Pierre Mardaga Editeur, Liège, 1987. In-8, broché sous couverture illustrée en couleurs, 285 pp. Préface - 1. Il était une fois... : William Morris plante le décor avec News from Nowhere. Hermann Muthesius montre l'importance du mouvement anglais aux contemporains continentaux - 2. Le rassemblement : Pugin et ses disciples. Ruskin et la nature ...
Avec 232 illustrations en noir et blanc in et hors texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Editions Mardaga, 1980. Edition originale. Grand in-8 broché (23,9 x 19,9 cm), 285 pages, illustré d ephotographies et plans. "Pendant une trentaine d'années, au tournant de ce siècle, l'architecture Arts & Crafts et les théories qui la sous-tendaient retinrent l'attention du monde occidental : ce fut l'époque d'un vigoureux renouveau du Gothique, renouveau suscité par les idées de Pugin, Ruskin et Morris. (...) Ce livre retrace la vie, les théories et les uvres des architectes de ce mouvement qui, parti d'Angleterre".- 800g. - Excellent état, comme neuf.
Worcester, Worcester Art Museum, 2001 Softcover, sticker of bookstore on front, 31 x 24 cm, 300 pages, english text. *Very good condition. ISBN 9789053493434.
This impressive compendium features the prints, rather than the paintings, of 100 abstract expressionist artists, including such giants as Jackson Pollack and Mark Rothko as well as such lesser-known figures as Seong Moy and Hugo Weber. Each artist is represented by a full-page reproduction of one print and a one-page biographical and critical sketch by Acton, the curator of prints, drawings, and photographs at the Worcester Art Museum. Almost all of the prints come from the collection of the Worcester, where the accompanying exhibition originated. Introductory essays by musician David Amram and poet David Lehman relate the abstract expressionist movement to its historical and artistic context, with emphasis on the relationships between writers and artists in New York City in the Forties and Fifties. In addition to the visual treats it offers, this catalog is a valuable addition to the literature on the breadth and depth of abstract expressionist printmaking. Recommended for academic, larger public, and specialized art libraries. Kathryn Wekselman, MLn, Cincinnati ISBN 10: 9053493433
David A. Jenkins, Simon Timberlake, Andrew Davidson, Kalla Mal, Peter Marshall, Tim Mighall, Charlotte O?Brien, David N. Smith, Helen Chittock, Robert Masefield, Enid Allison, Anne Crone, Derek Hamilton, Suzi Richer, Jackaline Robertson, Alex Wood, Stephen Davis, Knut Rassmann, Aaron Watson, Richard Bradley, Guillaume Robin,Yoshihiro Nishiaki, Mark Haughton, Marie Louise Stig S rensen, Lise Bender J rgensen, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley, Danny Rosenberg,Bob Davis, Phil Harding, Matt Leivers, Rivka Chasa, Alejandro Garc a-Moreno, Miriam Cubas, Iain Davidson, Diego Garate, In s L pez-D riga, Ana B. Mar n-Arroyo, Miguel ngel Mateo Saura, Jos E. Ortiz, Ana Polo-D az, Joseba Rios-Garaizar, Aixa San Emeterio, Trinidad de Torres, Rachel Wood, Chris Fowler, Rachel J. Crellin, Michelle Gamble, n, Sergio Ripoll, Vicente Bayarri, Francisco J. Mu oz, Ricardo Ortega, Elena Castillo, Jos Latova, Jes s Herrera, David Moreno-Salinas, Ignacio Mart n, Lionel Sims,
Reference : 64850
Cambridge, Cambridge University Press, 2021 Softcover, 291 pages, 26 x 20.5 cm. ISBN 0079497x.
?The Dead are Watching Us?: A Landscape Study of Prehistoric Rock-cut Tomb Cemeteries in Ossi, Sardinia, Italy Guillaume Robin, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley Article Select Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Article Select Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Article Select El Ni o Cave (A na, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia El Ni o Cave (A na, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia Article Select Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Select Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Article Select Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Article Select The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management Article Select Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Article Select Beyond Newgrange: Br na B inne in the later Neolithic Beyond Newgrange: Br na B inne in the later Neolithic Article Select A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland Article Select Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Article Select Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales
Paris, Desclée de Brouwer et Cie, 1936 in-12, 268 pp., broché.
