‎BLINDE HAAS‎

‎, Davidsfonds / Literair 1999, 1999 Gebonden, 283 pagina's, Nederlands, 220 x 150 mm, boek in prima staat !. ISBN 9789063064006.‎

‎Andreas Müllers oog valt op een dag op een advertentie waarin een huisbewaarder wordt gevraagd die ook kan tuinieren. Hij verlaat de muffe stad en trekt zich terug in de conciërgewoning van het kasteel op de grens van Nederland en Vlaanderen. Andreas herleeft: hij tuiniert, leeft sober, sluit vriendschap met een blinde haas en doet trouw de poort open en toe. Hij voelt er zich thuis, een gevoel van heel lang geleden. Maar vanwaar komen al die zwarte kruisen die overal zijn opgehangen? Van wie is het skelet dat hij op een dag opgraaft? Waarom is zijn naaste buurman, een boer, zo vriendelijk en behulpzaam? Wanneer Wallis Cabris, zijn vroegere cafébroeder, opduikt, komt Andreas terecht in een zuigende spiraal van mislukkingen. BLINDE HAAS is een roman met bijna paganistische allure. De menselijke strijd om de macht en de controle over anderen loopt als een refrein door het boek. Tegelijk is er ook een warm meeleven met de kleine mens, de wereld van de kwetsbaren. Een intrigerende roman,‎

‎Ik, Jan Cremer Boek + Zeefdruk + Cd - 2000; Gestempeld, Genummerd en Gesigneerd 167/250 ‎

‎Amsterdam, Bezige Bij,, 2000 Folio; grote luxe linnen overslagdoos met uitsparingen voor de desbetreffende onderdelen. 44,5 x 32 cm - 250 ex. het boek en de zeefdruk zijn hand gesigneerd, genummerd (167/250) en gestempeld. Met bijbehorende CD ?Het lied van de Ram?. Afmetingen: 45cm x 32cm x 6cm (cassette), 42cm x 30cm (blad zeefdruk). *In uitstekende staat!.‎

‎Compleet en volledig intact en als nieuw !!!! 1.BOEK Ik Jan Cremer. Amsterdam, De Bezige Bij, 2000 zilverkleurig stofomslag. 364 pagina's. 50e druk. Genummerd en gesigneerd: ?Jan Cremer/ 167/250? en voorzien van het bekende Cremerstempel: de auteur-kunstenaar op motor. 2. CD Het lied van de Ram. Compact disc waarop Cremer voorleest, wordt geïnterviewd, wordt gezongen en toegezongen. 3. ZEEFDRUK Originele, genummerde en gesigneerde zeefdruk in kleuren, bovendien voorzien van het bekende motorstempel. 42,0 x 30,0 cm. In linnen map. * Eenmalige editie verschenen in een oplage van 250 genummerde exemplaren bij gelegenheid van de 60e verjaardag van de auteur op 20 april 2000. ‎

‎Inleiding tot de kennis van symbolische vormen en van de mystiek der bouwkunst ‎

‎, Schors bv, Uitgeverij 1981, 1981 Hardcover, 212 pagina's, Nederlands, 260 x 200 mm, boek in goede staat, met illustraties in z/w,. ISBN 9789063780159.‎

‎Jan De Cock - Denkmal IV: 57 Modules XCII-CCCXIX‎

‎Brussel, Atelier Jan de Cock, 2008 Hardcover in slipcase, 210 pages, 245 x 305 mm, english text. *fine condition. ISBN 9789080842441.‎

‎For his first museum exhibition in the United States, artist Jan De Cock (Belgian, born 1976) will conceive a floor-to-ceiling installation mixing color and black-and-white photographs with a series of plywood sculptural modules that recall twentieth-century abstraction. Made in response to the particular site in which they are displayed, the pictures will be of specific objects and installation views of MoMA s collection that De Cock has previously photographed from different angles and at times combined with other images culled from the history of art, architecture, and film in an encyclopedic style.‎

‎Rubens and the Netherlands ‎

‎, Waanders, 2006 Hardcover with dusjacket 368 PAG. Illustrated. ISBN 9789040091094.‎

