‎From Jesus to Christian Origins. Second Annual Meeting of Bertinoro (1-4 October, 2015)‎

‎, Brepols, 2020 Paperback, 534 pages, Size:156 x 234 mm, Illustrations:32 b/w, Languages: English, Italian, French. ISBN 9782503583273.‎

‎Summary Within the contemporary renewal of the exegetical and historical research on Jesus and early Christianity, this book stresses the importance of new epistemological and methodological perspectives in exegesis and History of Christianity (from the point of view of Cultural Anthropology and Comparative Religion). The articles of the first section present a consequent interpretation of Jesus within Jewish culture of the First century. Jesus activity is located within the Jewish movement of John the Baptizer. His words and political attitude is interpreted in the Jewish context of the Land of Israel under Roman administration. His movement is seen as a sub-group within Jewish society. The section dedicated to the first groups of Jesus' disciples in the Land of Israel and in the ancient Mediterranean world mainly focuses on three constellations of questions: (a) the multiplicity and fractionation of Jesus' groups, for example in Jerusalem in the period between 30 an 70 of the First century, (b) the fact that the post-Jesus Movement was sociologically characterized by a multiplicity of sub-groups of Jewish groups and movements; (c) the radical modifications provoked by the abandonment of Jewish contexts when the majority of followers was composed by Gentiles with limited relation with the daily practice of Jewish life and religion. Particular attention is dedicated to the connection of contemporary research with the interpretations of Jesus and early Christianity developed in the modern age. TABLE OF CONTENTS Adriana Destro, Mauro Pesce, Questions about Christian origins. An introduction I. Methodology F. Remotti, A immagine di Dio. Dalla critica delle identità al nodo delle somiglianze F. Sbardella, Silence and Words: Monastic Soundscapes S. C. Mimouni, Les paroles et les actions de Jésus de Nazareth dans le judaïsme de son temps. Quelques remarques et réflexions d'un historien L. Arcari, "Alethurgical" Discourses on Jesus. The Gospel-Narrations as "True Discourses" R. Alciati, Contra fontes: una via d'uscita dalla crisi per la Storia del cristianesimo D. Ullucci, Sacrifice, Supersition and the Problem of 'Spiritual' Offerings II. From Jesus to His First Followers A. Destro - M. Pesce, The Groups of Jesus' Followers in Jerusalem. Fractionation and Divergencies (30-70 CE) F. Adinolfi, Jesus and the Aims of John: Abandoning the Underivable Jesus G. Massinelli, The Parable of the Two Sons and the Quest for the Authentic Parables of Jesus C. Facchini, Historicizing Jesus: Leon Modena (1571-1648) and the Magen ve-herev F. Bermejo Rubio, Was Von dem Zwecke Jesu und seiner Jünger an Innovative Contribution? On Reimarus' Significance in the History of Jesus Research III. James, Peter, and Paul. Literature, Archeology, and Documentary Papyri C. Carletti, Archeological Investigations Under the Vatican Basilica: from Pope Pacelli's Project to Revisions of the 50s P. De Santis, La 'memoria' di Pietro in Vaticano: morfologia e funzionalità P. Artz-Grabner, Census Declarations, Birth Returns, and Marriage Contracts on Papyrus and Paul's Ideas on These Matters C. Antonelli, The death of James the Just according to Hegesippus (Eusebius of Caesarea, Ecclesiastical History 2,23,10-18). Narrative Construction, Biblical Testimonia and Comparison with the Other Known Traditions IV. Early Christian Groups and Literature A. Annese, The Gospel of Thomas and Paul: Status Quaestionis, Historical Trajectories, Methodological Notes T. Witulski, A New Perspective on Dating the Book of Revelation M. Sommer, How Jewish is the (Ethiopic) Apocalypse of Peter? G. Marchioni, Shepherds and Good Shepherd: Text and Images in Pastoral Metaphors E. Rubens Urciuoli, Tertullian, the Bishops of Elvira, and the Precession of Simulacra. Unpacking Strategies of a Christian Political Engagement before Constantine F. Berno, Erasing Apocalypticism: An Historical Trajectory from the "School of Valentinus" to Plotinus (and vice versa) L. Cerioni, Feminine and Bridal Imagery in the Book of Baruch of the Gnostic Teacher Justin‎

