"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Fascicule de 8 pages, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"
- Hôtel Labordes, à Toulouse, XVIe siècle - Hôtel de Ville de Paris, par MM. Ballu et Deperthes. Classification Dewey : 720-Architecture
"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. Fascicule de 8 pages, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"
Classification Dewey : 720-Architecture
"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Fascicule de 8 pages, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"
... Couronne de Lierre, par Berion - Plafond du Palais de Fontainebleau, par Boucher ... Classification Dewey : 720-Architecture
"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur acceptable. Fascicule de 4 pages, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"
... Eglise Saint-Pierre à Rome - Cathédrale de Lucques (Italie). Classification Dewey : 720-Architecture
"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Déchirures. Fascicule de 4 pages, illustré de gravures, en noir et blanc, hors-texte. Petite déchirure en marges. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"
Classification Dewey : 720-Architecture
"RAGUENET A. et DUCHER FILS. Non daté. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. Fascicule de 4 pages, illustré de gravures, en noir et blanc, hors-texte. 31 x 20.5 cm. Extrait des ""Materiaux et documents d'architecture de sculpture et de tous les arts industriels."". . . . Classification Dewey : 720-Architecture"
Classification Dewey : 720-Architecture
Antwerpen, bij de auteur, 2001 Gebonden, linnen zonder stofwikkel, 255pp., 25.5x22.5cm., doorlopend geillustreerd in kleur, zeer goede staat.
, Design Museum Brussels, 2021 softcover, 275 x 200 mm, 160 pages, Illustrated. EN-FR-NL edition . ISBN 9782875720689.
Van art noveau tot hedendaagse creaties via het naoorlogse functionalisme - deze tentoonstelling verkent onder andere het werk van ontwerpers en de productie van Belgische bedrijven en uitgeverijen zoals Gustave Serrurier-Bovy, Huib Hoste, Jacques Dupuis, Willy Van Der Meeren, Jules Wabbes, Maarten Van Severen, Meurop, Alain Gilles, Christophe Gevers, . De l'Art nouveau la cr ation d'aujourd'hui en passant par le fonctionnalisme d'apr s-guerre, cette exposition explore entre autres le travail des designers et la production d'entreprises et de maisons d' ditions belges. Parmi ces designers et producteurs citons : Gustave Serrurier- Bovy, Huib Hoste, Jacques Dupuis, Willy Van Der Meeren, Jules Wabbes, Maarten Van Severen, Meurop, Alain Gilles, Christophe Gevers, . Comment raconter le design aujourd'hui ? En consid rant les objets non seulement dans leur mat rialit mais aussi la mani re dont ils fa onnent notre environnement (im)mat riel, nos interactions sociales et notre perception visuelle. Comment raconter un design vivre et voir ? Comment parler au 21e si cle de l'histoire du design en Belgique? C'est avec ces interrogations que Belgisch design belge, l'exposition au Design Museum Brussels et ce livre qui l'accompagne, souhaitent initier une forme de r flexion. Apr s les livres Panorama et Designing the night, ce projet initie un cycle de propositions sous la forme de pop-ups qui se succ deront dans le temps. Les s lections de pi ces tant t subjectives jamais exhaustives se voudront repr sentatives du design en Belgique depuis les premiers pas de celui-ci jusqu' ses repr sentants actuels les plus passionnants. C'est ici l'occasion de red couvrir certains parmi les designers les plus talentueux comme Maarten Van Severen ou Christophe Gevers et de retracer bri vement leur parcours. Les pi ces d' poques, de mat riaux, de statuts et de natures diff rentes se succ dent telles que les accessoires en bois ou en m tal con us dans les ann es 1950 par Jules Wabbes, Jacques Dupuis et L on Stynen, ou les premiers gadgets en mati re plastique, ustensiles de cuisine d velopp s par les films ACEC ou NOVA ou encore les tabourets de bar en vinyle aux motifs bicolores et ludiques de Willy Van Der Meeren. Ce tour d'horizon confirme par ailleurs, l'importance de la manufacture Boch Keramis ou de la firme Meurop et permet de se pencher, entre autres, sur les carri res de Huib Hoste, Xavier Lust ou Gustave Serrurier-Bovy. Belgisch design belge, une exposition en cours au Design Museum Brussels, jusque fin 2021
"2004. Paris Éditions du CNRS 2004 - Broché couv. à rabat 21 5 cm x 27 cm 368 pages 134 ills noir & blanc et couleur in et hors-texte plans - Texte de Christine Hamon-Siréjols glossaire des sigles chronologie importante bibliographie index - Etat neuf"
Textes de Christine Lippens et Catherine Sauvat ; phots de Patrick van RobaeysEditions Du Chêne 2006, 200 pages - couverture cartonnée jaune, jaquette illustrée. Grand format. Très bon état
2007, Faton. 2e édition. In-4, relié, toilé éditeur sous jaquette illustrée, 312pp. Riche iconographie couleurs. Exemplaire proche du neuf.
