‎Luciano Castelli: Die getr umte Frau / La femme r v e / The Dreamed Woman. WITH ORIGINAL DRAWING ‎

‎Bern, Benteli Verlag, 1993 Cloth binding under illustrated dustjacket, 119 pages, 33 x 28 cm, German, French, English, with dedication and original ink drawing. *very good condition. ISBN 9783716509036.‎

‎Luciano Castelli: Die getr umte Frau / La femme r v e / The Dreamed Woman. WITH ORIGINAL DRAWING ‎

‎ Le miroir du d sir With original drawing.‎

‎ Paris, Maison Europ enne de a Photographie , 1996 Softcover, 106 pages, 30.5 x 27.5 cm, French/German, With original drawing by the artist. *Fine condition.‎

‎ Le miroir du d sir With original drawing.‎

‎Falsifications and Authority in Antiquity, the Middle Ages and the Renaissance‎

‎, Brepols, 2020 Hardback, 348 pages, Size:156 x 234 mm, Illustrations:3 b/w, 9 tables b/w., Languages: English, Latin, Greek. ISBN 9782503588438.‎

‎Summary Confronted with the shifting idea of the authority of a text and its transmission and reception in a variety of genres, settings and contexts, this collective volume envisages to enlarge and deepen our understanding of these notions by tangling literary forgery and emulation. Authority and authoritative literary productions provoke all kinds of interest and emulation. Hermeneutical techniques, detailed exegesis and historical critique are invoked to put authority, and indeed also possible falsifications, to the test. Scholars from various disciplines working on texts, either authoritative or forged, and stemming from different periods of time, reflect on these topics on a methodological basis and from a hermeneutical entrance. In doing so, a threefold axis for questioning the phenomenon is proposed, namely the motif of falsification, the mechanism or technique applied, and the direct or indirect effect of this fraud. TABLE OF CONTENTS Introduction. The Protean Appearance of Falsifications: Emulating and Challenging Authority in Antiquity, the Middle Ages and the Renaissance (Jan Papy & Erika Gielen) The Documents in the Attic Orators: Early Antiquarians and Unintentional Forgers (Mirko Canevaro) Four Forged Orations by Aeschines, Demades and Demosthenes and their Reception during the Renaissance (Luigi Silvano) The Fate of the Pridie: Tracing the Decline of Manuscript Authority (Katherine A. East) Causes, Opportunities and Methods in the Falsification of Roman Epigraphy in Renaissance Spain. The Case of the Tetrachs' Inscriptions (Joan Carbonell Manils & Gerard Gonz lez Germain) Is On Theriac to Piso a Forgery? (Robert Leigh) The Creation of Authority in Pseudo-Pythagorean Texts and Their Reception in Late Ancient Philosophy (Angela Ulacco) Pseudo-Plutarch's On Rivers and the School Tradition (F lix Racine) Rufinus versus Jerome in the Falsification Affair (Christian M ller) The Forgery of Isaac Casaubon's Name: Authority and The Originall of Idolatries (Jacqueline Hylkema) Index manuscriptorum Index nominum‎

‎Vasthouden en loslaten : strategie en transformatie van GIMV 1980-2005‎

‎, Kapellen: Pelckmans, 2005 158 p. : ill, Hardcover, stofomslag. ISBN 9789028936089.‎

‎Vlaamse Gemeenschap ‎

‎ERIK DHONT: LANDSCAPE ARCHITECTS Works 1999 - 2020‎

‎, Hatje Cantz , 2021 HB, 290 x 227 mm, 240 pages +, 250 Illustrations en couleur.Eng edition. ISBN 9783775748155.‎

‎Landscape architecture is a form of high art for Erik Dhont, who has brought both nuance and sensitivity to various sites. Playing with flowers, grasses, shrubs or trees, he creates unique spaces, structures and textures. His timeless green paradises which are the result of true craftsmanship, are deeply rooted in the European garden tradition. They stand for longevity, evolution, dreams, and life. In this second monograph, Dhont presents his creations from over the last twenty years, combining photographs with abstract drawings, colorful planting plans, and sculptural models that reflect on his artistic approach. Intimate views of seminal creations such as the garden of fashion designer Dries van Noten immerse one into Dhont's creative and sensual universe. Ed. Erik Dhont, Suzanne Krizenecky. Textes de Michael Jakob, Suzanne Krizenecky. Pr face de Michael Jakob. Photographies de Georg Aerni, Jean-Pierre Gabriel, Reiner Lautwein. Graphic design de Jurgen Persijn ‎