- - VENTE PAR CORRESPONDANCE UNIQUEMENT
, Steidl, 2006 Hardcover, 176 pages, ENG, 335 x 265 x 20 mm, as New, full page photographs in colour / b/w. ISBN 9783865212702.
From vibrant street reportage to searing portraiture, this book offers a quintessential view of a city which is the touchstone for one of the most distinct cultural and political divides in a world fast moving towards homogeneity.
, Steidl, 2009 Hardcover , 192 pages, ENG, 335 x 265 x 25 mm, in perfect condition, Full page photographs in colour / b/w. ISBN 9783865217080.
"I treat the boy down at the post office like the president of Russia, and the president of Russia like the boy down at the post office." (David Bailey) Eye presents a selection of Bailey's photographs spanning from 1962 to 2008. Mostly black-and-white, some in color, they feature influential directors, artists, fashion designers and musicians, including Andy Warhol, Henri Cartier-Bresson, Yves Saint Laurent, John Huston and Ellsworth Kelly. Despite the broad cross-section of subjects and the different creative spheres they inhabit, Bailey approaches them all with the same, egalitarian attitude - each is as important, or unimportant, as the next. This approach, often expressed by Bailey's lack of props and minimal lighting, enables the photographer to tease from his subjects traits which often absent from more formal portraits - the warm benevolence of I.M. Pei for example, the exuberance of John Galliano, or the brooding look of Jean-Michel Basquiat. Crowned with cover art by Damien Hirst, Bailey's Eye reveals unexpected facets of the creative minds who have defined and in many cases continue to shape the culture in which we live.
, Steidl 2008, 2008 Hardcover, 260 seiten, Deutsch, 335 x 270 mm, buch in sehr guten zustand, . ISBN 9783882439496.
War David Bailey in den Swinging Sixties der Inbegriff des Londoner Fotografen, so spiegeln seine Fotografien der 1970er Jahre eine radikale Neuorientierung wider. Wie diese umfangreiche Auswahl zeigt, wurde seine Thematik wahrhaft international. Im Laufe des Jahrzehnts beschloss Bailey, Menschen und Orte auf der ganzen Welt zu fotografieren, die ihn faszinierten. Neben diesen Fotografien pr sentiert dieser Band Bilder seiner Modesitzungen der 1970er Jahre (mit Marie Helvin, Penelope Tree und Anjelica Huston) sowie seine Portr ts von Motiven von Salvador Dali und Mick Jagger bis hin zu Margaret Thatcher und Mutter Teresa. Seine gefeierten Fernsehdokumentationen ber Andy Warhol, Cecil Beaton und Luchino Visconti boten noch mehr M glichkeiten f r berzeugende Stills. --Dieser Text bezieht sich auf eine alternative Hardcover-Ausgabe.
, Little Brown & Co, 1991, 1991 Paperback, 208 pages, ENG, 280 x 240 mm, book is in reasonable condition, with dozens of illustrations in colour. ISBN 9781850296546.
, Walther Koenig Verlag , 2018 Hardback, 225x198mm, 264p, 150 bw and col. illustrations English edition . ISBN 9783960982722.
Expo : 06/2/2018 - 20/05/2018, Jeu de Paume, Paris Raoul Hausmann is emembered primarily for the central role he played in Berlin Dada with his assemblages, photomontages, and optophonetic poems, yet the vicissitudes of history caused his photography, an essential facet of his oeuvre, to be cast almost entirely into the shade. From 1927 on, Hausmann became an avid and restless photographer in Germany, in particular during his stays at the North Sea and Baltic coasts. While in exile in Ibiza after the Nazis came to power, he took an interest in the local populace and vernacular architecture, before emigrating again in 1936. During this intense decade, he reflected extensively on photography, developing a highly individual practice in the medium, simultaneously documentary and lyrical. This book reveals Hausmann's interwar photographic work in its entirety, and presents a detailed time line of his life. Raoul Hausmann, born 12. Juli 1886 in Vienna, died 1971 in Limoges.
Brussel, Ludion/Wiels, 2012 Softcover, 48 pagina's, expositiecatalogus, 29 x 25 cm, Nederlandstalig/Fran ais. *Als nieuw. ISBN 9789461300829.
