Zodiaque la nuit des temps. 1980
Edinburgh/ Gent / Antwerp, Talbot Rice Gallery , 1996 Softcover, 105 pages, illustrations in colour., text in NL / ENG. . ISBN 9781873108123.
catalogue expostion Wiszniewski, Adrian. ( Duncan Macmillan-Essay).
, Citadelles & Mazenod, 1993 Hardcover+dusjact+slipcase, Couverture reliee sous jaquette, 637 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte,** tres bon etat. ISBN 9782850880612.
Pour les grands voyageurs du XVIe au d but du XIXe si cle, l'exploration des les du Pacifique avait t une aventure exceptionnelle, pour de Queiros, Cook, La P rouse, Bougainville et Dumont d'Urville qui avaient brav ces mers inconnues pour d couvrir ce qu'ils crurent tre le paradis. Aujourd'hui, le voyageur peut suivre leurs traces, et pourtant de nombreux aspects de ces cultures insulaires demeurent aussi peu familiers qu'autrefois. Parmi ces aspects m connus, l'un des plus int ressants est l'extraordinaire richesse artistique cr e par les habitants de ces les. Le monde oc anien recouvre des milliers d' les, de l'immense Nouvelle-Guin e de simples atolls coralliens. Les indig nes y d velopp rent plus de cultures autonomes et vari es que partout ailleurs dans le monde. Dans la plupart d'entre elles, les arts tiennent une place fondamentale car ils sont un facteur essentiel d'int gration la vie sociale et religieuse. Ils incluent non seulement l'architecture, la peinture et la sculpture, mais aussi la musique, la danse, la pri re, et l'ornement du corps. Presque tous les mat riaux disponibles sont utilis s, durables ou ph m res. Cependant, pour des raisons principalement historiques, l'art des les du Pacifique a t relativement n glig . Si un grand nombre de publications sp cialis es, techniques ou anthropologiques existent, principalement sous forme d'articles, aucune synth se d'ampleur n'a t publi e depuis trente ans. Et cela en d pit des nombreuses d couvertes importantes et des tudes approfondies sur l'art de ces communaut s pass es et pr sentes. Pr senter au grand public l'art oc anien partir des recherches et des th ories contemporaines sur cet ensemble complexe de soci t s et de cultures, c'est ce qu'accomplit cet ouvrage travers des textes de grande qualit et une iconographie qui r unit les chefs-d'?uvre dont un bon tiers d'?uvres in dites. Une documentation pr cise sur les principaux groupes culturels apportent le compl ment indispensable pour une bonne d couverte de ce continent parpill entre ciel et oc an.
, Waanders Uitgevers, 2025 Flexi (Pb luxe) Dimensions 280 x 240 mm Illustrations 40 col.ill. 96 Pages, Language(s) Eng/ NL ed. *new. ISBN 9789462626164.
Zoutvlaktes, ijskappen en woestijnen: Scarlett Hooft Graafland (1973) fotografeert magische landschappen in de meest afgelegen gebieden ter wereld. Scarlett Hooft Graafland werkt altijd nauw samen met de lokale bevolking, en legt hun verhalen vast. Haar persoonlijke levensinzichten komen terug in haar werk. Met humor en verwondering raakt ze actuele onderwerpen aan, zoals klimaatverandering, ongelijkheid, of de positie van vrouwen.
Adrien Palladino, Ruben Campini, Annalisa Moraschi, Ivan Foletti (eds)
Reference : 64336
, Brepols, 2023 Paperback, 191 pages, Size:210 x 270 mm, Illustrations:30 b/w, 125 col., 2 maps color, Language: English. ISBN 9788028003067.