‎Wim Delvoye, Introspective.‎

‎Brux., mercaterfonds - fondsmercator, 2012 Hardcover ,Pagina's: 400 , Afmetingen: 29.75 x 24.5 cm geilustreerd in kleur.prachtig geillustreerde boek !! NL tekst ISBN 9789061535027.‎

‎Wim Delvoye Intropective bevat bijdragen van meerdere belangrijke auteurs als Adrian Dannatt, Bernard Marcade, Dirk Snauwaert en Bart Verschaffel, die het werk op een verschillende manier benaderen en interpreteren. De Brit Adrian Dannatt en de Belg Dirk Snauwaert die al sinds lang nauwe contacten hebben met de kunstenaar, werpen een kritische en persoonlijke blik op de kunstenaar, zijn leven en zijn werk. De Franse kunstcriticus Bernard Marcade interpreteert het werk op een eigenzinnige manier op basis van themas als de proliferatie, het barbaarse, de pragmatische utopie of het tactische conformisme. In een meer iconografische benadering, belicht de Belgische filosoof Bart Verschaffel het werk van deze uitvinder van de hedendaagse kunst vertrekkend van tien belangrijke werken. Het prachtig geillustreerde boek dat in nauwe samenwerking met de kunstenaar tot stand kwam, wordt vervolledigd met een levendige en geillustreerde biografie van de hand van Olivier Duquenne.‎

‎Secrets of the Maze : An Interactive Guide To The World's Most Amazing Mazes‎

‎, Thames and Hudson, 1997 Hardcover (ringband) , 96 pages, ENG, 320 x 290 x 15 mm, In New Condition, with illustrations in colour, . ISBN 9780500018118.‎

‎Where did mazes come from? Why were they made? What are the secrets of maze design and how can you make one yourself? Aerial photographs, overhead plans and archive illustrations help unravel the answers to these questions in this introduction to the world of the maze. Features include: an acetate sheet and wipe-off pen to enable the reader to trace an exit from 50 of the world's mazes; instructions on designing a maze; and an international gazeteer of the world's mazes.‎

‎Adrian Ghenie. expo 2020‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Hardcover, unpag. (ca. 90pp), illustr. throughout in col., 25.5x20.5cm., as new. Tekst in Dutch and English. ISBN 978464004052.‎

‎15 october 2020 - 15 january 2021‎

‎La Renaissance à Florence, panorama d'une civilisation.‎

‎Paris, Plon, 1964. 25 x 34, 284 pp., 300 illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.‎

‎Architecture géorgienne - université catholique de Louvain institut supérieur d'archéologie et d'Histoire de l'Art - docment de travail n°9‎

‎Louvain-La-Neuve 1978 in4. 1978. Broché. iconographie en noir et blanc‎

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‎Bon état cependant couverture défraîchie ternie petite tâches intérieur propre‎

‎Taste and the Antique The Lure of Classical Sculpture: 1500-1900. Revised and Amplified Edition. 3 vols‎

‎, Brepols - Harvey Miller, 2024 hardcovers, 3 vols, 1684 pages, Size:220 x 280 mm, Illustrations:186 b/w, 1592 col. Language(s): English .*NEW* ISBN 9781909400252.‎

‎For several hundred years, until about 1900, a limited number of antique sculptures were as much admired as are the Mona Lisa, Botticelli's Birth of Venus or Michelangelo's David today. They were reproduced in marble, bronze and lead, as plaster casts in academies and art schools, as porcelain figurines for chimneypieces and as cameos for bracelets and snuffboxes. They were celebrated by poets from Du Bellay and Marino to Byron and D?Annunzio, and memorably evoked by novelists as diverse as Marcel Proust and Nathaniel Hawthorne, George Eliot and Charles Dickens. Copies of some of these statues can be seen at Pavlosk and Madrid, at Stourhead, Charlottenburg, Malibu and Versailles, and in countless gardens, houses and museums throughout the world. How and when did these particular sculptures achieve such a special status? Who were the collectors, restorers, dealers, artists, dilettanti, scholars and archaeologists who created their reputations? Under what names (often wildly fanciful) did they first become famous? How were they interpreted, and how and when and why did their glamour begin to wane? These are some of the problems that are confronted in Taste and the Antique. Taste and the Antique has become a classic of art history since its original publication in 1981. This revised and amplified edition significantly updates the information based on new research undertaken in the last several decades, as well as expanding examples of the reception and influence of these works by artists and collectors from the Renaissance through to contemporary art. The original edition has been expanded into three volumes: Volume 1 is a revised and amplified version of the 1981 edition. Fifteen chapters trace in narrative form, with the support of a wide variety of plates, the rise and decline of this highly important episode in the history of taste. These chapters are followed by catalogue entries for 95 of the most celebrated sculptures, all of them illustrated, which provide information on when and where they were discovered, changes of ownership and nomenclature, as well as a record of varying critical fortunes designed to complement the more general discussion in the earlier chapters. Volume 2 contains especially commissioned new photography of over 90 statues catalogued in Volume 1. Volume 3 is entirely devoted to a visual survey of the full range of replicas and adaptations of the works catalogued and illustrated in the previous volumes. The book is indispensable for historians of taste, and to art historians concerned with the debt owed by numerous artists from the Renaissance onwards to the art of ancient Greece and Rome; and it is also of great value to students and collectors of the many surviving copies of the sculptures discussed. TABLE OF CONTENTS Volume I: Text Preface to the Revised and Amplified Edition An Updated Note on the Presentation of the Essay and Catalogue Introduction I. ?A New Rome? II. The Public and Private Collections of Rome III. Plaster Casts and Prints IV. Control and Codification V. Casts and Copies in Seventeenth-Century Courts VI. ?Tout ce qu?il y a de beau en Italie? VII. Erudite Interests VIII. Florence: The Impact of the Tribuna IX. Museums in Eighteenth-Century Rome X. The New Importance of Naples XI. The Proliferation of Casts and Copies XII. New Fashions in the Copying of Antiquities XIII. Reinterpretations of Antiquity XIV. The Last Dispersals XV. Epilogue Notes to the Text Updated Bibliography Catalogue Appendix Bibliography Index Volume II: Originals Volume III:Replicas and Adaptations‎

‎Penser l'amour avec Thomas d'Aquin. Lecture philosophique‎

‎, Brepols, 2023 Paperback, xii + 318 pages, Size:170 x 240 mm, Language: French. ISBN 9782503607801.‎

‎Summary Qu'est-ce que l'amour et quelles sont ses différentes formes? C'est la question que Thomas d'Aquin s'est posée dès les débuts de son enseignement. Ce livre étudie ses réponses. Lues au prisme de l'histoire de la philosophie, elles révèlent ce qu'est "essentiellement" l'amour : l'union de l'aimant et de l'aimé, fondée sur une convenance de nature entre les deux. Cette conception philosophique de l'amour, que Thomas déploie en théologie, concerne tous les étants et les relie entre eux dans une sorte d'amitié qui, cependant, est propre aux êtres spirituels et libres. L'intelligence et la volonté, enracinées dans la liberté de la substance spirituelle, concourent à l'acte d'amour selon leur opération propre et réciproque. Le mouvement de la volonté se fait lumière chez l'intelligence: " Là où se trouve l'amour, là est le regard '', écrit Thomas. TABLE OF CONTENTS Préface de Pasquale Porro Avant-propos Introduction 1. La question de l'amour chez Thomas d'Aquin 2. La philosophie dans les écrits théologiques de Thomas d'Aquin 3. Méthode et propos de notre étude I. Qu'est-ce que l'amour en Dieu ? 1. Les autorités révélées et les autorités philosophiques 2. Bien incréé et bien créé 3. L'amour incréé II. L'amour chez les créatures purement spirituelles 1. La nature des substances séparées ou purement spirituelles 2. Y a-t-il une volonté dans les anges ou substances séparées ? 3. L'amour chez les anges ou substances séparées 4. Aimer par nature soi-même et Dieu plus que soi-même 5. Conclusion : l'amour naturel de l'ange au premier instant de sa création III. L'amour chez l'homme 1. La nature humaine : richesse et complexité 2. L'âme et ses puissances 3. Les passions de l'âme en général 4. Excursus à propos du mot complacentia 5. L'amour passion et l'amour en général 6. Les causes ou principes de l'amour 7. L'union d'amour chez les créatures 8. L'amitié comme union d'amour : son fondement et ses caractéristiques 9. Conclusion : La gratuité caractérise tout amour de bienveillance Conclusion générale Sigles et abréviations Bibliographie Index des noms et des ouvrages cités‎

