‎Harvard's Art Museums. 100 Years of Collecting.‎

‎New York, Harry N. Abrams, Inc., 1996. 4°. 364 pp. With numerous ill. Orig. wrappers.‎

‎Les orgues de la cathédrale de St-Nicolas à Fribourg, par le Dr. X. Cuony. Dans: Nouvelles Etrennes Fribourgeoises - 47ème année - 1913.‎

‎Fribourg, Fragnière, 1913, in-8°, XCVI (96 p.) + 118 p. + 10 p. de pub., broché.‎

‎Contient entre autres: La visite de l'Empereur Guillaume II en Suisse. (l'évènement de l'automne 1912, avait été l'arrivée en Suisse de l'empereur Allemand Guillaume II). / La nouvelle école du quartier du Bourg, par Et. Fragnière (ce nouveau bâtiment qui venait de se terminer en 1913 abrita les classses des garçons du quartier du Bourg). / Les orgues de la cathédrale de St-Nicolas à Fribourg, par le Dr. X. Cuony. / Naufrage, et Le roman d'une succession. (Tiré de la généalogie histor. de la famille Grangier, par Dom Jacques-Philippe Grangier). ‎

‎Venice Biennale Catalogue Series- Biennale Architettura 2025 Intelligens. Natural. Artificial. Collective.‎

‎, Silvana, 2025 Flexibound (Luxe paperback) Dimensions 270 x 210 mm, Illustrations throughout col.ill., 982 Pages, Language English ed. *new. ISBN 9788836661176.‎

‎The accompanying catalogue to the 19th International Architecture Exhibition, curated by Carlo Ratti, to be held from 10 May to 23 November 2025 in Venice, is titled Intelligens. Natural. Artificial. Collective. The 19th International Architecture Exhibition, curated by Carlo Ratti, to be held from 10 May to 23 November 2025 in Venice, is titled Intelligens. Natural. Artificial. Collective. The Exhibition, as the Curator himself explains, ?will search for a path forward, proposing that intelligent solutions to pressing problems can take many forms? and ?will present a collection of design proposals and many other experiments, exploring a definition of ?intelligence? as an ability to adapt to the environment with limited resources, knowledge, or power? (Carlo Ratti). The Catalogue is printed in two volumes and follows the Exhibition itinerary accompanying visitors and art lovers through the exhibition spaces of the Giardini and the Arsenale and presenting other projects on display in various locations around the city of Venice and Forte Marghera, in Mestre. Volume I of the Catalogue is dedicated to the International Exhibition, curated by Carlo Ratti. The first pages of the volume open with the statement by President Pietrangelo Buttafuoco and the presentation by the Artistic Director of the Architecture Department Carlo Ratti, and then presents the Circularity Manifesto. Volume I is then divided into two parts. Part one, titled Intelligens, is dedicated to presenting the sections of the International Exhibition, Natural Intelligence, Artificial Intelligence, Collective Intelligence, and Out. Each project on display in the Exhibition is accompanied by a critical text and a rich apparatus of photographs. Part two of the volume, titled Venice as a Living Lab, presents ?a number of special projects that will leverage Venice and the outdoor areas of the Biennale Exhibition venues as a Living Lab, merging interacting forms of intelligence?. The volume is enriched with a series of critical essays and interesting ?Impossible Conversations? that explore the themes of the Exhibition in depth. Volume I ends with the biographies of the participants and a detailed register of the projects on exhibit. The National Participations and the Collateral Events participating in the 19th International Architecture Exhibition are gathered in Volume II and presented with illustrated texts that explore the projects proposed by the National Pavilions and the Collateral Events at the Giardini, the Arsenale and in various spaces throughout Venice.‎

‎Flemish and Dutch Artists in Early Modern England: Collaboration and Competition, 1460-1680 (Visual Culture in Early Modernity) ‎

‎, Ashgate2009, 2009 Hardcover with dusjacket 236 pages, ill. ISBN 9780754667124.‎

