‎Louis Thevenet La couleur red finie‎

‎, Hannibal, 2024 Couverture reliee 256 pages, illustr 29-24.5cm neuf. ISBN 9789464666922.‎

‎Louis Thevenet tait consid r comme le Van Gogh belge et comme un important repr sentant de l'avant-garde. Johan Merckx Artiste internationalement connu et consacr ma tre-peintre des d lices du Sud Brabant par James Ensor, Louis Thevenet (1874-1930) a souvent d m nag et r sid un peu partout en Belgique, du littoral Hal, o il a pass ses quatorze derni res ann es. Cet ouvrage c l bre le 150e anniversaire de la naissance de Thevenet et explore en profondeur sa vie et son ?uvre. Richement illustr , il offre un bel aper u de la carri re de ce fauviste braban on au caract re singulier, qui peignait invariablement la vie quotidienne autour de lui. De l?intimit d'une chambre un paysage pittoresque ou un int rieur de caf , Louis Thevenet. La couleur red finie donne voir des dizaines de peintures, dont de nombreuses ?uvres jamais pr sent es auparavant. Ce livre para t l?occasion de l?exposition Louis Thevenet. La couleur red finieorganis e au Mus e den AST & Villa Servais Hal du 23 mars au 27 octobre 2024.‎

‎Frank Lloyd Wright: Force of Nature‎

‎Todtri Book Publishers 1996 Livre en anglais. In-4 relié 33,1 cm sur 24,1. 80 pages. Jaquette abîmée en première couverture. . Jaquette en état moyen. État correct d’occasion.‎

‎ Etat correct d’occasion ‎

‎A BRIEF GUIDE TO INN SIGNS.‎

‎THE RALEIGH PRESS. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 36 pages. Premier plat illustré en couleurs. Nombreuses illustrations en noir et blanc dans et hors texte. Texte en anglais.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎MORE ABOUT INN SIGNS‎

‎THE RALEIGH PRESS. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 40 pages. Premier plat illustré en couleurs. Nombreuses illustrations en noir et blanc dans le texte. Texte en anglais.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎ECCE HOMO : Zie de mens / Behold the Man‎

‎, Hannibal Books 2017, 2017 Paperback, 160 pagina's / pages, NL / ENG, 285 x 240 mm, in prima staat / in good order, illustrations in colour. ISBN 9789492677143.‎

‎Ecce Homo verkent het klassieke thema van de lijdende Christus in de hedendaagse kunst. Een thema dat perfect past in een tijd waarin de mensheid en de menselijkheid op allerlei vlakken geweld wordt aangedaan en we steeds meer worden geconfronteerd met de wezenlijke ongelijkheden in ontwikkeling en vrijheid binnen verschillende delen van de wereld. Voor het eerst worden 63 Belgische (of in Belgi wonende) kunstenaars, jong en oud, opkomend talent en gevestigde waarden, samen tentoongesteld rond n universeel onderwerp: de mens. Ecce Homo raakt aan het beeld van de mens in al zijn facetten, in zijn grootsheid en kwetsbaarheid, met zijn existenti le vragen. Kortom: de mens in de wereld nu. Deze publicatie is de catalogus van de ambitieuze gelijknamige tentoonstelling, die kunst toont op negen verschillende locaties in de historische context van de Antwerpse binnenstad, waaronder het Maagdenhuis en het Museum Mayer van den Bergh. De kunstenaars gaan telkens in dialoog met hun onmiddellijke omgeving en/of met de oude meesters die zich daarin bevinden. Met werk van o.a. Francis Alys, Philip Aguirre y Otegui, Fred Bervoets, Micha l Borremans, Berlinde De Bruyckere, Kendell Geers, Gideon Kiefer, Sofie Muller, Otobong Nkanga, Luc Tuymans, Anne-Mie Van Kerckhoven. De teksten worden verzorgd door kunstjournalist Eric Rinckhout. A large media campaign accompanies the exhibition (17 November 2017 - 25 February 2018).‎

