Utrecht: Centraal Museum Utrecht, Nederlands Architectuurinstituut, 1992 pet. in-4, 396 pages, 681 illustrations d'oeuvres de Rietveld et nombreuses illustrations documentaires, bibliographie, index. Reliure toile, jaquette.
Gerrit Th. Rietveld 1888-1964. L'oeuvre complet. (Utrecht: Centraal Museum Utrecht, Nederlands Architectuurinstituut, 1992). [M.C.: architecture, mobilier, décoration, design, Hollande]
Chicago and London, The University of Chicago Press, coll. « Publications of the Center for Middle Eastern studies », n° 2 1968 In-4 26 x 23 cm. Reliure éditeur toile illustrée, XV-233 pp., 2 cartes, 223 figures et plans, notes, glossaire, chronologie, bibliographie, index, table des illstrations, sommaire. Exemplaire en bon état.
Texte en anglais. Bon état d’occasion
Lausanne, La Bibliothèque des Arts, 2007, in-4to, 255 S., 234 tlw. farb. u. ganzseit. Abb. u. Pläne, schénes Ex., Original-Leinenband mit OU in Farbe.
Phone number : 41 (0)26 3223808
[Claude Sauvageot Photographe] - KURMANN-SCHWARZ Brigitte , KURMANN Peter
Reference : 020519
(2001)
La Pierre-Qui-vire Zodiaque 2001 Grand In 8 Collection " Le Ciel et la Pierre " . N° 5 . Très bonne qualité de ces ouvrages avec de nombreuses photographies en couleurs et noir et blanc , qui nous initient aux mystères des cloîtres . Cartes et plans . Architecture , Beaux-Arts , Religion , Spiritualité . - 460 p. , 1 kg. 300 gr.
Couverture rigide Comme neuf Jaquette en très bon état 1ère Édition
Paris Maison de la culture du Japon 1998 in 4 (25x26) 1 fort volume broché, couverture à rabats, 433 pages [1], avec de nombreuses illustrations photographiques, dessins et plans, étui imprimé. ouvrage édité à l'occasion de l'exposition présentée à la Maison de la culture du Japon à Paris. Les grands architectes contemporains - 1. Texte en français et en japonais (French and Japanese text). Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon
Paris, Centre Georges Pompidou, 1997, 305x240mm, 66p., couverture rigide illustrée.Collections du Musée national d’Art Moderne Centre de création industrielle.(103866)
Phone number : +33 1 48 01 02 37
Tokyo, Nobel Shobo, 1969, 312 x 267 mm, 304pp., pleine toile marron de l’éditeur, jaquette illustrée.
Photographies de Osamu Murai, Masao Arai, Tomio Ohashi, Takashi Koyama, Yutaca Suzuki, Hideki Hongo, entre autres, reproduites en photogravure.Edition originale de la première monographie importante de l’architecte, un des fondateurs du Métabolisme. Illustré de photographies de bâtiments ou de maquettes l’ouvrage s’attache à montrer les oeuvres réalisées de 1960 jusqu’au projet pour Expo 70 à Osaka, alors en construction. (103868)
Phone number : +33 1 48 01 02 37
Birkhäuser 1999 In-4 broché, 436 pp, nombreuses illustrations en noir.
Très bon état d’occasion
Schaarbeek, Brussel, Deruyter Kurt, 2013 Hardcover, 128 pag. NL / FR, 245 x 175 x 10 mm, Nieuw, met foto's in kleur. ISBN 9789082058901.
1924 / 304 pages. Relié Editions Librairie Arts Décoratifs / Calavas.
Couverture insolée, intérieur frais. Bel état.
Leipzig, Brockhaus, 1907. Lex-8°. (1) Bl., XIII, 390 S., (2) S. (Anzeigen). Mit 45 Tafeln. Illustr. Orig.-Pappband.
Der Einband fleckig und berieben.