‎By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.‎

‎Saint-Philibert de Tournus.. Etude préliminaire par M. Jean Virey, ancien élève de l'Ecole des Chartes‎

‎Paris, A. Picard et fils, 1905 grand in-8, 511 pp., [2] pp. n. ch., avec 310 illustrations dans le texte et 102 planches hors texte, demi-basane bleue, dos à faux nerfs orné de filets à froid et de lions héraldiques dorés, tranches mouchetées (reliure de l'époque). Infimes épidermures au dos.‎

‎Edition originale. L'abbé Curé (ça ne s'invente pas) était alors archiprêtre de Tournus. Cette monographie est loin d'être la seule sur Saint-Philibert, mais elle se recommande par son abondante iconographie. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Saint-Philibert de Tournus. Etude préliminaire par M. Jean Virey, ancien élève de l'Ecole des Chartes‎

‎Paris, A. Picard et fils, 1905 grand in-8, 511 pp., [2] pp. n. ch., avec 310 illustrations dans le texte et 102 planches hors texte, demi-toile grise, couv. cons. (reliure postérieure). ‎

‎L'abbé Curé (ça ne s'invente pas) était alors archiprêtre de Tournus. Cette monographie est loin d'être la seule sur Saint-Philibert, mais elle se recommande par son abondante iconographie. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎L'Hôtel de Ville de Sion (1657-1665). ‎

‎Sion, s.n., 1960 ; petit 4, broché non coupé, couverture illustrée, 80 planches hors-texte , index des artisans.‎

‎Très bon état.‎

‎L'Hôtel de Ville de Sion (1657-1665). (Riche sculpture bois, architecture).‎

‎Sion, Vallesia, 1960, in-4°, 143 p. + 80 planches, non coupé, brochure originale illustrée.‎

‎Bruegel Success Story Papers Presented at Symposium XXI for the Study of Underdrawing and Technology in Painting, Brussels, 12-14 September 2018‎

‎Leuven, Peeters uitgeverij, 2021 Hardcover, 550 pages, 31 x 23 cm, english text. *New. ISBN 9789042943322.‎

‎The Bruegel Success Story. This small phrase evokes the brand invented by the great Pieter Bruegel the Elder (c.?1526/7?69), which was capitalised on by his two sons and many followers. It was the natural theme for a symposium that brought together art historians, scientists and connoisseurs to celebrate the art of Pieter Bruegel and his indelible influence on the generations that followed. The idea for The Bruegel Success Story Colloquium took root at the Royal Institute for Cultural Heritage in Brussels, where Bruegel?s most enigmatic painting, the Dulle Griet, was being restored in preparation for the great Bruegel exhibition at the Kunsthistorisches Museum in Vienna in 2018-19. The papers presented at the symposium that now appear as beautifully illustrated essays in this book are the fruit of research by both renowned experts and relative newcomers, all of whom have been profoundly touched by the art of Pieter Bruegel and his progeny.‎

‎VIEILLES MAISONS FRANCAISES N°142 - ÉDITORIAL,par Georges de Grandmaison.INTRODUCTION,par Jean-Louis Curtis.CAPITALE BORDEAUX, par Jacques Chaban-Delmas.DEMEURES LE LONG DE L'EAU,par Olivier Schiltz.LE CHARME DES CHARTREUSES‎

