‎LE PATRIMOINE MONUMENTAL DE LA BELGIQUE. VOL 10, 1 ( A-E).‎

‎, Liege, Soledi/ Mardaga, 1983.**, Relie, toile d' editeur, sous jacquette d' editeur illustre n/b, 22x15,5cm, 447pp, illustre n/b, indeces.‎

‎Province de Hainaut. Arrondisement de Thuin.‎

‎LE PATRIMOINE MONUMENTAL DE LA BELGIQUE. VOL 13, 2 ( B-F).‎

‎, Liege, Soledi/ Mardaga, 1988.**, Relie, toile d' editeur, sous jacquette d' editeur illustre n/b, 22x15,5cm, 461-831pp, illustre n/b + inventaire photogaphique illustre avec 1091 photos, indeces.‎

‎Province de Hainaut. Arrondisement de Ath.‎

‎LE PATRIMOINE MONUMENTAL DE LA BELGIQUE. VOL 2.‎

‎, Liege, Soledi/ Mardaga, 1973/1978, Relie (broche), toile d' editeur, sous jacquette d' editeur illustre n/b, 22x15,5cm, 624 pp., illustre n/b.‎

‎Province de Brabant. Arrondissement de Nivelles. Plusieures exemplaires: relie ou broche.‎

‎LE PATRIMOINE MONUMENTAL DE LA BELGIQUE. VOL 3.‎

‎, Liege, Soledi/ Mardaga, 1974.**, Relie, toile d' editeur, sous jacquette d' editeur illustre n/b, 22x15,5cm, 453pp, illustre n/b, 1 carte depliante, indeces.‎

‎Province de Liege. Arrondisement de Liege. Ville de Liege.‎

‎LE PATRIMOINE MONUMENTAL DE LA BELGIQUE. VOL 4.‎

‎, Liege, Soledi/ Mardaga, 1975.**, Relie, toile d' editeur, sous jacquette d' editeur illustre n/b, 22x15,5cm, 625pp, illustre n/b, 1 carte depliante, indeces.‎

‎Province de Hainaut. Arrondisement de Mons.‎

‎LE PATRIMOINE MONUMENTAL DE LA BELGIQUE. VOL 5, 1 ( A - M).‎

‎, Liege, Soledi/ Mardaga, 1975/1998., Relie/broche, toile d' editeur, sous jacquette d' editeur illustre n/b, 22x15,5cm, 463pp, illustre n/b, indeces.‎

‎Province de Namur. Arrondisement de Namur.‎

‎L'Illustration. Exposition Internationale de Bruxelles 1935 Album Hors Série.‎

‎Paris, Editions de L'Illustration., in-folio, broché, Manques de papier au dos. Bon exemplaire d'étude. ‎

4 Images

‎Découverte d'une chapelle du XVIe siècle dans l'Eglise de Bourneau‎

‎Non présicé.. Non daté.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 100 à 120. Rousseurs. Couverture de substitution. Un bandeau et une illustration en noir et blanc. Coisn déchirés.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les Cariatides de Paris‎

‎éditions Hervas 1992 . édition bilingue en français et en anglais. In-4 32 x 24 cm. Reliure pleine toile noire sous jaquette illustrée en couleurs, 124 pp., 133 photographies en couleurs et en noir. Exemplaire en très bon état.. Poids sans emballage : 1200 grammes. Cet ouvrage, le premier du genre, recense, au gré de plusieurs itinéraires, les quelques cinq cents cariatides et atlantes qui hantent les façades d’immeubles parisiens.‎

‎Cet ouvrage, le premier du genre, recense, au gré de plusieurs itinéraires, les quelques cinq cents cariatides et atlantes qui hantent les façades d’immeubles parisiens. Très bon état d’occasion ‎

‎L'Eglise de Satigny et Sa restauration.‎

‎Genève, Atar, 1907 ; 8°, broché. Quelques reproductions.‎

‎Dos légèrement restauré, sinon bon état.‎

‎Pierre Koenig 1925-2004 : Een leven met staal‎

‎, Taschen / De Morgen, 2007 Hardcover, 96 pag. NL, 240 x 190 mm, goede staat, ill. in kleur / z/w. ISBN 9789077686812.‎

‎Urbanism of Frank Lloyd Wright.‎

‎, Princeton University Press, 2015 Hardcover, 446 pages, ENG, 285 x 245 x 40 mm, New, dustjacket, fully illustrated in colour / b/w. ISBN 9780691167534.‎

‎This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright's larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright's plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright's place among the leading contributors to the creation of the modern city. Wright's often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.‎

‎Aesthetics of Reaction. Tradition, Faith, Identity, and the Visual Arts in France, 1900-1914‎

‎, Brepols, 2021 Hardback, 376 pages, Size:215 x 280 mm, Illustrations:7 b/w, 80 col., Language(s):English, French. ISBN 9782503591575.‎

