‎Venice Biennale Catalogue Series- Biennale Architettura 2025 Intelligens. Natural. Artificial. Collective.‎

‎, Silvana, 2025 Flexibound (Luxe paperback) Dimensions 270 x 210 mm, Illustrations throughout col.ill., 982 Pages, Language English ed. *new. ISBN 9788836661176.‎

‎The accompanying catalogue to the 19th International Architecture Exhibition, curated by Carlo Ratti, to be held from 10 May to 23 November 2025 in Venice, is titled Intelligens. Natural. Artificial. Collective. The 19th International Architecture Exhibition, curated by Carlo Ratti, to be held from 10 May to 23 November 2025 in Venice, is titled Intelligens. Natural. Artificial. Collective. The Exhibition, as the Curator himself explains, ?will search for a path forward, proposing that intelligent solutions to pressing problems can take many forms? and ?will present a collection of design proposals and many other experiments, exploring a definition of ?intelligence? as an ability to adapt to the environment with limited resources, knowledge, or power? (Carlo Ratti). The Catalogue is printed in two volumes and follows the Exhibition itinerary accompanying visitors and art lovers through the exhibition spaces of the Giardini and the Arsenale and presenting other projects on display in various locations around the city of Venice and Forte Marghera, in Mestre. Volume I of the Catalogue is dedicated to the International Exhibition, curated by Carlo Ratti. The first pages of the volume open with the statement by President Pietrangelo Buttafuoco and the presentation by the Artistic Director of the Architecture Department Carlo Ratti, and then presents the Circularity Manifesto. Volume I is then divided into two parts. Part one, titled Intelligens, is dedicated to presenting the sections of the International Exhibition, Natural Intelligence, Artificial Intelligence, Collective Intelligence, and Out. Each project on display in the Exhibition is accompanied by a critical text and a rich apparatus of photographs. Part two of the volume, titled Venice as a Living Lab, presents ?a number of special projects that will leverage Venice and the outdoor areas of the Biennale Exhibition venues as a Living Lab, merging interacting forms of intelligence?. The volume is enriched with a series of critical essays and interesting ?Impossible Conversations? that explore the themes of the Exhibition in depth. Volume I ends with the biographies of the participants and a detailed register of the projects on exhibit. The National Participations and the Collateral Events participating in the 19th International Architecture Exhibition are gathered in Volume II and presented with illustrated texts that explore the projects proposed by the National Pavilions and the Collateral Events at the Giardini, the Arsenale and in various spaces throughout Venice.‎

‎Poster: Sabena: Service Impeccable ‎

‎, Plaizier, 2025 Poster, 61 × 91 cm, herdruk Nieuw.‎

‎Poster: Sabena - Service Impeccable ‎

‎Flemish and Dutch Artists in Early Modern England: Collaboration and Competition, 1460-1680 (Visual Culture in Early Modernity) ‎

‎, Ashgate2009, 2009 Hardcover with dusjacket 236 pages, ill. ISBN 9780754667124.‎

‎By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.‎

‎Saint-Philibert de Tournus. Etude préliminaire par M. Jean Virey, ancien élève de l'Ecole des Chartes‎

‎Paris, A. Picard et fils, 1905 grand in-8, 511 pp., [2] pp. n. ch., avec 310 illustrations dans le texte et 102 planches hors texte, demi-basane bleue, dos à faux nerfs orné de filets à froid et de lions héraldiques dorés, tranches mouchetées (reliure de l'époque). Infimes épidermures au dos.‎

‎Edition originale. L'abbé Curé (ça ne s'invente pas) était alors archiprêtre de Tournus. Cette monographie est loin d'être la seule sur Saint-Philibert, mais elle se recommande par son abondante iconographie. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎L'Hôtel de Ville de Sion (1657-1665). ‎

‎Sion, s.n., 1960 ; petit 4, broché non coupé, couverture illustrée, 80 planches hors-texte , index des artisans.‎

‎Très bon état.‎

‎L'Hôtel de Ville de Sion (1657-1665). (Riche sculpture bois, architecture).‎

‎Sion, Vallesia, 1960, in-4°, 143 p. + 80 planches, non coupé, brochure originale illustrée.‎