‎The Flemish baroque painter Peter Paul Rubens was the most renowned northern European artist of his day, and is now widely recognized as one of the foremost painters in Western art history. By completing the fusion of the realistic tradition of Flemish painting with the imaginative freedom and classical themes of Italian Renaissance painting, he fundamentally revitalized and redirected northern European painting. Most accounts of Peter Paul Rubens represent the artist in his cosmopolitan European setting, in line with his demonstrable interests and ambitions. Although such interpretations are typically attentive to the ways in which political, socioeconomic and cultural circumstances and traditions in the Netherlands affected his persona and work, the interaction between Netherlandish contingencies and translocal ambition has rarely been the sustained object of Ruben's studies. In Dutch and English.‎

‎Sensualite et volupte - Le corps feminin dans la peinture flamande des XVIe et XVIIe siecles. Sensualiteit en wellust. Het vrouwelijk lichaam in de Vlaamse schilderkunst van de XVIe en XVIIe eeuw.‎

‎Milan., Silvana Editoriale, 2010 Softcover, picturale cover met flappen, 128pp., 24.5x28.5cm., rijkelijk geillustr. in kleur. Nieuw. ISBN 9788836618095.‎

‎Tweetalige tentoonstellingscatalogus. Cette exposition inaugurale du musee departemental de Flandre, qui developpe une thematique inedite et audacieuse, rassemble des chefs-d'oeuvre de la peinture...? Lire la suite flamande des XVIe et XVIIe siecles. Non seulement des grands musees internationaux, a l'instar du Kunsthistorisches Museum de Vienne avec ce prodigieux tableau de Bartholomeus Spranger (1546-1611), Mars et Venus mis en garde par Mercure, mais aussi des collectionneurs prives ont consenti a des prets exceptionnels. Des oeuvres inedites, conservees a l'abri des regards chez des passionnes d'art flamand, sont, pour la premiere fois, revelees au grand public. Ainsi cette "Allegorie de la Musique" de Jan Sanders Van Hemessen (ca. 1500-1556) est surprenante par la representation innovante de cette femme nue assise sur son lit. Par le prisme de trois thematiques, le musee departemental de Flandre propose de decouvrir la diversite des representations du corps feminin dans la peinture flamande des XVIe et XVIIe siecles avec cette constance : reveler la sensualite de la femme.‎

‎10 Jaar Bouwmeester Maître d'architecte in Brussel ‎

‎Basel, Walther & Franz Koenig Verlag, 2024 Hardcover, 300 pagina's, 315 x 215 mm. NL. nieuw. ISBN 9783753307718.‎

‎Expo: 19/10/2024 - 16/3/2025, Swiss Architecture Museum, Basel. Van 2015 tot 2024 was Kristiaan Borret de Bouwmeester Maître Architecte (BMA) van het Brussels Hoofdstedelijk Gewest. De BMA is door de regering aangesteld om, vanuit een onafhankelijke positie, de ruimtelijke kwaliteit in stadsontwikkeling te bevorderen. Dit boek kijkt terug op een periode waarin de architectuur in Brussel internationale erkenning kreeg en werpt tevens een blik op de toekomst van de stad. Het geeft inzicht in hoe de stad vandaag gemaakt en beleefd wordt... ‎

‎10 Jaar Bouwmeester Maître d'architecte in Brussel ‎

‎Basel, Walther & Franz Koenig Verlag, 2024 Couverture rigide, Hardcover, 300 pages, 315 x 215 mm. FR. ISBN 9783753307701.‎

‎De 2015 à 2024, Kristiaan Borret a été le Bouwmeester Maître Architecte (BMA) de la Région de Bruxelles-Capitale. Le BMA est désigné par le gouvernement et a pour mission, depuis une position indépendante, de stimuler la qualité spatiale des projets urbains à Bruxelles. Ce livre revient sur une période où l'architecture bruxelloise a reçu une reconnaissance internationale et porte aussi un regard sur l'avenir de la ville. Il montre comment la ville est faite et vécue aujourd'hui, ... ‎

‎Soft Power 10 Years of Bouwmeester / Maître Architecte in Brussels ‎

‎Basel, Walther & Franz Koenig Verlag, 2024 Hardcover, 300 pagina's, 315 x 215 mm. with illustrations, text in English *new. ISBN 9783753307268.‎

‎Looking back on ten years and two mandates of Kristiaan Borret as Bouwmeester Maître Architecte (BMA) in Brussels cannot be limited to describing the bricks that have been laid. Working on and living in the city also underwent a remarkable transformation in the past decade. This publication explores the everyday realities and ways in which people live in these projects. The record of conversations between local and international designers, users, clients, and BMA staff during collective site visits deepens ‎

