, Europese Bibliotheek - Zaltbommel 1978, 1978 Hardcover, NL / FR, 210 x 150 mm, 176 pagina's / pages met 168 foto's / illustraties in z/w. Boekje in prima staat / bon etat. ISBN 9028800638.
met een lijst van ongeveer 160 !! beroepen die niet meer of nauwelijks bestaan
Boulogne L'ARCHITECTURE D'AUJOURD'HUI 1960 in-4 broché CLXIX, 208p. Bon état.
Office du Livre 1970
Très bon état
"1962. Paris Editions Vincent Fréal et Cie 1962 - Broché 23 cm x 28 cm 655 pages - Texte de André Guitton : cours de théorie de l'architecture professé à l'Ecole Nationale Supérieure des Beaux-Arts - photos noir & blanc in et hors-texte - Bien complet de la jaquette - Bon état"
"1952. Paris Éditions Vincent Fréal et Cie 1952 et 1954 - Broché 22 cm x 27 50 cm 275 et 241 pages photos noir et blanc et plans - Texte de André Gutton - Très bon état"
Editions du Chêne. 1999. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 191 pages augmentées de nombreuses photos en couleurs dans et hors texte. Jaquette en bon état. Contre plats illustrés.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Photographies d'Eric Morin avec la collaboration de Sylvie Bouron. Classification Dewey : 720-Architecture
André Jean-Louis ; Morin Eric
Reference : 114767
(2010)
ISBN : 2812301996 9782812301995
Chêne 2010 In-4 broché 27,5 cm sur 22. 191 pages. Très bon état d’occasion.
Très bon état d’occasion
André Jean-Louis ; Morin Eric (photographies)
Reference : 116749
(1999)
ISBN : 2842771826 9782842771829
Chêne 1999 In-4 cartonnage éditeur. 32 cm sur 25,5. 191 pages. Nombreuses photographies en couleurs dont certaines hors texte.. Jaquette en bon état. Très bon état d’occasion.
Très bon état d’occasion
Annecy Atelier 74 1983 2 forts volumes in-4, reliés toile sous jaquettes illustrées, 508 et 582 pages, très nombreuses illustrations. Dos très légèrement insolés sinon très bel exemplaire.
Paris, Lib. Imprimeries Réuinies, collection "Bibliotheque de l'Enseignement des Beaux-Arts", non date (fin XIXe) - In-8, 14 x 21 cm- Reliure pleine toile, dos lisse - Gardes ornées - Couverture conservée - 256 gravures en terte - 368 pages - Très bel exemplaire - Réf. 47934
- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148
E&C 2003 Photographies Manuelle Roche - Cartonnage rigide glacé illustré éditeur - Jaquette glacée illustrée éditeur - 165 pages Bon état 1135 g
Maison Aubanel 1986 17x21. 1986. Broché. 92 pages. Bon Etat intérieur propre
Manoirs et Gentilshommes d'Anjou d'André Sarazin chez Farré & fils en 1965. Édition numéroté 543/1000/1030 exemplaire non numéroté sur vélin blanc. Livre illustré de nombreux dessins de l'auteur, avec sa carte dépliante. Le livre mesure 18x23 cm et pèse 0,400 kg pour 192 pages. Broché. Le livre est en très bon état.
Grands et petits manoirs et châteaux, avec la Loire toujours proche, notre chère "Harielle", logis Renaissance qui domine le bourg de Gennes, les dames de Montsoreau, le Prieuré de Chênehutte et Pignerolle, réplique du Petit Trianon de Versailles, qui héberge le Musée de la Communication.
Non daté / 9 pages + 36 planches. Relié avec jaquette. Editions Charles Massin.
D'infimes frottements sur la jaquette, intérieur trés frais malgré d'infimes rousseurs sur la page de garde et titre. Bel état.