‎HUGO VAN DER GOES : Between Pain and Bliss‎

‎, Hirmer Verlag (Thames), 2023 HB, 280 x 240 mm, 304 pages , 250 Kleurenillustraties, ENG edition, ISBN 9783777438481.‎

‎Hugo van der Goes (c. 1440-1482) was the most important Flemish artist of the second half of the 15th century. His innovative pictorial compositions are characterised by monumental figures and realistic narrative moments. They paved the way for the development of Netherlandish painting during the following centuries. Hugo van der Goes worked in Ghent and in the Red Cloister near Brussels. His works were admired by his contemporaries and were copied countless times until well into the 17th century. This modern monograph pays tribute to the character and importance of his numerically modest works. It juxtaposes his great altarpieces with more intimate panels, drawings and miniatures as well as works from his immediate circle. Lavishly illustrated and competently explained, the publication creates a comprehensive overview of the creative oeuvre of a magnificent artist.‎

‎Erik Johansson Places Beyond‎

‎, Max Str m , 2020 Hardcover, HB, 232 x 295 mm, 144 pages , 105 colour illustrations,English edition.*NEW ISBN 9789171264916.‎

‎The photographer and visual artist Erik Johansson creates surreal worlds through his own unique method. It often takes him months just to make one image, in a process where his photographs are combined so that an original place emerges. The result is often humorous, sometimes even scary, but always mind-blowing. Erik Johansson has become world-famous through his captivating and detailed images. Places Beyond is his second and biggest book so far, presenting his best images in large format. He also reveals the secrets of his method in an inspirational chapter where he explains his creative process. Places Beyond contains more than a hundred stunning pictures. - Features classic images as well as never before published photographs - Includes a chapter explaining the wonder behind Erik Johansson's images and how they are created‎

‎Medicine at Monte Cassino. Constantine the African and the Oldest Manuscript of his Pantegni‎

‎, Brepols, 2019 Hardback, xxxvi + 255 pages, Size:156 x 234 mm, Illustrations:46 b/w, 16 col., 6 tables b/w., Language: English. ISBN 9782503579214.‎

‎Summary Fleeing his North-African homeland for Italy, Constantine the African arrived in Salerno and then joined the abbey of Monte Cassino south of Rome in c. 1077. He dedicated his life to the translation of more than two dozen medical texts from Arabic into Latin. These great efforts produced the first substantial written body of medical theory and practice in medieval Europe. His most important contribution, an encyclopedia he called the Pantegni (The Complete Art), was translated and adapted from the Complete Book of the Medical Art by the Persian physician 'Ali ibn al-'Abb?s al-Ma??s? (d. 982). This monograph focuses on the oldest manuscript of the Pantegni,Theorica, which represents a work-in-progress with numerous unusual features. This study, for the first time, identifies Monte Cassino as the origin of this oldest Pantegni manuscript, and asserts that it was made during Constantine's lifetime. It further demonstrates how a skilled team of scribes and scholars assisted the translator in the complex process of producing this Latin version of the Arabic text. Several members of this production team are identified, both in the Pantegni manuscript and in other copies of Cassinese manuscripts. The book breaks new ground by identifying a range of manuscripts produced at Monte Cassino under Constantine's direct supervision, as evidenced by their material features, script, and contents. In rare detail, this study explores some of the challenges met by 'Team Constantine' as they sought to reveal new knowledge to the West, which in turn revolutionized medical understanding throughout medieval Europe. This is really a quite remarkable study, utterly transformative of our understanding of one of the turning points in the history of Western civilization, the moment when Greco-Arabic medicine was introduced into the Latin European world. Michael McVaugh TABLE OF CONTENTS Preface Acknowledgements List of Abbreviations Introduction. Constantine the African and the Pantegni in Context (by Eliza Glaze) Chapter 1. The Dossier of the Scribe Chapter 2. Producing the Manuscript Chapter 3. Team Constantine Chapter 4. Using the Manuscript Chapter 5. Implications and Complications Appendices Appendix A. The Hague, Koninklijke Bibliotheek, MS 73 J 6 Appendix B. The Biographies of Constantine the African Appendix C. Latin Text and English Translation of the Prologue of the Pantegni Appendix D. English Translation of the Theodemar Chapter of Ortus et vita Appendix E. Holster Books Copied Prior to 1200 Appendix F. Glossary of Scribes Bibliography Manuscript Index General Index‎

