‎Méditerranée modenre.‎

‎Thames & Hudson. 2007. In-8. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 255 pages, nombreuses photos et illustrations en couleur dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Maisons de référence : de 1900 à nos jours.‎

‎ Editions du Chêne, 2009, in-4° carré, 351 pp, très nombreuses photographies de Richard Powers en couleurs, plans, biblio, reliure éditeur, jaquette illustrée, bon état‎

‎Cet ouvrage dresse un panorama saisissant des chefs-d'œuvre de l'architecture du siècle passé jusqu'à nos jours, présentant des projets majeurs de maîtres comme Le Corbusier, Frank Lloyd Wright et Mies van der Rohe, mais aussi de grands architectes d'aujourd'hui tels que Tadao Ando, Rem Koolhaas ou Herzog et de Meuron. Ces maisons au retentissement international et aux styles les plus divers ont pour point commun leur sensibilité au site et au contexte, le souci des matériaux, le respect des traditions de construction locales et la méticuleuse attention portée aux souhaits des clients. Chacune d'elles, cependant, est le fruit d'une approche unique qui la rend révolutionnaire et radicale pour son époque. Chaque maison a une histoire et ce livre dévoile les péripéties parfois intimes de ces habitations remarquables, de leurs architectes et de leurs clients. Des textes originaux, concis et clairs, des photographies de grande qualité dont certaines ont été spécialement réalisées pour cet ouvrage ainsi qu'un grand nombre de plans et de dessins, offrent une documentation précise. Une bibliographie, des informations pratiques et la liste des maisons classées par style architectural achèvent d'enrichir cet ouvrage. Arts and Crafts ou Art nouveau, high-tech, modernistes ou minimalistes, ces constructions qui ont imprimé leur marque sur tous les continents et sur tout le XXe siècle séduiront et inspireront aussi bien les étudiants que les professionnels de l'architecture, les passionnés de design comme celles et ceux qui rêvent de construire un jour leur propre maison. Désormais les frais d'envoi sont de 6 € seulement pour les livres jusqu'à 1 kg (colissimo suivi), pour la France métropolitaine.‎

‎Brad Downey : SPONTANEOUS SCULPTURES‎

‎, Gestalten Verlag, 2011 HB, 240 x 170 mm, 160 p, throughout colored illustrations, ENG edition. ISBN 9783899553796.‎

‎With the element of surprise firmly on his side, the American artist Brad Downey creates powerful interventions that visually disrupt the routine of our urban perceptions. Downey's art discourages quick glances and celebrates the double take. Using elements from film, sculpture, painting, and drawing, he creates remarkable work ranging from the spectacular and headline-making to the small, delicate, and almost hidden. This book is the most comprehensive collection of what Brad Downey calls his Spontaneous Sculptures. It brings together attractive, provocative, and clever urban interventions by a master of the genre-many of which are documented for the first time.‎

‎Making the modern garden.‎

‎London, Michell Beazley, 2007, in-4to, 191 p., richly ill. with colour photogr. orig. publ. binding, orig. jacket in colour.‎

‎3 x USA Bradley Kronz, Tom Holmes, Tommy Hartung Exhibition 01. 05. 2018 - 25. 05. 2018‎

‎Knokke Heist, Mulier Gallery, 2018 softcover, 66 pages, Illustrated color, text in English. 21x30cm. ISBN 9789082530131.‎

‎BUILDING CONTROL SYSTEMS‎

‎John Wiley & sons, 1985 , in-4 hardcover, 603 pp, illustrations. Text in english. Cover Used, inside very good.‎

‎Dublin - guide de l'architecture contemporaine‎

‎Ellipsis konemann. 1997. In-24. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 310 pages. Nombreuses photographies en noir et blanc, hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎"Bruxelles protégé; Les monuments et sites protégés légalement en date du 1er janvier 1988."‎