Summary This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference ?Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage? that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. TABLE OF CONTENTS Introduction Ivan Foletti & Adrien Palladino Late Antiquity and Armenia. From Marginalized Region to Creative Force Articles Patrtick Donab dian Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century Naz nie Garibian The First Armenian Christian Sanctuaries and Shrines. Reconsidering the Received Tradition Lilit Mikayelyan Greco-Roman Ornamental Motifs in Armenia and Iran. Commonality and Sustainability of Tradition (5th-11th Centuries) Zaruhi Hakobyan The Image of St Christopher Cynocephalus in Early Medieval Sculpture of Armenia Adrien Palladino From Desperate Solidarity to Dispassionate Eye. Shifting French Perspectives on Early Medieval Armenian Art (ca 1894-1929) Annalisa Moraschi A Mutual Presentation. Precocious Interests for Medieval Armenia in Nineteenth-Century Italy Beatrice Spampinato A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914-1945) Ruben Campini Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus Ivan Foletti & Pavel Rakitin Re-Inventing Late Antique and Early Medieval Armenia in World War II Soviet Union Afterword Christina Maranci Late Antique Armenia. Past, Present, and Future
PARIS, Ch. Schmid - 1901 - Année complète - Grand in-4 - Reliure (frottée) 1/2 toile à coins - 456 pages + Tables des matières, des dessins, des noms d'auteurs + 71 Planches (montées sur onglets) hors texte de constructions publiques et particulières, Hôtels de ville et Mairies, Hôtels, Maisons, Châteaux, Villas, Salons d'Architecture, Concours publiques, Bâtiments scolaires, Théatres (manque 32, 43 déchirée) + 54 pages de dessins (Numérotation erronée) + V pages de table des planches hors texte - rousseurs éparses - envoi rapide et soigné
- Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
, Brepols, 2020 Paperback, 338 pages, Size:216 x 280 mm, Illustrations:154 col., Language: English. ISBN 9782503587790.
Summary This book is devoted to the life, autograph notebooks and manuscripts of Ademar of Chabannes (989-1034), a monk of Saint-Cybard in Angoul me and Saint-Martial in Limoges. Together Ademar's writings bear witness to his enormous productivity and to his many talents as a historian, preacher, musical composer, liturgist, teacher and artist. His notebooks in particular, assembled in manuscript VLO 15 at the University Library of Leiden, shed a unique - and neglected - light on Ademar's capacities as a teacher. An analysis of the texts in VLO 15 shows that Ademar was interested in an extended curriculum (including medicine and Arabic astrology) and that he used a variety of techniques and methods to instruct his pupils. In this study extensive attention is paid to a critical, palaeographical and codicological investigation of the extant manuscript evidence, including some newly discovered material. Ademar's versatile writing habits, his way of preparing his parchment and the flexible way in which he constructed and used his quires are discussed, with detailed descriptions of palaeographical samples and numerous colour plates. These will enable the reader to follow the investigations into past ascriptions of manuscripts to Ademar. The evidence here presented offers a more positive and nuanced view of Ademar, who in recent years has been portrayed as a solitary forger leading a marginal life at Saint-Cybard, his place of exile, on account of his attempts to promote his patron saint St Martial to a position as one of Christ's disciples. Allegedly, the ensuing conflict led to his decision to depart for the Holy Land, never to return. However, the evidence of the manuscripts makes this unlikely and proves that Ademar had every intention of returning to his beloved monastery to continue his work there. TABLE OF CONTENTS Chapter I. Ademar of Chabannes: Enigma or Open Book? Chapter II. The Corpus of Ademar's Manuscripts Chapter III. Unity in Diversity: the Manuscript Vossianus Latinus Octavo 15 Chapter IV. Recognizing Ademar's Hand Chapter V. Ademar as a Teacher: Collecting, Storing and Transmitting Knowledge Chapter VI. Epilogue Appendix 1. List of Ademar's Autographs (Texts and Drawings) Appendix 2. Summary Table of Scribal Features Appendix 3. The Stratigraphy of VLO 15: Quire and Text Diagram Appendix 4. Contents of VLO 15 Appendix 5. Tironian Notes in VLO 15 Bibliography Index of Manuscripts General Index
Washington D.C. : Advisory Council on Historic Preservation, 1986. Broché 20x25cm, couverture illustrée, 125 pages illustrées de photos en noir. [BE]
München, 1968. Bel in-4 (30 cm x 25) relié, 174 pages sur papier glacé + Vorwort.
