‎"L'Eglise de Brou- Guide historique (Collection ""Petites monographies"")"‎

‎Albert Morancé. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 29 pages. Nombreuses photos et illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎"Collection ""Petites monographies"". Classification Dewey : 720-Architecture"‎

‎Das mittelalterliche Wohnhaus in deutschstämmigen Landen. Seine Schönheit im Stadtbild in Aufbau u. Einzelheit. ‎

‎Stuttgart, Strecker und Schröder, 1935, gr. in-4to, XXXII + 383 S. mit 450 Abb. des Verfassers, O.-Lwd. mit ill. O.-Schutzumschlag.‎

‎Erste und einzige Ausgabe dieses hübschen und exemplarischen Werkes zur Geschichte der Architektur, das der deutsche Maler, Lithograph, Radierer, Architekt und wiss. Schriftsteller R. Anheisser herausgab. Die Abbildungen zeigen u.a. Bauten aus folg. Gebieten: Köln, Trier, Metz, Niederlande, Norddeutschland, Schlesien, Elsass, Rheinland, Schweiz, Schwaben, Franken, Böhmen und Mähren, Bayern, Tirol. Vollmer I/54. ‎

‎KEES VAN DONGEN De Weg Naar Succes‎

‎, Waanders Uitgevers, 2023 HB, 280 x 230 mm, 192 pagina's, 125 Kleurenillustraties , NL edition nieuw. ISBN 9789462624597.‎

‎Hoe lukt het de jonge kunstenaar Kees van Dongen (1877-1968) om door te breken in Parijs en in korte tijd uit te groeien tot n van de meest beroemde kunstenaars van de twintigste eeuw? Deze vraag staat centraal in dit boek. Van Dongen behoorde tot de voorhoede van Nederlandse kunstenaars die rond 1900 vernieuwing zochten in Parijs. Daar omarmde hij de avant-garde en in 1905 nodigde Picasso hem uit om in atelier Le Bateau-Lavoir, in Montmartre, een ruimte te betrekken. In deze omgeving ontwikkelde hij zich tot schilder van figuur en vernieuwer door kleur en toets. Dit boek toont hoogtepunten en sleutelstukken uit het oeuvre van Van Dongen: in totaal 75 schilderijen en 30 tekeningen. De focus ligt op de periode die zou leiden tot de wereldfaam van Kees van Dongen.‎

‎BRAM BOGART Schilder van formaat‎

‎, Waanders Uitgevers, 2022 softcover, 270 x 230 mm, 64 p, 50 Kleurenillustraties. NL edition / Expo: 18/02/22 - 09/08/22, Museum Prinsenhof, Delft. ISBN 9789462624085.‎

‎Honderd jaar na zijn geboorte eert Museum Prinsenhof Delft de internationaal gerenommeerde Delftse kunstenaar Bram Bogart (1921-2012) met een overzichtstentoonstelling en een boek. Bogart is als abstract expressionistisch materieschilder, de grondlegger van de Nederlandse informele schilderkunst en inspiratiebron voor Delftse kunstenaars als Jan Schoonhoven en Jan Henderikse. Bogarts eigenzinnige oeuvre is in de publicatie kleurrijk verbeeld en verwoord. Van zijn vroege figuratieve stillevens en landschappen tot zijn late abstracte werk waarin hij op steeds groter formaat gaat werken en de verf zwaarder, dikker en bonter van kleur wordt. Een persoonlijk interview met zoon Bram van den Boogaart jr. en foto's uit het priv archief van de familie, geven een uniek en intiem kijkje in de wereld van deze schilder van formaat..‎

‎Daniel Colin, expostition Boycott art Gallery,‎

‎Bruxelles, Boycott gallery, 1991 cartonnage illustre de l'editeur, 332 pages Illustrated.couleur.‎