‎Liège, Pierre Madaga, Editeur, 1988. 21 x 30, 130 pp., nombreuses illustrations en couleurs et en N/B, broché, très bon état.‎

‎DE ART NOUVEAU EN WIJ.‎

‎, Brussel, Paleis Der Academien, 1969., oorspronkelijk uitgeversomslag, geniet, in-4? , 16pp.+ 11 platen. z/w. als nieuw.‎

‎Mededelingen van de koninklijke vlaamse academie voor wetenschappen, letteren en schone kunsten van Belgie. Klasse der Schone Kunsten - Jaargang 31 - 1969 - nr 1.‎

‎NAAR EEN NIEUWE VISUELE CULTUUR { maar niet alleen visueel}.‎

‎, Brussel, Paleis Der Academien, 1978., oorspronkelijk uitgeversomslag , geniet , in-4 , 23pp.‎

‎{avec resume francais}.‎

‎HET LELIJKSTE LAND TER WERELD,‎

‎Antwerpen , vai, 2018 softcover, wit-rode kartonomslag, 125 x 190mm., 68pp., z/w illustratie. ISBN 9789492567123.‎

‎Heruitgave van het boekje van Renaat Braem naar aanleiding van de 50-jarige verjaardag van de uitgave, die ook aanleiding is voor een theatervoorstelling van Dimitri Leue dit najaar. De oorspronkelijke publicatie wordt aangevuld met een actuele inleiding, een tekst van Leo Van Broeck (Vlaams Bouwmeester) en fotografie van Filip Dujardin. De architect Renaat Braem schreef in 1968 'Het lelijkste land ter wereld', een aanklacht tegen de manier waarop we in Belgi bouwen. Hij gebruikt urbanisatie en architectuur als speerpunt om te fulmineren tegen de maatschappij, politiek en de mens. Braem was een bouwheer van idee n. Met humor als cement construeerde hij een tekst die staat als een huis. De foto's van Filip Dujardin tonen hoe Belgi 'schoon is in lelijk zijn' maar ook 'lelijk is in schoon zijn'.‎

‎A la découverte des villes fortifiées - Places fortes du Kent, de la Cote d'Opale et de la Flandre Occidentale‎

‎Réseau des Places Fortes Malicorne sur Sarthe, 72, Pays de la Loire, France 1999 Book condition, Etat : Bon broché, sous couverture imprimée éditeur jaune et violet illustrée avec un trou de serrure In-8 1 vol. - 148 pages‎

‎très nombreuses illustrations, cartes et photographies en couleurs 1ere édition, 1999 Contents, Chapitres : Sommaire - Carte et légende - Préface et introduction - 1. Kent : Canterbury - Douvres (Dover) - Rochester - Sandwich - Folkestone et Hythe - 2. Cote d'Opale : Boulogne - Calais - Cassel - Montreuil - Gravelines - Bergues - 3. Flandre occidentale : Lo - Menin - Nieuport - Furnes - Ypres - Ligne de temps et glossaire infimes petites taches discretes sur le plat inférieur de la couverture sans gravité, la couverture reste en bon état, l'intérieur est frais et propre, hormis une micro petite tache sur le haut de la derniere page, cela reste un bon exemplaire‎

‎L'architecture des lumières de Soufflot à Ledoux.‎

‎Berger-Levrault. 1982. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 288 pages - jaquette en bon état - nombreuses illustrations en noir et blanc dans et hors texte - quelques phrases soulignées au crayon à papier à l'intérieur du livre ne gênant pas la lecture.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Traduit de l'anglais par Nicoletta Bertrand. Classification Dewey : 720-Architecture‎

‎François Mansart.‎

‎London,Swemmer,1973 ; 2 Volumes in-4°, cartonnages entoilés, jaquettes illustrées, une planche dépliante, indes.‎

‎2 volumes dont un pour le texte l'autre comprenant 563 reproductions. (Studies in architecture, XIII.) Texte en français et en anglais.Bibliographie. Excellent état.‎

