Paris, F. Contet, impr. Protat frères, à Mâcon, Paris, 1930 0 Un volume in-folio (450 x 330 mm), (4) pp. (faux-titre, titre) 12 pp. (texte, illustrations et plans), 40 ff. (planches). En feuillets, sous portefeuille demi-toile verte à lacet, titre doré au dos (reliure éditeur). (rares rousseurs marginales à quelques planches). 40 planches tirées en héliogravure. Hôtels Chéret, de Botterel-Quintin-d Aumont, Marmont, Titon, de Bourienne.
Paris, F. Contet, impr. Protat frères, à Mâcon, Paris, 1930 0 Un volume in-folio (450 x 330 mm), (4) pp. (faux-titre, titre) 16 pp. (texte, illustrations et plans) 40 ff. (planches). En feuillets, sous portefeuille demi-toile verte à lacet, titre doré au dos (reliure éditeur). 40 planches tirées en héliogravure. Hôtels de Mlle Mars, de Mlle Duchesnois, Maisons de Talma, de l architecte Belanger, de Talairac, Hôtels Bony puis de Uribarren, de Biéville, Le Normant de Mézières, Pinsot, Philibert, Rousseau, de Vassal de Saint-Hubert, Dépendance de l ancienne propriété du sculpteur Pigalle....
PLON. Non daté. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 178 pages. Quelques planches de photos en noir et blanc.. . . . Classification Dewey : 720-Architecture
"Collection ""Les Maitres de l'Histoire"". Classification Dewey : 720-Architecture"
Zagreb, Horetzky, 2004 softcover, 100 colour illustrations, 150 b & w illustrations, 220 x 240mm. ISBN 9789539635198.
Antwerpen , Borgerhoff & Lamberigts, 2022 Oorspronkelijk uitgevers omslag, 272 pagina's, 1.22 x 2.3 x 27.8 cm. ISBN 9789463937252.
4 november 2020, deSingel mag veertig kaarsen uitblazen. Wat begon als een overmoedig conservatoriumgebouw, werd in nog geen halve eeuw tijd h t verzamelpunt voor toonaangevende muziek-, dans- en theatervoorstellingen. Een huis waar de allergrootsten op bezoek kwamen. Waar Anne Teresa De Keersmaeker haar eerste danspassen zette, waar Ivo Van Hove de kneepjes van het toneelvak leerde en waar de aanzienlijkste muziekensembles van ons land op de planken stonden. Cultuurjournalist en musicoloog Jasper Croonen dook ter ere van het jubileum in de archieven van de kunstsite, sprak met de protagonisten uit de afgelopen veertig jaar en pende de geschiedenis van deSingel neer. Het verhaal van een handvol culturele baanbrekers die het kunstenveld in Vlaanderen grondig omwoelden, van een kunstinstelling met wereldfaam.
, De Vrieseborch, 1988 Gebonden, Hardcover met stofomslag compleet. 311 pages, ill. ISBN 9060762940.
De blokboeken en incunabelen in Haarlems Libry
Lausanne, Editions 24Heures 1991, 285x240mm, 383pages, reliure d'éditeur sous jaquette. Bel exemplaire.
photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Bruxelles, Editions Racine, 2008. 21 x 29, 624 pp., très nombreuses illustrations et cartes en couleurs et en N/B, reliure d'édition pleine toile + jaquette, très bon état.
Photographies de Patrick Van Nieuwlandt.
Dimension extérieur 69,5 x 50 cm Très beau dessin d'architecture réalisé par J.Auproux en 1916. Il était probablement étudiant dans ce domaine à cette époque. Dessin aquarellé, en très bon état général.
Nous possédons également un autre dessin de cet artiste que vous pouvez trouver à cette référence : DES14T8.
Jaussaud Jean-François Colonna D'Istria Robert
Reference : 68524
(2010)
ISBN : 9782810401246
Editions Prisma 2010 144 pages 33x24x2cm. 2010. Broché. 144 pages.
French édition. Le livre qui n'a jamais été lu présente des marques de stockage sur la tranche et/ou les pourtours mais reste en très bon état d'ensemble. Expédié soigneusement dans un emballage adapté depuis la France
, Brepols, 2022 Hardback, xxiv + 285 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503599120.
Summary How did the least educated rows of the clergy get in touch with basic and more subtle religious teachings? Access to literacy was not the rule in the Early Middle Ages, but rather the exception. However, even the lowest rows of the Church were expected to be able to take care of their parishes. Therefore, the clergy was expected to be provided a certain knowledge. Oral transmission might have played the most important role in the formation of the lowest clergy. Still, several compositions have survived which might have also served this aim. These are rather simple, hardly original texts with friendly displays and oversimplified approaches to central matters of the Christian faith. Most of such compositions do not reach the highest standards of the time - nor do they attempt to do so. Yet, they are not mere personal notes for private use. They were surely meant to be circulated and to last - as they apparently did. This volume collects some of these texts, which appear to be related with one another in different ways. The collection, however, is not and could not be intended to be complete.