‎Bruegel Success Story Papers Presented at Symposium XXI for the Study of Underdrawing and Technology in Painting, Brussels, 12-14 September 2018.‎

‎Leuven, Peeters uitgeverij, 2021 Hardcover, 550 pages, 31 x 23 cm, english text. *New. ISBN 9789042943322.‎

‎The Bruegel Success Story. This small phrase evokes the brand invented by the great Pieter Bruegel the Elder (c.?1526/7?69), which was capitalised on by his two sons and many followers. It was the natural theme for a symposium that brought together art historians, scientists and connoisseurs to celebrate the art of Pieter Bruegel and his indelible influence on the generations that followed. The idea for The Bruegel Success Story Colloquium took root at the Royal Institute for Cultural Heritage in Brussels, where Bruegel?s most enigmatic painting, the Dulle Griet, was being restored in preparation for the great Bruegel exhibition at the Kunsthistorisches Museum in Vienna in 2018-19. The papers presented at the symposium that now appear as beautifully illustrated essays in this book are the fruit of research by both renowned experts and relative newcomers, all of whom have been profoundly touched by the art of Pieter Bruegel and his progeny.‎

‎VIEILLES MAISONS FRANCAISES N°142 - ÉDITORIAL,par Georges de Grandmaison.INTRODUCTION,par Jean-Louis Curtis.CAPITALE BORDEAUX, par Jacques Chaban-Delmas.DEMEURES LE LONG DE L'EAU,par Olivier Schiltz.LE CHARME DES CHARTREUSES‎

‎VIEILLES MAISONS FRANCAISES. AVR-MAI 1992. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 139 pages. Nombreuses photos en couleur et noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Sommaire : ÉDITORIAL,par Georges de Grandmaison.INTRODUCTION,par Jean-Louis Curtis.CAPITALE BORDEAUX, par Jacques Chaban-Delmas.DEMEURES LE LONG DE L'EAU,par Olivier Schiltz.LE CHARME DES CHARTREUSES,par Dominique Audrerie et Emmanuel du Chazaud.LE CHÂTEAU ET LES RAISINS,L’exemple de Barsac-Sauternes, par Philippe Maffre.LE SIÈCLE D'OR DE BORDEAUX, par Christian Taillard. TROIS PETITS COINS DE PARADIS,par Emmanuel Payen.DEMEURES DU VIC-BILH,par Philippe Araguas.LA MAISON DANS L'AIRIAL, par François Moniot. RIVAGES,par Jean-Claude Lasserre.UN ARCHITECTE, DES VILLAS, DES CLIENTS, par Maurice Culot.A VOIR EN AQUITAINE CARTE BIBLIOGRAPHIE MANIFESTATIONS CULTURELLESACTUALITÉBloc-notes.SPÉCIAL PARISL’histoire de l’hôtel de la Marine,par Richard Flahaut.PARCS ET JARDINSParfums de roses, par Henri Delbard.SAUVEGARDER L’abbaye d’Hambye revit, par Pierre de Lagarde.LIRELu pour nous, par Éric Ollivier.Sélection V.M.F.S'INFORMERPatrimoine.Expositions.FISCALITÉLa révision foncière cadastrale.V.M.F. en bref. Assemblée générale. Friends of V.M.F. Liste des délégués. Activités départementales. Carnet. Annonces. Mots croisés. Classification Dewey : 720-Architecture‎

‎Carlos Ferrater‎

‎ Gustavo Gili Gustavo Gili 1989, In-8 carré broché couverture illustrée. 96 pages. Photos et plans d'architecture. Texte en anglais et en espagnol. Très bon état.‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎MUSEA DO ORIENTE , LISBOA‎

‎, RMN, 2008 Broches, 127 page, Portugais, Illustrazione. ISBN 9782711855384.‎

‎La Russie en 1839‎

‎seconde édition,revue,corrigée et augmentée.Tome premier. In 12 broché,faux-titre,titre,XXIV,392 pages,Librairie d’Angot 1843.Une partie supérieure et inférieure du dos réparée. ‎