Hoewel de kunstenaar werd opgeleid tot schilder, werkt hij vooral met video-, film- en fotografische installaties. In zijn werk concentreert hij zich op het onderscheid tussen bewegende en stilstaande beelden, op projecties waar de tijd lijkt stil te staan en op het onvermogen om met bewegende beelden de evoluerende werkelijkheid te vatten. Claerbouts werk wordt gekarakteriseerd door traagheid en precisie, door het ontrafelen of het bevriezen in de tijd, door de analyse van de klassieke en conventionele verhaallijnen, en het benadrukken van klank en beeld. In zijn grootbeeldprojecties wordt de toeschouwer deel van het werk. Claerbout hanteert de filmtaal om begrippen als beeld, representatie, tijd en ruimte op te roepen en te visualiseren. David Claerbout, werd geboren in 1969 te Kortrijk. Hij woont en werkt in Antwerpen en Berlijn.
, Hannibal Books, 2022-2025 Hardcovers, 2 vols. Color illustrations 30 x 24,5 cm, 320 + 128 pages Quadrichromie Drietalige editie Engels-Nederlands-Frans (Silence: Engels-Frans) ISBN 978 94 6436 635 8 + 978 94 9341 615 4. ISBN 9789493416154.
David Claerbout: The Complete Works. The new book Birdsong and the acclaimed monograph The Silence of the Lens in one volume. This an unique package! David Claerbout (b. 1969) lives and works in Antwerp and Berlin. He is known for his video installations, which he exhibits worldwide. His work is included in major public collections worldwide, including Centre Georges Pompidou Mus e National d?Art Moderne, Paris (France); Pinakothek der Moderne, Munich (Germany); Schaulager, Basel (Switzerland); Art Gallery of Ontario, Toronto (Canada) and San Francisco Museum of Modern Art, San Francisco (US). The Silence of the Lens (2022) offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Pieceand The Pure Necessity. In a conversation with Jonathan Pouthier, curator of the cinema programme of the Mus e National d?Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. Birdsong (2025) brings together three video works by David Claerbout ? The Woodcarver and the Forest, Birdcage and Backwards Growing Tree ? each a meditation on time, perception and the poetics of the natural world. In an era dominated by speed and distraction, Claerbout reclaims the longue dur e, offering a contemplative, detoxed form of filmmaking. Accompanied by a poem by Stefan Hertmans, this volume explores the myths of digitization, the rhythms of nature, growth and degrowth. Birdsong is a visual journey through the imaging ideas that the artist has developed over the past decade.
, Hannibal Books, 2022 Hardcover 300 x 243 mm, 320 pages, ENG/ FR. edition, Fine!. ISBN 9789464366358.
David Claerbout is bekend om zijn video-installaties die hij wereldwijd tentoonstelt. Sinds zijn eerste videowerken midden jaren negentig won zijn werk snel aan complexiteit. De virtuele fotografie deed zijn werk en denken evolueren naar een verregaande synthetische beeldpraktijk die hem op het voorplan van de nieuwe mediakunst heeft geplaatst. Van daaruit ontwikkelde Claerbout een kritiek over de impact van de desintegratie van het vertrouwde fotografische beeld op het niveau van de waarneming en de (zintuiglijke) cognitie en de verregaande sociale en politieke gevolgen. Deze rijk ge llustreerde publicatie presenteert een selectie van werken van de afgelopen tien jaar. In een interview met Jonathan Pouthier, filmcurator voor het Centre Pompidou in Parijs, spreekt David Claerbout voor het eerst in de diepte over deze werken in relatie tot actuele discussies over fotografie, film en het virtuele. De publicatie valt samen met de Bi nnale van Veneti 2022 en solotentoonstellingen in onder meer M nchen, Berlijn, Boedapest en New York. //// Long-awaited monumental monograph on the work of David Claerbout In a conversation with Jonathan Pouthier, curator of the cinema programme of the Mus e National d?Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. The Silence of the Lens offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Piece and The Pure Necessity. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York. //// David Claerbout is known for his video installations, which he exhibits worldwide. From the time of his first video works in the mid-1990s, his work rapidly gained in complexity. Virtual photography pushed his work and thinking towards a far-reaching synthetic visual practice that placed him at the forefront of the new media art. From that position, Claerbout developed a critique of the impact of the disintegration of the familiar photographic image at the level of perception and (sensory) cognition and its profound social and political consequences. This richly illustrated publication presents a selection of works from the past ten years. In an interview with Jonathan Pouthier, film curator at the Pompidou Centre in Paris, David Claerbout speaks in depth for the first time about these works in relation to current discussions about photography, film and the virtual. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York.