Freiburg, Universitätsverlag, 1960, gr. in-8°, XVI + 97 S. + 62 Abb. auf 19 Tafeln, Original-Broschüre.
Phone number : 41 (0)26 3223808
A. ERLANDE-BRANDENBURG, A.-B. MÉREL-BRANDENBURGPhotographies de J.-F. AMELOT
Reference : 3951
(2011)
Paris Picard 2011 1 4° Broché couverture à rabats 126 pages Nombreuses photographies en couleurs avec explications. Frais d'envoi calculés par Mondial Relay, colissimo et étranger sur devis
L'église de Saint-Germain-des-Prés offre un témoignage unique, bien que largement méconnu, de la production artistique de l'an mil... Très bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
, Koningshooikt : Kerkfabriek Sint-Jan-Evangelist , 1992, Oorspronkelijk uitgevers omslag, 72 pag. afbeeldingen z/w.
Wommelgem, De Gulden Engel, 1987 Geillustr. softcover, 213 pp. + register, 15.50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.
Fotografie: Jacques Sonck.
Wommelgem, Provincie Antwerpen, 1990 Geillustr. softcover, 326 pp., 50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.
Fotografie: Jacques Sonck.
Wommelgem, Provincie Antwerpen, 1989 Geillustr. softcover, 219 pp., 50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.
Fotografie: Jacques Sonck.
Berlin, Weidmannsche Bucchandlung 1888, 205x130mm, 153Seiten, broschiert. Stempel des Besitzers auf der Titel Seiten.
Vorwort und Notizen in Deutsch, Text in Altgriechisch, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Birkhaüser Birkhaüser, 1997. In-4 relié toile sous jaquette illustrée rempliée de 240 pages. Nombreuses illustrations et plans. Texte Anglais - allemand. Bel exemplaire
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Paris, imp. Maulde et Renou, 1918, 1 affiche de 43 x 57 cm.
Phone number : 06 80 15 77 01
Eclassan, Michel Carlat, s.d. (années 60 ou 70), 1 affiche de 30 x 41, illustrée par Michel Carlat, petite tache dans la marge.
Phone number : 06 80 15 77 01
[Jean-Claude Castelli] - [Affiche] Castelli, Jean-Claude (ill.)
Reference : 4442
(1973)
Nancy Berger-Levrault 1973 aucune reliure (Nancy, imp. Berger-Levraut, 1973). 65 x 50,5 cm, affiche tirée en offset.
Petits accidents dans le centre de l'affiche. Bon
Paris Musée des arts décoratifs 1970 aucune reliure Paris, Musée des arts décoratifs, 1970. Aucune mention d'imprimeur. 66 x 52,5 cm, affiche en couleurs tirée en offset. sur papier fort et mat.
Peu commun. Trous de punaise dans les angles et larges traces d'adhésif au verso. Assez bon
, Brepols - Harvey Miller, 2009 Hardcover with dusjacket, 245 pages., 199 b/w ill., 220 x 280 mm, Languages: English. ISBN 9781905375271.
This book presents in word and image the fa ade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful and powerful of the Trecento. The town of Orvieto, located half-way between Rome and Florence, played an important and strategic role in the political struggles in Italy during the latter part of the thirteenth century. Frequently the place of residence for popes and their Angevins allies, it became the seat of the Curia under Pope Nicholas IV, which brought wealth and economic growth to the community. Moreover, it enabled earlier plans for a new cathedral, initiated around 1285, to be finally realised. It was Pope Nicholas himself who laid the foundation stone of the new Duomo in 1290, and although building activity continued until well into the seventeenth century, most of the main portion of the building was complete by 1308, creating a dazzling and unique Gothic structure. The fa ade of the Cathedral in particular, is a masterpiece of design and relief sculpture. Its rich decorative carving is of outstanding quality and the innovative, compelling iconographic programme spreads across all four piers of the lower fa ade. The corpus of photographs by David Finn, taken specially for this publication, shows the skill and narrative details of this vituoso display of relief carving, while the text by Anita Fiderer Moskowitz, Professor of Art History at the State University of New York, Stony Brook, explains the building in the context of related Italian Gothic architecture, and discusses the problems and controversies regarding the design and ornamentation of the fa ade as well as the puzzling question as to its artistic attribution. The author also interprets the basic iconography of the sculptures and provides full descriptions for the detail images.