Taschen. 2021. In-4. Broché. Etat du neuf, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages environ augmentées de nombreuses photos en couleurs dans et hors texte. Couverture contrepliée en couleurs.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Singer Museum, 1977 Original publishers paper-covered boards, 22 pages 21x21cm Deutsch.
Austellungcatalog des Basler Malers Alber Kohler 600 numerierten exemplaren NR. 183
, AUP Algemeen, 2017 Softcover, 176 pag. NL / FR / ENG, 250 x 195 x 12 mm, Nieuwstaat, illustr. in kleur / z/w. ISBN 9789462987340.
In de 5de eeuw v.Chr. schreef de Chinese generaal Sun Tzu zijn handboek The Art of War over oorlogsvoering en strategie n voor conflictbeheersing. Tegenwoordig worden zijn opvattingen nog vaak gebruikt in het bedrijfsleven. Hoewel zijn geschriften handelen over oorlog voeren, blijft zijn eerste uitgangspunt steeds het voorkomen van een gewelddadig conflict. Want conflicten en tegenstrijdige meningen hoeven niet problematisch te zijn, conflicten beslechten met geweld wel. Honderd overwinningen halen in honderd slagen is niet de hoogste uitmuntendheid; het leger van de vijand onderwerpen zonder strijd is de hoogste uitmuntendheid. - Sun Tzu in The Art of War Door de oorlog getekend toont hoe ook kunst als aanklacht tegen oorlog wordt ingezet. Kunstenaars uit verschillende tijden - van Otto Dix tot Pablo Picasso, van Francisco Goya tot Max Beckmann en Frans Masereel - verbeelden oorlog in al zijn vormen. De contexten zijn verschillend in inzet, schaalgrootte en aanleiding, maar het resultaat van geweld is gelijk: dood, verminking, vernieling,ontwrichte samenlevingen en rouw. Elke oorlog is anders, maar geweld vraagt steeds dezelfde offers. Met bijdragen van onder anderen Herman Van Rompuy, professor Frank van Vree, Peter Verlinden, Marie Bamutese, Jean Paul Van Bendegem en professor Luc De Vos. Zij reflecteren ieder vanuit hun eigen kennisdomein op de verschillende thema's die de kunstwerken uitbeelden.
Christophe Lab, Pascale Jausserand, Paul Virilio (Préface)
Reference : 116738
(2000)
ISBN : 2708405977
Picard 2000 In-4 broché 27 cm sur 23,8. 159 pages. Bon état d’occasion.
Bon état d’occasion
ARTHAUD. 2001. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 143 pages illustrées en couleur - jaquette correcte. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Arthaud 2000
Très bon état
, Phaidon Press Ltd, 1982 Hardcover, 240 pages, English, 315 x 250 mm, in fine state. ISBN 9780714822112.
Un ouvrage de 128 pages, format 125 x 190 mm, illustré, broché, publié en 2006, Editions J.P. Gisserot, bon état
Phone number : 04 74 33 45 19
, Thames & Hudson, 2015 Hardcoer, 320 pages, ENG. edition, 235 x 165 x 35 mm, As Good As New !, illustrated dustjacket, with illustr. in color / b/w. ISBN 9780500093870.
Drawing was central to C zanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of C zanne's uvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of C zanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.
, Phaidon Press Ltd, 1998 Paperback, 128 pages, ENG, 300 x 225 mm, in good condition, illustrated in colour / b/w. ISBN 9780714827292.