‎VIEILLES MAISONS FRANCAISES. AVR-MAI 1992. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 139 pages. Nombreuses photos en couleur et noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Sommaire : ÉDITORIAL,par Georges de Grandmaison.INTRODUCTION,par Jean-Louis Curtis.CAPITALE BORDEAUX, par Jacques Chaban-Delmas.DEMEURES LE LONG DE L'EAU,par Olivier Schiltz.LE CHARME DES CHARTREUSES,par Dominique Audrerie et Emmanuel du Chazaud.LE CHÂTEAU ET LES RAISINS,L’exemple de Barsac-Sauternes, par Philippe Maffre.LE SIÈCLE D'OR DE BORDEAUX, par Christian Taillard. TROIS PETITS COINS DE PARADIS,par Emmanuel Payen.DEMEURES DU VIC-BILH,par Philippe Araguas.LA MAISON DANS L'AIRIAL, par François Moniot. RIVAGES,par Jean-Claude Lasserre.UN ARCHITECTE, DES VILLAS, DES CLIENTS, par Maurice Culot.A VOIR EN AQUITAINE CARTE BIBLIOGRAPHIE MANIFESTATIONS CULTURELLESACTUALITÉBloc-notes.SPÉCIAL PARISL’histoire de l’hôtel de la Marine,par Richard Flahaut.PARCS ET JARDINSParfums de roses, par Henri Delbard.SAUVEGARDER L’abbaye d’Hambye revit, par Pierre de Lagarde.LIRELu pour nous, par Éric Ollivier.Sélection V.M.F.S'INFORMERPatrimoine.Expositions.FISCALITÉLa révision foncière cadastrale.V.M.F. en bref. Assemblée générale. Friends of V.M.F. Liste des délégués. Activités départementales. Carnet. Annonces. Mots croisés. Classification Dewey : 720-Architecture‎

‎Carlos Ferrater‎

‎ Gustavo Gili Gustavo Gili 1989, In-8 carré broché couverture illustrée. 96 pages. Photos et plans d'architecture. Texte en anglais et en espagnol. Très bon état.‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎MUSEA DO ORIENTE , LISBOA‎

‎, RMN, 2008 Broches, 127 page, Portugais, Illustrazione. ISBN 9782711855384.‎

‎La Russie en 1839‎

‎seconde édition,revue,corrigée et augmentée.Tome premier. In 12 broché,faux-titre,titre,XXIV,392 pages,Librairie d’Angot 1843.Une partie supérieure et inférieure du dos réparée. ‎

‎LA CATHEDRALE DE BAYONNE, LE PORTAIL GOTHIQUE DU XIIIe SIECLE ET SES ENSEIGNEMENTS‎

‎Jean-Lacoste. 1957. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur bon état. 67 pages. Photo en noir et blanc en frontispice. Illustré de photos en noir et blanc dans le texte. Etiquette annotée et tampons sur le 1er plat. Tampons et annotation en page de garde.. . . . Classification Dewey : 720-Architecture‎

‎L'esprit du portail bayonnais. Les Apôtres soldats et témoins du Christ... Classification Dewey : 720-Architecture‎

‎wereld van Cyril Buysse‎

‎, Houtekiet / Atlas, 2009 Hardcover met stofwikkel, 192 pagina's, 28 x 20.5 cm, NL. *Prima staat. ISBN 9789045017051.‎

‎Joris van Parys (1944) publiceerde eerder de biografie van beeldend kunstenaar Frans Masereel, die werd vertaald in het Duits en het Frans. Het boek werd bekroond met de Gouden Uil 1996 en de Henri tte de Beaufort-prijs 2001.‎

‎Marcel Breuer a Glanville - La Villa Sayer - Collection Lieux d'architecture - Chronique du projet : conception, realisation, epilogue - Correspondances 1960/1996 - portfolio - l'histoire vecue - Sur les bords du lac Leman‎

‎BERNARD CHAUVEAU. 2023. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 PAGES - Nombreuses illustrations, couleur et noir/blanc, dans et hors texte - Couverture rempliée (dont les rabats sont illustrés) : Pliure du rabat du 1er plat légèrement fendue en tranche de pied + rabat légèrement abîmé (renfoncement) - Quelques phrases soulignées au crayon à papier, sans conséquence sur la lecture. . . . Classification Dewey : 720-Architecture‎

