‎L'ART DE RECONNAITRE L'ARCHITECTURE FRANCAISE.‎

‎Gründ.. 1929.. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 289 pages. 1ère et 4 ème de couverture illustrées en noir et blanc. Nombreuses illustrations en noir et blanc, hors texte. 2 plats de couverture détachés. Manques sur dos fendu.. . . . Classification Dewey : 720-Architecture‎

‎Monuments, églises, maisons. Classification Dewey : 720-Architecture‎

‎L'ART DE RECONNAITRE LES STYLES. Nouvelle édition revue et augmentée.‎

‎ Paris, Garnier, 1948, 1 br., couverture illustrée. in-8 de 435-(3) pp., orné de 356 gravures, mouillures sur les 15 premières pages ; ‎

‎"L'art de reconnaître l'architecture française - Monuments, églises, hôtels, maisons - ""Guides pratiques de l'amateur et du collectionneur d'art"""‎

‎Gründ. 1929. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 289 pages - nombreuses illustrations en noir et blanc dans et hors texte. 2e plat plié. Scotch en coiffe de pied.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'art de reconnaître les styles. Architecture . Ameublement. ‎

‎ broché - 12x19 - 459 pp - 1923 - librairie GARNIER et frères , Paris. Ouvrage orné de 280 gravures environ. ‎

‎L'Art de reconnaître les styles: architecture, ameublement. ‎

‎Paris, Garnier Frères, 1910 12 x 19, 459 pp., 280 illustrations, reliure dos cuir, bon état (épidermures)‎

‎Les connaissances essentielles de l’Art‎

‎Peinture, sculpture, architecture etc. In 8 demi-cuir vert, titre doré. Faux-titre, titre, 464 pages, 1 page de table des matières, 260 illustrations, pleine page et dans le texte. Albin Michel sans date (1900) Bon exemplaire ‎

‎Les styles flamand et hollandais‎

‎Librairie Garnier Frères, collection "L'art de reconnaître les styles", Paris, 1923. In-12, demi-percaline bleue, titre, filets et fleurons dorés au dos, couverture conservée, 214 pp. Chapitre I. Considérations générales sur l'art en Flandre et dans les Pays-Bas - Chapitre II. L'architecture en Flandre et en Hollande - Chapitre III. La peinture et la gravure en Flandre et en Hollande - Chapitre IV. La Sculpture en ...‎

‎Avec 110 illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com‎

‎Le style Louis XIV.‎

‎Couverture souple. Broché. 342 pages.‎

‎Livre. Ouvrage orné de 180 gravures. Librairie Garnier Frères (Collection : L'art de reconnaître les styles), 1923.‎

‎Le style Renaissance.‎

‎Couverture souple. Broché. 298 pages. Couverture légèrement défraîchie.‎

‎Livre. Ouvrage orné de 182 gravures. Librairie Garnier Frères (Collection : L'art de reconnaître les styles), 1926.‎

‎ROME. DES CATACOMBES A JULES II.‎

‎H. LAURENS / LES VILLES D'ART CELEBRE. 1905. In-8. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur frais. 176 pages. toilé vert, titres rouge, ornement vert. Nombreuses photos en noir et blanc dans le texte. Charnière intérieures fendues. Dos fané.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎ROME. L'ANTIQUITE.‎

‎H. LAURENS / LES VILLES D'ART CELEBRES. 1907. In-4. Cartonnage d'éditeurs. Etat d'usage, Coins frottés, Dos fané, Intérieur frais. 171 pages. Illustration en vert sur le premier plat de toile. Nombreuses photos en noir et blanc dans et hors texte. Tampon de bibliothèque.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎L'ACHEVEMENT DU BOULEVARD HAUSSMANN‎

‎42 PAGES-6 PLANCHES HORS TEXTE PAR HENRI MONTASSIER (2-COULEURS) ET RAOUL SERRES (4-NOIR ET BLANC)-COUVERTURE AVEC VIGNETTE CONTRECOLLEE (2 PETITES DECHIRURES EN MORS)-CHEMISE CARTONNEE AVEC PIECE DE TITRE-EXEMPLAIRE N°1677-NON COUPE-FERMETURE A LACET (BRIN ARRIERE INCOMPLET)-(400E)‎

5 Images

‎DEVAMBEZ COUVERTURE RIGIDE ETAT TRES BON‎

‎L'AMPHITHEATRE DE NIMES - 2ème édition‎

‎Henri Laurens. 1967. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur bon état. 60 pages illustrées de 24 planches et 5 gravures noir et blanc; couverture légèrement tâchée.. . . . Classification Dewey : 720-Architecture‎

‎Collection des Petites monographies des Grands Edifices de la France. Classification Dewey : 720-Architecture‎

‎bladen voor de grafiek nr.2 jrg 1- TOM PAYOT‎

‎, Lier, 1968., In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.‎

‎TOM PAYOT De bladen voor de grafiek nr.2 jrg.1‎

‎Expressionism in Belgium‎

‎, Laconti, 1972 Hardcover, 236 pages, ENG edition, 240 x 200 mm, book is in good shape, the illustrated dustjacket "lost" its good shape, illustrations in colours / b/w.‎