‎Edouard Fiers 1822-1894‎

‎, Stad Ieper, 2005 Hardcover, 144 pagina's, Nederlands, 335 x 245 x 18 mm, in zeer goede staat, illustraties in kleur / z/w, met enkele uitvouwbare pagina's !! ISBN 9789076991092.‎

‎Edouard Fiers is één van de gerenommeerde 19de-eeuwse Ieperse kunstenaars. Hij is geboren in 1822 in Ieper. Eerst volgt hij les aan de Ieperse Academie. Dankzij de financiële steun van de stad kan hij zijn artistieke opleiding, samen met enkele andere Ieperse kunstenaars, verder zetten in Brussel. Hij ontwikkelt er een stijl die nauw aansluit bij zijn neoclassicistische leermeesters. Nieuwe stromingen in de beeldhouwkunst laat hij aan zich voorbijgaan en hij kiest voor de klassieke traditie. Na zijn studies blijft Fiers in Schaarbeek wonen. Ondertussen wint hij enkele belangrijke prijzen en wordt zijn werk getoond op roemrijke salons, vooraanstaande tentoonstellingen en in nieuw opgerichte musea. Uit erkentelijkheid voor de financiële steun van de stad bij zijn artistieke opleiding, schenkt hij afgietsels van al zijn belangrijke beelden aan de stad. Het toenmalige Stedelijk Museum verzamelt op die manier een groot deel van het oeuvre van Edouard Fiers. Helaas blijven na de impact van de Eerste Wereldoorlog slechts drie werken bewaard. Vanaf 1927 wordt de collectie verder uitgebouwd en bevat vandaag zo een mooi overzicht van het oeuvre van Edouard Fiers, zowel chronologisch als stilistisch.‎

‎Walks Jan Dheedene‎

‎, MER Paper Kunsthalle, 2008 Softcover, SC / 112 pages / 28 x 20 cm + stadsplan. ISBN 9789076979588.‎

‎Starting point for Dheedene?s work which consists of a series of drawings on beer mats, was the logo of the Société Gerenerale Bank, an icon of Dheedene?s childhood, which stood for certitude and stability. Through these drawings, the artist analysed, mingled and reassembled the form of this logo to compose new forms. He chose this specific support because of the ideal format and the specific texture of the raw material. The round corners of the mats easily invite to rotate them. The drawings resulted in a series of collages, exposed in an exhibition and an artist book. Both were entitled Walks, a reference to the many walks the artist undertakes himself, but equally to the walking of the pencil on the limited surface of the pre-determined support.‎

‎Celestial Jerusalem in Bruges - The Adornes Estate and the Jerusalem Chapel‎

‎, Hannibal, 2024 Hardcover, 288 pages, 290 x 230 mm, NEW, illustrated dustjacket, Quadrichromie , illustrated in colour / b/w. ISBN 9789464666946.‎

‎Rediscovery of an architectural gem in the heart of Bruges The Adornes family has left a special legacy that can be admired to this day in Bruges. The Adornes Estate with its mansion and alms-houses reminds us of the family?s aristocratic lifestyle. The fascinating Jerusalem Chapel, a replica of the Church of the Holy Sepulchre in Jerusalem, brought great prestige to the Adornes family with its unusual architecture and powerful symbolism. Who were the Adornes? When did they arrive in Bruges and how did they establish their position as one of the most influential Bruges families of the fifteenth century? Ten authors, led by historians Jan Dumolyn and Noël Geirnaert, highlight the different facets of this extraordinary dynasty: from a critical genealogical analysis to a study of the collections, including an analysis of the architectural heritage and a presentation of current management aspects of this historical treasure which is still owned privately by its founders? descendants.‎

‎Architects' year book‎

‎Paul elek 1945 in4. 1945. Relié.‎

‎Bon état de conservation couverture défraîchie tranches légèrement fânées intérieur assez propre bonne tenue‎