, Hannibal Books, 2025 Hardcover- 30 x 24,5 cm, 128 pages, Color illustrations Quadrichromie, Trilingual edition English?Dutch?French. ISBN 9789493416154.
The highly anticipated sequel to The Silence of the Lens by video artist David Claerbout Birdsong brings together three video works by David Claerbout ? The Woodcarver and the Forest, Birdcage and Backwards Growing Tree ? each a meditation on time, perception and the poetics of the natural world. In an era dominated by speed and distraction, Claerbout reclaims the longue dur e, offering a contemplative, detoxed form of filmmaking. Accompanied by a poem by Stefan Hertmans, this volume explores the myths of digitisation, the rhythms of nature, growth and degrowth. Birdsong is a visual journey through the imaging ideas that the artist has developed over the past decade. This publication coincides with Claerbout's exhibition At the window at Gaasbeek Castle.
David Dawson, Joseph Koerner, Jasper Sharp, Sebastian Smeet en Tilda Swindo
Reference : 54118
, Tijdsbeeld-Piece Mont e, 2019 Gebonden, Hardcover 260 x 230 mm, 160 pages, 130 colour illustrations Nederlandstalige uitgave . ISBN 9789490880255.
ALLE zelfportretten van Lucian Freud nu in n boek verzameld. In 1964 gaf Lucian Freud (1922-2011) zijn studenten aan het Norwich College of Art een opdracht: om naakte zelfportretten te schilderen die 'onthullend, sprekend, geloofwaardig ... echt zonder schaamte' waren. Het was een advies dat de kunstenaar zelf later ook zou volgen in zijn vele zelfportretten. Rauw, onversaagd en vaak naakt lezen Freuds zelfportretten als het ware als zijn biografie, en geven zij tegelijk inzicht in de ontwikkeling van zijn stijl als schilder. In de portetten is de kunstenaar steeds overweldigend aanwezig, of hij nu de rechtstreeks de confrontatie met de toeschouwer aangaat, of alleen aanwezig is als een schaduw of in een reflectie. Freud verkende het genre van het zelfportret op tal van onverwachte manieren. Autoriteiten op het gebied van Freuds leven en werk - kunsthistorici n mensen die hem persoonlijk hebben gekend - verkennen Freuds oeuvre en analyseren het belang van zijn zelfportretten. Een gesprek tussen kunsthistoricus Jasper Sharp en de actrice Tilda Swinton gaat in op de intensiteit waarmee Freud het menselijk lichaam bestudeerde - een intensiteit waarvan Swinton een bevoorrecht getuige was, maar die evenzeer gold wanneer Freud zijn eigen lichaam bestudeerde en op doek zette. David Dawson is een schilder en fotograaf en Freuds voormalige studio-assistent. Joseph Koerner is Victor S. Thomas hoogleraar kunst en architectuur aan de universiteit van Harvard. Jasper Sharp is adjunct-curator voor moderne en hedendaagse kunst in het Kunsthistorisches Museum in Wenen. Pulitzer Prize-winnaar en kunstcriticus Sebastian Smee is auteur van The Art of Rivalry: Four Friendships, Betrayals and Throughthroughs in Modern Art (2016). Tilda Swinton is een Oscar-winnende actrice, model en kunstenares. TENTOONSTELLINGEN Londen, Royal Academy of Arts, Londen, 27 oktober 2019-26 januari 2020 Boston, Museum of Fine Arts, 22 februari-25 mei 2020
, Brepols, 2019 Hardback, xiii + 340 pages, Size:152 x 229 mm, Illustrations:3 maps b/w, Language: English. ISBN 9780888442192.
Summary Medieval historians who have explored the abbey of Sithiu (modern Saint-Omer) have often done so to explain the competition between the canons of Saint-Omer and the monks of Saint-Bertin, a rivalry deriving from their shared origins in the abbey of Sithiu. However, David Defries's book centers on the cooperative relationship that developed between the saints Omer and Bertin in the monks' collective memory. Throughout the early Middle Ages, the cults of the abbey's two patron saints shaped the life of the community at Sithiu, and the first four centuries of its development reveal how a group of monks negotiated their place in the larger Christian West, adapting Columbanian and Benedictine identities to fit the relationship they discerned between Omer and Bertin. The evolution of Sithiu's collective memory demonstrates that the methods used in most studies of early medieval collective memory produce a distorted image of the partnership. Historians overwhelmingly assume that collective memory has a narrative structure and that the texts meant to shape its evolution are "historiographic" in form. In contrast, David Defries treats Sithiu's historiography as a type of scriptural exegesis that emphasizes the allegorical levels, especially typology and tropology, of the Christian scriptural hermeneutic. Paradigm, not narration, structured early medieval Christian allegory and thus early medieval collective memory at the abbey. This argument has broad implications for the study of early medieval collective memory. The intellectual culture of Sithiu was typical of the early medieval West, and all the texts considered date between c. 740 and c. 1148, situating them in a period when writers trained in monasteries like Sithiu produced the vast majority of western European literature. From Sithiu to Saint-Bertin may thus be seen as a preliminary case study for the value of paradigmatic approaches to early medieval memory.
