintura Loreto Arranz Gozalo, La restauracion de la capa pictorica del Calvario de Rogier van der Weyden Jose de la Fuente, La restauracion del soporte del Calvario de Rogier van der Weyden ‎

‎ABREGE DE GEOMETRIE PRATIQUE - APPLIQUE AU DESSIN LINEAIRE, AU TOISE ET AU LEVER DES PLANS - suivi DESPRINCIPES DE L'ARCHITECTURE ET DE LA PERSPECTIVEZ - et orné de 400 gravures en taille douce / 16e EDITION.‎

‎MAME ALFRED ET CIE / POUSSIELGUE-RUSAND. 1844. In-16. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Rousseurs. 180 PAGES + 60 planches en noir et blanc - Rousseurs naturelles essentiellement sur la page de titre - 1 petite etiquette rouge collée sur page de titre - 2 PHOTOS DISPONIBLES - . . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Esthétique composition et décoration - TOME CINQUIEME --- Traité d'architecture - éléments de l'architecture - hygiène - types d'édifices - esthétique et composition‎

‎Ch. Béranger 1901 in8. 1901. Relié. illustrations en noir et blanc‎

7 Images

‎couverture défraîchie frottée rousseurs sur tranche intérieur propre‎

‎TRACTS ARTISTIQUES. L'ART MONUMENTAL DES EGYPTIENS ET DES ASSYRIENS.‎

‎DESCLEE DE BROUWER / SOCIETE DE SAINT-AUGUSTIN. NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 98 pages. Couverture contrepliée. Premier plat illustré en noir sur fond bleu. Nombreuses gravures en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