‎Depeche Mode by Anton Corbijn‎

‎, Taschen, 2021 Hardcover with dusjacket, 512 pages, ill. English. fine condition. ISBN 9783836586702.‎

‎In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: I'd like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool. Also in the fall of 2020, TASCHEN released the edition Depeche Mode by Anton Corbijn (81-18) and it became one of the fastest selling collector's editions in the publishing company's history. This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed cool as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world. Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as Enjoy the Silence and Personal Jesus ); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master. Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them. This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.‎

‎Flash - Back, Mauritshuis, Rineke Dijkstra, Anton Corbijn, Stephan Vanfleteren e.a.‎

‎, Hannibal Books 2022, 2022 Hardcover, 112 pages, NL / ENG , 360 x 305 mm, Nieuw, met illustraties / images in kleur / colour, ISBN 9789464366266.‎

‎Naar aanleiding van de 200ste verjaardag van het Mauritshuis Den Haag vroeg het museum aan zestien Nederlandse topfotografen om te reflecteren op hun wereldcollectie en gebouw. Geen remake van een bestaand schilderij, maar conceptueel nieuw werk: waar voelt de fotograaf een link met wat hij ziet, hoe interpreteert hij die 17de-eeuwse kunst, de maatschappelijke en inhoudelijke lading in het werk, hoe resoneert dat en wat doet dat weer met ons brein? De schilderijen van Remrandt, Vermeer, Van der Weyden e.a. zijn honderden jaren op talloze plekken door duizenden ogen bekeken. Hoe kijken de werken terug naar ons? Wat zagen we eerder niet en wat zien wij niet maar de fotografen wel? Kunnen we kunst cht tot ons door kunnen laten dringen en zo ja, hoe? Met werk van onder meer Rineke Dijkstra, Desir e Dolron, Dustin Thierry, Erwin Olaf, Stephan Vanfleteren, Anton Corbijn en Viviane Sassen.------What happens when new masters pick up where old masters left off? On the occasion of the bicentenary of the Mauritshuis in The Hague, the museum asked contemporary photographers to reflect on the permanent collection. Which masters capture their imagination? How do they interpret 17th-century art? The result: 16 new works by 16 contemporary photographs, including Erwin Olaf, Rineke Dijkstra, Anton Corbijn and Stephan Vanfleteren, one for each room in the Mauritshuis. The new works will be displayed alongside the 17th-century works that inspired them and will be put equally next to each other in this luxury book. The photographers were entirely free to select what they wanted to work with. For some it was a painting, for another a detail from a painting, or even an entire room in the museum. Expect to see original and surprising reflections on 17th-century art: counterparts, commentaries, alternatives. None of the photographs is a remake of the original painting. One thing is certain: you will never look at Rembrandt, Vermeer or Steen in the same way. Catalogue of the exhibition of the same name at the Mauritshuis in The Hague from 1 June to 16 October 2022.‎

‎Anton Corbijn 1-2-3-4‎

‎, Prestel Verlag 2015, 2015 Hardcover, 352 seiten, Deutsch, 295 x 245 x 45 mm, Neu , . ISBN 9783791381817.‎

‎Wie kaum ein anderer hat Anton Corbijn die internationale Musik- und Portr tfotografie der letzten 30 Jahre gepr gt. Seine Zusammenarbeit mit Bands wie U2 und Depeche Mode geht bis auf die 1980er Jahre zur ck und nicht nur scherzhaft wurde Corbijn als zus tzliches Bandmitglied bezeichnet. Bei diesen Langzeit-Kooperationen entstanden legend re Bilder, ikonische Albumcover und stilbildende Videoclips, die das Image dieser und vieler anderer Bands entscheidend beeinflussten.‎

‎art de Pomp i‎

‎, GRUND 2010, 2010 Hardcover, 175 pages, Texte en Francais, 360 x 300 mm, Illustrations, Tres belle exemplaire !. ISBN 9782700029628.‎