, Museum Prinsenhof Delft & Waanders, 2023 144 pagina?s, 110 illustraties in kleur, 27 x 23 cm, paperback, Nederlands. ISBN 9789462624498.
Delft was in de zeventiende eeuw een broedplaats van talent, een stad waar belangrijke innovaties plaatsvonden. Hier groeide Johannes Vermeer uit tot een schilder van wereldformaat. Helaas is er niet veel bekend over Vermeer, we weten niet eens van wie hij het vak leerde. Deze rijk ge llustreerde publicatie laat zien wat we w l weten en wat er te ontdekken valt in het Delft van Vermeer. Via sleutelfiguren in Vermeers leven krijgen we inzicht in het artistieke, intellectuele en sociale klimaat in het zeventiende-eeuwse Delft. Door in te zoomen op de wereld en de mensen rondom Vermeer krijgen we beter zicht op de meester, maar het mysterie over zijn genialiteit blijft intact.
Zwolle, Uitgeverij Waanders & De Kunst, 2023 Softcover, 144 pagina's, 27 x 23 cm, rijkelijk ge llustreerd. *Nieuw. ISBN 9789462624498.
Delft was in de zeventiende eeuw een broedplaats van talent, een plek waar belangrijke innovaties plaatsvonden. Hier groeide Johannes Vermeer uit tot een schilder van wereldformaat. Er is niet veel bekend over Vermeer. Deze rijk ge llustreerde publicatie toont wat er w l te ontdekken valt in het Delft van Vermeer. Inzicht in het artistieke, intellectuele en sociale klimaat in het zeventiende-eeuwse leven van Delft krijgen we via sleutelfiguren uit Vermeers leven, zoals schoonmoeder Maria Thins, familienotaris n kunstverzamelaar Willem de Lange en schilder Leonaert Bramer. Door in te zoomen op de wereld en de mensen rondom Vermeer krijgen we meer inzicht in het leven en werk in zijn tijd. Het mysterie over zijn genialiteit blijft daarentegen intact.
Librairie de l'Architecture 1892 Broché - 829 pages Etat correct - Couverture taches - Dos cassé 1270 g
, Fonds Mercator 2018, 2018 Hardcover, 240 pages, Texte en Francais, 300 x 250 mm, jaquette, Tres belle exemplaire, illustrations et foto's de couleur, . ISBN 9789462302068.
Victor Horta (1861-1947) est le c l bre cr ateur de l'architecture Art Nouveau. Apr s l'H tel Tassel, Bruxelles, en 1893, Horta a construit plus de 40 immeubles en une d cennie. Ce nouvel ouvrage expose les nombreuses influences qui se sont exerc es sur son ?uvre, ainsi que son h ritage. Les descriptions d taill es de 19 projets, dont le Pavillon Lambeaux, l'H tel Autrique, l'H tel Max Hallet et l'H pital Brugmann, sont illustr es de dessins originaux de Horta et de photographies r alis es sp cialement pour l'occasion par le photographe prim Alastair Carew-Cox, sp cialis en architecture. L'ouvrage comprend en outre de nombreuses photographies de l'H tel Solvay, une des ?uvres majeures de Horta, dont l'acc s, refus aux photographes depuis 20 ans, a t exceptionnellement accord Alastair Carew-Cox au cours de l' t 2016, en reconnaissance de la contribution significative apport e par lui et le Professeur David Dernie l' tude de Horta.
1 Belle impression deux tons, bistre et vert pour la couverture, noir et rouge pour le texte composé en minuscule caroline. P., la "Rotophot", 1935, in-4° broché sous couvertures rempliées, de 32 pp. et 12 planches sous serpentes légendées.