1 vol. in-8 br., La Force, 1982, 38 pp.
Etat très satisfaisant (lég. rouss. en bords de plat sup., très bon état par ailleurs). On joint 5 cartes postale de La Force ainsi qu'un petit écusson en toile aux armes de La Force.
, Hannibal, 2019 Hardcover, 176 pages, ENG. edition, 290 x 230 x 20 mm, NEW !!, illustrated dustjacket, illustrated in color / b/w. ISBN 9789463887014.
When the painter Jacopo Tintoretto (1518-1594) around 1560-1570 Saint Catherine painted, a 0monumental altarpiece for the Venetian church San Geminiano, his fame had reached a peak. 'Capriccioso, presto, e risoluto', that is how the Italian art historian Giorgio Vasari described him at the time. Fickle, fast and determined. Vasari found Tintoretto's style difficult places but still found it one of most fascinating painters of all time. The emotionally charged work of Tintoretto inspired many artists and also had a special one, among other things place in the private collections of baroque painters such as Rubens and Van Dyck. So it is not surprising that Tintoretto's Saint Catherine one of the first art purchases was from it British pop icon David Bowie and that's it a new owner after his death he received it on long-term loan gave to the Palazzo Ducale in Venice. Recently, researchers discovered the KIK (Royal Institute for... Art heritage) a drawing below the paint layer of Saint Catherine, which sheds new light on both process of creation as the iconography of the painting. The work is the culmination of Tintoretto's expressive imagery, are living colorful and explosive test, with which he knows strong emotions to trigger the viewer. In this book, essays by specialists such as Stijn Alsteens (Christie's and The Metropolitan Museum of Art, New York), Christina Currie (KIK, Brussels), Xavier F. Salomon (The Frick Collection, New York) and Ben Van Beneden (Rubenshuis, Antwerp) Tintoretto's Saint Catharina completely back to life
, Hannibal Books , 2023 Hardcover HB, 284 x 225 mm, 160 pages, ENG edition Illustrated. ISBN 9789463887007.
Even in his own time, the status of Venetian painter Titian (1488- 1576) was legendary. He worked on the border between Renaissance and Baroque and was revered on par with the greats of the world. His pictorial style, extraordinary use of colour and virtuoso technique were and still are an inexhaustible source of inspiration for generations of artists. Rubens and Van Dyck, among others, greatly admired Titian's work and studied it extensively. Portrait of a lady and her daughter is perhaps one of Titian's most fascinating works. He began the miraculous painting in the mid-16th century, but died before he could finish it. This depiction of the relationship between a mother and her child is unparalleled. Despite the monumentality of the painting, the look with which the daughter looks at her mother is perhaps one of the most tender in all of art history. The identity of those portrayed is uncertain, but some art historians claim Titian painted a portrait of his mistress, Milia, and their illegitimate daughter, Emilia. The painting experienced a prodigious history from its inception. Its wanderings began in Venice, after which the work passed by the Russian tsars and then, via Paris, ended up in London, where it miraculously survived the bombings of World War II. Today, it has been fully restored after a 20-year restoration. Translated with DeepL.com (free version)
, Brepols, 2024 Hardback, 301 pages, Size:156 x 234 mm, Illustrations:13 b/w, 25 col., 5 tables b/w., Language: English. ISBN 9782503606699.