‎Ecclesiae Occidentalis Monumenta Iuris Antiquissima. The Latin Translations of Greek Canons and Councils from the Fourth Century‎

‎, Brepols, 2025 Hardback, Pages:3 vols, 1402, Size:216 x 280 mm, Illustrations:1 col., Languages: English, Latin, Greek. ISBN 9782503619958.‎

‎Summary Ecclesiae Occidentalis Monumenta Iuris Antiquissima (EOMIA) is a monumental scholarly achievement by Cuthbert Hamilton Turner, compiled between 1899 and 1939. It presents Latin texts of canons, creeds, and letters from early Church councils and synods, primarily from the fourth century, alongside meticulous comparisons of manuscript traditions. Renowned for its philological rigor, EOMIA remains an indispensable resource for Church historians, canon law scholars, textual critics, and students of Latin. Yet despite its scholarly value, EOMIA is notoriously difficult to use. It was published in fascicles over four decades, each with its own internal divisions (pars, tomus, fasciculus) which were inconsistently labelled and sometimes retroactively reclassified. This lack of editorial cohesion left librarians and scholars struggling to organize and bind the volumes, resulting in chaotic pagination and sequencing. The absence of modern navigation aids such as thematic indexing or summaries only compounded the challenge, making EOMIA a bibliographical labyrinth. This new reprint offers a long-awaited solution: it restores Turner's original intended structure, adds newly commissioned introductions on the contents, organization, scholarly value, and practical use of the work, and includes a dual index of names and selected terms to aid navigation and research. TABLE OF CONTENTS VOLUME I Apostolic Canons & Nicaea I (part 1) VOLUME II Nicaea I (part 2) & Supplements VOLUME III Ancyra & Neocaesarea Gangra & Antioch Laodicea & Constantinople I‎

‎LA CATHEDRALE DE BAYONNE, LE PORTAIL GOTHIQUE DU XIIIe SIECLE ET SES ENSEIGNEMENTS‎

‎Jean-Lacoste. 1957. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur bon état. 67 pages. Photo en noir et blanc en frontispice. Illustré de photos en noir et blanc dans le texte. Etiquette annotée et tampons sur le 1er plat. Tampons et annotation en page de garde.. . . . Classification Dewey : 720-Architecture‎

‎L'esprit du portail bayonnais. Les Apôtres soldats et témoins du Christ... Classification Dewey : 720-Architecture‎

‎Lorenzo Lotto 1480-1557 ‎

‎, Réunion des Musées Nationaux, 1997 Softcover, 240W x 280H x 22D mm, 257 pages, Français. *en bon état. ISBN 9782711828050.‎

‎Artiste secret et tourmenté, Lorenzo Lotto a parcouru l'Italie pendant la première moitié du XVIe siècle, dans une quête inlassable de perfection spirituelle et artistique. Son oeuvre est un creuset où se fondent l'influence vénitienne dominée par Bellini, Giorgione et Titien, le classicisme de Raphaël, la douceur de Léonard et les créations visionnaires des peintres du Nord des Alpes. Lotto a assimilé le génie de son époque à travers son propre tempérament, intuitif et mystique. Il y apporte sa pénétration psychologique, sa sensibilité aux joies et aux peines de ses semblables, sa prédilection pour les symboles et les énigmes, dans un esprit étrangement proche des préoccupations de la modernité. L'ouvrage, auquel ont contribué les meilleurs spécialistes de l'artiste, fait le point des recherches récentes sur tous les aspects de sa peinture, autour de plus de cinquante tableaux, chefs-d'oeuvres suaves, mélancoliques ou mystérieux.‎

‎wereld van Cyril Buysse‎

‎, Houtekiet / Atlas, 2009 Hardcover met stofwikkel, 192 pagina's, 28 x 20.5 cm, NL. *Prima staat. ISBN 9789045017051.‎

‎Joris van Parys (1944) publiceerde eerder de biografie van beeldend kunstenaar Frans Masereel, die werd vertaald in het Duits en het Frans. Het boek werd bekroond met de Gouden Uil 1996 en de Henriëtte de Beaufort-prijs 2001.‎