‎Chronique du projet : conception, realisation, epilogue- Correspondances 1960/1996 - portfolio - l'histoire vecue - Sur les bords du lac Leman Classification Dewey : 720-Architecture‎

‎Breviari d'amor de Matfre Ermengaud. Tome 1. Introduction‎

‎, Brepols, 2024 Paperback, 304 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: French. ISBN 9782503519210.‎

‎The Breviari d'Amor dates from 1288 (and was probably completed around 1292), is about 34,500 lines long and written in octosyllabic rhyming couplets. It exists in twelve full or almost full manuscripts and twelve fragments. It is written in Medieval Occitan and is the product in part of a long theological tradition and in part of the courtly tradition. This is the first edition to be published since the two-volume work of Gabriel Aza s (1862-1881), which was of great merit for its time, but used only four of the manuscripts. The numbering of the present edition follows that of Aza s, given the many works which allude to the Breviari. This didactic text has necessarily been labeled as "encyclopaedic" and this is certainly not a matter of dispute, although, in terms of the subject matter, it is very unusual since the emphasis is not only theological but also courtly. It conforms to the general perspective adopted by summae but the particular integration of the theological aspects with the debate on the nature of fin'amor makes it unique. The four volumes (volumes II to V) of the complete text have been already published, each with a selective glossary and bibliography. The present, first volume, is the Introduction. TABLE OF CONTENTS Pr ambule de Cyril Hershon Avant propos de Peter Ricketts Plan du Breviari d?Amor La tradition manuscrite du Breviari d?Amor B ziers au temps de Matfr Matfr Ermengaud Matfr et le Droit Matfr et la tradition encyclop dique Matfr et Raymond Lulle L?Arbre d?Amour L?Arbre de Vie L?appel aux amants Les sciences de Matfr Matfr et les Juifs La satire La th ologie La Vierge Marie L?amour de Dieu et de son prochain et les deux droits Le p ch originel Le je ne Matfr et l?aum ne Appendice : Gabriel Aza s Bibliographie Principaux sigles utilis s Les textes du Breviari tudes sur le Breviari Autres r f rences Index‎

‎Cy Twombly: Vol 4: Unpublished Photographs, 1951-2011‎

‎Munchen, Schirmer/Mosel Verlag, 2013 Hardcover with dustjacket, 180 pages, 33 x 25 cm, fully illustrated. GER/ENG/FR. *fine condition. ISBN 9783829605892.‎

‎As his final creative surprise, Cy Twombly, one of the greatest 20th-century artists, has given to the world a huge body of photographic works emphasizing his unique artistic vision. Contrary to his sharp and teeming drawings his photographs are not sharp at all. They are colorful, soft, and warm and generate a painterly impression. Their coloring is as unique as their fine sense of composition. The photographs reveal the artist's vision embedded both in the world of objects and the nature that surrounds him. His own artistic creations and collection of art objects in his various homes are a favorite subject of his photographic studies. Twombly's photographic work offers a new dimension for understanding the artist's patintings, drawings, and sculptures. The new book features some 120 photographic prints from the Cy Twombly Estate in Gaeta, most of them previously unpublished.‎

‎Cy Twombly: Catalogue Raisonn of Sculpture, Vol. I+II (complete set) ‎

‎Munich, Schirmer / Mosel, 2019 Two volumes, each in their own slipcase, linen binding and dustjacket, 349 + 352 pages, 35 x 26 cm, fully illustrated. English edition. ISBN 3888148758.‎