‎Histoires De Gare , De Dessins et De Ruines 1896 / 1914‎

‎Paris Le Pommier 2014 Grand In 8 Enseignant dans une école d'architecture , l'auteur a choisi de capter la curiosité et l'intérêt de ses élèves en traitant de cas concrets vécus par des personnages de chair et d'émotions . Nombreuses illustrations couleurs et noir et blanc . Architecture , Lorraine . - 222 p. , 600 gr.‎

‎Couverture souple Comme neuf 1ère Édition‎

‎Affiche - Téléphérique du Salève. ‎

‎Genève, Fondation Braillard architectes. Reprodcution encadrée de la splendide affiche représentant la station supérieure du Téléphérique du Salève, d'après l'oeuvre originale de Henry Reb (1932). Format du cadre 61 x 80. ‎

‎ Suite à un accident immobilisant votre libraire pour quelques semaines, le traitement des commandes est bien assuré, mais momentanément ralenti. Merci de votre patience et de votre compréhension.‎

‎Art and Society in Africa ‎

‎London, Longman, 1980 Softcover, 322 pages, 21 x 18 cm, richly illustrated in b/w, EN. *Good condition. ISBN 9780582645790.‎

‎ISBN 10: 0582645794 / ISBN 13: 9780582645790 ‎

‎La Cathédrale des Saints-Michel-et-Gudule.‎

‎Bruxelles, Editions Racine, 2000. 26 x 34, 287 pp., très nombreuses illustrations en couleurs pour la plupart, reliure d'édition pleine toile + jaquette, très bon état (1 cachet et 1 signature d'ex-particulier sur la page de faux-titre).‎

‎Photographies de Luc Polfliet.‎

‎Understanding Art in Antwerp, Classicising the Popular, Popularising the Classic (1540-1580)‎

‎, Peeters leuven,, 2011 Hardcover with dusjacket 342 pages, Illustrated. z/w. ISBN 9789042926134.‎

‎On January 23-24, 2008 the University of Groningen hosted an international symposium entitled 'Understanding Art in Antwerp. Classicising the Popular, Popularising the Classic (1540-1580)', where art historians, literary historians and musicologists explored how art was understood in Antwerp in the sixteenth century, how that art understood itself and conveyed such understanding to others, and how students of early modern Antwerp should understand that concept of art historically. Attention was paid to the factors which influenced the vision of the nature and function of art, including those of a non-artistic nature. Central to the idea of art was the relationship between the classical and the popular and between various synonyms, such as the foreign and the vernacular. Antwerp artists in all fields covered by this volume participated in cultural exchange, attempting to incorporate and assimilate elements from different origins into their work. Likewise, contemporary audiences (either as spectators, readers or listeners) were challenged to follow and understand what amounted to a kind of play or playfulness that was so charcateristic of sixteenth-century culture.‎

‎Les plus beaux jardins d'Europe‎

‎Artémis. 2005. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 189 pages. Nombreuses illustrations en couleur dans et hors texte. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Préface de Eliana Ferioli. Classification Dewey : 720-Architecture‎

‎Urban History Writing in Northwest Europe (15th-16th centuries)‎

‎, Brepols, 2019 Hardback, 231 pages, Size:178 x 254 mm, Illustrations:20 b/w, 6 tables b/w., Language: English. ISBN 9782503583761.‎