‎Marcel Breuer a Glanville - La Villa Sayer - Collection Lieux d'architecture - Chronique du projet : conception, realisation, epilogue - Correspondances 1960/1996 - portfolio - l'histoire vecue - Sur les bords du lac Leman‎

‎BERNARD CHAUVEAU. 2023. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 PAGES - Nombreuses illustrations, couleur et noir/blanc, dans et hors texte - Couverture rempliée (dont les rabats sont illustrés) : Pliure du rabat du 1er plat légèrement fendue en tranche de pied + rabat légèrement abîmé (renfoncement) - Quelques phrases soulignées au crayon à papier, sans conséquence sur la lecture. . . . Classification Dewey : 720-Architecture‎

‎Chronique du projet : conception, realisation, epilogue- Correspondances 1960/1996 - portfolio - l'histoire vecue - Sur les bords du lac Leman Classification Dewey : 720-Architecture‎

‎Breviari d'amor de Matfre Ermengaud. Tome 1. Introduction‎

‎, Brepols, 2024 Paperback, 304 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: French. ISBN 9782503519210.‎

‎The Breviari d'Amor dates from 1288 (and was probably completed around 1292), is about 34,500 lines long and written in octosyllabic rhyming couplets. It exists in twelve full or almost full manuscripts and twelve fragments. It is written in Medieval Occitan and is the product in part of a long theological tradition and in part of the courtly tradition. This is the first edition to be published since the two-volume work of Gabriel Azaïs (1862-1881), which was of great merit for its time, but used only four of the manuscripts. The numbering of the present edition follows that of Azaïs, given the many works which allude to the Breviari. This didactic text has necessarily been labeled as "encyclopaedic" and this is certainly not a matter of dispute, although, in terms of the subject matter, it is very unusual since the emphasis is not only theological but also courtly. It conforms to the general perspective adopted by summae but the particular integration of the theological aspects with the debate on the nature of fin'amor makes it unique. The four volumes (volumes II to V) of the complete text have been already published, each with a selective glossary and bibliography. The present, first volume, is the Introduction. TABLE OF CONTENTS Préambule de Cyril Hershon Avant propos de Peter Ricketts Plan du Breviari d?Amor La tradition manuscrite du Breviari d?Amor Béziers au temps de Matfré Matfré Ermengaud Matfré et le Droit Matfré et la tradition encyclopédique Matfré et Raymond Lulle L?Arbre d?Amour L?Arbre de Vie L?appel aux amants Les sciences de Matfré Matfré et les Juifs La satire La théologie La Vierge Marie L?amour de Dieu et de son prochain et les deux droits Le péché originel Le jeûne Matfré et l?aumône Appendice : Gabriel Azaïs Bibliographie Principaux sigles utilisés Les textes du Breviari Études sur le Breviari Autres références Index‎

‎Cy Twombly: Vol 4: Unpublished Photographs, 1951-2011‎

‎Munchen, Schirmer/Mosel Verlag, 2013 Hardcover with dustjacket, 180 pages, 33 x 25 cm, fully illustrated. GER/ENG/FR. *fine condition. ISBN 9783829605892.‎

‎As his final creative surprise, Cy Twombly, one of the greatest 20th-century artists, has given to the world a huge body of photographic works emphasizing his unique artistic vision. Contrary to his sharp and teeming drawings his photographs are not sharp at all. They are colorful, soft, and warm and generate a painterly impression. Their coloring is as unique as their fine sense of composition. The photographs reveal the artist's vision embedded both in the world of objects and the nature that surrounds him. His own artistic creations and collection of art objects in his various homes are a favorite subject of his photographic studies. Twombly's photographic work offers a new dimension for understanding the artist's patintings, drawings, and sculptures. The new book features some 120 photographic prints from the Cy Twombly Estate in Gaeta, most of them previously unpublished.‎

‎Cy Twombly Photographs 1951-2007.‎

‎, Schirmer Mosel, 2008 Hardcover, 261 pages , ENG / GER, 330 x 255 x 35 mm, dustjacket, as New / wie Neu, illustrated in colours / illustrationen in Farbe. ISBN 9783829603683.‎