, Edition Tusch, 1977 Hardcover, 216 zeiten, Deutsche edition, 330 x 310 x 25 mm, Wie Neu !!, Illustrierter Schutzumschlag, reichhaltig illustriert in Farbe / s/w; ***Teils gefalteten Karten in farbe und s/w*** besondere seltene Ausgabe... ISBN 9783850630740.
Die Geschichte Österreichs umfasst die Geschichte Österreichs und seiner Vorgängerstaaten. In der späten Eisenzeit wurde Österreich von Menschen der keltischen Hallstatt-Kultur besetzt (ca. 800 v. Chr.), die sich zunächst als keltisches Königreich organisierten, das von den Römern als Noricum bezeichnet wurde und aus dem Jahr ca. stammte. 800 bis 400 v. Chr. Am Ende des 1. Jahrhunderts v. Chr. wurden die Gebiete südlich der Donau Teil des Römischen Reiches. In der Völkerwanderungszeit, im 6. Jahrhundert, besetzten die Bavarien, ein germanisches Volk, dieses Land, bis es im 9. Jahrhundert an das Frankenreich fiel, das von den germanischen Franken gegründet wurde. Der Name Ostarrîchi (Österreich) wird seit 996 n. Chr. verwendet, als es eine Markgrafschaft des Herzogtums Bayern und ab 1156 ein unabhängiges Herzogtum (später Erzherzogtum) des Heiligen Römischen Reiches (962?1806) war.
, Ivrea, 1990 Broché, 406 pages, Texte en Francais / Tres belle exemplaire, 240 x 170 x 25 mm, ill.en n/b. ISBN 9782851842251.
Kurt Hermann Eduard Karl Julius Schwitters (20 juin 1887 - 8 janvier 1948) était un artiste allemand né à Hanovre, en Allemagne. Schwitters a travaillé dans plusieurs genres et médias, notamment le dadaïsme, le constructivisme, le surréalisme, la poésie, le son, la peinture, la sculpture, le graphisme, la typographie et ce qui est devenu l'art de l'installation. Il est surtout connu pour ses collages, appelés "Merz Pictures".
, Pelckmans Uitgevers, 2023 hardcover 272 pagina's, 21.5 x 14cm. ISBN 9789463376044.
James Ensor heeft Oostende nooit ingeruild voor Brussel of Parijs. Waarom niet? Dat vertelt dit boek, waarin Kurt Van Eeghem de lezer meeneemt naar de Koningin der Badsteden ten tijde van de zwierige belle époque. Elke zomer veranderde de ingeslapen kuststad in een bruisende smeltkroes. De promenade met zijn weelderige hotels en villa?s was the place to be voor de elite om te zien en gezien te worden. Luxueuze treinen en pakketboten brachten toeristen uit alle uithoeken van de wereld naar onze kust. In dit boek wordt eindelijk de meest succesvolle periode van Oostende beschreven. Naast De Kursaal, een wonderlijk eclectisch paleis, beschikte de badstad over een Groot Symfonisch Orkest met aan het begin van de twintigste eeuw 155 topmuzikanten. Wereldsterren zoals Caruso, Saint-Saëns, Strauss en Casals traden op in de immense Rotonde. Voor opera, toneel en ballet kon je terecht in de Koninklijke Schouwburg. Geleerden en schrijvers hielden lezingen, schilders en beeldhouwers toonden de nieuwste evoluties. De revuetheaters draaiden op volle toeren, er waren sportmanifestaties, bloemencorso?s, vuurwerken en stoeten. Auguste Escoffier creëerde de ?Sole Ostendaise? in de keuken van het ?Royal Palace?, het meest luxueuze hotel van de Atlantische kust? Oostende in de belle époque is een boek vol verrassingen.
, Brepols, 2021 Hardback, 222 pages, Size:156 x 234 mm, Illustrations:10 b/w, 6 maps b/w, Language: English. ISBN 9782503587868.