‎Homage to Adrienne Fontainas Passionate Pilgrim for the Arts‎

‎, Peter Lang Publishing Inc, 2017 Hardcover 22,9 x 15,2 x 2,5 cm 359 pagina's.‎

‎The twenty-two essays in this volume are contributed by Belgian, French, and American scholars to honor the memory and work of Adrienne Fontainas (1929-2010). The interdisciplinary scholarship this community of international scholars has produced is of lasting importance in underlining the significant role of Brussels from 1870 to 1914. A leading European scholar and bibliophile, Adrienne Fontainas served as Vice President of the International Association of Bibliophiles and membre d'honneur of the Royal Society of Bibliophiles and Iconophiles of Belgium. Her groundbreaking books on the Symbolist poet Stephane Mallarme and his Brussels' editor Edmond Deman (Edmond Deman editeur : Art et edition au tournant du siecle and Edmond Deman : Publications de la librairie) are model studies of the book publishing trade in France and Belgium. The essays in this book explore a wide variety of interdisciplinary fields, including art history, book collecting, publishing, literature and music, and cover subjects such as Felicien Rops, William Degouve de Nuncques, Symbolism and Surrealism, Maurice Maeterlinck and Emile Verhaeren, Paul Signac, Victor Horta, Edmond Picard, Andre Fontainas, Edmond Deman, and Franz Liszt in Belgium. In addition, a comprehensive bibliography of Adrienne Fontainas' writings in the visual arts, literature, and music, as well as a discussion of her working methodology, are included. This book contains contributions in French and English.‎

‎Reconsidering Consent and Coercion Power, Vulnerability, and Sexual Violence in Medieval Literature‎

‎, Brepols - Harvey Miller, 2025 hardcover, Pages: 344 p.Size:178 x 254 mm Illustrations:3 col. Language:English *new. ISBN 9782503605302.‎

‎How can contemporary theorisations of consent help us to nuance our understanding of consent and coercion in the Middle Ages? And what can reconsidering medieval attitudes towards consent offer to our own ?consent culture?? Contemporary feminist approaches have identified consent both as a potent political framework for liberation and as an inherently limited concept that opens out onto other important ethical questions. Proceeding from this moment, this book looks in two directions to understand the varied ways in which structural inequalities impact meaningful consent and facilitate coercion in the Middle Ages and today. Building upon the momentum of ?medieval consent studies? as a newly defined field, this volume expands the focus beyond rape and raptus, assessing more varied representations of consent and coercion through an intersectional consideration of power, inequality, and sexual violence. The contributions bring together different methodologies, cultural contexts, and literary traditions to highlight literature?s capacity to reflect otherwise undocumented forms of sexual vulnerability. Offering a compelling case for integrating critical approaches like trans history, codicology, animal studies, ecocriticism, and disability studies into this field, Reconsidering Consent and Coercion demonstrates the vital necessity of a nuanced and inclusive understanding of the past for our present discourses of consent. TABLE OF CONTENTS List of Contributors Acknowledgements Note on the Cover Image Jane Bonsall and Hannah Piercy, Introduction: Why Reconsider Medieval Consent and Coercion? Why Now? Coercive Strategies and (Im)Possibilities of Resistance Carissa M. Harris, ?Resistence Makyng?: Resisting Rape in Premodern England and Scotland Lucas Wood, ?That love should be love?s recompense?: Courtly Seduction, Compulsory Compassion, and Coercive Desire in Alain Chartier?s La Belle Dame sans mercy Rowan Wilson, ?You do not get to consent to yourself, even if you might deserve the chance?: Nature?s Coercion and Transgender Volition in Le Roman de Silence Basil Arnould Price, Suicide as Speech: The Antisocial Feminism of Svarfdæla saga Reframing Gendered Coercion: Men?s Experiences of Vulnerability Jane Bonsall and Hannah Piercy, Comparative Approaches to Men?s Experiences of Sexual Coercion: Reading across Multi-Text Manuscripts Bettina Bildhauer, Sexualised Violence by a Woman against a Boy: Upsetting the Binary Gender Hierarchy in Of the Seven Masters Emmet Taylor, Love Under Threat: Reconsidering the Experiences of Noísiu and Diarmaid Consent and the Boundaries of the Human Grace Delmolino, Consent Beyond Language: Disability, Ambiguity, and the Sex Lives of Chickens and Nuns in Decameron 3.1 Maria Zygogianni, Her Garden: Consent and the hortus conclusus in The Knight?s Tale and The Isle of Ladies Alexander Wilson and Natalie Jayne Goodison, ?Sa vesteüre ala saisir, Par tant la cuide retenir?: Clothing and Coercion in the Bathing Scenes of Medieval Romance Reinscribing Coercion, Rewriting Consent Mara Schmueckle, Writing Consent: Notaries and Gendered Narratives in Late Medieval Scotland Debadrita Saha, Women?s (Absent) Consent and (Culturally Sanctioned) Coercion in Medieval Bengali Literature: Chandimangal and SatiMayna Timi Sgouros, Shades of Coercion in Medieval Exempla: Adaptations of ?The Nun who Saw the World? Caitlin G. Watt, ?Thy Womb Will Avenge Thee?: Olympias, Revenge, and Consent in Medieval Alexander the Great Narratives Elizabeth Robertson, Afterword: Ambiguities of Consent and Forms of Resistance to Rape Bibliography‎