‎Ever since his student days, Cy Twombly has concerned himself with photography, but only in recent years has he turned it into a unique artistic concept- and an aesthetic sensation. Twombly's photographic pieces are documents of a fascinatingly enigmatic and personal poetry. His studios in Lexington and Gaeta, details of his own sculptures and collected sculptural items, landscape motifs, fruits and flowers appear in a mysteriously transformed manner on these delicate sheets. Printed in matte colors on matte paper using a dry-print process that imbues them with velvet and an almost grainy hue, the images are vaguely reminiscent of the pictorialist tradition in fin de siecle photography. In their minimalist way, however, generating aesthetic visions by the simplest of means, they are utterly contemporary. 'Photographs 1951-2007' presents Twombly's photographic works of over fifty years- full of surprises and breathtaking beauty.‎

‎Cy Twombly Photographs 1951-2007.‎

‎, Schirmer Mosel, 2008 Softcover 261 pages , text ENG / GER, 330 x 255 x 35 mm, illustrated in colours / illustrationen in Farbe. *new. ISBN 9783829605373.‎

‎Ever since his student days, Cy Twombly has concerned himself with photography, but only in recent years has he turned it into a unique artistic concept- and an aesthetic sensation. Twombly's photographic pieces are documents of a fascinatingly enigmatic and personal poetry. His studios in Lexington and Gaeta, details of his own sculptures and collected sculptural items, landscape motifs, fruits and flowers appear in a mysteriously transformed manner on these delicate sheets. Printed in matte colors on matte paper using a dry-print process that imbues them with velvet and an almost grainy hue, the images are vaguely reminiscent of the pictorialist tradition in fin de siecle photography. In their minimalist way, however, generating aesthetic visions by the simplest of means, they are utterly contemporary. 'Photographs 1951-2007' presents Twombly's photographic works of over fifty years- full of surprises and breathtaking beauty.‎

‎Cy Twombly: Catalogue Raisonné of Drawings, Vol. 1 - 8 (complete set) ‎

‎Munchen, Schirmer/Mosel, 2011 8 Volumes in slipcase, each in linen binding and illustrated dustjacket, 25.5 x 35 cm, Fully illustrated. English edition. *Fine condition.‎

‎Cy Twombly Catalogue Raisonné of Drawings Vol. 1, 1951?1955 Cy Twombly Catalogue Raisonné of Drawings Volume 2, 1956 - 1960 Cy Twombly Catalogue Raisonné of Drawings Volume 3, 1961?1963 Cy Twombly Catalogue Raisonné of Drawings Volume 4, 1964?1969 Cy Twombly Catalogue Raisonné of Drawings Volume 5, 1970?1971 Cy Twombly Catalogue Raisonné of Drawings Volume 6, 1972?1979 Cy Twombly Catalogue Raisonné of Drawings Volume 7, 1980?1989 Cy Twombly Catalogue Raisonné of Drawings Volume 8, 1990?2011. Cy Twombly Catalogue Raisonné of Drawings Vol. 1 includes works on paper produced between 1951 and 1955. It includes several works on paper that the artist produced in Lexington, VA between 1951 and 1952 which will be of particular interest to scholars focused on his early practice. It also catalogues entries from early sketchbooks as well as his famed North African Sketchbooks (1953). It is an indispensable resource for scholars writing about either the sketchbooks themselves or their substantive connections to subsequent paintings, as the sketchbooks are reproduced here in their entirety. The volume also includes Study for Tiznit (1953), a preliminary for one of Twombly?s more frequently exhibited early paintings, and sketches completed in Augusta, Georgia while Twombly was stationed there during his brief military service. The latter will be of particular interest to those writing about Twombly?s line and his idiosyncratic hand, as this was the method through which he later reported developing his signature childlike (but never childish) scrawl. The volume also includes a large set of drawings the artist reportedly intended to publish as an album, though this project never came to fruition. It will be of interest to scholars researching Twombly?s printmaking practice as well, as there are numerous formal resemblances to his later prints throughout; see Cy Twombly Catalogue Raisonné of Printed Graphic Work 1953?2002, ed. Heiner Bastian. Those researching the North African Sketchbooks might also consult Anne-Grit Becker?s ?Marks and Material in Cy Twombly's North African Sketchbooks? (2017) and Cycles and Seasons, ed. Nicholas Serota (2008). The relationship between early paintings and drawings is discussed in Carol A. Nigro?s ?Cy Twombly?s Humanist Upbringing? (2008). For more on early works, including those produced at Black Mountain College, primary sources are gathered and reproduced in Writings on Cy Twombly, ed. Nicola del Roscio (2002). Those interested in Twombly?s line and the ?unlearning? of his hand, as well as later iterations like the ?blackboard? paintings, should consult Roland Barthes?s classic text ?The Wisdom of Art? (1979) as well as the catalogue in which it originally appeared, Cy Twombly: Paintings and Drawings 1954?1977. The Gagosian Gallery catalogue In Beauty it is finished: Drawings 1951?2008 (2018) also includes relevant material, as does Cy Twombly at the Hermitage: Fifty Years of Works on Paper, ed. Julie Sylvester (2008). There are also many connections to the sculptures, especially via the North African Sketchbooks, on which see Kate Nesin, Cy Twombly?s Things (2014). (Publication description by Jamie Danis)‎