‎Cy Twombly Catalogue Raisonn of Sculpture Volume I, 1946?1997 Cy Twombly Catalogue Raisonn of Sculpture Vol. I encompasses the period from Twombly?s earliest sculptures to 1997, the date of publication. The introductory text by Arthur Danto, ?Monuments and Metamorphoses: The Sculptures of Cy Twombly,? centers on the transformations and metamorphoses Twombly enacted in producing his sculptures, offering a sustained consideration of the relationship between materiality and content. Danto characterizes Twombly as engaging in ?transformative play? (16), allowing the sculptures to be simultaneously abstract and representational. He also considers Twombly?s use of found objects and refuse, the Platonic and Homeric references in the sculptures, and the relationships between Twombly?s much better-known paintings and the then-rarely exhibited sculptures. Danto argues that the sculptures assume a uniquely significatory role in Twombly?s practice, existing in more legible relationships to Twombly?s beloved myths and historical references than his work in other media through the transformations of readymade materials. This essay is likely to be of particular interest to scholars researching Cycnus (1978), which Danto considers throughout. The entries in this volume of the catalogue raisonn will be of special interest to scholars and students researching Twombly?s recurring sculptural motifs, including panpipes, palm leaves, columns, and carts or chariots. The volume also highlights the many direct connections to his painting practice throughout the same time period, with the same subjects explored in multiple media: e.g., Orpheus serves as a subject of a 1979 sculpture as well as multiple paintings produced in the 1970s, and Twombly?s interest in boats surfaces in sculptures such as Winter?s Passage: Luxor (1985) synchronously with its sustained emergence in his paintings. Though his use of white to ?unify? his sculptures?as Danto and others term it?is prevalent throughout, this volume also meticulously catalogues Twombly?s use of polychromy. This ranges from small traces on otherwise-white sculptures to other relatively unknown but exceptionally vibrant works. His engagements with both Greco-Roman antiquity?especially Homer?and Egyptian mythology are prevalent throughout. Eight entries of sculptures completed before 1950 also offer a rare glimpse into Twombly?s early practice. The catalogue raisonn is an indispensable specialist resource for students and scholars researching any of these core features of Twombly?s practice. This volume is also particularly useful to those focusing on the artist?s time in Rome, Bassano in Teverina, Gaeta, and Jupiter Island, Florida; those focused on the artist?s time in Lexington, VA should primarily reference vol. II. For further reading, Kate Nesin?s Cy Twombly?s Things (2014) provides a foundational account of the sculptures and their materiality; the catalogues raisonn s and Nesin?s text together provide a vital orientation for scholars researching any component of Twombly?s sculptural practice. Achim Hochd rfer?s Cy Twombly: Das Skulpturale Werk (2001) also offers a detailed and productive account of the sculptures. Cy Twombly Catalogue Raisonn of Sculpture Volume II, 1998?2011 Cy Twombly Catalogue Raisonn of Sculpture Vol. II includes sculptures produced from 1998 until the artist?s passing in 2011. The introductory text by Nicola Del Roscio offers a vital account of the sculptures ?based, not just on curatorial or statistical facts, but on what Cy said about his works and circumstances, memories and experiences that infused their meaning? (7). Del Roscio also explores the connections between Twombly?s sculptures and his works in other media (e.g., photography) and references embedded in the sculptures (e.g., the Gaeta skyline) that might otherwise be opaque to those without similar firsthand knowledge of Twombly?s practice. The connections Twombly drew between his sculptures and nature, as well as his working practices in producing them (?practical, immediate, and of a pitiful brutality? [13]) are addressed throughout. This later set of sculptures includes rare instances of fully polychromatic sculptures without any white paint (e.g., Turkish Delight, 2000), many of which reflect a major thematic concern with Middle Eastern references present throughout the later sculptures. These are contextualized alongside the more austere white sculptures for which Twombly is best known. Though primarily of interest to researchers interested in the sculptures themselves, this volume also provides many vital connections to other aspects of Twombly?s practice. See e.g., the entry for Untitled (2001, cat. no. 43), which notes that ?the colored paper tissues [used in the sculpture] are leftovers the artist used to dry the paint during the production of his series Lepanto? (100). Despite consistent returns to funerary themes, many of the sculptures are lighthearted and witty, embodying what Danto calls ?a pervasive spirit of play? (15) in his introduction to Vol. I. The catalogue includes exceptional sections of particular interest, including a selection of tombstones the artist designed for close friends?echoing the funerary themes present throughout many of the sculptures?and a selection of rejected and unfinished sculptures, both of which will be of interest to researchers focusing on the artist?s process. This catalogue will also be helpful for scholars researching Twombly?s time in Lexington, Virginia and Pfaffikon, Switzerland, where many of these sculptures were produced. Many sculptures in both Vols. I and II were produced in Twombly?s residences in Italy as well (note, however, that most in Vol. II were produced in Gaeta rather than Rome or Bassano in Teverina). Vol. II also includes biographical notes, lists of one person exhibitions, one person exhibition catalogues, group exhibitions, group exhibition catalogues, monographs, and general literature (until 2019). As with volume I, this is an indispensable reference for students and scholars working on the sculptures or on any of their thematic and material connections to the rest of Twombly?s practice. For further reading, see Kate Nesin?s Cy Twombly?s Things (2014), a foundational account of the sculptures and their materiality. The catalogues raisonn s and Nesin?s text together provide a vital orientation for scholars researching any component of Twombly?s sculptural practice. Achim Hochd rfer?s Cy Twombly: Das Skulpturale Werk (2001) also offers a detailed and productive account of the sculptures.‎