‎Ensor's Legacy / De erfenis van Ensor‎

‎, Pelckmans, 2024 Paperback, 64 pag. NL / ENG., 201 x 126 x 8 mm ,illustr. in kleur / color, Nieuw / New. ISBN 9789463835213.‎

‎In dit Ensorjaar zoomen we in op de impact die James Ensor had op kunstenaars van vandaag. Ge nt op de tentoonstelling Ensor En Sortie brengt dit boek ruim 20 hedendaagse Belgische kunstenaars samen die iets gemeen hebben met de meester van Oostende. Van Luc Tuymans en Fred Bervoets tot jonge kunstenaars als Jolijn Baeckelandt. Het gaat niet om directe be nvloeding, wel om een Ensoriaanse sfeer en ?esprit?. Het zijn kunstenaars die bewust de artistieke vrijheid opzoeken: ze zijn de luis in de pels, tegendraads, individualistisch, eigenzinnig in verf- en kleurgebruik en in materiaalkeuze. Ze houden van humor ? soms sardonisch, soms tongue in cheek ? en laten hun fantasie graag de vrije loop. Het zijn allemaal kenmerken die we in het rijke en diverse oeuvre van James Ensor aantreffen: hij is hun stamvader.‎

‎GIDEON KIEFER. 3007 A.D. - 4897 A.D.‎

‎, Hannibal / Kannibaal , 2022 hardcover, 280 x 230 mm, Illustr. 128 pages ENG-NL edition . nieuwstaat. ISBN 9789464366310.‎

‎De schilderijen van Gideon Kiefer voor het eerst op papier Artist Gideon Kiefer reinterprets the work of great masters such as Rubens, Caravaggio and Repin. "Gideon Kiefer balanceert in zijn werk op de grens van schoonheid en gruwel, van traditie en trash, van zoete herinneringen en apocalyptische visioenen. Zijn geloof in de kracht van de kunst, de troost van de schoonheid, blijft evenwel overeind. Met de verf gaat hij de strijd aan met de duisternis." ERIC RINCKHOUT De begenadigde tekenaar Gideon Kiefer (1970, Belgium) debuteert in dit boek met schilderkundig werk. Kiefers inspiratie komt voort uit zijn groot vaders kunstboeken die hij las als kind, met prenten van werk van meesters als Rubens, Caravaggio en Repin. Hij selecteert en herinterpreteert details die hem intrigeren. Kleine toevoegingen, zoals hand geschreven tekst of kleine anekdotes, verraden een stukje van de persoonlijke inhoud die verborgen zit in ieder werk, net zoals ze de kunstenaars groeiende bezorgdheden over de huidige klimaatcrisis blootleggen. Gideon Kiefer - 3007 A.D. 4897 A.D. is de publicatie bij de expositie in Cultuurcentrum de Werft in Geel van 15 januari tot 17 maart 2022. Met een tekstbijdrage van cultuurjournalist Eric Rinckhout.‎

‎Grote Antwerpse Willem Elsschot Atlas : Literaire gids‎

‎Antwerpen, Meulenhoff / Manteau 2010, 2010 Hardcover, 240 pagina's, NL, in nieuwstaat, 220 x 160 mm, met enkele foto's in z/w, met een groet en gesigneerd door de auteur, . ISBN 9789085422228.‎

‎De Grote Antwerpse Willem Elsschot Atlas brengt de stad van Willem Elsschot en Alfons De Ridder in kaart: in woord en beeld, met foto's en plattegronden. Antwerpen is voor Elsschot een zakenstad, een woonstad en een gedroomde stad. Willem Elsschot (1882-1960) was een man van steden. Hij woonde en werkte achtereenvolgens in Parijs, Rotterdam en Brussel. Toch is Antwerpen de stad waar hij onverbrekelijk mee verbonden is. In Antwerpen werd hij geboren en stierf hij. Het is de stad waar zakenman Alfons De Ridder werkte, zijn reclamebedrijf uitbouwde, waar hij trouwde en waar zijn kinderen opgroeiden. En het is de stad waar de auteur Willem Elsschot het merendeel van zijn literaire oeuvre schreef. Antwerpen speelt ook een prominente rol in zijn werken, als decor en als personage.‎