‎Pomp i a livr des difices publics et priv s, des objets et des appareils d coratifs qui, ins r s dans un extraordinaire tissu urbanistique, la rendent unique en son genre. Les vestiges permettent de d couvrir les nombreuses variantes de la maison romaine et, par la m me occasion, de reconstituer les courants esth tiques, les croyances et les mentalit s de ses habitants sur une p riode allant du IVe si cle av. J.-C. jusqu'en 79 apr. J.-C., date de l' ruption du V suve. Parmi les diff rentes techniques de d coration, la peinture murale occupe une place de choix, constituant par sa quantit et sa qualit un ensemble qui s'av re sans gal dans tout le monde romain. Architectures en trompe l'oeil, jardins luxuriants, paysages, aper us anim s de la vie quotidienne et natures mortes occupent des parois enti res, mais les sujets favoris consistent en des tableaux illustrant des sc nes mythologiques. Chacun pouvait, en effet, s'inspirer de ces r cits pour affronter l'existence et tirer les enseignements et les mod les de comportement n cessaires. travers les diff rents styles et les th mes trait s, ce volume magnifiquement illustr de pleines pages et de d tails insolites restitue la splendeur de l'art de Pomp i, entre r ve et r alit . Les plus beaux exemples des fresques de Pomp i : paysages et jardins luxuriants, architectures raffin es, natures mortes, sc nes de la vie quotidienne et tableaux mythologiques dans lesquels le monde des hommes rencontre le monde des dieux.‎

‎time we share : reflecties op de podiumkunsten een inleiding, drie bedrijven en twee intermezzo's‎

‎, Exhibitions International 2015, 2015 Softcover, 400 pagina's, Nederlands, 240 x 170 mm, boek in prima staat, met foto's en illustraties in kleur en z/w,. ISBN 9789462300699.‎

‎Met de twintigste editie van het Kunstenfestivaldesarts als startpunt benadert dit boek enkele invalshoeken die van cruciaal belang zullen zijn voor het geheugen van de podiumkunsten. The Time We Share wordt samengesteld uit belangrijke vragen die gedurende twee decennia werden opgeworpen op het Kunstenfestivaldesarts en vele andere sc nes en die tot vandaag relevant zijn. Elk hoofdstuk brengt artistieke projecten van verschillende festivaledities bijeen, maakt nieuwe constellaties en licht er specifieke vraagstellingen uit. Ce livre est une tentative de r trospective g n rale de la relation entre les arts du spectacle vivant et la soci t , il ouvre une perspective particuli rement large sur la mani re dont diff rentes cr ations sc niques ont contribu donner corps des questions sp cifiques et globales. Plus qu'un outil de m moire, ce livre est un instrument d' tude, un atlas qui permet au pass de s'ouvrir vers l'avenir, un outil g n ral d'analyse des arts du spectacle vivant ...‎

‎Antoni Gaudi 1852-1926 de la nature à l'architecture.‎

‎Taschen. 2004. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages - jaquette en bon état - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Le Palais Güell. Un chef d'ouvre de Gaudí‎

‎Diputació de Barcelona 2013 In-4 relié, 317 pp.‎

‎ Très bon état d’occasion ‎

‎1. LA LIBYE ANTIQUE.:Cit s perdues de l'Empire romain ‎

‎, Menges , 1998 Hardcover, 249 pages, Francais, 320 x 275 mm, Etat Tres Bien !, beaucoup photos,. ISBN 9782856204009.‎

‎GAUDI - Arquitectura del futuro‎

‎ Salvat "la Caixa" - 1984- In-4 - Cartonnage éditeur illustré - Importante iconographie en couleurs, certaines photographies PP - 144 pages - très frais‎

‎ - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎FASHION:BOX : De modeklassiekers en de iconen die ze onsterfelijk maakten‎

‎, Uitgeverij Thoth, 2011 Hardcover, 480 pages, ENG, 225 x 180 x 40 mm, in very good condition !, illustrated in colour,. ISBN 9789077699102.‎

‎Fashion:Box geeft een overzicht van zestien klassieke modestukken gedragen door de filmsterren en mode-iconen die ze beroemd hebben gemaakt. Aan elk stuk is een hoofdstuk gewijd met een inleiding door modejournalist Antonio Mancinelli, gevolgd door een serie onvergetelijke foto's van de sterren en hun kleding. Met foto's van onder meer Brigitte Bardot, Ursula Andress, Angelina Jolie, Jackie Kennedy, Grace Jones, Madonna en Sarah Jessica Parker.‎

‎ La Tierra del Faisan y del Venado‎

‎, EDICION DE LUJO/ Merida, Yucatan : Editorial Dante, 2008., 2008 Hardcover, 107 paginas, Spanish, 227 x 227 mm, In good condicione !. ISBN 9789706054197.‎