‎FOREIGNERS EVERYWHERE : Biennale Arte 2024 ‎

‎, Silvana Editoriale, 2024 2 VOL BOXED, 270 x 210 mm, 670 p. ENG edition. Illustrated in color. . ISBN 9788836657735.‎

‎The 60th International Art Exhibition, curated by Adriano Pedrosa, which will be held from April 20th to November 24th 2024 in Venice, is titled Foreigners Everywhere. The Exhibition takes its name from a series of artworks made in 2004 by the Claire Fontaine collective, and will be, as the Curator himself explained, "a celebration of the foreign, the distant, the outsider, the queer, as well as the indigenous". It "will focus on artists who are themselves foreigners, immigrants, expatriates, diasporic, émigrés, exiled, and refugees- especially those who have moved between the Global South and the Global North" (Adriano Pedrosa). The Catalogue, published by Edizioni La Biennale di Venezia, is as always printed in two volumes, and follows the Exhibition route to accompany visitors and art lovers through the exhibition spaces of the Giardini and the Arsenale. It also presents the other projects on display in various locations around the city of Venice and at Forte Marghera, in Mestre. Volume I of the Catalogue is dedicated to the International Exhibition, curated by Adriano Pedrosa. The first pages of the book open with two short introductions by President Pie-trangelo Buttafuoco and President Roberto Cicutto, followed by an interview with Adriano Pedrosa by Julieta Gonzàlez. Part One of the book is dedicated to the critical essays and a number of "Conversations", including interviews with Anna Maria Maiolino and Nil Yalter, Golden Lions for Life-time Achievement of the Biennale Arte 2024, and one with the Claire Fontaine collective. Part Two is dedicated to the presentation of the artists on exhibit and is divided into two main sections: Nucleo Storico and Nucleo Contemporaneo. The Catalogue includes essays by Jaider Esbell, Kobena Mer-cer, Luce Delire, Naine Terena, Ranajit Guha, Ticio Escobar and Walter Mignolo. Each artist is introduced by a critical essay that explores their work, and is illustrated with a rich iconographic apparatus. The book ends with a detailed listing of the artworks on display. The National Participations and the Collateral Events partici-pating in the 60th International Art Exhibition are gathered in Volume II, and are presented by texts illustrated with images that explore the works on exhibit in the Pavilions, the Giardini and the Arsenale, and the collateral events located in various venues throughout Venice.‎

‎L'art roman en Ombrie in-4,relié avec jaquette ,326 pages, illustrations en noir et blanc,plans.‎

‎ Zodiaque la nuit des temps. 1980‎

‎Adrian Wiszniewski, Man Tied Up in His Own Composition‎

‎Edinburgh/ Gent / Antwerp, Talbot Rice Gallery , 1996 Softcover, 105 pages, illustrations in colour., text in NL / ENG. . ISBN 9781873108123.‎