‎Magyarorszag Történeti Emlékei 896-1896 (Souvenirs de Hongrie Exposition Nationale du Millénaire)‎

‎Budapest - Vienne, Ministère du Commerce / Martin Gerlach et Cie 1901 En hongrois. 2 tomes. In-folio, reliure de l’éditeur pleine toile verte, dos lisse, titre et tomaison dorés, premier plat orné des armoiries de la Hongrie contrecollées, 200 - 468 pp., 539 figures, 90 planches sous serpente légendée. Intérieur frais, reliures d’usage et en bon état.‎

‎En 1896, l’exposition du Millenium est organisée, pour célébrer le millénaire de la conquête du territoire hongrois par les Magyars, mais aussi pour montrer une image nationale de la Hongrie faisant partie de l’Europe qui toujours en lutte pour sa liberté, connaît un progrès économique et industriel particulièrement dynamique. Bon état d’occasion ‎

‎THE KUNSTHISTORISCHES MUSEUM VIENNA : The Official Museum Book ‎

‎, Hannibal Books, 2023 HB, 320 x 245 x 33 mm, 304 pages, ENG edition, ISBN 9789464666588.‎

‎Unique insight into one of the world's largest collections of European art Every year, half a million people visit the Kunsthistorisches Museum on Maria-Theresien-Platz in Vienna. With its aesthetically striking interior architecture, the institute, which was opened in 1891, is completely unique in its design. This luxurious book shows the museum in all its glory and tells the story of the superb building and its stately interior. In addition, it presents dozens of masterpieces from the world-famous collection of Western art in surprising combinations, including works by Bruegel, Velázquez, Vermeer, Rembrandt, Caravaggio, Rubens and Van Eyck. The Official Museum Book brings together magnificent masterpieces from antiquity to the 19th century and is an indispensable reference work for anyone who loves art history.‎

‎Bruxelles art nouveau : Promenades au cœur de la ville‎

‎Broché, 175 pages, paru le 23 août 2016 chez Racine Be, livre en très bon état général, quasi général.‎

5 Images

‎Gilbert & George : L'Ouvre en images (1971-2005)‎

‎, Gallimard, 2007 Hardcover, 1240 pages, 2 volumes, Texte en Francais / Tres belle exemplaire, 330 x 270 x 110 mm, 2 parties dans un étui cartonné joliment illustré, illustrations en couleur / n/b. ISBN 9782070118847.‎

‎Gilbert & George occupent une place unique parmi les artistes de la seconde moitié du XXe siècle : ils ont bâti une ouvre immense, qui leur a valu une reconnaissance internationale. En présentant l'intégralité de l'?uvre en images de ces trente-cinq dernières années, cette publication exceptionnelle, entièrement conçue par Gilbert & George, propose un voyage exclusif à travers leur travail en perpétuelle évolution. L'ouvrage est introduit par Rudi Fuchs, éminent historien de l'art. Gilbert & George, l'?uvre en images offre un ensemble de plus de mille ?uvres, ainsi que des détails spectaculaires et des photos d'installations prises aux quatre coins du monde.‎