‎ Mayas. Mitos y leyendas de Mexico.‎

‎La Basilique de Torcello et Santa Fosca‎

‎ Ardo, nd Format 19x24 cm, broche, 59 pages.Bon etat.‎

‎RAVENNE. 160 ILLUSTRATIONS EN COULEURS.‎

‎EDIZIONE SALBAROLI. 1982. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 126 pages. Premier plat illustré en couleurs. Nombreuses photos en couleurs dans et hors texte. Ouvrage légèrement débroché.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎RAVENNE. UNE GUIDE PRATIQUE.‎

‎EDIZIONI SALERA, RAVENNA. 1971. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 96 pages. Premier plat illustré en couleurs. Nombreuses photos en couleurs dans et hors texte. Ouvrage partiellement débroché.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Architecture contemporaines - Espagne‎

‎Actes Sud 2009 Traduit de l'italien par Paola Miglietti - Format italien - Broché - Couverture glacée illustrée éditeur rempliée - 143 pages Bon état général 785 g‎

4 Images

‎Villes célèbres. Les grandes villes du monde ressuscités par des reconstructions vivantes sur transparent.‎

‎Couverture rigide. Cartonnage de l'éditeur. 144 pages. 24 x 23 cm.‎

‎Livre. Editions Könemann (Collection : Hier et aujourd'hui), 1998.‎

‎camino de Santiago en el solar leones‎

‎, EDILESA, 1992 Paperback, 94 pages, 30x21 cm Spanish, Illustrated, Fine condition. ISBN 9788486013844.‎

‎Este texto lo edita Ediciones Leonesas, S.a.. En 1981 dicha editorial comenz su andadura y tiene su sede en Castilla y Le n. Su cat logo tiene m s de setecientas ochenta publicaciones. Ediciones Leonesas, S.a. est especializada en Historia, Etnograf a, Cartograf a, Naturaleza, Creaci n... Dicha editorial tiene las siguientes colecciones de obras: Patrimonio, Grandes Obras, Poes a, Guias, Ensayo entre otros. ngela Franco Mata, Juan B. Olarte, Francisco Jos Purroy Iraizoz, Anselmo Carretero Jim nez, Antonio Pereira entre otros son algunos de los escritores que han publicado en Ediciones Leonesas, S.a.‎

‎DER WIENER STEPHANSDOM. EINE RAUMBESCHREIBUNG.‎

‎FRANZ DEUTICKE. 1948. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 30 + 70 pages de planches illustrées en noir et blanc. Premier plat illustré en noir et blanc. Texte en allemand.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Cathedral of Constitutional Law. Essays on the Earliest Constitutions of the Order of Preachers, with an English Translation of Fr Antoninus H. Thomas?s 1965 Study‎

‎, Brepols, 2023 Paperback, 508 pages, Size:156 x 234 mm, Illustrations:1 col., 5 tables b/w., Language(s):English, French. ISBN 9782503593340.‎

‎Summary The Belgian Dominican friar Antoninus Hendrik Thomas published a critical reconstruction of the earliest Constitutions of the Dominican Order. He identified meticulously where Saint Dominic and his first brothers had borrowed material from other religious and secular juridical systems, as well as where they had been original, thus uncovering the foundational charism of the Order. Even today, researchers in the field regard Fr Thomas's work as indispensable. Unfortunately, many of his insights are difficult to access for a wider audience, since Fr Thomas wrote his work in his native language, Dutch. To mark the eighth centenary of the death of Saint Dominic in 2021, the Belgian Dominican province therefore decided to publish Fr Thomas's work in an English translation, as well as to complement this with a selection of essays written by contemporary experts, who - from their particular perspectives - engage with Fr Thomas's main insights. The essays deal with the historiographical tradition to which Fr Thomas belonged, the Premonstratensian, Cistercian and secular sources of the Constitutions, the manuscript tradition and editing process of the earliest Constitutions, and their reception in the first century of the Order and by the late medieval observant movement. TABLE OF CONTENTS Introduction, Anton-Marie Milh OP & Mark Butaye OP Sigla PART I: Essays Et ut maxima est Historiae necessitas, non minor est utilitas. Belgian Dominican Historians in the 19th and 20th Centuries Anton-Marie Milh O.P. tat actuel des recherches sur les statuts de l'Ordre de Pr montr aux XIIe et XIIIe si cles Herman Janssens O.Praem. Les cisterciens et l'essor de la pratique statutaire, des origines au d but du XIVe si cle Alexis Gr lois Les dominicains, les coll ges et les universit s. Une pauvret savante au XIIIe si cle ? Laurent Waelkens & Wouter Druw A Manuscript and Its Editions. AGOP XIV A4, folios 28r-47r ? Wolfram Hoyer O.P. Les constitutions dominicaines au Moyen ge. Histoire et perspectives ditoriales Florent Cygler La premi re l gislation dominicaine dans les r cits fondateurs de la m moire de l'Ordre Anne Reltgen-Tallon Reformatio or deformatio? The First Observant Friars and the Dominican constitutions in the Light of Henry of Bitterfeld's Treatise on Reform of the Order Anna Zajchowska-Bo?tromiuk PART II: Antoninus Hendrik Thomas OP, The Earliest Constitutions of the Dominicans. Antecedents, Text, Sources, Origins and Development (1215-1237), with an Edition of the Text. Translated into English by Brian Heffernan Introduction Abbreviations and sigla Chapter I. Antecedents. Monastic legislation up to the beginning of the thirteenth century Chapter II. The text Chapter III. The sources Chapter IV. Origins and development General conclusion Appendices Appendix I. Text Edition Appendix II. Comparative list of the chapters in the first distinctio of the Dominican text (C) and in the Constitutiones S. Mariae Magdalenae (M) Appendix III. Comparative list of the chapters in the second distinctio of the Dominican text (C) and in that of the Friars of the Sack (S) Appendix IV. The ordinances of the chapter of 1236 in the texts of the constitutions Appendix V. Relationship of the various constitutions and manuscripts to the Constitutiones Antiquae O.P. Appendix VI. Comparative list of the chapters in the first distinctio of the Dominican text (CA) and in the Consuetudines of Pr montr (Pa and Pb) Appendix VII. The sources of the Dominican constitutions Index of part II‎