‎Civic Group Portraits in Bruges (1650?1800) Windows on Urban History ‎

‎Turnhout, Brepols, :2025 Linnen binding under illustrated dustjacket, vii + 458 pages, 216 x 280 mm, Illustrations:2 b/w, 122 col., 1 tables b/w., 7 maps color. ENG. *NEW. ISBN 9782503618395.‎

‎The patrons of civic group portraits were corporate organisations such as confraternities, craft and militia guilds, charitable institutions, and administrative bodies. Up until now, the painted civic group has been primarily seen as a product of the Dutch Republic. While the genre may have been exceptionally important in the Northern Low Countries, the present study shows that such paintings were also fundamental in the South, with Bruges playing a central role. From the late fifteenth century until 1800, both the urban elite and the artisan classes of Bruges commissioned institutional group portraits, and the forms that those artworks took responded to local conditions and needs. The patrons? self-representation in these works was meant to emphasize the internal cohesion and solidarity within their group, and to reinforce that group?s social status in the urban community. In looking carefully at these contexts, this research project has provided new interpretations for civic group portraits and has demonstrated their richness as both cultural heritage and historical sources. The Bruges works, however, represent just a portion of those produced in the Southern Netherlands during the early modern era. The author provides an updated inventory of 190 civic group portraits that he has been able to trace for the Southern Netherlands. All of these works, moreover, need to be set in a broader European context, as civic group portraits are also recorded in Venice, Paris, and England, and were likely produced elsewhere as well. Future researchers will be able to expand our understanding of the genre as a European phenomenon, continuing to reveal the significance of these remarkable artworks and use them to gain deeper insights into the past. TABLE OF CONTENTS Preface Bruges: An Urban History Chapter 1: Design and Methodology Chapter 2: Early Civic Group Portraits in Bruges, Before 1560 Chapter 3: Civic Group Portraits in Bruges, c. 1560?1650 Chapter 4: Civic Group Portraits in Bruges, 1650?1800 Chapter 5: Civic Group Portraits from Bruges in a Southern Low Countries Context, 1450?1800: A status quaestionis Conclusion Addendum: Civic Group Portraits in the Southern Netherlands, 1450?1800 Notes List of Illustrations Illustrations Photo Credits Bibliography Index‎

‎Jan Dibbets, The Photographic Work.‎

‎, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.‎

‎The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.‎

‎Woven Huilen‎

‎Amsterdam, Wereldbibliotheek, 2004 Softcover, 153 pagina's, 21 x 13 x 1.5 cm, gesigneerd met opdracht. .‎

‎ma tre horloger Louis Ourry‎

‎, Erik Wauters, 2020 softcover, 78 pages, Illustrations en couleurs , Texte en Francais. ISBN 9789464072099.‎

‎Italy by Way of India. Translating Art and Devotion in the Early Modern World‎

‎, Brepols - Harvey Miller, 2022 Hardback, iv + 202 pages, Size:220 x 280 mm, Illustrations:120 col., 2 maps b/w, Language: English. ISBN 9781912554775.‎