‎Summary This volume aims at taking the first steps towards a revaluation of urban historiography in Northwest Europe, including rather than excluding texts that do not fit common definitions. It confronts examples from the Low Countries to well-studied cases abroad, in order to develop new approaches to urban historiography in general. In the authors' view, there are no fixed textual formats, social or political categories, or material forms that exclusively define 'the urban chronicle'. Urban historiography in pre-modern Western Europe came in many guises, from the dry and modest historical notes in a guild register, to the elaborate heraldic images in a luxury manuscript made on commission for a patrician family, to the legally founded political narrative of a professional scribe in an official town chronicle. The contributions in this volume attest to the diversity of the 'genre' and look more closely at these texts from a broader, comparative perspective, unrestrained by typologies and genre definitions. It is mainly because of these hybrid guises, that many examples of urban historiography from the Low Countries for instance succeeded in going unnoticed for a considerable amount of time. TABLE OF CONTENTS Introduction Jan Dumolyn and Anne-Laure Van Bruaene [Both University of Ghent] - Urban Historiography in Late Medieval and Early Modern Europe Chapter 1: Questioning genre and typologies Marco Tomaszewski [University of Freiburg] - Constructing Urban Historiography. The Edition Basler Chroniken and the Beinheim Manuscript Ina Serif [University of Freiburg] - Urban chronicles - urban consciousness? On the chronicle of Jakob Twinger von K nigshofen in new codicological contexts Jenine de Vries [University of Durham] - It's not just about chronicles. The variety of forms of historical writing in late medieval towns in England and the Southern Low Countries. Paul Trio [KU Leuven] - Ypres as a historiographical breeding ground in late medieval Flanders. Origin and interconnectedness of urban and regional historiography Chapter 2: The memory of conflict: the social and political context of urban historiography Laura Crombie [University of York] - Records and rumours from Tournai; Jehan Nicolay's account of a town at war and the construction of memory Tineke Van Gassen [University of Ghent] - The Diary of Ghent: between urban politics and late medieval historiography Bram Caers and Lisa Demets [University of Antwerp/University of Utrecht; and University of Ghent] - Opposing reports on loyalty and rebellion. Urban history writing in late medieval Bruges and Mechelen Chapter 3: Materiality and mixed media Marcus Meer [University of Durham] - Heraldry, Historiography and Urban Identity in Late Medieval Augsburg. The Cronographia Augustensium and the Gossembrot Armorial Peter Bakker [VU Amsterdam] - The origin and purpose of the town chronicles of the city Kampen Louise Vermeersch [KU Leuven] - Printed Almanacs: a Popular Medium for Urban Historiography and Religious Dissent?‎

‎In het hart van de Renaissance schilderkunst uit Noord-Itali , 1500-1600‎

‎, Waanders Uitgevers, 2017 Paperback, 24,0 x 27,0 x 1,7 cm, 175 pagina's, rijkelijk ge llustreerd. Prima staat . ISBN 9789462621060.‎

‎De Italiaanse renaissance van de 16e eeuw wordt vaak met de term Cinquecento aangeduid. In muziek en literatuur, architectuur en de beeldende kunsten tekent zich een nieuwe ori ntatie op de klassieke oudheid af. Italiaanse schilders, die werkten in opdracht van de kerk en van vermogende particulieren, legden een belangrijk fundament voor de renaissancekunst die zich over Europa uitspreidde. In het hart van dit zestiende-eeuwse kunstlandschap ligt Noord-Itali . Het gebied tussen Alpen en Apennijnen bracht grote schilders voort als Alessandro Moretto, Lorenzo Lotto en Gerolamo Savoldo. Hun veelzijdige kunstproductie paart de weergave van het alledaagse aan de eisen van religieuze vorstellingen, en combineert zin voor het detail met een onweerstaanbare beheersing van kleur- en lichteffecten. Aan de hand van werken van deze schilders en die van nog veel beroemdere tijdgenoten zoals Bellini, Rafael, Titiaan en Tintoretto, vertelt dit rijk ge llustreerde boek het verhaal van de schilderkunst van het Cinquecento in een Europees kruispunt van de renaissance.‎

‎Transregional Territories. Crossing Borders in the Early Modern Low Countries and Beyond‎

‎, Brepols, 2020 Paperback, 262 pages, Size:156 x 234 mm, Illustrations:7 b/w, Language: English. ISBN 9782503584935.‎