‎Daniel Colin was born in 1963 and was primarily influenced creatively by the 1980s growing up. The 1980s were a tumultuous period culturally, and were marked by growing global capitalism, global mass media, significant discrepancies in wealth, alongside a distinctive sense of music and fashion, epitomised by electronic pop music and hip hop. Artists growing up during this time were heavily influenced by this cultural atmosphere. The 1980s were a significant decade politically, marked by the African Famine and the end of the Cold War, which was signified by the fall of the Berlin Wall in 1989. Neo Geo and The Pictures Generation became leading art movements during the decade, alongside Neo-Expressionism which became well-known in Germany, France and Italy (where it was known as Transavanguardia). Artists such as Anselm Kiefer, J rg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel were leading artists of the era, alongside Jean-Michel Basquiat, Keith Haring and Kenny Scharf, who established the street art and graffiti movements.‎

‎Albrecht Durer : Masters of German Art ‎

‎, Konemann 1999, 1999 Hardcover, 140 pages, English, 320 x 280 mm, book in fine condition, with illustrations in colour, . ISBN 9783829025874.‎

‎Albrecht Durer embodied a new type of artist, one who represented a different attitude to art and enjoyed high social status. With his revolutionary innovations in painting he introduced the Renaissance to German art.‎

‎Ausstellung Albert Anker (1831-1910). Illustrierter Katalog‎

‎Bern, 1928. 8° 28 S., (4) Bl. (Anzeigen). Mit 24 Tafeln. Illustr. Orig.-Broschur.‎

‎Katalog zur Ausstellung in der Kunsthalle Bern vom September bis Oktober 1928. - Etwas stockfleckig. Broschur berieben.‎

‎L'art scandinave. T.1 et 2. 'La nuit des temps'. 28 /29 Ens. 2 vols.‎

‎Zodiaque, 1969-1968, gr. in-8vo, 457 p. / 380 p. rich. ill. de photo. en héliogravure n/bl. et couleur, reliure en toile originale, jaquette ill.‎

‎L’art Scandinave I et II. Avec le concours d’Anon Andersson. Traduit de l’anglais par Dom Norbert Vaillant. Photographies inédites de Zodiaque. Collection: la nuit des temps, nos. 28 et 29.‎

‎ La Pierre-qui-Vire (Yonne), Zodiaque 1968 - 1969, 220x175mm, 457 + 379pages, reliure d'éditeur sous jaquette. Comme neuf. Très bel exemplaire.‎

‎ 485 photos en héliogravure, 20 planches en couleurs, illustrations n/b in et hors texte: cartes, plans, croquis, ‎

‎Flims. Schweizer Heimatbücher, Bündner Reihe, 9. Band. 106, 107, 108.‎

‎Bern, Paul Haupt, 1961, in-4°, 152 S., reich ill. mit Zeichnungen, Motiven, Fotos, Karten und Grundrissen + 2 Farbtafeln + (Beilage:) 1 gef. Karte FLIMS Flurnamenkarte Original-Leinenband, ill. OU. Schönes Leinengebundenes Exemplar.‎

‎Ives Maes - The Future Of Yesterday‎

‎, Ludion , 2013 Hardcover, 247 pages, English, 290 x 250 x 25 mm, good condition, with photographs in colour, . ISBN 9789461300867.‎

‎In this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned, or torn from their original context. In this comprehensive book, Maes?s photographs are set alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai (2010). The images are accompanied by essays from Anna Jackson, Elena Filipovic and Catherine L. Futter on the history of world fairs, the role of photography and the sculptural character of Maes?s photographic work‎

‎HANS MEMLING BRUGES‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN 9789464666908.‎

‎Ouvre poustouflante de Hans Memling, le Primitif flamand Bruges Hans Memling (vers 1435-1494), artiste cl parmi les Primitifs flamands, est inextricablement li la ville de Bruges. Le Retable des deux saints Jean et la Ch sse de sainte Ursule, qu'il a r alis s pour l'h pital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce ma tre du xve si cle sont encore expos s Bruges, au Mus e H pital Saint-Jean et au Mus e Groeninge, o l'on peut toujours les admirer. Cet ouvrage pr sente les peintures poustouflantes de Memling et les d crit dans leurs moindres d tails. Il offre une occasion unique de mieux conna tre ou de red couvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne Musea Brugge, explique, dans des textes accessibles tous, la puissance de l'imagination de Memling, sa ma trise technique et le contexte culturel dans lequel le peintre a v cu et travaill . ‎