Illustré de 12 aquarelles et compositions de Pierre Matossy. Tirage limité à 3560 exemplaires numérotés (dont 60 hors commerce), l'un des 3250 sur papier offset photo de Navarre. Bel exemplaire signé, à la Table des chapitres, par le frère Lucien David.
, Brepols, 2022 Hardback, 239 pages, Size:156 x 234 mm, Language: Italian. ISBN 9782503599700.
Summary Le lettere del medico fiorentino Alessandro Pini (1653-1717) e il suo trattato De moribus Turcarum fanno emergere un'immagine avvincente del popolo egiziano e della cultura ottomana. Ci che Pini ha osservato in Egitto e nel mondo ottomano rivela una straordinaria dimensione mediterranea di commistione culturale, fatta di scambi e di incontri scaturiti dalle necessit lavorative e anche dalla semplice quotidianit . Oltre alla missione scientifica ufficiale egli doveva svolgere un'intrigante attivit spionistica per Cosimo III, Granduca di Toscana, in cui si rivel poi fallimentare. Amareggiato e osteggiato per l'insuccesso, pass poi alle dipendenze della Repubblica di Venezia e dimor per vari anni a Istanbul e in Morea, dove senza pregiudizi e con ampiezza di vedute osserv le tradizioni e i costumi dei popoli che incontrava. Decise dunque consapevolmente di scrivere l'esaltazione di un mondo che l'Occidente vedeva come il suo alter ego negativo. Sebbene fosse stato imprigionato nella sua societ di adozione, Pini rimase affascinato, forse anche ipnotizzato, da quello stesso mondo che lo aveva variamente premiato e frustrato sia nel suo lavoro ufficiale che nel suo incarico segreto. TABLE OF CONTENTS Prefazione I. Scienziato e spia ipnotizzato dai turchi Nota al contesto Alessandro Pini, medico e scienziato Livorno-Il Cairo: andata e ritorno Candire la cassia Missione segreta Francesco Redi l'interlocutore Scienziato un po' turista Luoghi santi e non solo Missione fallita Mentre il Turco era a Vienna Ritorno a Livorno Amara delusione Direzione Venezia Medico d'armata a Costantinopoli Destino infame Stregato dai turchi Grazie Antonio II. I costumi dei turchi De moribus Turcarum relatio excellentissimi domini doctoris Alexandri Pini Relazione sui costumi dei turchi dell'eccellentissimo signor dottor Alessandro Pini Educazione e comportamento Urbanistica e pubblica assistenza Abitudini Norme Feste, musica e banchetti Alimentazione Abbigliamento Arredamento e mezzi di trasporto Igiene e separazione dei sessi III. Epilogo - Apologo Fine della storia ? Il fascino dell' autopsia Bibliografia Indici Indice dei nomi Indice dei luoghi e delle cose notevoli
EDF/ ARIM Pays de Loire, 1982, in-4 rel. oblong (21 x 29,5), 132 p., coll. "Connaissance de l'habitat existant", nombr. ill. photos et dessins, bon état.
Ce document s'adresse à tous ceux qui s'intéressent à la réhabilitation. Conçu comme un élément de sensibilisation, il pose des questions permettant de mieux appréhender l'héritage du passé, pour lui restituer ses qualités, tout en l'adaptant au mode de vie actuel, sans toutefois accélérer le vieillissement de la structure par l'introduction de "corps étrangers". Pour cela ce livre permet de poser les problèmes -sans etre exhaustif- apprendre à bien connaitre le bâti, les matériaux et les techniques à utiliser, conserver les possibilités qu'offre la structure ancienne, assurer l'avenir du bâtiment ...Voir le sommaire sur photos jointes.
, Brepols, 2024 Paperback, 312 pages, Size:156 x 234 mm, Illustrations:1 b/w, 8 col., Language(s):English, French. ISBN 9782503600765.