‎Summary The early modern world was one of movement, contact, and exchange. Yet, this does not mean that it was borderless. On the contrary, connection existed only when people moved along and across the separations between polities, religions, and mentalities. So in order to understand early modern connections, one also needs to analyse the boundaries that accompanied them. In Transregional Territories, the early modern Low Countries are chosen as a 'laboratory' for studying border formation and border management through the lens of transregional history. Eight different cases highlight the impact of boundaries on the actions and strategies of individuals and governments. Crossing borders in early modern times was not merely an act of negating a territorial division, but rather a moment of intimate interaction with the separation itself. As such, this volume illustrates how borders forced historical actors to adapt their behaviour, and how historians can use a transregional vantage point to better understand these changes. The cases are presented by leading border specialists and scholars of the early modern Low Countries: Fernando Chavarr a M gica, Victor Enthoven, Raingard Esser, Yves Junot, Marie Kervyn, Christel Annemieke Romein, and Patricia Subirade. Bram De Ridder, Violet Soen, Werner Thomas, and Sophie Verreyken are all members of the Early Modern History Research Group of the KU Leuven. Together, they have published extensively on transregional history and the history of the early modern Low Countries, grouped under the label of transregionalhistory.eu. TABLE OF CONTENTS Introduction: Transregional History: New Perspectives on Early Modern Borders and Borderlands in the Low Countries and the Habsburg Worlds. Bram De Ridder & Violet Soen. Part I: Transregional Families Upper Guelders's Four Points of the Compass: Historiography and Transregional Families in a Contested Border Region between the Empire, the Spanish Monarchy, and the Dutch Republic. Raingard Esser. Transregional Marriages and Strategies of Loyalty: The House of Arenberg Navigating between the Spanish and Austrian Habsburgs, 1630-1700. Sophie Verreyken. Part II: Cross-Border Circulations Negotiating Consensual Loyalty to the Habsburg Dynasty: Francophone Border Provinces between the Low Countries and France, 1477-1659. Yves Junot & Marie Kervyn, Franche-Comt , the Low Countries, and the Catholic Backbone of Seventeenth-Century Europe: Transregional and Cross-Border Circulations of Devotional Practices and Artistic Knowledge. Patricia Subirade. How Local Politics Became a Matter of Transregional Concern: German and Dutch Pamphlets Calling J lich Nobility to Assemble in Cologne, 1642-1651. Annemieke Romein. Part III: Border Management The Scheldt Estuary during the Dutch Revolt: War, Trade, and Taxation, 1572-1609. Victor Enthoven. Border Management during the Eighty Years' War: Passports for Persons Crossing the New Habsburg-Dutch Border, 1568-1648. Bram De Ridder. Cannon Law' during the Politique des R unions: French Power Politics at the Bidasoa Border and the Crisis of the Customary Law of Nations. Fernando Chavarr a M gica.‎

‎Literary Legacy of Byzantium. Editions, Translations, and Studies in Honour of Joseph A. Munitiz SJ‎

‎, Brepols, 2019 Paperback, vi + 560 pages, Size:156 x 234 mm, Illustrations:3 b/w, 7 col., Languages: English, French, Spanish. ISBN 9782503583549.‎