‎Johan Clarysse. This Obscure Object.‎

‎, MER - Borgerhoff & Lamberigts, 2023 Hardcover 21 26 cm, 176 pages, Illustrated. Fine. ISBN 9789464759822.‎

‎Johan Clarysse culls and paints images, unbiased, guided only by their potential for leaving a lasting impression on the viewer. To this end, imagery is assessed for its tension and contrasts, for its ability or inability to convey meaning, as well as for the presence of any unsettling enigmas. That is, drama without any restrictive narrative. Tension without any apparent curve. Clarysse?s work stands out because of its unique language, the use of soft, muted colours, its existential themes and the numerous references to the world of film, art, literature and psychology. As Clarysse himself puts it: ?Because my paintings often revolve around psychological tipping points and carry an emotional charge, I choose sober, non- primary colours. In this way, I avoid overstatement. A quality that, of course, is also decisive when writing poetry. [?] I distance myself from so-called primary colours, make a plea for what I call ?metropolitan colours, colours from the slums, shrouded in shabby coats and housed in damp rooms?. Give me Naples yellow, grey dog, sizzling ore, kinky red or Cinderella pink?? This Obscure Object presents an overview of both paintings and drawings from the last decade and seamlessly picks up where his last book Walden & other suspicions ended.‎

‎Finland 1900 : schilderkunst, architectuur, kunstnijverheid.‎

‎Brussel, Paleis voor Schone Kunsten, 1974 Oorspronkelijk uitgevers omslag, 133 pagina's, 21x21cm, afbeeldingen.‎

‎Agrandissement général D'Anvers. Lettre de MM. Keller et Compie à M. le Ministre de la Guerre contenant: une réfutation des critiques dont leur projet de grande enceinte a été l'objet quelques nouveau développements sur ce projet, ainsi que des pla...‎

‎Bruxelles, Guyot, 1858. 8vo a. folio. Contemp. hcloth. A paperlabel pasted on upper cover. Stamp on title-page. Atlas in contemp. hcalf. Titlelabel with gilt lettering on upper cover. (4),XV,125 pp. - Atlas with 4 large folded (85 x 110 cm.), lithographed and coloured plans, and 4 lithographed plates in double folio.‎

‎BRUEGEL TO RUBENS : GREAT FLEMISH DRAWINGS‎

‎, Ashmolean Museum, Oxford, 2024 Softcover, 244 pages, ENG. edition; 280 x 220 mm, NEW , 180 colored illustrations / 10 b/w. ISBN 9781910807590.‎

‎Many of the drawings coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner Two recently discovered drawings by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 22 March and 23 June 2024. Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist's studio. By revealing the drawings' function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance. The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others.‎

‎Visages du Limousin et de la marche. ‎

‎ Collection provinciales horizons de france 1950 bon état 178 pages in 8.Exemplaire de bibliothèque dos à la couleur légèrement passée‎