‎Summary The return of a saint's body to its rightful resting place was an event of civic and spiritual significance retold in Medieval sources and substantiated by artistic commissions. Legends of Saint Thomas Apostle, for instance, claimed that the martyred saint had been miraculously transported from India to Italy during the thirteenth century. However, Saint Thomas's purported resting place in Ortona, Italy did not become a major stopping point on pilgrimage or exploration routes, nor did this event punctuate frescoed life cycles or become a subject for Renaissance altarpieces as one would expect. Instead, the site of the apostle's burial in Chennai, India has flourished as a terminus of religious pilgrimage, where a multifaceted visual tradition emerged, and where a vibrant local cult of 'Thomas Christians' remains to this day. An unlikely destination on the edge of the 'known' world thus became a surprising source of early modern Christian piety. By studying the art and texts associated with this little-known cult, this book disrupts assumptions about how knowledge of Asia took shape during the Renaissance and challenges art historical paradigms in which art was crafted by locals merely to be exported, collected, and consumed by curious European patrons. In so doing, Italy by Way of India proposes that we redefine the parameters of early modern visual culture to account for the ways that global mobility and the circulation of objects profoundly influence how cultures see and know each other as well as themselves. TABLE OF CONTENTS ACKNOWLEDGMENTS LIST OF ILLUSTRATIONS INTRODUCTION Translating Saints An Apostle in India CHAPTER I. SAINT THOMAS AND THE MAKING OF CHRISTIANITY IN SOUTHERN INDIA Re-situating Christianity in India Thomas, Builder of Churches The Cross and the Lotus Dar?an in the Church The Reform of Thomas Christianity in the Sixteenth and Seventeenth Centuries CHAPTER II. INDIAN CHRISTIAN ART IN THE AGE OF COLONIALISM Devotional Objects in Churches Devotional Objects for Domestic Use CHAPTER III. POSSESSING INDIA Indian Things in Italy Shopping in India Putting Saint Thomas on the Map Bringing Saint Thomas's India to Florence Experiencing Indian Objects in the Medici Collections CHAPTER IV. AN INDIAN SAINT IN ITALY The Deaths of Saint Thomas First Translation Mistranslation CONCLUSION NOTES BIBLIOGRAPHY‎

‎Die Aarauer Stadtkirche.‎

‎Aarau, Sauerländer, 1949, in-8vo, 32 S. mit 16 ganzseit. Abb., ill. farb. O.-Broschüre.‎

‎Byggnads-Kultur.‎

‎Sth.,Oslo, K., 1953. Lex8vo. 416 pp., illustr. (Nord.Kultur).‎

‎NEW YORK PLAISANCE. Number One MDCCCCVIII, an Illustrated Series of New York Places of Amusement ‎

‎New York New-York-Plaisance (Rogers & Company, Chicago and New-York) 1908 in 4 (32x23,5) 1 volume reliure toilée ornée de l'éditeur, non paginé (unpaged), avec de nombreuses illustrations, dont planches hors-texte contrecollées, avec 22 pages de publicités in fine. Contains illustrated interiors of the New Amsterdam Theatre designed by Herts & Tallant, and Murray's Restaurant in New York City designed by Henry Erkins. First Edition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Couverture rigide ‎

‎L'Art Gothique‎

‎Paris, éd. Mazenod, coll. "L'Art et les grandes civilisations", 1983 - fort in-folio, reliure éditeur pleine toile, couv. et jaquette illustrées, 628 pages, très nbses illustrations couleurs (souvent pleine page) et N&B -TBE‎

‎La cathédrale‎

‎Le grand livre du mois. 1989. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 418 pages augmentées de quelques schémas et photos en noir et blanc dans texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'architecture gothique‎

‎Jean paul Gisserot. Mai 2001. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 30 pages augmentées de nombreuses photos en couleurs dans texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'ART GOTHIQUE.‎

‎Citadelles & Mazenod Paris 1983 Fort in-4 carré ( 320 X 255 mm ) de 628 pages, pleine toile sous jaquette illustrée en couleurs et étui maroquiné taupe. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état.‎

‎DE PIERRE D'OR ET DE FEU. La création artistique au Moyen Age IVe-XIIIe siècle.‎

‎Paris Fayard 1999. In-8 broché 350pp. Petite pliure angulaire au bas du 1er plat de la couverture, quelques mots ou passages soulignés en début d'ouvrage, sinon exemplaire frais et complet. Envoi de l'Auteur sur le faux-titre. (BAL 24)‎

‎Gothic Art.‎

‎, H.N. Abrams, 1989 hardcover with dusjacket 630 pages, ENG. edition, 320 x 255 x 50 mm. ISBN 9780810906310.‎

‎Authoritative work and invaluable reference book of the Gothic era. With 935 ilustrations, including 178 in full color, foldouts, map, ground plans, elevations.‎

‎La cathédrale.‎

‎Paris, Fayard, 1989. 16 x 24, 418 pp., nombreuses figures, cartonnage souple d'édition, bon état.‎

‎La Cathédrale.‎

‎Paris, Fayard, 1989. 16 x 24, 418 pp., 160 figures, reliure souple d'édition, très bon état (1 cachet et 1 signature d'ex-particulier sur la page de faux-titre).‎

‎La cathédrale gothique‎

‎ ,Paris, Mame 1990, 79 pp., 1 vol. in 8 carré br. couverture illustrée, illustrations in et hors-texte en noir et en couleurs.‎