‎All Roads Lead to Rome. The Creation, Context & Transmission of the Codex Amiatinus‎

‎, Brepols, 2019 Hardback, xx + 200 pages, Size:216 x 280 mm, Illustrations:25 b/w, 30 col., 7 tables b/w., Language: English. ISBN 9782503581422.‎

‎Summary The Codex Amiatinus is perhaps the most famous copy of the Bible surviving in Western Europe. A fascinating and elusive manuscript, with a suite of decorated folios, it was made in Anglo-Saxon England around the turn of the eighth century at the twin monastic foundation of Wearmouth and Jarrow as one of three such 'pandects'. Created at the monastic foundation celebrated in the work of the Venerable Bede, this vast and luxe manuscript was sent by the Northumbrian monks as a gift to the Pope in 716 and, after a sojourn of some 900 years at Monte Amiato (Tuscany), it was donated to the Biblioteca Medicea Laurenziana in Florence in the eighteenth century. As a result of an international conference held to commemorate the 1300th anniversary of the departure of the manuscript from Northumberland and coinciding with the production and presentation of a facsimile of the Codex to the Museum at Jarrow, this volume - the first devoted to the Codex Amiatinus - brings together twelve essays that offer a new appraisal of this remarkable book, and of the contexts that surrounded its production. Encompassing its text, its images, its social, political and ecclesiastical contexts and its later medieval legacy, the contributions to this volume highlight several previously unrecognised aspects and details of the manuscript that further our understanding of the Codex as a book, and as inheritor and progenitor of manuscript traditions in its own right. TABLE OF CONTENTS Dedication List of Plates List of Figures Acknowledgements Image Credits Abbreviations List of Contributors Chapters: 1. Jane Hawkes: An early encounter with the Codex Amiatinus: George Forrest Browne and the art of the manuscript 2. Celia Chazelle: The illustrations of the Codex Amiatinus and of Cosmas Indicopleustes' Christian Topography 3. N.G. Baker: Putting your best foot forward: reviewing the evangelist portraits in the Codex Amiatinus 4. Meg Boulton: From cover to cover: (re)presentations of ecclesia and eschatology in the miniatures of the Codex Amiatinus 5. Georgia Michael: Portraits of the divine: reception, visual convention and ingenuity in the Codex Amiatinus 6. Carol Farr: The graphic presentation of inscriptions: the first quire of the Codex Amiatinus' diagrams and Ezra picture 7. H.A.G. Houghton: The text of the gospels in the Codex Amiatinus 8. Thomas O'Loughlin: 'Who, O Lord, shall live in your tabernacle?': the map of the tabernacle within the life of the monasteries of Wearmouth and Jarrow 9. Conor O'Brien: Moses, Aaron and the abbacy of Wearmouth-Jarrow in 716 10. Alan Thacker: Pope Sergius' letter to Abbot Ceolfrith: Wearmouth-Jarrow, Rome and the papacy in the early eighth century 11. Mary Garrison: Alcuin, Carmen 69, and the Ceolfrith Pandects 12. Lila Yawn: The Italian Giant Bibles and the Codex Amiatinus Bibliography Index‎

‎Charleston, houses and gardens ‎

‎1985, Legacy Publications. In-8, broché. Nombreuses photos en couleurs. Exemplaire en bon état. ‎

5 Images

‎200 DISPOSITIFS D'AMENAGEMENTS. Salles de séjour - Chambres - Chambres d'enfants - Cuisines - Salles d'eau - Jardins - Terrasses.‎