Summary The essays in this collection were presented at the 2020 Symposium on Apocalypticism, sponsored by the Marco Institute for Medieval and Renaissance Studies at the University of Tennessee. The authors offer new readings of medieval and Renaissance Apocalypticism in quotidian terms, not as 'counterculture' but as the pragmatic expression of spiritualities that informed both debate and practice, on subjects as mundane and diverse as warfare, pilgrimage, gender, cartography, environmentalism, and governance. Topics include the origins of imperial eschatology; reflections on cosmology and the fate of the earth; the fusion of history, prophecy, and genealogy; Joachite readings of the political landscape of Italy; the influence of the Great Schism on Burgundian art; eschatology and gender in pilgrimage literature; the late medieval interpretation of the Revelationes of Pseudo-Methodius; and the appropriation of apocalyptic tropes in the propaganda and policies of the German emperor Maximilian I. The essays that open and close this collection offer meditations on the enduring legacy of Apocalypticism by focusing on the events ? pandemic, political unrest, and the proliferation of conspiracy theories manifest in both ? that mark the historical era in which this symposium took place. TABLE OF CONTENTS Introduction: Apocalypse and Politics, in the Middle Ages and Today JAY RUBENSTEIN Constantine and the Birth of Medieval Apocalypticism: Imperial Eschatology in Eusebius, Lactantius, Ephrem, Aphrahat, and the Tiburtine Sybil STEPHEN SHOEMAKER The Apocalypse and the Medieval Cosmos BRETT EDWARD WHALEN Apocalypse Unfurled: Origins and End Times in the Genealogical Roll JENNIFER JAHNER Prophetic Geography: Italy, the School of Joachim of Fiore, and the New Philistines THOMAS MAURER The Apocalypse of the Duc de Berry and the Apocalyptic Great Schism RICHARD K. EMMERSON The Eschatology of Pilgrimage Literature and the Gender of the Apocalypse in Late Medieval Europe KATHRYNE BEEBE Reading the End in Late Medieval Augsburg: Wolfgang Aytinger's Commentary on the Revelationes of Pseudo-Methodius LAURA ACKERMAN SMOLLER Prophecy and Policy: Maximilian I as Last World Emperor in Theory and Practice ROBERT BAST The Apocalyptic 'Other': Nostos, Gog and Magog, and Revelation in the Time of Covid COLIN MCALLISTER Index
Arts et métiers graphiques 1966
Bon état
Paris, Ladrange, 1842. Format 18x28 cm, broche, 38 pages + 34 planches hors-texte. Une dechirure sans manque au dos, des rousseurs eparses dans le papier. Etat acceptable.
, Harvey Miller , 1972 168 p., incl. 270 ills., 265 x 390 mm, 1972 , Studies in Medieval and Early Renaissance Art History J. Beckwith, no dust jacket, Fine copy. ISBN 9780199210077.
Ivory carvings are among the most beautiful achievements of medieval art. They reflect not only the deeply religious nature of the medieval world but also express the consummate skill and highly creative minds of those who carved them. The English craftsmen of the Early Middle Ages produced such renowned masterpieces as the Bury St Edmunds Cross and the Lewis Chessmen. John Beckwith provides a definitive study of English ivory carving from 700-1200 AD, which describes and illustrates over 160 carvings. He places the ivories in relation to contemporary illuminated manuscripts and enamel work. Through fascinating and lively portraits of some of the abbots and bishops who were the great patrons of their time, and in particular, Henry of Blois, bishop of Winchester, he places the art form firmly within its historical and cultural context.
MELLE, Imp. de E. Lacuve - 1884/5 - E.O. - In-8 - Broché - 15 pages - Salissure en tête au 1 er plat - exemplaire non coupé - Bon exemplaire - Envoi rapide et soigné
- Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
"1932. Paris La Construction Moderne 1932 - Broché 16 cm x 24 cm XXII pages + 111 pages de photos de plans de maquettes et d'édifices - Préface de J.-B. Hourlier étude sur l'architecture moderne de H. Sauvage - Petit manque au dos sinon bon état"
Paris Levy 1873 1 4° Cartonnage éditeur percaline verte illustrée 366 pages, 24 planches h.t. A. Levy, Paris, 1873. Un volume in 4° relié percaline verte à décor estampé de l'éditeur, (4), XI, 366 pages, 24 planches h-t. Volume en bon état hormis un léger accroc à la coiffe supérieure. Bien complet de ses 24 planches.
Envoi colissimo R3, 15 Coiffes légèrement rapées, mais bon état général Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
A.E.A.L.. 1981. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 43 pages - quelques planches en noir et blanc. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Amsterdam, Cornelis Jansz. Boekverkooper, op den Dam,, z.d. (1655), ,2 delen in n band (tweede deel ook met eigen titelpagina), 4,40; 44 pp.
Dit 'Bijen-boek'is een bewerking van Dirk Outgaertsz. Cluyt's Van de byen, waarvan de eerste uitgave in 1597 verscheen in Leiden." (online KB-artikel). In zijn werk "Twee en tachtig jarig leven" [in geheel andere verzen gesteld dan ons werk "Tachtig-Jaerig Leven] komt een verwijzing naar bijen voor: "De dood is als een By, die prick nog angel heeft, soo datse sonder prick alleen maar honig geeft."
, Brussel, Paleis der Academien, 1989., softcover , originele uitgeversomslag, 18x26cm. ISBN 9065694250.
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n? 47.
ASSOCIATION LA DAME DE CHAMP. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages. Premier plat illustré en couleurs. Nombreuses photos et illustrations en couleurs et noir et blanc, dans le texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture