‎Les peintres de "vedute"‎

‎Sans nom, Electa, 1971 ; in-4°, cartonnage entoilé, jaquette illustrée en couleurs.‎

‎235 reproductions en noir et en couleurs. Bibliographie, index. Jaquette défraichîe très bon état.‎

‎Entre ciel et mer : Le Mont-Saint-Michel‎

‎Gallimard 2001 13x18x2cm. 2001. Poche. 159 pages. Bon Etat intérieur propre pointes légèrement cornées‎

‎TECHNIQUES IN PAINTING : Learning from the Dutch Masters‎

‎, Bloomsbury, 2022 PB, 279 x 242 mm, 176 p , ENG, fabulous illustrations in colour / b/w, . ISBN 9781789940589.‎

‎The art of Brigid Marlin describes a visionary world of almost unlimited dimensions and self-sufficiency ? when I first saw The Rod I was so impressed by its imaginative sweep that I sent an enthusiastic letter of appreciation to her, the only fan letter I have ever sent to a painter. The sense of a clearly realised poetic universe, in which every detail, however modest, was accorded equal attention, was what most gripped my imagination. Surrealism, which had played a large part in forming my own view of the world, had seemed to falter with the death or old age of its greatest practitioners ? Max Ernst, Magritte, Dali and Delvaux ? and here in Brigid Marlin was a painter who might be the first of the next generation. I remember writing her with as much excitement as I felt when I came across the paintings of Francis Bacon in the 1950?s. The surrealist dream of remaking the world and revealing its true nature seemed to live on in the work of this woman painter ? in the best and most ambitious of her paintings we see clearly her dramatic and visionary remaking of the world, but this regeneration of life and space and spirit is present even in her smallest and most domestic images. In her work, as in the greatest of the surrealists, archaic myth and spiritual apocalypse meet and fuse. ? J. G. Ballard In the work of this artist allegorical forms reveal a world philosophy. Symbols are projected into dream landscapes of transparent clarity in which different aspects of surrealism are revealed ? from the convulsive forms of Dorothea Tanning, the fetishism of Dali, and the alchemical and magical sources of the Middle Ages, and then returning to close the circle of Freudian symbolism. This painter is not striving after the latest in art fashion, rather she has an iconography which searches for the hidden roots of modern consciousness, and confronts the material world with transcendence. Her thought world is realised with extraordinary perfection and penetration. Her paintings are both original and sophisticated in their dimensional world of which they are both the surface and the core, going beyond introversion and extroversion, and forcing us to guess at unknown possibilities. The absolute values of known painting fade away in the viewer, letting these paintings, undisturbed by convention, pursue their own visual and spiritual level. The compulsive picture language of Brigid Marlin hints at the visual signposts of a world whose deeper meaning slumbers in a kind of presensuality. One might say that here are beautifully depicted nightmares of the psyche, or that there are effortless presentations of the art of madness. The visual foreground is cleared away, the creation becomes transparent, and one enters a world which radiates rare psychological effects, testing the capacity of the spectator?s power to experience her art.‎

‎Vlaamse Primitieven‎

‎, Artis-Historia 1999, 1999 Hardcover, 176 pagina's, Nederlands,325 x 240 mm, in prima staat !. ISBN 9789056571252.‎

‎A.2R.C Architects: The Master Architect Series Bruxelles -Brussel -Brussels‎

‎, , 2016 Hardcover with dusjacket, 432 pages 252mm x 234mm. ill. delivery after 28/10/2016 ISBN 9781876901579.‎

‎The work of internationally renowned, Brussels-based architectural and design firm A2RC ARCHITECTS forms a close link between art, architecture and the urban environment. Critical of attempts over the last few decades to ?modernise? Brussels, the firm is steadfast in its dedication to the continuing urbanisation of the city by implementing new ways of urban living. A2RC ARCHITECTS has pursued the rehabilitation of Brussels by offering full architectural services for the construction of new buildings and urban communities, particularly large-scale, mixed-use urban ensembles. It also has a strong reputation for the successful transformation, restoration, and re-adaptation of noteworthy buildings across a wide range of projects, including theatres, opera houses, museums, public parks, parliaments and congress centres. This book documents and explores the work of a firm dedicated to the future of one of Europe?s most historic and beautiful cities, but it also shows the architecture and design communities how the firm is these days working towards using its knowledge in other cities beset by similar urbanisation issues. The office of the internationally renowned architectural and design firm A2RC ARCHITECTS was established in Brussels (Belgium) in 1983 by architects Brigitte D?Helft and Michel Verliefden. A savoir-faire coupled with a profound knowledge of the procedures, institutions, and particularly the decision-makers in the complicated maze of the ?Capital of Europe? has resulted in many successfully completed projects, several being recognised on both the Belgian and the international scene by the jury of organisations such as the Regles d?Or de l?Urbanisme in Brussels, the MIPIM in Cannes (France), Europa Nostra in The Hague (The Netherlands) or the RICS in London (United Kingdom), to name a few. ‎

‎A.2R.C Architects. The Master Architect Series.‎

‎, The Images Publishing Group, Hardcover with dustjacket. Size: 252 mm x 234 mm. Pages: 256. Illustrations: 200 colour. ISBN 9781864701579.‎

‎Brussels-based architecture firm A.2R.C is renowned for its steadfast dedication to the continuing urbanisation of the city of Brussels. Critical of attempts over the years to 'modernise' Brussels, A.2R.C's aim is to pursue the reintegration of the city by offering full architectural services for the transformation and readaptation of notable buildings. A.2R.C's expertise extends to new construction, particularly large-scale, mixed-use urban ensembles, and it also has a reputation as one of Europe's most experienced firms in newly built and renovated theater buildings. This book explores the work of a firm dedicated to the future of one of Europe's most historic and beautiful cities. ‎

‎WESTARCH VOL 1: A New Generation in Architecture (West Arch : A New Generation in Architecture, Band 1)‎

‎, JOVIS Verlag, 2010 softcover 192 pages 23 x30 cm,. ISBN 9783868590791.‎

‎PHILIPPE VANDENBERG Kamikaze‎

‎, Hamburger Kunsthalle/ Hannibal Publishing, 2018 HB, 278 x 205 mm, 288 pages, Eng./ DE edition. ISBN 9789492677754.‎

‎Met Kamikaze brengt de Hamburger Kunsthalle onder leiding van curator Brigitte K lle een omvangrijke retro-spectieve tentoonstelling van de Belgische kunstenaar Philippe Vandenberg (1952-2009), wiens radicale werk steeds meer internationale erkenning krijgt. Philippe Vandenberg cre erde een divers oeuvre dat zijn Zeitgeist reflecteert en een antwoord probeert te bieden op funda-mentele vragen. De titel Kamikaze verwijst naar de werkmethode van de kunstenaar: de vernietiging van voorafgaande werken en vastgeroeste denkbeelden opende voor hem de weg tot creatie. Het principe verklaart de vormelijke en inhoudelijke verscheidenheid van zijn schilderijen en tekeningen. De tentoonstel ling, die de periode van 1995 tot 2009 overspant, toont figuratieve werken naast abstract-geometrische experimenten en monochrome overschilderingen. In zijn laatste levensjaren onderzocht de schilder onder meer het gebruik van woorden en zinfragmenten in zijn werk.‎

‎Eve Arnold's People‎

‎, Thames & Hudson, 2009 Hardcover, 176 pages, ENG. edition, 290 x 240 x 25 mm, in Very Fine condition, illustrated dustjacket, photos / images in sharp colors / b/w. ISBN 9780500543719.‎

‎Eve Arnold, a Magnum photographer since 1951 and revered by her peers and the latest creative generation in equal measure, has photographed many of the great, the famous and the powerful, ranging from politicians and actors to musicians, writers and artists.This survey of an extraordinary career includes not only engaging and intriguing photographs of big stars, many of whom became close friends, but also of everyday people at work and at play around the world. Interleaved throughout the book are five in-depth Photo Stories showing the access and trust Eve gained when covering subjects such as the plight of migrant workers in Long Island, on assignment with Malcolm X, and her landmark In China project. Brimming with images and contributions from friends, colleagues and luminaries, this book places Eve Arnold deservedly at the heart of the canon of photographic greats.‎

‎Magnum Magnum‎

‎, THOTH / Lannoo, 2007 Hardcover, 568 pag. NL, 400 x 330 x 60 mm, NIEUW / NEW, Paginagrote Foto's in scherpe kleuren / z/w .Behoort in een Originele stevige foedraal met imprint !. ISBN 9789059960213.‎

‎Het enige offici le boek ter ere van de zestigste verjaardag van het legendarische fotografenagentschap Magnum Photo's. Een prachtig boekwerk, zeven kilogram zwaar, geleverd in een draagkoffer, dat een gewild verzamelobject zal worden. Zestig jaar visie, verbeeldingen en brille in meer dan 400 iconische beelden geselecteerd door de Magnum-fotografen. Het ultieme boek over het legendarische fotografencollectief. Deze monumentale uitgave is een eerbetoon aan zestig jaar visie, verbeelding en brille van het legendarische fotografenagentschap en -collectief Magnum Photos. Dit boek van onge venaarde omvang en ambitie bevat meer dan vierhonderd foto's van de negenenzestig Magnum-leden, van de erkende grootheden van de twintigste-eeuwse fotografie - onder wie Henri Cartier-Bresson, Robert Capa, Eve Arnold, Marc Riboud en Werner Bishof - tot de moderne meesters en rijzende sterren van onze tijd, zoals Martin Parr, Susan Meiselas, Alec Soth en Donovan Wylie. Elke fotograaf wordt vertegen-woordigd door zes werken die door een ander lid zijn uitgekozen en van commentaar voorzien.‎

‎Saul Leiter: Retrospektive - Haus der Photographie / Deichtorhallen Hamburg (ENGLISH) ‎

‎, Kehrer Verlag, , 2021 Hardcover with slipcase, . 300 pages, 22.2 x 3.2 x 26 cm. Herdruk 2021. ISBN 9783868282580.‎

‎ Saul Leiter (b. 1923 in Pittsburgh) has only in recent years received his due as one of the great pioneers of color photography. This can perhaps be attributed to the fact that Leiter saw himself for a long time mainly as a painter. After coming to New York in 1946, he exhibited alongside abstract expressionists like Willem de Kooning before beginning in the late 1940s to take photographs. Like Robert Frank or Helen Levitt, he found his motifs on the streets of New York, but at the same time was visibly interested in abstraction. Edward Steichen was one of the first to discover Leiter's photography, showing it in the 1950s in two important exhibitions at New York's Museum of Modern Art. Back then color photography was regarded as "low art," fit only for advertising. Leiter accordingly worked primarily as a fashion photographer, for magazines such as Esquire and Harper's Bazaar. Nearly forty years would go by before his extraordinary artistic color photography was rediscovered. This book, published to mark the first major retrospective of Leiter's work anywhere in the world, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks. ‎

‎L'architecture religieuse dans le sud-ouest de la Belgique. Tome I: Des origines à la fin du XVe siècle‎

‎s.l., 1949 pp.89-353 avec 178 figures, 25cm., extrait du "Bulletin de la Commission Royale des Monuments et des Sites" vol.1 (1949), br.orig., bel état, B74023‎

‎Les projets de construction de l'église des jésuites à Anvers, d'après les plans conservés à la Bibliothèque Nationale de Paris.‎

‎Bruxelles/Rome, Bulletin de l'Institut historique belge de Rome, 1934. 16 x 24, 18 pp., 2 planches, broché, bon état.‎

‎"Envoi autographe de l'auteur; extrait du Bulletin de l'Institut historique belge de Rome, fascicule XIV, 1934."‎

‎Les églises romanes de Belgique.‎

‎Bruxelles, Editions du Cercle d'Art, 1944. 16 x 24, 30 pp. + 32 planches protégées de serpentes légendées, broché + jaquette, bon état.‎

‎Note sur l'église de Vergnies.‎

‎Charleroi, Bulletin de la Société Royale Paléontologique et Archéologique, 1938. 16 x 24, 6 pp., 1 illustration, broché, bon état.‎

‎"Envoi autographe de l'auteur; extrait du bulletin de la Société Royale Paléontologique et Archéologique de l'Arrondissement Judicaire de Charleroi, N° 1, mars 1938."‎

‎Reisen in Italien. Die Kulturgeschichte des klassischen Italianreise von 16. bis 19. Jahrhundert‎

‎DuMont Cartonné avec jaquette 1989 In-4 cartonné sous jaquette illustrée couleurs, 319 pp., belle somme d'informations, accompagnée de nombreuses illustrations couleurs, et d'un port folio reproduisant les gravures du voyage en Italie de Paul de Musset, texte en allemand ; bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Baukunst des 17. und 18 Jahrhunderts in den romanischen Ländern.‎

‎ Berlin, Athenaion, 1919. In-4, rel. éditeur demi-toile beige à petits coins, titre doré au dos et au plat sup., 343 pp., 17 planches h.-t. contrecollées sur papier fort teinté et 354 ill. photogr. ou fig. dans le texte, index. (Handbuch der Kunstwissenschaft). ‎

‎ Ungeheftet Rücken, flecken am die Umschlag. Gut Innen Erhaltung. - Frais de port : -France 4,95 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €) ‎

‎Deutsche Stadtbaukunst in der Vergangenheit. Zweite, erweiterte Auflage.‎

‎Frankfurt am Main, Verlags-Anstalt, 1921. Oboards. (4),199 pp., 136 textillustr. and 8 large townplans.‎

‎Modernismes,Villégiature et projets d'architecture moderne sur la côte varoise‎

‎Édité à l'occasion de l'exposition modernismes, villégiatures et projets d'architecture moderne sur la côte varoise qui s'est tenue à Brignoles du 11 au 30 septembre 1992, agence départementale d'action culturelle conseil générale du Var. Broché, in –8, 72 pages, abondante iconographie. Bu8.‎

‎Le contexte et l'histoire : Vacances, l'hôtel des roches, l'architecture et le non-dit de l'aménagement facettes et tendances : le Rayol : un domaine de villégiature entre tradition et modernité, trois villas de Jean prouvé : les prototypes de l'architecture, l'ensemble latitude 43 de G. – H. Pingusson, la villa de MANDROT au Pradet, Le Corbusier 1929 – 1931 actualité du patrimoine XXème : la restauration du patrimoine du XXe siècle : l'exemple de la villa de Noailles, architecture moderne et monuments historiques.‎

‎Sammlung von 71 Abbildungen (Lithogr. -Autographien-) von dem Verein Architectura Eidg. Polytechnicum Zürich. 1880-1883. ‎

‎ 1883, in-folio-oblong, 2 Bl. handschriftliches ‘Verzeichniss der 71 Autographien (lithogr.) des Vereins Architectura am Eidg. Polytechnicum Zürich’ + 71 Tafeln gez. v. Briollet, und andere (teilweise während einer Italienischen Reise in 1880). Ex-Libris ‘August Genoud’ + tampon ‘Fréd. Briollet Architect Fribourg’, reliure en d.-cuir originale simple. / Einf. Halbleder Einband.‎

‎Mit Abb. von z.B.: Sankt Nikolaus Kathedrale in Freibourg / Skizzen / Architektur-Risse / Möbel / Gebäude / Denkmäler, usw. ‎

‎Pierre puget‎

‎Plon 1930 in8. 1930. Broché. 178 pages. Bon Etat‎

‎HILMA AF KLINT & PIET MONDRIAN : LEVENSVORMEN‎

‎, Hannibal Books, 2023 HB, 280 x 240 mm, 240 pagina's, NL editie, ISBN 9789464666212.‎

‎Schitterend boek overde artistieke evoluties van twee absolutetopkunstenaars en pioniers van de abstractie: Hima af Klint en Piet Mondriaan Hilma af Klint geloofde dat haar werk alleen begrepen kon worden door mensen uit de toekomst. Misschien is dat de reden waarom haar retrospectieve in 2018-2019 deel uitmaakt van Guggenheims meest bezochte tentoonstellingen." -- DAVID ZWIRNER, ARTFORUM Hilma af Klint & Piet Mondrian: Forms of Life brengt voor het eerst het werk van twee baanbrekende moderne kunstenaars samen: Hilma af Klint (1862-1944) en Piet Mondriaan (1872-1944). Hoewel de twee kunstenaars elkaar nooit hebben ontmoet, laten het boek en de bijhorende expo zien dat hun eigenzinnige stijlen ontstaan uit een gedeelde fascinatie voor de natuurlijke wereld enerzijds en het verlangen om de krachten achter het leven op aarde te begrijpen anderzijds. Aan het begin van de twintigste eeuw vonden Hilma af Klint en Piet Mondriaan als landschapsschilders de weg naar abstractie met een geheel eigen beeldtaal. Publicatie bij de expositie Hilma af Klint & Piet Mondrian: Forms of Life in Tate Modern, Londen, van 20 april tot 3 september 2023. Daarna reist de tentoonstelling door naar Kunstmuseum Den Haag van 7 oktober 2023 tot 25 februari 2024. Met tekstbijdragen van onder anderen Briony Fer, Nabila Abdel Nabij en Laura Stamps. Het voorwoord wordt verzorgd door Frances Morris en Benno Tempel, museumdirecteurs van respectievelijk Tate Modern en Kunstmuseum Den Haag.‎

‎CLIPPERS FRANCAIS .‎

‎ 1997 CLIPPERS FRANCAIS. Chasse marée, 1993 , grand et fort in4° relié, jaquette ill , 466pp. Abondantes illustrations . ‎

‎ Expédition :France et pays limitrophes :Suivant le poids ou la destination les envois sont effectués par poste ou par transporteur.Reste du monde : Par poste suivie, colis suivi . Ou en "livre-brochure" Très économique mais sans suivi sous la responsabilité de l'acheteur.‎

‎Basilique Saint Julien de Brioude.‎

‎Le Puy, Editions Xavier Mappus, 1958. 15 x 20, 28 pp., 24 figures, 1 planche, broché, bon état.‎

‎Le Musée des Plans-Reliefs : Hôtel national des Invalides‎

‎Pygmalion Richesses de notre patrimoine Dos carré collé 1980 In-8 (14,3 x 24 cm), dos carré collé, 91 pages, photos en noir et blanc ; bords des plats très légèrement jaunis, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