‎Editions Jacques Vautrain Paris 1953 Grand in-8 carré ( 310 X 240 mm ), cartonnage illustré de l'éditeur relié en cercles plastique. 200 dispositifs d'aménagements: Salles de séjour - Chambres - Chambres d'enfants - Cuisines - Salles d'eau - Jardins - Terrasses. présentés par Claude JANEL et Michel JANKOWSKI. Dessins et plans de Bernard VAN HOUT, photographies dans le texte. Très bel exemplaire, rare.‎

‎Andrea Mantegna.‎

‎, Royal Academy Of Arts (Great Britain), Metropolitan Museum Of Art (New York, N.Y.), 1992 Paperback, 499 pages, ENG, 295 x 250 x 37 mm, in good condition, with dozens of illustrations in colour and b/w. ISBN 9780900946400.‎

‎Andrea Mantegna (Piazzola sul Brenta (Province of Padua), circa 1431 - Mantua, September 13, 1506) was an Italian painter.‎

‎THE SECRETS OF SOUTHEAST ASIAN TEXTILES : MYTH, STATUS AND THE SUPERNATURAL ‎

‎, Thames Distributed, 2006 PB, 275 x 220 x 20 mm, 215 p, 300 colour illustrations, ENG, . ISBN 9789749863381.‎

‎Journey with fifteen scholars to Southeast Asia and neighbouring countries to discover the hidden meanings behind traditional textiles. Throughout Asia, textiles have played an important role in concepts of power and kingship and are also closely associated with shamanistic, Buddhist and Islamic beliefs. This volume presents many new perspectives on this fascinating topic.‎

‎Watercolor : Pour It On! : Let Your Creativity Flow Using Dramatic Color Glazing Techniques‎

‎, F&W Publications Inc 2003, 2003 Paperback, 128 pages, English, 280 x 215 mm, fine copy, lots of illustrations, . ISBN 9781581804874.‎

‎Leads readers through the process of planning, preparing and applying colour glazes, covering composition, exaggeration, elimination, repetition and contrast. This book offers 30 methods for producing watercolour images, 3 basic steps to developing a painting, and 5 complete demonstrations.‎

‎Vervalsing Van Het Geheime Feest/The Forgery Of The Secret Feast‎

‎Turnhout, Polynero II Gallery, Softcover, 32 pages, stiff pictorial paper wraps, color and black and white illustrations, 21 x 30 cm .‎

‎Turnhout, Belgium: Sept. 18-Oct 19, 1985 and NY: New Math Gallery, Nov. 12 - Dec. 12, 1985‎

‎JAN FABRE - Hoofdstukken I-XVIII. Was & Brons‎

‎, Galerie Guy Pieters Parijs, 2010., Gebonden, linnen met goudopdruk, met linnen foudraal, 174pp., 24x32cm., rijkelijk geillustr. in kleur. Zeer goede staat. Zeldzaam!. ISBN 9789490036027.‎

‎Fraai uitgegeven catalogus.‎

‎Jan Fabre Stigmata Actions & Performances‎

‎, [UK] Skira , 2014 Hardback, 297x210mm, 512p, 650 bw and col. illustrations. English edition . ISBN 9788857221243.‎

‎Visual artist, choreographer, writer and director, Jan Fabre has been one of the most influential figures on the European scene for over twenty years. His provocative forays into all different art forms are aimed at breaking down the artistic and moral barriers of his times. Published on the occasion of the exhibition of Fabres works at the MAXXI in Rome, the monograph brings together, for the first time, the action art and performances of the Belgian artist from the 70s to the present: drawings, thinking models, collages, films, photos and other documentation that lay the groundwork for a rediscovery of dozens of Fabres performances and interventions, both public and private, held in Belgium and abroad. The extreme, even brazen exploration of the human body, which frequently scandalizes viewers, is linked to the idea of metamorphosis, which Fabre may have derived from that passion for the sciences he inherited from his great-grandfather, the esteemed entomologist Jean-Henri Fabre. Jan Fabre has devoted much of his career to studying the human body and its transfiguration, central themes in his work ‎

‎Glas Im Kopf Wird Vom Glas: The Dance Sections‎

‎Gent, Imschoot, 1991 Hardcover, 95 pages,30 x 23.5 cm, edition of 2000, English/Français. *Fair condition. ISBN 9789072191212.‎

‎Das Glas Im Kopf Wird Vom Glas: The Dance Sections‎