, Brepols, 2023 Paperback, 168 pages, Size:216 x 280 mm, Illustrations:31 b/w, 52 col., Language: English. ISBN 9782503606200.
Summary The essays in this volume address the problem of three dimensions in architecture and the ways architects in the 16th century (and before and after) solved this problem during the design process. Two-dimensional drawings were used as the most helpful element in the design process, as well as for the presentation of designs. Those involved, not only patrons but also construction workers, should be able to understand what a two-dimensional design would turn out to result in three dimensions. Both drawings in two dimensions and three-dimensional models are well-known tools to architects, but the way in which they employed them together is not always clear. Sometimes architects limited themselves to the making of models only when they believed that these would suffice to communicate the design to others. In other instances, drawings and models were used jointly. Topics of study in this volume include examples of these practices in the work of the Sangallo, Raphael, Vasari, and others. TABLE OF CONTENTS Introduction Lex Bosman Drawings for Models Lex Bosman Baldassare Peruzzi's Projections Ann Huppert Combining the intrinsic and the extrinsic: Francesco di Giorgio's model drawings Elizabeth Merril ?Not as beautiful as those made by painters??: graphic innovations in carpenters' drawings in the early sixteenth century in the Low Countries Merlijn Hurx ?Accommodate the Stories to the Spaces and Not the Spaces to the Stories?. Plans, Models and Drawings for Giorgio Vasari's Decorations in the Palazzo Vecchio in Florence Laura Overpelt The Mellon Codex and the creation of space with drawings and models Lex Bosman ?Come praticarono molti?. The use of Paper Architectural Models in Early Modern Italy Giovanni Santucci
Paris Foyer brésilien 1930 Fort in-4 Cartonnage éditeur
Edition originale de cette publication richement illustrée de cartes, plans - 6 dépliants - , photographies et reproductions en noir et en couleurs, concernant l'architecture, l'urbanisation et les préocupations sanitaires de Rio de Janeiro depuis sa création. Un des 1500 exemplaires sur vélin teinté. Petite auréole angulaire en couverture, mais bon exemlaire bien complet de la grande carte dépliante, 94,5 x 144 cm, encartée in fine. Très bon 0
, Lannoo, 2024 Hardcover, 304 pag. NL / FR., 300 x 220 mm, Nieuw / Nouveau, stofomslag / jaquette, afb. / images in kleur / z/w. ISBN 9789401491068.
De beste hedendaagse toparchitecten van Belgi In deze bijzondere gebonden hardcover introduceert architectuurschrijver Agata Toromanoff de meest invloedrijke, hedendaagse architecten van Belgi en een selectie van hun meest gevierde gebouwen in full colour fotografie. Belgische architecten gooien al jaren hoge ogen en kennen internationale allure. Met de bekendste Belgische architect-designers, zoals Vincent Van Duysen en EPRICUM, tot opkomende architecten, zoals Oyo Architects. Aan elke architect zijn meerdere pagina's gewijd, waarin hun invloeden en idee n worden geschetst en de glorieuze ontwerpen worden getoond die hen bekendheid hebben gegeven. Met dit geweldige naslagwerk ontdekt u de ware omvang van de creatieve prestaties die binnen de carri res van deze architectonische reuzen liggen. Boeiende biografie n naast adembenemende foto's. Een boek dat zowel verhelderend als mooi is.