‎Kunst > Expressionisme - Fauvisme‎

‎peinture sous le signe de la mer: Ostende, Galeries Royales, 5 ao t - 4 septembre 1951‎

‎Ostende, Galeries Royales, 1951 softcover, 50 pages illustre. catalogue expo.‎

‎Editions de la connaissance, ‎

‎NOTRE-DAME DE CHARTRES. + ENVOI DE L'AUTEUR‎

‎PAUL HARTMANN. 1948. In-4. Cartonné. Etat d'usage, Coins frottés, Dos abîmé, Intérieur frais. Environ 200 pages. Frontispice en noir et blanc. Nombreuses photos en noir et blanc, dans et hors-texte de Pierre Devinoy. Mors fendu, dos partiellement détaché.. . . . Classification Dewey : 720-Architecture‎

‎Envoi de l'auteur sur la page de garde. Classification Dewey : 720-Architecture‎

‎AU PAYS DE L'AUDE. COLLECTION LES CLOCHERS DE FRANCE N°27.‎

‎J. PEYRONNET ET Cie. 1929. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Mouillures. 62 pages. Premier plat illustré d'une photos sépia contrecollée.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les Arts Méconnus. Les nouveaux musées du Trocadéro. Ouvrage orné de 400 gravures.‎

‎Paris, Ernest Leroux, 1881, in-4to, XV + 531 p., ill. avec 400 gravures + 3 planches dépliantes ill., reliure en toile originale, ill. avec des ornements en or et noir, tranches dorées .‎

‎L'architecture Usuelle‎

‎Dimension extérieur : 31,7 x 24,2 cm. Terrasses et Treilles, à Walmer-Lodge et à Courtlands (Angleterre). M.M Mawson et Mallows, architectes.‎

4 Images

‎Planche 81, gravure dans son jus, en bon état général.‎

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎

‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

‎Jan Fabre : La discipline du chaos, le chaos de la discipline ‎

‎, Armand Colin, 1994 Couverture souple, 174 pages, 24 x 22 cm, Fran ais. * tat tr s bien. ISBN 9782200214845.‎

‎Jan Fabre : La discipline du chaos, le chaos de la discipline Arts chor ographiques : l'auteur dans l'oeuvre.‎

‎Carlo Scarpa The Complete Buildings‎

‎, Prestel, 2024 Hardback, 324 x 216 mm, 280 Illustrations col., 352 Pages, English ed. ISBN 9783791377148.‎

‎Featuring exquisite photographs of every structure the architect designed from scratch or incorporated into a historical building, this elegant volume is as sumptuous and inviting as a Scarpa interior. Although he was not widely known during his lifetime, Carlo Scarpa has in the past-half century become one of the most revered of modern architects. ‎

‎John Williams Music for Films, Television, and the Concert Stage‎

‎, Brepols 2018, 2018 xxiv + 440 pages., 220 x 280 mm, English, Hardcover, . ISBN 9782503580340.‎

‎This volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research in the form of books, journal articles, conference papers, and Ph.D. theses. The present volume seeks to build upon, complement and review what has been written so far on Williams. This volume is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration ? which has not the pretence of exhaustiveness but certainly that of being an accurate survey possessing both latitude and depth ? a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work. Emilio Audissino (University of Southampton, UK) is a film scholar and film musicologist. Dr Audissino's main research interests are Hollywood and Italian cinema, film style and technique, horror and comedy, film analysis, and sound and music in films. His book Film/Music Analysis. A Film Studies Approach (2017) concerns a method to analyse music in films that blends Neoformalism, Gestalt Psychology, and Leonard Meyer's musicology. A John Williams specialist, he is the author of John Williams's Film Music: 'Jaws', 'Star Wars', 'Raiders of the Lost Ark' and the Return of the Classical Hollywood Music Style (2014), the first book in English on the composer.‎

‎Mir Sculptures : 1928-1982 (Complete Works) : Catalogue Raisonn ‎

‎, Galerie Lelong, 2010 Hardcover with illustr. dustjacket, 390 pages, ENG. 330 x 260 x 33 mm, Large / Heavy format, illustrated in colour / b/w. ISBN 9782868820747.‎

‎Alongside Picasso and Warhol, Joan Mir (1893-1983) is one of the twentieth century's most influential artists. Mir created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. The research for this six-volume catalogue raisonn of Mir 's paintings, spanning the years 1908 to 1981, was begun in 1957. The artist himself and later the Mir Estate were largely involved in its preparation--Jacques Dupin, Ariane Lelong-Mainaud and Joan Punyet Mir . The catalogue includes all the artist's oils, acrylics and works in various media--on canvas, cardboard, wood, masonite, copper and other hard supports. In the six volumes--all published only in English--all paintings are reproduced in color, whenever possible, accompanied by their title, date, technique and dimensions, with indication of signature and inscriptions on the back, as well as their collection, provenance, important exhibitions and major publications in which they are reproduced.‎