‎Silence is a Message Hans Vandekerckhove‎

‎, Hannibal Books, 2024 Hardcover, 29 24 cm -208 pagina's Tweetalige editie Nederlands-Engels, Quadrichromie afbeeldingen . ISBN 9789464941029.‎

‎Kleurrijk overzichtswerk van beeldend kunstenaar Hans Vandekerckhove ?Silence is a message. De titel van dit boek is niet toevallig gekozen. In de schilderijen van Hans Vandekerckhove heerst stilte: een oorverdovende maar weldadige stilte, even weldadig als hun intense kleuren en golvende, bijna flu de vormen.? ? Eric Rinckhout In zijn oeuvre omarmt kunstenaar Hans Vandekerckhove ( 1957) op een persoonlijke en meeslepende manier de complexiteit van het leven. Zijn werk is een harmonieuze fusie van persoonlijke indrukken, kunsthistorische verwijzingen en een diepgaande, intieme connectie met de natuur, architectuur en de mensen om hem heen. In zijn unieke benadering combineert Vandekerckhove de eeuwenoude frescoschilderkunst uit de vroege renaissance met de verfijnde glacistechniek van de Vlaamse primitieven. Het resultaat is een po tische beeldtaal die balanceert op de grens tussen tastbare verwondering en een wereld vol kwetsbaarheid. Met tekstbijdragen van Eric Rinckhout, Christophe Vekeman, Peter Verhelst en Els Wuyts -------------------Colorful survey of the work of visual artist Hans Vandekerckhove ?Silence is a message. The title of this book is anything but accidental. Silence rules in Hans Vandekerckhove?s paintings: a deafening but salutary stillness, as salutary as their intense colours and undulating, almost fluid shapes.? ? Eric Rinckhout In his work, Hans Vandekerckhove (b. 1957) embraces the complexity of life in a unique and compelling way. His art is a harmonious synthesis of personal impressions, art historical references and a deep, intimate connection with nature, architecture and his environment. Vandekerckhove?s distinctive approach combines early Renaissance fresco techniques with the refined glazing of the Flemish Primitives. The result is a poetic visual language that hovers between tangible wonder and a world full of vulnerability.‎

‎Historical Britain: A Comprehensive Account of the Development of Rural and Urban Life and Landscape from Prehistory to the Present Day‎

‎, Harvill, 1997 Paperback, 624 pages, ENG., 240 x 230 x 30 mm, in good condition, illustrated in b/w and some in colour. ISBN 9781860462146.‎

‎This volume can be used both as a chronological history of the development of Britain and as a work of reference. It looks at the origins, evolution and progress of Britain's villages, towns, universities, pubs and parks, farms and industries, explaining everything from Iron Age forts to the iron bridges to the Industrial Revolution.‎

‎Antwerp Port House : Zaha Hadid Architects‎

‎, Pandora, 2016 Hardback, 285 x 285 x 20 mm, NEW, 186p, throughout colour illustrations, English edition. ISBN 9789053254158.‎

‎Few ports in the world can boast such a rich history as the Port of Antwerp. Back in the 16th century, the port was a hub of international trade. Five centuries and many chapters later, Antwerp still holds that position. The port is the heartbeat of the region, the lifeblood connecting Antwerp to the rest of the world. Inspired by this unique context, rich history, and exceptional location, Zaha Hadid Architects has created a new Port House for Antwerp. This new building has taken up a suitable place in the age-old dialogue between city and river. Coupled with a sustainable and future-oriented workplace for the staff, the building personifies the global character of the Port of Antwerp and forms a conducive setting for the many international contacts of the port community. The Port House combines the old and the new to yield an awesome composition which plays with light. Zaha Hadid's design shows how 'former' buildings can play a starring role even in modern architecture. The result is an undoubted masterpiece, a landmark on the Antwerp skyline, and an eternal light on the River Scheldt.‎