‎HANS MEMLING IN BRUGES.‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.‎

‎Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked. ‎

‎HANS MEMLING IN BRUGGE‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN 9789464666885.‎

‎Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte. ‎

‎Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works‎

‎, Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.‎

‎The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (...) More traditional art historical research?iconographic, stylistic, archival, and historiographic?is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist?s Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography ‎

‎Tributes to Maryan W. Ainsworth Collaborative Spirit: Essays on Northern European Art, 1350?1650‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 346 pages, Size:210 x 275 mm Illustrations:250 col. Language(s):English. ISBN 9781912554751.‎

‎This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media?mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass. TABLE OF CONTENTS Acknowledgments Anna Koopstra, Christine Seidel, and Joshua P. Waterman Maryan W. Ainsworth: An AppreciationChronological Bibliography of Maryan W. Ainsworth Keith Christiansen The Fourteenth-Century Bohemian Virgin and Child Enthroned at The Met: Some Preliminary Thoughts Till-Holger Borchert Collaborator or Follower of Jan van Eyck? The Painter of the Simpson Carson Virgin Reconsidered Stephan Kemperdick Petrus Christus?s Altarpiece of 1452: A New Reconstruction Ron Spronk Jan Provoost before c.1500: The Documentary Evidence Molly Faries Maarten van Heemskerck?s Early Lamentation of Christ: The Beginning of a Long Career Maximiliaan P. J. Martens A Christ as the Man of Sorrows by Quinten Massys Julien Chapuis and Sophie Hoffmann From Wood to Silver: Michel Erhart and Heinrich Hufnagel at the Bode Museum Dagmar Eichberger The Cult of Mary Magdalene and Jacques de Saint-Nectaire?s Tapestry Series for the Abbey Church of La Chaise-Dieu (1518) Diane Wolfthal The Color of Money and Other Temporary Natural Alterations in Silver-Stained Windows Sandra Hindriks Optical Illusion as Epistemological Challenge: Konrad Witz?s Saint Christopher Peter Parshall Ad vivum: Observations on Hugo van der Goes?s Monforte Altarpiece in Berlin Alice Hoppe-Harnoncourt ?PRIMA TABVLA HABET IMAGINES?: A Reconsideration of Bernhard Strigel?s Family Portrait of Emperor Maximilian I Thomas Kren On the Role of an Early-Sixteenth-Century Drawing in Netherlandish Luxury Manuscript Production Daantje Meuwissen A Portable Artistic Resource: The Practical Uses of the Pocket-Size Sketchbook of Cornelis Anthonisz (c.1505?1553) Dan Ewing A Tale of Two Altarpieces: Jan de Beer?s Birmingham and Madrid Paintings Peter van den Brink The Stigmatization of Saint Francis by Joos van Cleve: A New Discovery Sophie Scully The Examination and Treatment of the Annunciation by Joos van Cleve at The Metropolitan Museum of Art Ronda Kasl Things They Do Not Have: Royal Spanish Gifts for the Emperor of China Melanie Gifford Rembrandt and the Rembrandtesque: The Experience of Artistic Process and Its Imitation ‎

‎ANNALES des TRAVAUX PUBLICS. Revue (mensuelle) universelle de l'outillage des travaux publics et des procédés du génie civil. Du n°1, janvier 1880, première année, au n°24, décembre 1881, deuxième année.‎

‎ 1995 Soit 24 numéros réunis en un vilume in 4° relié demi-chagrin rouge à coins, dos à nerfs ; très nombreuses figures, dessins et plans ; publicités hors-texte ; petits frottis. ‎

‎Texte seul, sans les planches hors-texte. ...................... Photos sur demande ..........................‎

‎Annales Echanges de marchandises, échanges de dieux ( W. G. L. Randles ) - Nationalismes haïtiens, 1915 - 1946 ( D. Nicholls ) - Démographie et croissance en Italie du Sud , XVIIème - XVIIIème siècles ( G. Delille ) - Sur la démographie médiévale ( M. Terrisse ) - Malthus démenti ? LA Sardaigne au Moyen Age ( J. Day ) - Mobilité et cycle de vie au XVIII ème siècle ( E. Todd ) - Les barrières de l'An VII ( G. Arbellot ) - Tissu urbain et architecture ( F. Boudon ) - La croissance de Belleville ( Xixème - XXème siècles) ( G. Jacquemet ) - La monnaie musulmane ( G. Hennequin ) - L'Islamn ancien récupérée à l'histoire ( H. Djait ) - Islam et monde arabe‎