‎Cy Twombly: Photographs III 1951?2010‎

‎Munich, Schirmer/Mosel, 2011 Hardcover with dustjacket, 180 pages, 107 colour plates. English/French/German edition. *Fine condition. ISBN 9783829605373.‎

‎This volume includes Hubertus V. Amelunxen?s ?Schenkst der Rose Scweigen Ein,? published in German as well as English and French (?Do Not Interrupt This Rose,? ?Cette Rose Ne l?Interromps??), color plates, and a list of works exhibited. In his essay, Amelunxen asserts that the photographs are ?grounded in the art of light? With photography, Cy Twombly is seeing in another time. Seeing and Not-Seeing search for each other in the photographs in a manner distinct from his paintings and drawings? (170). Drawing on Roland Barthes, he considers the extent to which the composition of the photographs is deliberately mediated and manipulated by the artist. Amelunxen discusses a 1944 photograph of Twombly in Ogunquit, Maine at length. Returning to photographs taken by Twombly, he argues that ?[n]othing could be more anaethema to Cy Twombly than using an image to illustrate, to refer to other things; (almost) none of the references are in the paintings or drawing that deviated from the picture of his own signs or what was written? (171). He extends this reading to the photographs, finding them essentially immediate transmissions. Addressing Twombly?s earliest photographs in the 1950s, Amelunxen draws connections to the ?intellectual climate? (172) produced by figures such as Charles Olson and D.T. Suzuki. Traversing the breadth of Twombly?s photographic practice, Amelunxen maintains that ?[c]onsistently, the relation between visibility and invisibility manifests itself, approaching, in dialogue with Merleau-Ponty, the Not-Visible within the Visible? (173). He concludes with a repeated assertion of the photographs as conveying ?immediacy [and] vulnerability? (175). For more on Twombly?s photographs, see also From State of Mind to the Tangible: The Photographic Cosmos of Cy Twombly by Carlos Peris (2022); Cy Twombly: Photographs, Volume II, published by Gagosian (2015); Cy Twombly: Photographs 1951?2007, ed. Laszlo Glozer (2008); Twombly: Photographs, published by Brazos Projects (2000); Cy Twombly Photographs: Lyrical Variations, published by the Kawamura Memorial DIC Museum of Art (2016); Cy Twombly: Photographs, published by Matthew Marks Gallery (1993); Cy Twombly: A Survey of Photographs 1954?2011, published by Gagosian Gallery (2012); and Cy Twombly: Photographs, 1951?1999, ed. Nicola Del Roscio (2002). (Publication description by Jamie Danis)‎