Camille Pissarro (1830-1903) was not only a central figure in the Impressionist movement but a major influence on the development of modern art. He was the only artist to exhibit at all eight of the Impressionist exhibitions between 1874 and 1886, and his letters are a fascinating and invaluable source of information on the theoretical aspects and practical implications of Impressionism. Pissarro's career touched that of an extraordinary number of his contemporaries, to whom he was often a teacher and always a friend. In his early years he worked with Monet; in the 1870s he painted in close friendship with C zanne; he was a guide for Gauguin, whom he introduced to the Impressionist group; and in the 1880s he flirted with Neo-Impressionism with Seurat. This book charts the evolution of his painting, and celebrates his compositional brilliance, technical skill and innovatory approach, forty-eight full-page colour plated, combined with Christopher Lloyd's illuminating text, constitute a superb introduction to the artist. His essay on Pissaro, first published in 1979, has been revised and updated, with the addition of commentaries to each plate written by Amanda Renshaw, and a wide selection of comparative illustrations.
, Steidl Dap 2006, 2006 Hardcover, 144 pages, ENG, 350 x 285 mm, book is in good condition, with photo's in clear colours, . ISBN 9783865212740.
Since 2002, Sze Tsung Leong has been photographing the dramatic changes that are transforming the cities of China, revealing a process that begins with the destruction of traditional neighborhoods and ends in the mass construction of new urban environments. He travels with a large-format view camera, visiting cities including Beijing, Shanghai, Chongqing, Nanjing, Pingyao and Xiamen, and the resulting highly detailed images portray the immense scale of the upheaval and of the contradictions created by its uncertain and fluctuating environment. Traditional buildings in the process of being demolished are juxtaposed against the glass walls that are about to replace them; seemingly abandoned buildings on the verge of destruction, or in the midst of construction, reveal clues of habitation; historic areas survive as a result of neglect and isolation rather than intent; and obscured in the midst of expansive, culturally ambivalent spaces, small Chinese script on indistinct signs serves as the only hint that these environments are in China. Collectively, the photographs in History Images capture the erasure and subsequent absence of history, and the moment of anticipation for the new future to unfold; it is an urban reality caught in the tenuous period after the end of one history and at the beginning of another.
, Brepols, 2023 Hardback, xxii + 324 pages, Size:216 x 280 mm, Illustrations:300 col., Language: English. ISBN 9780897223898.
Summary This book is a companion to C. Wyllys Betts's masterpiece, American Colonial History Illustrated by Contemporary Medals, and should be used in conjunction with Betts's book and not as a substitute. Betts' Contemporary Medals is the definitive work in the area of American colonial medals and has been for over 100 years. It is far from perfect and includes medals that, upon reflection, have little or nothing to do with America, while at the same time ignoring others closely associated with the American colonial experience. Betts also included some medals that do not exist. The present book does not take on the daunting?if not quixotic?task of including all the medals associated with the Americas that Betts failed to describe. Rather, it follows the course set out by him?right, wrong, or indifferent. If Betts included a medal in his book, it is discussed and illustrated here. The only medals added are those closely associated with variants already included or those indispensable to an understanding of a medallic series. This volume updates and illustrates each listing in the first two chapters of Betts. With only a few exceptions, every Betts medal described in Chapters I and II of Betts's book is illustrated here, many for the first time. These medallic images, along with the historical narrative, bring the story of America's discovery and colonization to life. In instances where additional images are included, they are used to explain some aspect of the medal and not the historical account. This was C. Wyllys Betts's vision: history told only through contemporary medals. TABLE OF CONTENTS Introduction Chapter 1. The Period of Discovery Chapter 2. The Period of Colonization Index
, Crescent Books 1989, 1989 Hardcover, 192 pages, ENG, 305 x 235 mm, book itself is in good condition, illustrations in colours and b/w. ISBN 045863690951.
Presents the creations of the most successful glassmaker of the 20th century, with details on the origin, value and techniques used in many of Lalique's finest bottles, ashtrays and clocks
, Royal Collection Enterprises Limited, 2007 Hardcover, 421 pages, English, 310 x 255 x 40 mm, 240 colour illustrations, Condition as New. ISBN 9781902163635.
The Royal Collection contains one of the finest and most varied collections of Old Master paintings in the world. The 147 works catalogued in the present volume are by Flemish artists who were active principally in the seventeenth century; they include a large and outstandingly good group of genre paintings by David Teniers the Younger, and other paintings by such diverse artists as Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens. The most important group of works, however, are those by Rubens. The full range of the artist's practice is represented in the collection. There are works that are entirely by his hand, and others that were carried out either with known collaborators or with the help of his studio. The introduction to the catalogue gives a fully documented history of the growth of the collection from the early Stuarts to the reign of Queen Victoria. The close relations Charles I enjoyed with Rubens are discussed in detail, and there is a full account of the important acquisitions made by later members of the royal family, notably Frederick, Prince of Wales and George IV.