‎ In-8 - 30 ème année N° 4 - Juillet / Août 1975‎

‎bel état ‎

‎FRANS HALS : Oog in oog met Rembrandt, Rubens en Titiaan‎

‎, Nai010 Uitgevers/Publishers 2013, 2013 Softcover, 160 pagina's, Nederlands, 285 x 235 mm, boek in prima staat, met veel illustraties in kleur, . ISBN 9789462080522.‎

‎2013 is uitgeroepen tot Frans Hals Jaar. Het is dan precies 100 jaar geleden dat het Frans Hals Museum zijn deuren opende. De belangrijkste tentoonstelling in dit jubileumjaar is 'Frans Hals. Oog in oog met Rembrandt, Rubens en Titiaan', waarin sleutelstukken van Frans Hals worden gepresenteerd te midden van schilderijen van beroemde collega's onder wie Titiaan, Rembrandt, Van Dyck, Jordaens en Rubens. In de gelijknamige publicatie worden alle werken uit de tentoonstelling zij aan zij gepresenteerd, zodat de lezer de meesterwerken kan vergelijken en kan zien hoe de kunstenaars elkaar inspireerden. Deze bijzondere confrontaties van meesterschilders zijn essentieel om zeventiende-eeuwse kunst te begrijpen. Beroemde schilders maakten hun werken immers vaak in reactie op elkaar, met de bedoeling de ander te overtreffen en iets bijzonders neer te zetten. Internationale specialisten werpen een nieuw licht op Hals' virtuositeit, zijn rol in de zeventiende eeuw en zijn artistieke relatie met zijn collega's uit Antwerpen (Rubens, Van Dyck) en Amsterdam (Rembrandt).‎

‎Architectures of Belonging Inhabiting Worlds in Rural West Africa‎

‎, BAI, paperback, 240 pages, ill. 24,6 x 17,1 x 2 cm English text. fine condition. ISBN 9789085865902.‎

‎What is a house? What is dwelling? How can a house be a body? What does ''being modern'' mean in rural Africa? How are local and global worlds intertwined through material culture? This book reflects on the meanings of housing in West Africa by analysing vernacular architectural traditions and the related ideas and worldviews grounding these building traditions. In the West, much attention is paid to the quality of housing in terms of material comfort and durability. However, houses no longer grow organically, and are no longer layered by time, or embedded in a social community and intertwined with the natural environment. The house, and even more the interior of the house, has become an expression of the individuality of the inhabitant (witness the whole marketing of lifestyle, design, interior decoration, cocooning, etcetera). Paradoxically, though, this goes hand in hand with the erosion of the house as a signifier. Houses are becoming almost generic realities, without a memory or a past, the anonymous results of mass-production, or the interchangeable, standardized products of a globalised Ikea and turnkey culture. Many of the important phases of the lifecycles of the inhabitants no longer unfold within the house, but are evacuated to spaces external to it (hospitals, restaurants, hotels, party rooms, funeral homes, banquet halls). In contrast to the poor signifier that the Western house has become, the chapters in this book analyse the rich meanings embedded in the processes of dwelling in rural West African worlds, with a specific emphasis on Ghana and Burkina Faso. At the same time, the authors document the changes that are manifest in the material and social structures of these houses, and show the flexibility and responsiveness of traditional practices of building and dwelling when confronted with the influences of urban modernity. As such, this reflection on local architectural forms also deals with many of the challenges and issues currently facing Africa.‎

‎Experience Shopping : Where, Why and How People Shop‎

‎, Lannoo Publishers 2008, 2008 Softcover, 208 pages, English, 310 x 240 mm, fine copy, illustrated cover, . ISBN 9789020978575.‎

‎Shopping has become an increasingly important aspect of life - it has become one of the favourite leisure activities of the twenty-first century. But where do we shop? And why? How do we choose where to shop and what to buy? What drives the need for 'retail therapy'? Experience Shopping analyses the things that retailers do to entice the shopper - to get into our brains, our emotions and our lives. The book includes major brand names such as Starbucks, The Gap, Apple, Nokia, Orange, Nike and Armani.‎