‎Falsifications and Authority in Antiquity, the Middle Ages and the Renaissance‎

‎, Brepols, 2020 Hardback, 348 pages, Size:156 x 234 mm, Illustrations:3 b/w, 9 tables b/w., Languages: English, Latin, Greek. ISBN 9782503588438.‎

‎Summary Confronted with the shifting idea of the authority of a text and its transmission and reception in a variety of genres, settings and contexts, this collective volume envisages to enlarge and deepen our understanding of these notions by tangling literary forgery and emulation. Authority and authoritative literary productions provoke all kinds of interest and emulation. Hermeneutical techniques, detailed exegesis and historical critique are invoked to put authority, and indeed also possible falsifications, to the test. Scholars from various disciplines working on texts, either authoritative or forged, and stemming from different periods of time, reflect on these topics on a methodological basis and from a hermeneutical entrance. In doing so, a threefold axis for questioning the phenomenon is proposed, namely the motif of falsification, the mechanism or technique applied, and the direct or indirect effect of this fraud. TABLE OF CONTENTS Introduction. The Protean Appearance of Falsifications: Emulating and Challenging Authority in Antiquity, the Middle Ages and the Renaissance (Jan Papy & Erika Gielen) The Documents in the Attic Orators: Early Antiquarians and Unintentional Forgers (Mirko Canevaro) Four Forged Orations by Aeschines, Demades and Demosthenes and their Reception during the Renaissance (Luigi Silvano) The Fate of the Pridie: Tracing the Decline of Manuscript Authority (Katherine A. East) Causes, Opportunities and Methods in the Falsification of Roman Epigraphy in Renaissance Spain. The Case of the Tetrachs' Inscriptions (Joan Carbonell Manils & Gerard Gonz lez Germain) Is On Theriac to Piso a Forgery? (Robert Leigh) The Creation of Authority in Pseudo-Pythagorean Texts and Their Reception in Late Ancient Philosophy (Angela Ulacco) Pseudo-Plutarch's On Rivers and the School Tradition (F lix Racine) Rufinus versus Jerome in the Falsification Affair (Christian M ller) The Forgery of Isaac Casaubon's Name: Authority and The Originall of Idolatries (Jacqueline Hylkema) Index manuscriptorum Index nominum‎

‎Vasthouden en loslaten : strategie en transformatie van GIMV 1980-2005‎

‎, Kapellen: Pelckmans, 2005 158 p. : ill, Hardcover, stofomslag. ISBN 9789028936089.‎

‎Vlaamse Gemeenschap ‎

‎ERIK DHONT: LANDSCAPE ARCHITECTS Works 1999 - 2020‎

‎, Hatje Cantz , 2021 HB, 290 x 227 mm, 240 pages +, 250 Illustrations en couleur.Eng edition. ISBN 9783775748155.‎

‎Landscape architecture is a form of high art for Erik Dhont, who has brought both nuance and sensitivity to various sites. Playing with flowers, grasses, shrubs or trees, he creates unique spaces, structures and textures. His timeless green paradises which are the result of true craftsmanship, are deeply rooted in the European garden tradition. They stand for longevity, evolution, dreams, and life. In this second monograph, Dhont presents his creations from over the last twenty years, combining photographs with abstract drawings, colorful planting plans, and sculptural models that reflect on his artistic approach. Intimate views of seminal creations such as the garden of fashion designer Dries van Noten immerse one into Dhont's creative and sensual universe. Ed. Erik Dhont, Suzanne Krizenecky. Textes de Michael Jakob, Suzanne Krizenecky. Pr face de Michael Jakob. Photographies de Georg Aerni, Jean-Pierre Gabriel, Reiner Lautwein. Graphic design de Jurgen Persijn ‎