Summary The crusades have been remembered and commemorated in many ways, from the late eleventh century until today. Soon after the conquest of Jerusalem in 1099, the fate of the First Crusade inspired literary, historiographical and artistic traditions. Participants in the subsequent crusades would look to the first Crusade for inspiration and spiritual guidance, while playing out their own ideas of crusading. Since then the crusades have been put to use in very divers ways and for different purposes. This volume explores how the crusades have been remembered, revered and ridiculed by those who participated in them and by those who in later periods made use of the crusades as an historical phenomenon. The volume thus traces the memory and legacy of the crusades by putting together essays that focus on the specific ways in which the crusades have been memorized, evoked and exploited from the eleventh century until today. TABLE OF CONTENTS The Crusades. History and Memory: Introduction Kurt Villads Jensen & Torben Kjersgaard Nielsen When Was the First History of the Crusades Written? Christoph T. Maier The Memory of Saladin and the Crusades in the Near East from the Fifteenth to the Late Nineteenth Centuries Jonathan Phillips When the Saints go Marching in. The Memory of the Miraculous in the Sources for the First Crusade Carol Sweetenham Once and Future Crusades. Past and projected plans of Emperor Frederick II and King Valdemar II of Denmark, c. 1214-1227 Kurt Villads Jensen The Circulation of the Eracles in Italy and Galeotto del Carretto's Chronicle(s) Massimiliano Gaggero From 'Superstitious Veneration' to 'War to Defend Christendom'. The Crusades in the Encyclopaedia Britannica (1771-2018) Mike Horswell Has Emperor Henry of Constantinople's Legend Survived in Greek Folk Poetry? Aphrodite Papayianni Paradigms for Understanding Modern Crusading Adam KnoblerMemorials to Crusaders. The Use of Crusade Imagery in British First World War Memorials Elizabeth Siberry When and Where did the Word 'Crusade' Appear in the Middle Ages? And Why? Benjamin Weber
, Brepols, 2022 Hardback, xviii + 614 pages, Size:178 x 254 mm, Illustrations:8 b/w, 16 col., 159 pages of tables, Language(s):English, Arabic. ISBN 9782503593418.
Summary The Jami'Zij (Comprehensive Zij) was a highly popular Arabic astronomical handbook with tables written by the Iranian astronomer Kushyar ibn Labban al-Jili around the year 1000. It belonged to an important category of works, modelled after Ptolemy's Almagest and Handy Tables, that allowed the practising astronomer/astrologer to carry out all necessary calculations of arcs on the celestial sphere and planetary positions, and ultimately to cast horoscopes. Around one hundred such works are extant, but only very few have been edited, translated or studied in detail. This book contains a full treatment of Book II of Kushyar's astronomical handbook centred around a critical edition of all the mathematical tables and their paratexts. It sets new standards for the edition of such tables by designing new types of apparatus entries for related variants in the tabular values. The introductory part describes the eight surviving manuscripts that transmit Kushyar's tables and establishes by a detailed survey that they represent at least three different versions of the Jami'Zij that in all likelihood stem from Kushyar himself. An extensive commentary with mathematical analyses uncovers numerous new details of the methods by which the tables were computed, the astronomical parameter values on which they were based, the sources for the tables, and their influence on later zijes. These results show how Kushyar, on the one hand, stayed firmly within the framework of the Ptolemaic tradition, but on the other introduced several types of innovations that later became common in Arabic and Persian astronomical handbooks. TABLE OF CONTENTS Preface Part I: Introduction Part II: Tables Part III: Texts Part IV: Commentary Quick references: zijes and technical concepts for the analysis of tables Indexes Bibliography
Prague, Artia, 1971. In-4° reliure pleine toile, jaquette illustrée. Avec 180 illustrations représentant l'architecture, la sculpture et la peinture de l'époque gothique en Bohème.
Texte allemand.