L'Association des Amis d'Arnaga, des Arts et de la Culture, Cambo-les-Bains, 1995. Fascicule in-8, 32 pages, nombreuses illustrations N&B et couleurs. Joli témoignage de la vie de la famille Rostand au sein de la villa Arnaga de Cambo. Subitile couverture couleur beurre frais. Très beau document en parfait état
"1968. Paris éditions La Renaissance du livre coll. Dionysos 1968 - Broché couv. rempliée 18 5 cm x 20 5 cm 118 pages - Texte de André Verstein - Dessins et photos N&B in et hors-texte - État neuf"
, Darling Publications, 2007 Hardcover, 862 pages, ENG / GER, 130 x 105 x 100 mm, NEW, illustrated, with 5 ribbon markers. ISBN 9783939130208.
the very early works of Karl Fritsch ; published in honour of the Fran oise van den Bosch Award 2006, which has been awarded to the eminent goldsmith Karl Fritsch
, Darling publ., 2022 Hardcover, 35x33cm, 107 pages ( 200gr silky paper) with full color illustrations. NL/ENG text ISBN 9783945525814.
The sensation of turning the beautiful printed pages, sensing the smooth resistance of the 200gr silky paper as well as experiencing the today rarely seen art of bookbinding manufacture in your hands, should be understood by those genuinely interested in exquisite built violins and cellos from spruce and maple, made by talented luthier hands and played with sensitive and reactive pernambuco bows. And the ears to be touched by vibrations of beauty, created with competence and some luck of a matching player, instrument and bow. For that experience even ordering this really nice book will even not be adequate. Best suggestion is to try to get an instrument by Anton in your hands and play it! --- Anton Somers. Born in 1986, Borgerhout, Belgium. Ever since childhood he was very passionate about woodworking. At the age of 15 he made his first instrument, the next year he started studying at the violin making school of Antwerp. Directly after his studies in 2006 he worked in a local workshop in Brussels till 2011. Anton then decided to take the leap and started his own business opening his workshop in his hometown Melsele where he grew up and is strongly connected to the cultural life. From 2013 till 2015 Anton Somers and his former employer tried to work together again, but now as chef d'atelier, in the workshop premises of Anton in Melsele. where he worked meanwhile on his own account. One can see finally an output of high quality instruments under his own name, with his own models and with his own varnish, which lead to a boost in his career. In September 2016 Anton also took on the challenge to work as a teacher in the violin making school of Antwerp ILSA. Sharing his knowledge for 5 years, he stopped teaching at the end of 2021 to be able to fully focus on his career. In December 2016 Anton received a Coup du Coeur in the violin making competition ?Violoncellenseine? in Paris which was dedicated to the cello. The cello was specially awarded for his tonality qualities by renowned cellist Damian Martinez Marco. In 2020 Anton was selected by Andy Lim personally to serve as one of the five supervisors for the 3-year string sextet project, where 24 last year student/ recently graduated violinmakers will make 2 violins, 2 violas and 2 cellos. Anton has the honour and the challenge to supervice the making of 2 cellos. In 2021 Anton made a string quartet containing completely CITES certified whalebone purflings. This quartet is shown in the book published by Darling Publications "Anton Somers Vioolbouwer te Antwerpen ~ 22 instruments of the violin family 2012-2021 which was launched in Brussels, June 2021. Anton?s instruments are appreciated by the most demanding musicians as also by investors who keep them in their private collection.
, Darling Publications, 2008 Hardcover, 64 pag. German, 220 x 170 x 15 mm, NEU, ill. in farbe. ISBN 9783939130826.
From 1996 to 2002, Birgit Rautenberg studied photography with Dirk Reinartz at the Muthesius Academy of Art in Kiel. Her diploma thesis ?In my own body. About trying to get closer to your ideal.? (A documentary about cosmetic surgery), was awarded the BFF sponsorship prize for the best diploma theses in the field of photography in 2002. Her artistic work is mainly in the field of landscape photography; her work has been shown in numerous group and several solo exhibitions. Furthermore, Birgit Rautenberg works as a freelance photographer in Kiel in the fields of documentation, landscape and portraits. She has published in various magazines (Neon, Geo, B rsenblatt, Fotonews, Neue Z rcher Zeitung). Birgit Rautenberg is married to the German writer and artist Arne Rautenberg
, Darling Publications, 2021 Hardcover, 96 pages, ENG / GER , 245 x 170 x 15 mm, NEW, ill. in colour. ISBN 9783945525821.