‎catalogue expostion Wiszniewski, Adrian. ( Duncan Macmillan-Essay).‎

‎Art Oceanien, L' Art Oceanien.‎

‎, Citadelles & Mazenod, 1993 Hardcover+dusjact+slipcase, Couverture reliee sous jaquette, 637 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte,** tres bon etat. ISBN 9782850880612.‎

‎Pour les grands voyageurs du XVIe au début du XIXe siècle, l'exploration des îles du Pacifique avait été une aventure exceptionnelle, pour de Queiros, Cook, La Pérouse, Bougainville et Dumont d'Urville qui avaient bravé ces mers inconnues pour découvrir ce qu'ils crurent être le paradis. Aujourd'hui, le voyageur peut suivre leurs traces, et pourtant de nombreux aspects de ces cultures insulaires demeurent aussi peu familiers qu'autrefois. Parmi ces aspects méconnus, l'un des plus intéressants est l'extraordinaire richesse artistique créée par les habitants de ces îles. Le monde océanien recouvre des milliers d'îles, de l'immense Nouvelle-Guinée à de simples atolls coralliens. Les indigènes y développèrent plus de cultures autonomes et variées que partout ailleurs dans le monde. Dans la plupart d'entre elles, les arts tiennent une place fondamentale car ils sont un facteur essentiel d'intégration à la vie sociale et religieuse. Ils incluent non seulement l'architecture, la peinture et la sculpture, mais aussi la musique, la danse, la prière, et l'ornement du corps. Presque tous les matériaux disponibles sont utilisés, durables ou éphémères. Cependant, pour des raisons principalement historiques, l'art des îles du Pacifique a été relativement négligé. Si un grand nombre de publications spécialisées, techniques ou anthropologiques existent, principalement sous forme d'articles, aucune synthèse d'ampleur n'a été publiée depuis trente ans. Et cela en dépit des nombreuses découvertes importantes et des études approfondies sur l'art de ces communautés passées et présentes. Présenter au grand public l'art océanien à partir des recherches et des théories contemporaines sur cet ensemble complexe de sociétés et de cultures, c'est ce qu'accomplit cet ouvrage à travers des textes de grande qualité et une iconographie qui réunit les chefs-d'?uvre dont un bon tiers d'?uvres inédites. Une documentation précise sur les principaux groupes culturels apportent le complément indispensable pour une bonne découverte de ce continent éparpillé entre ciel et océan.‎

‎Scarlett Hooft Graafland Mesmerizing‎

‎, Waanders Uitgevers, 2025 Flexi (Pb luxe) Dimensions 280 x 240 mm Illustrations 40 col.ill. 96 Pages, Language(s) Eng/ NL ed. *new. ISBN 9789462626164.‎

‎Zoutvlaktes, ijskappen en woestijnen: Scarlett Hooft Graafland (1973) fotografeert magische landschappen in de meest afgelegen gebieden ter wereld. Scarlett Hooft Graafland werkt altijd nauw samen met de lokale bevolking, en legt hun verhalen vast. Haar persoonlijke levensinzichten komen terug in haar werk. Met humor en verwondering raakt ze actuele onderwerpen aan, zoals klimaatverandering, ongelijkheid, of de positie van vrouwen. ‎

‎Re-Thinking Late Antique Armenia: Historiography, Material Culture, and Heritage‎

‎, Brepols, 2023 Paperback, 191 pages, Size:210 x 270 mm, Illustrations:30 b/w, 125 col., 2 maps color, Language: English. ISBN 9788028003067.‎

‎Summary This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference ?Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage? that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. TABLE OF CONTENTS Introduction Ivan Foletti & Adrien Palladino Late Antiquity and Armenia. From Marginalized Region to Creative Force Articles Patrtick Donabédian Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century Nazénie Garibian The First Armenian Christian Sanctuaries and Shrines. Reconsidering the Received Tradition Lilit Mikayelyan Greco-Roman Ornamental Motifs in Armenia and Iran. Commonality and Sustainability of Tradition (5th-11th Centuries) Zaruhi Hakobyan The Image of St Christopher Cynocephalus in Early Medieval Sculpture of Armenia Adrien Palladino From Desperate Solidarity to Dispassionate Eye. Shifting French Perspectives on Early Medieval Armenian Art (ca 1894-1929) Annalisa Moraschi A Mutual Presentation. Precocious Interests for Medieval Armenia in Nineteenth-Century Italy Beatrice Spampinato A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914-1945) Ruben Campini Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus Ivan Foletti & Pavel Rakitin Re-Inventing Late Antique and Early Medieval Armenia in World War II Soviet Union Afterword Christina Maranci Late Antique Armenia. Past, Present, and Future‎