1973 London, Thames and Hudson, 1973. Grand in-8 broché de format carré, 23 x 23 cm., 128 pp. Comprenant 183 plans et dessins de l'auteur. Couverture illustrée. Un léger pli de lecture au dos sinon très bon état. EN ANGLAIS
Utrecht, De Lanteern, 1954 Gebonden linnen, stofomslag met houtsnede van Jozef Cantré, 245 pagina's, 13.5 x 19.5 cm.
Eigenverlag, Hall in Tirol, 1992, in-4 softcover, dustjacket, 144 pp, illustrations. In english & german. Library copy. Cover Used, inside good.
, Brussel, Paleis der Academien, 1990.**, softcover , originele uitgeversomslag, 26x18cm, 268 p, index persoonsnamen en bewaarplaatsen, geillustreerd z/w, als nieuw! ISBN 9065694390.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n° 51.
, Brepols - Harvey Miller, 2021 Hardcover with dusjacket, 410 pages ., 75 b/w ill. + 60 colour ill., 175 x 260 mm,.NEW ISBN 9781912554638.
This book, one of four devoted to Rubens's portraiture, contains a catalogue of all the portraits of unidentified individuals attributed by Ludwig Burchard or by the authors to Rubens and executed in Antwerp. The volume thus complements the catalogue of all the portraits of known persons painted by Rubens in Antwerp, published in the Corpus Rubenianum Ludwig Burchard as Part XIX.2 in 1987. A decade earlier the volume on the portraits painted by Rubens outside Antwerp (XIX.1) had inaugurated the series on Ruben's portraits. In 2016, the book dealing with Portraits after Existing Prototypes (XIX.4) also appeared, so that now the cataloguing of Rubens?s entire oeuvre in the field of portraiture is complete. Not all the works discussed in the present book (XIX.3) are, however, portraits of unidentified sitters ? initially the volumes title. Recent scholarly research has not only allowed insights into sitters previously unrecognised, but has indeed made it possible to give an identity to a number of persons portrayed in works that were not included in the second volume (XIX.2). Among these sitters are members of Rubens's own family, as well as his contemporaries, including significant figures in the political, economic or religious life of the period.
, 010 Publishers / vai, 2006 Softcover, 320 pagina's met illustraties, prima staat. ISBN 9789064506291.
, Brepols 2018, 2018 XII+221 p., 28 b/w ill., 2 b/w tables, 156 x 234 mm, English, Paperback, . ISBN 9782503533933.
The power of textiles in the Burgundian Dominions, spinning webs between city and court c. 1363-1477. Textiles were used as markers of distinction throughout the Middle Ages and their production was of great economic importance to emerging and established polities. This book explores tapestry in one of the greatest textile producing regions, the Burgundian Dominions, c. 1363-1477. It uses documentary evidence to reconstruct and analyse the production, manufacture, and use of tapestry. It begins by identifying the suppliers of tapestry to the dukes of Burgundy and their ability to spin webs between city and court. It proceeds by considering the forms of tapestry and their functions for urban and courtly consumers. It then observes the ways in which tapestry constructed social relations as part of gift-giving strategies. It concludes by exploring what the re-use, repair, and remaking of tapestry reveals about its value to urban and courtly consumers. By taking an object-centred approach through documentary sources, this book emphasises that the particular characteristics of tapestry shaped the strategies of those who supplied it and the ways it performed and constructed social relations. Thus, the book offers a contribution to the historical understanding of textiles as objects that contributed to the projection of social status and the cultural construction of political authority in the Burgundian polity. Katherine Anne Wilson is Senior Lecturer in Medieval History at the University of Chester. Her research interests lie in understanding the relationship between social and cultural change, and shifting patterns in the use of material culture in the later Middle Ages. She has worked and published on the circulation of tapestry and luxury goods of the Burgundian Netherlands as well as the biographies of their producers and consumers.
Prestel 2007 Livre en anglais. In-8 relié 24,5 cm sur 29,30. 246 pages. État correct d’occasion.
Mauvais état d’occasion