‎Erik Johansson Places Beyond‎

‎, Max Str m , 2020 Hardcover, HB, 232 x 295 mm, 144 pages , 105 colour illustrations,English edition. ISBN 9789171264916.‎

‎The photographer and visual artist Erik Johansson creates surreal worlds through his own unique method. It often takes him months just to make one image, in a process where his photographs are combined so that an original place emerges. The result is often humorous, sometimes even scary, but always mind-blowing. Erik Johansson has become world-famous through his captivating and detailed images. Places Beyond is his second and biggest book so far, presenting his best images in large format. He also reveals the secrets of his method in an inspirational chapter where he explains his creative process. Places Beyond contains more than a hundred stunning pictures. - Features classic images as well as never before published photographs - Includes a chapter explaining the wonder behind Erik Johansson's images and how they are created‎

‎Medicine at Monte Cassino. Constantine the African and the Oldest Manuscript of his Pantegni‎

‎, Brepols, 2019 Hardback, xxxvi + 255 pages, Size:156 x 234 mm, Illustrations:46 b/w, 16 col., 6 tables b/w., Language: English. ISBN 9782503579214.‎

‎Summary Fleeing his North-African homeland for Italy, Constantine the African arrived in Salerno and then joined the abbey of Monte Cassino south of Rome in c. 1077. He dedicated his life to the translation of more than two dozen medical texts from Arabic into Latin. These great efforts produced the first substantial written body of medical theory and practice in medieval Europe. His most important contribution, an encyclopedia he called the Pantegni (The Complete Art), was translated and adapted from the Complete Book of the Medical Art by the Persian physician 'Ali ibn al-'Abb?s al-Ma??s? (d. 982). This monograph focuses on the oldest manuscript of the Pantegni,Theorica, which represents a work-in-progress with numerous unusual features. This study, for the first time, identifies Monte Cassino as the origin of this oldest Pantegni manuscript, and asserts that it was made during Constantine's lifetime. It further demonstrates how a skilled team of scribes and scholars assisted the translator in the complex process of producing this Latin version of the Arabic text. Several members of this production team are identified, both in the Pantegni manuscript and in other copies of Cassinese manuscripts. The book breaks new ground by identifying a range of manuscripts produced at Monte Cassino under Constantine's direct supervision, as evidenced by their material features, script, and contents. In rare detail, this study explores some of the challenges met by 'Team Constantine' as they sought to reveal new knowledge to the West, which in turn revolutionized medical understanding throughout medieval Europe. This is really a quite remarkable study, utterly transformative of our understanding of one of the turning points in the history of Western civilization, the moment when Greco-Arabic medicine was introduced into the Latin European world. Michael McVaugh TABLE OF CONTENTS Preface Acknowledgements List of Abbreviations Introduction. Constantine the African and the Pantegni in Context (by Eliza Glaze) Chapter 1. The Dossier of the Scribe Chapter 2. Producing the Manuscript Chapter 3. Team Constantine Chapter 4. Using the Manuscript Chapter 5. Implications and Complications Appendices Appendix A. The Hague, Koninklijke Bibliotheek, MS 73 J 6 Appendix B. The Biographies of Constantine the African Appendix C. Latin Text and English Translation of the Prologue of the Pantegni Appendix D. English Translation of the Theodemar Chapter of Ortus et vita Appendix E. Holster Books Copied Prior to 1200 Appendix F. Glossary of Scribes Bibliography Manuscript Index General Index‎

‎Jan Dibbets, The Photographic Work.‎

‎, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.‎

‎The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.‎

‎Woven Huilen‎

‎Amsterdam, Wereldbibliotheek, 2004 Softcover, 153 pagina's, 21 x 13 x 1.5 cm, gesigneerd met opdracht. .‎

‎ma tre horloger Louis Ourry‎

‎, Erik Wauters, 2020 softcover, 78 pages, Illustrations en couleurs , Texte en Francais. ISBN 9789464072099.‎