‎Kati Heck. ‎

‎, Kannibaal, 2016 Gebonden, Hardcover. 29 x 24,7 cm,144 bladzijden, Quadrichromie,Tweetalige editie Nederlands-Frans . ISBN 9789492081544.‎

‎Kati Heck wordt beschouwd als een erfgename van het Duitse expressionisme. Haar werk doet denken aan de bars, dansers en acteurs van Otto Dix en George Grosz, net als aan de oude meesters. Ze synthetiseert stijlen en is net zo goed een abstracte expressionist als een realist. Delen van haar schilderijen zijn minutieus weergegeven op gestikte doeken, met een unieke virtuositeit en acute aandacht voor detail, terwijl andere delen abstracter weergegeven of zelfs gebeeldhouwd worden. De manier waarop ze niet-traditionele materialen en alledaagse objecten in innovatieve en eigenzinnige combinaties verwerkt, herinnert aan Robert Rauschenberg. Hecks portretten belichamen een diepe, overtuigende en sociale visie, en zijn tegelijk ondoorgrondelijk persoonlijk. De weergegeven onderwerpen zijn meer dan enkel acteurs, het zijn meestal zelfportretten en personen uit haar directe omgeving. Haar werk werd onlangs geexposeerd in CAC Malaga en Mary Boone Gallery New York, en wordt de komende maanden getoond in Expo Chicago en het Antwerpse M HKA. Met tekstbijdragen van onder meer Ann Demeester (Frans Hals Museum/De Hallen Haarlem) en wijlen Jan Hoet, een verhaal door Woody Allen en een gesprek met Luc Tuymans. ‎

‎Kati Heck. ‎

‎, Hatje Cantz, 2016 Hardcover. 29 x 24,7 cm,144 pages , Quadrichromie, Text in English / German *New book! ISBN 9783775741316.‎

‎German Expressionism and New Objectivity shine forth in the paintings by Kati Heck (*1979 in D sseldorf). Her monumental paintings impress viewers with their humorous blend of styles, consisting of photorealistic figures together with graphic elements. Some sections of the collage-like works are meticulously painted in, while others are quickly executed. Like Robert Rauschenberg, Heck joins nontraditional materials and everyday objects to develop highly unusual pictorial creations. ?She clearly, convincingly, and permanently questions the art of painting,? says Jan Hoet about her oeuvre. The volume on Kati Heck focuses primarily on the painting of one of the most interesting aspiring artists of today. ‎

‎Kursaal and Promenade. L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea Anne Adriaens-Pannier‎

‎, Hannibal Books, 2023 softcover, 112 pages, 21 x 14.8 cm, Quadrichromy Illustrated., English edition. . ISBN 9789464666458.‎

‎A lone walker at dawn in Ostend, L on Spilliaert (1881-1946) is entranced by the bleak and ominous desolation of the promenade. A fascination with spatiality and the expression of infinity underlie the numerous dyke scenes Spilliaert created between 1907 and 1909, heralding a unique, formal innovation. Learn more about the compelling Kursaal and Promenade that is the centrepiece of this Phoebus Focus.‎

‎KURSAAL AND PROMENADE (PHOEBUS FOCUS XXXII) L on Spilliaert (1881-1946) and Atmospheric Solitude by the Sea‎

‎, Phoebus Focus XXXII, 2023 PB+, 210 x 148 mm, 112 p, ENG, ill. in colour / b/w, New, ISBN 9789464666458.‎

‎Als eenzame wandelaar in het ochtendgloren van Oostende laat L on Spilliaert (1881-1946) zich begeesteren door de desolate en onheilspellende verlatenheid van de zeedijk. De fascinatie voor ruimtewerking en de expressie van oneindigheid liggen aan de grondslag van de talrijke dijkzichten die Spilliaert tussen 1907 en 1909 cre ert en waarmee hij een unieke formele vernieuwing inluidt. Ontdek het beklijvende werk Kursaal en zeedijk dat in deze Phoebus Focus centraal staat.‎