, Darling Publications, 2011 Hardcover, 60 pages, ENG / FR, 350 x 330 x 15 mm, NEW, illustrated in colour / b/w, large format , rare. ISBN 9783941765481.
Nicolas Gilles est n en 1977 Montpellier o il installe son premier atelier apr s un parcours de formation d coulant d?une sensibilit musicale d s son jeune ge. En 2016, Nicolas tablit son atelier de lutherie dans l?ancienne manufacture Royale de Villeneuvette. Ce village du XVIIeme si cle class monument historique est un crin pr cieux o l?histoire et la nature sont pr serv es s?accordant avec beaut la fabrication des instruments du quatuor. Il s?inspire principalement des grands luthiers Italiens du 18 me si cle (Cr mone, Venise, Breccia) qui ont d velopp le violon dans sa perfection sonore et esth tique. Tout au long de la fabrication, son intuition, son exp rience et l? change avec les musiciens le guident dans ses choix sonores et esth tiques. Ses instruments sont appr ci s en Europe et aux Etats Unis par des solistes et professeurs de Conservatoires.
, Darling Publications, 2008 16 pages, hard cover, 8 colour photographs, text in German, 310 x 245 x 10 mm, NEW, available in dark grey / purple. ISBN 9783939130888.
Karl Fritsch or the ring as a sophisticated weapon. What I find really fascinating, and one of the reasons why it's so interesting to make jewelery, is the moment of recognition when something that comes across as cute and pretty, has on Second glimpse into almost obscene grotesque. I would say this quality probably works best in jewelery, where politeness and cold-blooded anger can clash mercilessly into one another . We present Karl's latest works designed specially for Hannah Gallery: gold & silver seal rings as apainter palette, colors of the gems ... diamonds, zirconias, carnelians, garnets ... materials must be sick to be shaped in these variations of barocky and geometric shapes ... engraved messages in the shore.
, Darling Publications, 2007 Hardcover, 96 seiten, German, 220 x 135 x 18 mm, Neu, illustr. in farbe, . ISBN 9783939130284.
It's not every day that you hold such a beautiful and graphically appealing volume of poetry in your hands. See and read, that's what Arne Rautenberg says on almost 100 pages of collages and poems, with lyrical harlequinades and well thought-out pictorial poetry. The title says it all: Whoever hears it, hears the word "increase". Anyone who reads it reads a linguistically creative ?vermeeren?. Anyone who sees art as the focus thinks of Vermeer.
, Darling Publications, 2006 Hardcover, 444 pages, ENG / GER, 250 x 215 x 55 mm, NEW, ill. in colour / b/w. ISBN 9783939130130.
EssayKarl Fritsch's jewellery generally rings often have a cheeky, humorous look to them. His frequent choice of deliberately clunky, apparently almost childish forms contradicts the common expectation that jewellery should seduce the viewer through its perfection and classic beauty. Fritsch's secret is the paradox that a degree of clumsiness actually attracts attention. His clever use of this fact means that his designs change the viewer's perception of jewellery, and still more that of the wearer, who enjoys a yet closer interaction with the piece.
, Darling Publications, 2007 Hardcover, 56 pages, ENG / GER , 220 x 170 x 15 mm, NEW, ill. in colour / b/w. ISBN 9783939130475.
When confronted with Lukas Roth s photography one is immediately struck by its variety of subject, because the work doesn t follow a single unified theme. The photos present urban scenes, isolated architecture and housing blocks as well as landscapes. People move about within these spaces but they could just as well be empty. It isn t the objective documentation of an object or a situation that is the focus of interest here in the sense of an ?industrial archaeology?, but rather the opposite.