‎Cy Twombly Photographs 1951-2007.‎

‎, Schirmer Mosel, 2008 Hardcover, 261 pages , ENG / GER, 330 x 255 x 35 mm, dustjacket, as New / wie Neu, illustrated in colours / illustrationen in Farbe. ISBN 9783829603683.‎

‎Ever since his student days, Cy Twombly has concerned himself with photography, but only in recent years has he turned it into a unique artistic concept- and an aesthetic sensation. Twombly's photographic pieces are documents of a fascinatingly enigmatic and personal poetry. His studios in Lexington and Gaeta, details of his own sculptures and collected sculptural items, landscape motifs, fruits and flowers appear in a mysteriously transformed manner on these delicate sheets. Printed in matte colors on matte paper using a dry-print process that imbues them with velvet and an almost grainy hue, the images are vaguely reminiscent of the pictorialist tradition in fin de siecle photography. In their minimalist way, however, generating aesthetic visions by the simplest of means, they are utterly contemporary. 'Photographs 1951-2007' presents Twombly's photographic works of over fifty years- full of surprises and breathtaking beauty.‎

‎Cy Twombly Photographs 1951-2007.‎

‎, Schirmer Mosel, 2008 Softcover 261 pages , text ENG / GER, 330 x 255 x 35 mm, illustrated in colours / illustrationen in Farbe. *new. ISBN 9783829605373.‎

‎Ever since his student days, Cy Twombly has concerned himself with photography, but only in recent years has he turned it into a unique artistic concept- and an aesthetic sensation. Twombly's photographic pieces are documents of a fascinatingly enigmatic and personal poetry. His studios in Lexington and Gaeta, details of his own sculptures and collected sculptural items, landscape motifs, fruits and flowers appear in a mysteriously transformed manner on these delicate sheets. Printed in matte colors on matte paper using a dry-print process that imbues them with velvet and an almost grainy hue, the images are vaguely reminiscent of the pictorialist tradition in fin de siecle photography. In their minimalist way, however, generating aesthetic visions by the simplest of means, they are utterly contemporary. 'Photographs 1951-2007' presents Twombly's photographic works of over fifty years- full of surprises and breathtaking beauty.‎

‎Cy Twombly: Catalogue Raisonn of Drawings, Vol. 1 - 8 (complete set) ‎

‎Munchen, Schirmer/Mosel, 2011 8 Volumes in slipcase, each in linen binding and illustrated dustjacket, 25.5 x 35 cm, Fully illustrated. English edition. *Fine condition.‎