‎Italy by Way of India. Translating Art and Devotion in the Early Modern World‎

‎, Brepols - Harvey Miller, 2022 Hardback, iv + 202 pages, Size:220 x 280 mm, Illustrations:120 col., 2 maps b/w, Language: English. ISBN 9781912554775.‎

‎Summary The return of a saint's body to its rightful resting place was an event of civic and spiritual significance retold in Medieval sources and substantiated by artistic commissions. Legends of Saint Thomas Apostle, for instance, claimed that the martyred saint had been miraculously transported from India to Italy during the thirteenth century. However, Saint Thomas's purported resting place in Ortona, Italy did not become a major stopping point on pilgrimage or exploration routes, nor did this event punctuate frescoed life cycles or become a subject for Renaissance altarpieces as one would expect. Instead, the site of the apostle's burial in Chennai, India has flourished as a terminus of religious pilgrimage, where a multifaceted visual tradition emerged, and where a vibrant local cult of 'Thomas Christians' remains to this day. An unlikely destination on the edge of the 'known' world thus became a surprising source of early modern Christian piety. By studying the art and texts associated with this little-known cult, this book disrupts assumptions about how knowledge of Asia took shape during the Renaissance and challenges art historical paradigms in which art was crafted by locals merely to be exported, collected, and consumed by curious European patrons. In so doing, Italy by Way of India proposes that we redefine the parameters of early modern visual culture to account for the ways that global mobility and the circulation of objects profoundly influence how cultures see and know each other as well as themselves. TABLE OF CONTENTS ACKNOWLEDGMENTS LIST OF ILLUSTRATIONS INTRODUCTION Translating Saints An Apostle in India CHAPTER I. SAINT THOMAS AND THE MAKING OF CHRISTIANITY IN SOUTHERN INDIA Re-situating Christianity in India Thomas, Builder of Churches The Cross and the Lotus Dar?an in the Church The Reform of Thomas Christianity in the Sixteenth and Seventeenth Centuries CHAPTER II. INDIAN CHRISTIAN ART IN THE AGE OF COLONIALISM Devotional Objects in Churches Devotional Objects for Domestic Use CHAPTER III. POSSESSING INDIA Indian Things in Italy Shopping in India Putting Saint Thomas on the Map Bringing Saint Thomas's India to Florence Experiencing Indian Objects in the Medici Collections CHAPTER IV. AN INDIAN SAINT IN ITALY The Deaths of Saint Thomas First Translation Mistranslation CONCLUSION NOTES BIBLIOGRAPHY‎

‎Die Aarauer Stadtkirche.‎

‎Aarau, Sauerländer, 1949, in-8vo, 32 S. mit 16 ganzseit. Abb., ill. farb. O.-Broschüre.‎

‎Byggnads-Kultur.‎

‎Sth.,Oslo, K., 1953. Lex8vo. 416 pp., illustr. (Nord.Kultur).‎

‎NEW YORK PLAISANCE. Number One MDCCCCVIII, an Illustrated Series of New York Places of Amusement ‎

‎New York New-York-Plaisance (Rogers & Company, Chicago and New-York) 1908 in 4 (32x23,5) 1 volume reliure toilée ornée de l'éditeur, non paginé (unpaged), avec de nombreuses illustrations, dont planches hors-texte contrecollées, avec 22 pages de publicités in fine. Contains illustrated interiors of the New Amsterdam Theatre designed by Herts & Tallant, and Murray's Restaurant in New York City designed by Henry Erkins. First Edition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Couverture rigide ‎

‎L'Art Gothique‎

‎Paris, éd. Mazenod, coll. "L'Art et les grandes civilisations", 1983 - fort in-folio, reliure éditeur pleine toile, couv. et jaquette illustrées, 628 pages, très nbses illustrations couleurs (souvent pleine page) et N&B -TBE‎

‎La cathédrale‎

‎Le grand livre du mois. 1989. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 418 pages augmentées de quelques schémas et photos en noir et blanc dans texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