‎Summary Nineteen scholars join forces to pay tribute to one of the leading scholars in Byzantine studies, Father Joseph A. Munitiz. As one of the founders of the Series Graeca of the Corpus Christianorum and because of his own exemplary work, Joe Munitiz had and has a lasting impact on the development of Byzantine studies. There is no better way to honour him and his work than to offer him a Festschrift with contributions that mimic his quality, passion, and curiosity. The Festschrift contains several "firsts": the first English translation of Eustathius' Letter concerning the Two Natures against Severus, and the first critical editions (and studies) of an anonymous iambic canon on St John Chrysostom, of letter Z of the Etymologicum Symeonis, of some additions to letter A in the Florilegium Coislinianum, of a possible credo of Metrophanes of Smyrna, of a letter by Nicholas Pepagomenos to Gregory Palamas, and of Maximus Confessor's Tomos to Stephen of Dor against the Ekthesis. The innovative studies in this volume deal with the Slavonic and Greek catenae on the Song of Songs, with Athanasius' Letter to Marcelinus, with an ascetic miscellany in a thirteenth-century Atheniensis, with the so-called 'First Chapter Titles' in the second recension of the Florilegium Coislinianum, with the date of composition of the Maximian Corpus, with Raimundus Lullus' knowledge of Byzantium, with the reception of the Catalogue of Inventors in Gregory of Nazianzus' fourth oratio, and with Titus of Bostra's polemic against the Manicheans. TABLE OF CONTENTS Dedication by Charalambos Dendrinos Joseph A. Munitiz, Autobiographical tesserae List of publications of Joseph A. Munitiz Pauline Allen, Eustathius, Letter concerning the Two Natures against Severus (CPG 6810): An English Translation Theodora Antonopoulou, An Anonymous Iambic Canon on St John Chrysostom Davide Baldi, Etymologicum Symeonis ? Reinhart Ceulemans - Margaret Dimitrova, The Slavonic Catena also known as the "Commentary of Philo" and the Greek Catena Hauniensis on the Song of Songs Barbara Crostini, Athanasius' Letter to Marcellinus as Psalter Preface Jos H. Declerck, La prise de J rusalem en 614 : les autorit s, le peuple, les d mes et le clerg Eva De Ridder, An Ascetic Miscellany from the Late Thirteenth Century: the Atheniensis, Bibliothecae Nationalis 322 Tom s Fern ndez, El florilegio de los mss. F H en la letra Alfa del Florilegio Coisliniano Jos Maksimczuk, The Transmission of the so-called 'First Chapter Titles' in the Second Recension of the Florilegium Coislinianum Basile Markesinis, La date de la composition du "Corpus de S. Maxime le Confesseur" : nouvelles donn es Juan Nadal Ca ellas (?), Ramon Llull y el mundo Bizantino Stefaan Neirynck - Peter Van Deun, Est-ce qu'on a d couvert la profession de foi de M trophane de Smyrne ? Jennifer Nimmo Smith, The Reception of the "Catalogue of Inventors" in Gregory of Nazianzus' Sermon 4, 107-109 in Pseudo-Nonnus' Commentary on Sermon 4 and Beyond: An end or a beginning? Paul-Hubert Poirier, Pol mique antimanich enne et controverse th ologique : les combats d'un v que du IVe si cle, Titus de Bostra Antonio Rigo, La lettre de Nicolas P pagom nos Gr goire Palamas Bram Roosen, A Dyothelite Florilegium in the Run-up to the Lateran Council (a. 649). Maximus the Confessor's Tomos to Stephen of Dor Against the Ekthesis [CPG 7697.15] Index of Authors Index of Scholars Index of Manuscripts Tabula gratulatoria‎

‎clandestine in the work of Jef Cornelis + DVD.‎

‎Maastricht, Jan van Eyck Academie, 2009 Gebonden,93 pagina's . illustraties . + 1 dvd-video('s) ENG text., 190 x 135 mm, ISBN 9789072076397.‎

‎The clandestine in the work of Jef Cornelis comprises two essays about "hidden" messages in the television films Daniel Buren (Wide White Space Gallery, 1971), Sonsbeek beyond lawn and order (1971) and Landscape of churches (1989). Koen Brams considers Cornelis? explicit strategies to bring to light differences of opinion in the art world in the year 1971. He further shows that Cornelis avails himself of less explicit methods of operation to carry his point. Dirk P ltau analyses the covert elements of the soundtrack of the film Landscape of churches. What at first hearing seems a classical sound recording turns out, on further consideration, to contain a "demonic" message. The clandestine in the work of Jef Cornelis calls attention to an as yet unknown aspect of Cornelis? oeuvre and contains documentation and records that have rarely or never been published. The book is accompanied by a DVD that holds three original films with English subtitles.‎