‎Cy Twombly Catalogue Raisonn of Drawings Vol. 1, 1951?1955 Cy Twombly Catalogue Raisonn of Drawings Volume 2, 1956 - 1960 Cy Twombly Catalogue Raisonn of Drawings Volume 3, 1961?1963 Cy Twombly Catalogue Raisonn of Drawings Volume 4, 1964?1969 Cy Twombly Catalogue Raisonn of Drawings Volume 5, 1970?1971 Cy Twombly Catalogue Raisonn of Drawings Volume 6, 1972?1979 Cy Twombly Catalogue Raisonn of Drawings Volume 7, 1980?1989 Cy Twombly Catalogue Raisonn of Drawings Volume 8, 1990?2011. Cy Twombly Catalogue Raisonn of Drawings Vol. 1 includes works on paper produced between 1951 and 1955. It includes several works on paper that the artist produced in Lexington, VA between 1951 and 1952 which will be of particular interest to scholars focused on his early practice. It also catalogues entries from early sketchbooks as well as his famed North African Sketchbooks (1953). It is an indispensable resource for scholars writing about either the sketchbooks themselves or their substantive connections to subsequent paintings, as the sketchbooks are reproduced here in their entirety. The volume also includes Study for Tiznit (1953), a preliminary for one of Twombly?s more frequently exhibited early paintings, and sketches completed in Augusta, Georgia while Twombly was stationed there during his brief military service. The latter will be of particular interest to those writing about Twombly?s line and his idiosyncratic hand, as this was the method through which he later reported developing his signature childlike (but never childish) scrawl. The volume also includes a large set of drawings the artist reportedly intended to publish as an album, though this project never came to fruition. It will be of interest to scholars researching Twombly?s printmaking practice as well, as there are numerous formal resemblances to his later prints throughout; see Cy Twombly Catalogue Raisonn of Printed Graphic Work 1953?2002, ed. Heiner Bastian. Those researching the North African Sketchbooks might also consult Anne-Grit Becker?s ?Marks and Material in Cy Twombly's North African Sketchbooks? (2017) and Cycles and Seasons, ed. Nicholas Serota (2008). The relationship between early paintings and drawings is discussed in Carol A. Nigro?s ?Cy Twombly?s Humanist Upbringing? (2008). For more on early works, including those produced at Black Mountain College, primary sources are gathered and reproduced in Writings on Cy Twombly, ed. Nicola del Roscio (2002). Those interested in Twombly?s line and the ?unlearning? of his hand, as well as later iterations like the ?blackboard? paintings, should consult Roland Barthes?s classic text ?The Wisdom of Art? (1979) as well as the catalogue in which it originally appeared, Cy Twombly: Paintings and Drawings 1954?1977. The Gagosian Gallery catalogue In Beauty it is finished: Drawings 1951?2008 (2018) also includes relevant material, as does Cy Twombly at the Hermitage: Fifty Years of Works on Paper, ed. Julie Sylvester (2008). There are also many connections to the sculptures, especially via the North African Sketchbooks, on which see Kate Nesin, Cy Twombly?s Things (2014). (Publication description by Jamie Danis)‎

‎Magyarorszag Történeti Emlékei 896-1896 (Souvenirs de Hongrie Exposition Nationale du Millénaire)‎

‎Budapest - Vienne, Ministère du Commerce / Martin Gerlach et Cie 1901 En hongrois. 2 tomes. In-folio, reliure de l’éditeur pleine toile verte, dos lisse, titre et tomaison dorés, premier plat orné des armoiries de la Hongrie contrecollées, 200 - 468 pp., 539 figures, 90 planches sous serpente légendée. Intérieur frais, reliures d’usage et en bon état.‎

‎En 1896, l’exposition du Millenium est organisée, pour célébrer le millénaire de la conquête du territoire hongrois par les Magyars, mais aussi pour montrer une image nationale de la Hongrie faisant partie de l’Europe qui toujours en lutte pour sa liberté, connaît un progrès économique et industriel particulièrement dynamique. Bon état d’occasion ‎

‎L'ARCHITECTURE PRIVÉE AU XIX° SIÈCLE NOUVELLES MAISONS DE PARIS ET DES ENVIRONS Deuxième série, tome 2, Maisons de campagne‎

‎Paris DUCHER et Cie 1872 1 folio cartonnage porte-folio Section I : Villas ou châteaux et chalets - jardins et leurs dépendances diverses (31 planches, dont trois doubles numérotées comme deux, complet) Section II : Volières, poulaillers, pigeonniers, serres chaudes, serres-salons etc (13 planches, dont une double et une en couleurs numérotée comme double, complet) Section III : Jardins, maisons de garde, loges de jardinier-concierge, kiosques et pavillons de repos, exèdres, embarcadères nautiques, abris, etc, etc (25 planches, complet) Section IV : Clôtures de parc, de jardin, etc., en maçonnerie, en fer, en bois, etc., etc. (13 planches dont une double numérotée comme 2, complet) Venez consulter l'ensemble de mes objets sur mon site antharedeschuyter.fr ! ‎

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‎En tout 82 planches in folio sur papier vélin de très bonne qualité, envoi port compris pour la France ! Envoi via Colissimo avec assurance, devis pour les pays étrangers Porte-folio en assez mauvais état, bon à restaurer, mais les planches, elles, sont en bon état ! Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