‎L'Architecture - Journal hebdomadaire de la société centrale des Architectes Français(archéologie - bibliographie - Législation, etc)‎

‎ PARIS, Ch. Schmid - 1901 - Année complète - Grand in-4 - Reliure (frottée) 1/2 toile à coins - 456 pages + Tables des matières, des dessins, des noms d'auteurs + 71 Planches (montées sur onglets) hors texte de constructions publiques et particulières, Hôtels de ville et Mairies, Hôtels, Maisons, Châteaux, Villas, Salons d'Architecture, Concours publiques, Bâtiments scolaires, Théatres (manque 32, 43 déchirée) + 54 pages de dessins (Numérotation erronée) + V pages de table des planches hors texte - rousseurs éparses - envoi rapide et soigné‎

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‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Man and His Manuscripts. The Notebooks of Ademar of Chabannes (989?1034)‎

‎, Brepols, 2020 Paperback, 338 pages, Size:216 x 280 mm, Illustrations:154 col., Language: English. ISBN 9782503587790.‎

‎Summary This book is devoted to the life, autograph notebooks and manuscripts of Ademar of Chabannes (989-1034), a monk of Saint-Cybard in Angoulême and Saint-Martial in Limoges. Together Ademar's writings bear witness to his enormous productivity and to his many talents as a historian, preacher, musical composer, liturgist, teacher and artist. His notebooks in particular, assembled in manuscript VLO 15 at the University Library of Leiden, shed a unique - and neglected - light on Ademar's capacities as a teacher. An analysis of the texts in VLO 15 shows that Ademar was interested in an extended curriculum (including medicine and Arabic astrology) and that he used a variety of techniques and methods to instruct his pupils. In this study extensive attention is paid to a critical, palaeographical and codicological investigation of the extant manuscript evidence, including some newly discovered material. Ademar's versatile writing habits, his way of preparing his parchment and the flexible way in which he constructed and used his quires are discussed, with detailed descriptions of palaeographical samples and numerous colour plates. These will enable the reader to follow the investigations into past ascriptions of manuscripts to Ademar. The evidence here presented offers a more positive and nuanced view of Ademar, who in recent years has been portrayed as a solitary forger leading a marginal life at Saint-Cybard, his place of exile, on account of his attempts to promote his patron saint St Martial to a position as one of Christ's disciples. Allegedly, the ensuing conflict led to his decision to depart for the Holy Land, never to return. However, the evidence of the manuscripts makes this unlikely and proves that Ademar had every intention of returning to his beloved monastery to continue his work there. TABLE OF CONTENTS Chapter I. Ademar of Chabannes: Enigma or Open Book? Chapter II. The Corpus of Ademar's Manuscripts Chapter III. Unity in Diversity: the Manuscript Vossianus Latinus Octavo 15 Chapter IV. Recognizing Ademar's Hand Chapter V. Ademar as a Teacher: Collecting, Storing and Transmitting Knowledge Chapter VI. Epilogue Appendix 1. List of Ademar's Autographs (Texts and Drawings) Appendix 2. Summary Table of Scribal Features Appendix 3. The Stratigraphy of VLO 15: Quire and Text Diagram Appendix 4. Contents of VLO 15 Appendix 5. Tironian Notes in VLO 15 Bibliography Index of Manuscripts General Index‎

‎TWENTY YEARS OF THE NATIONAL HISTORIC PRESERVATION ACT : report to the president and the congress of the United States.‎