Summary This volume explores the reception of biblical figures in Judaism, Christianity and Islam, with a particular focus on Antiquity and incursions in the Middle Ages and modernity. The contributions included here offer a glimpse of the complexity of the mechanics of transmission to which these figures were subjected in extra-biblical texts, either concentrating on one author or corpus in particular, or broadening the scope across time and cultural contexts. The volume intends to shed light on how these biblical figures and their legacies appear as channels of collective memory and identity; how they became tools for authors to achieve specific goals; how they gained new and powerful authority for communities; and how they transcend traditions and cultural boundaries. As a result, the vitality and fluidity of the developments of traditions become clear and prompt caution when using modern categories. TABLE OF CONTENTS Forewords (Eleonora Serra & Philippe Therrien) Quelques notes critiques sur des concepts usuels dans les tudes s mitiques actuelles (David Hamidovi?) The Saga of Noah in Slavonic Parabiblical Writings, Iconography and Oral Tradition (The Case of The Folk Bible) (Florentina Badalanova Geller) No exorciste ? Des traditions m sopotamiennes au juda sme du Second Temple (Eleonora Serra) La figure de Melchis dech Qumr n (Dario Barberis) Moses as King and Commander in the Philonic Life of Moses, between Historiography and Exegesis (Gaetano Spampinato) Fasting, Visions and Prophecy In and Outside the Bible: The Figure of Daniel in Tertullian's De ieiunio adversus psychicos (Maria Dell'Isola) Paideia, Plato's Sophist and the Pseudo-Clementines: Simon Magus' Characterisation in the Pseudo-Clementine Homilies (Benjamin De Vos) Laissons aux h r siologues leurs cat gories . tat des lieux sur les repr sentations de Seth dans la litt rature gnostique (Philippe Therrien) The Creation of a Golem: Theurgy versus Magic in Some Ancient and Medieval Sources (Barbara Henry) A Woman Ruling over Them: The Sheba Myth and the Role of Gender in the Qur'?n and K?br N g st (Rhiannon Garth Jones) Modern Apocrypha as a Cultural Toolbox (Ma?gorzata Jankowska) Index of References
, Brepols, 2021 Paperback, 280 pages, Size:156 x 234 mm, Illustrations:1 b/w, 3 tables b/w., Language(s):French, English, Hebrew. ISBN 9782503592992.
Summary Les pr tres et les l vites restent influents plusieurs si cles apr s la chute du Temple de J rusalem en 70 de l' re chr tienne. Ils tentent m me une ou plusieurs reconfigurations de leurs fonctions dans la soci t . En m me temps, les Sages ou rabbins essaient de capter leurs pr rogatives ancestrales. Un double mouvement de sacerdotalisation et de rabbinisation est alors perceptible dans les textes rabbiniques. Qu'en est-il des premiers textes mystiques juifs dits Hekhalot ? Une telle dialectique de rejet et d'int gration est-elle perceptible ? Par comparaison, d'autres mouvements appel s plus tard chr tiens, dont certains gnostiques et d'autres groupes dans le monde perse, ont eu la m me tendance. TABLE OF CONTENTS Avant-propos (David Hamidovic, Simon C. Mimouni, Louis Painchaud) The Priestly Struggle on the Sacred Written Authority as Reflected in the Merkaba Tradition (Rachel Elior) "He Who Sits Crowned on the Throne of His Glory": Body Posture in Hekhalot Rabbati and in Rabbinic Literature (Catherine Hezser) L'ascension au ciel de Rabbi Nehounya ben ha-Qana en Hekhalot Rabbati 13-25 ( 198-259): Questions r dactionnelles et pratiques rituelles (Pierluigi Piovanelli) Les Otiyyot de-Rabbi Akiva version A, la litt rature des Hekhalot et la sacerdotalisation (Apolline Thromas) Liturgical Community, Priesthood, Qedusha and Synagogue: From Qumran to the Hekhalot Texts through Rabbinic Literature (Jos Costa) La Nouvelle J rusalem et le nouveau Temple dans la litt rature apocalyptique du juda sme antique (Lorenzo DiTommaso) Sacerdotalisation et liturgisation : L'impact de la liturgie et de la communion avec les anges sur le sacerdoce dans la Liturgie ang lique (Michael R. Jost) La Vision de Gabriel et la mystique de la merkava (David Hamidovic) Les Livres d'Herm s : des crits de la Maison de vie ? tude des liens possibles entre des Hermetica et le temple gyptien (Anna Van den Kerchove) Effectless Prophecy, Hatred between Shepherds and Elders, and Sacrifice to Beliar - The Great Despair of The Ascension of Isaiah (Markus Vinzent) Sacerdotalisation and Early Jewish Mystical Elements in the Greek Testament of Levi (Jessica van 't Westeinde) Pr tres et toit unique (EvJud 45,6-7). Maisons c lestes, sacrifice et sacerdoce dans l' vangile de Judas (Louis Painchaud) Index des sources