‎Washington D.C. : Advisory Council on Historic Preservation, 1986. Broché 20x25cm, couverture illustrée, 125 pages illustrées de photos en noir. [BE]‎

‎André Metthey, la quête du feu et de la couleur. ‎

‎, Lienart , 2022 softcover, 216 PAGES illustrations en noir et blanc et en couleurs /28X21CM. ISBN 9782359063776.‎

‎La diversité de l'oeuvre du céramiste André Metthey (1871-1920), reconnu pour sa collaboration avec les peintres Fauves, reste à découvrir. Cet ouvrage met ainsi en lumière l'ensemble de ses créations, de ses premiers grès à ses terres vernissées richement décorées. Constituant la première monographie dédiée à l'artiste, il ambitionne, un siècle après la rétrospective au Palais Galliera et suite au recueil illustré, André Metthey, décorateur et céramiste, d'Henri Clouzot, de devenir une référence. Une première partie met en perspective l'ensemble de la carrière du céramiste, de sa formation de sculpteur jusqu'à la découverte de la céramique, de ses premiers essais et premières pièces en grès jusqu'à sa collaboration naturelle avec des sculpteurs (Denys Puech, Albert Marque, etc.) ou son travail sur le grand décor. Sa production la plus célèbre avec les peintres fait l'objet d'une remise en contexte inédite et démontre la richesse d'une contribution ayant réuni près d'une vingtaine d'artistes, parmi lesquels Henri Matisse, André Derain, Maurice de Vlaminck, Mary Cassatt, Auguste Renoir, Maximilien Luce, Kees van Dongen, Georgette Agutte, Pierre Girieud. Ses amitiés avec certains collectionneurs ou peintres, comme Maurice Denis, Aristide Maillol ou Jean Puy, seront évoquées permettant au lecteur de rentrer au coeur de l'atelier d'Asnières et de découvrir la richesse unique de l'oeuvre d'André Metthey.‎

‎ARCHITECTURE des COQUILLAGES (Geprägte Form). Choix de 87 photographies en grand format et en noir et blanc de coquillages.‎

‎München, 1968. Bel in-4 (30 cm x 25) relié, 174 pages sur papier glacé + Vorwort.‎

‎Der westschweizerische Profanbau der Renaissance (1550-1680).‎

‎Freiburg, Universitätsverlag, 1960, gr. in-8°, XVI + 97 S. + 62 Abb. auf 19 Tafeln, Original-Broschüre.‎

‎SAINT-GERMAIN-DES-PRÉS AN MIL‎

‎Paris Picard 2011 1 4° Broché couverture à rabats 126 pages Nombreuses photographies en couleurs avec explications. Frais d'envoi calculés par Mondial Relay, colissimo et étranger sur devis‎

‎L'église de Saint-Germain-des-Prés offre un témoignage unique, bien que largement méconnu, de la production artistique de l'an mil... Très bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎parochiekroniek: 150 jaar parochie Sint-Jan-Evangelist Koningshooikt‎

‎, Koningshooikt : Kerkfabriek Sint-Jan-Evangelist , 1992, Oorspronkelijk uitgevers omslag, 72 pag. afbeeldingen z/w.‎

‎Beschermd cultuurpatrimonium in de provincie Antwerpen. Arrondissement Turnhout.‎

‎Wommelgem, De Gulden Engel, 1987 Geillustr. softcover, 213 pp. + register, 15.50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.‎

‎Fotografie: Jacques Sonck.‎

‎Beschermd cultuurpatrimonium in de provincie Antwerpen. Arrondissement Antwerpen.‎

‎Wommelgem, Provincie Antwerpen, 1990 Geillustr. softcover, 326 pp., 50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.‎

‎Fotografie: Jacques Sonck.‎

‎Beschermd cultuurpatrimonium in de provincie Antwerpen. Arrondissement Mechelen.‎

‎Wommelgem, Provincie Antwerpen, 1989 Geillustr. softcover, 219 pp., 50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.‎

‎Fotografie: Jacques Sonck.‎