‎Summary This study focuses on anti-modernist artists, critics and political theorists in Belle poque France hostile to secular democracy and its allegedly decadent culture of individualism. It examines their reassertion of social and artistic values which, they claimed, had been distorted and repressed by the 1789 revolution. Exploring the cultural implications of the Catholic revival, the impact of the royalist movement Action fran aise and nationalist calls for a 'Renaissance fran aise', it challenges previous assessments of nationalists' artistic agenda and recasts ways of thinking about classicism and the notion of a 'return to order' in pre- and post-war French cultural discourse. The book offers the first comprehensive overview of nationalism's impact on pre-war French art, which it complements with synthetic studies of three figures affected by these political and artistic debates: the painters Maurice Denis (Catholic revival) and Emile Bernard ('Renaissance francaise), as well as the critic Joachim Gasquet (Action fran aise). In such a way, the book goes beyond previous accounts to highlight contradictions and complexities in pre-war artistic discourse that enrich our understanding of the ideological stakes involved in clashes over modernity, tradition and identity in pre-war France. TABLE OF CONTENTS Introduction : An Essential Part of Ourselves : Culture, tradition and the French nation. (General overview of main themes) Part 1: Scenes & Doctrines Chapter 1. Id ologies of National Identity in the Third Republic. (An introductory study of nationalist ideologies and their impact on culture during the late 19th and early 20th centuries) Chapter 2. Contending Traditions. Approaching the Past in Republican France. (Background discussion of debates around tradition c. 1900 and their impact on discussions of the history of French art & its contemporary character) Chapter 3. Making French Art. Defining a National Culture before 1914. (Introduction to debates during the period to define a characteristically national culture, particularly from a Republican perspective) Part 2. Religion Chapter 4. Representing Spirituality. Tradition, Beauty and Faith in the Catholic Revival. (Exploration of the impact of the Catholic revival on French art, particularly in relation to the influence of renewed interest in Neo-Thomism and its aesthetic implications). Chapter 5. Catholic Tastes. Religiosity, Aesthetics and Tradition in the Art of Maurice Denis. (Explores the impact of Catholicism on Denis's career as a painter, critic and theorist, focusing on its interplay with his royalist sympathies and his understanding of art's history as an apologetic form) Part 3. Royalism Chapter 6. Action fran aise : the Experience of Centuries. (A comprehensive analysis of royalist interventions in the arts in terms of art-critical writing, aesthetics, and art-historical research by figures such as Charles Maurras, Louis Dimier and Pierre du Colombier). Chapter 7. Joachim Gasquet : the Politics of Lyricism. (Revisits the career of a figure best known for his controversial 1921 publication on C zanne. For the first time, the totality of Gasquet's artistic writing (much of it unpublished) is discussed. The emerging picture contributes to a redefinition of contemporary notions of classicism and of C zanne's reputation as a classical artist - both themes that re-emerge as motifs elsewhere in the book). Part 4. Renaissances Chapter 8. Modernizing tradition: Towards a new French Renaissance. (For the first time, a broad spectrum of cultural commentary, united by a shared nationalist commitment to French rebirth, is brought together in ways that reframe some central debates in pre-war art criticism and bring to the fore artists generally overlooked in retrospective surveys of the period. The chapter revisits debates around the aesthetic impact of 'celtic nationalism' and argues against previous suggestions that this position aligns with progressive poiltics. The chapter also looks at Latinist modernism and its place in the avant-garde publication 'Montjoie!'). Chapitre 9. mile Bernard : the Dogma of tradition. (Bernard was a prolific artist and theorist whose contribution to French art is typically considered only in relation to his early career around Paul Gauguin and the School of Pont-Aven in the late 1880s and early 90s. This chapter looks at Bernard's rejection of the artistic vanguard and his ostentatious championing of tradition, rooted in the High Renaissance, both in his pictorial output after 1900 and in his enormous body of published and unpublished writing. Bernard's eulogies of Tintoretto and Michelangelo in particular stand in contrast to his growing disdain for modern art, epitomized by his growing disenchantment with C zanne. The chapter demonstrates how Bernard's artistic retrenchment forms part of a more broadly elitist disparagement of democratic republicanism.) Conclusion‎

‎ANTOINE MORTIER. HET NAAKTE TEKEN,‎

‎, Antwerpen, Mercatorfonds, 2000, Gebonden, in-4 , 127pp., 108 illustraties in kleur. ISBN 9789061534534.‎

‎Antoine Mortier (1908-1999) behoorde tot de groep spraakmakende kunstenaars in Belgie na 1945, al hield hij zich afzijdig van de heersende kunststromingen, de salons en het mondaine leven. Dit boek belicht een specifiek aspect van zijn oeuvre, namelijk de in diverse technieken uitgevoerde werken op papier: geklemd tussen expressionisme en nieuwe figuratie, vertaalt Mortier zijn perceptie van de wereld in een gebarentaal van tekens. Boek is in prima staat.‎

‎Peter Beard Collector's Edition of 2,250 - Peter Beard (1938-2020)‎

‎New York, Taschen , 2006 This is number 1910 from a signed edition in as new condition, contained in publisher's maroon cloth clamshell case; this work is no. 1197 from an edition of 2500. (50.8 x 35.6 cm.) Taschen, New York, numbered 1702 from a limited edition of 2500. Hardcover, signed in ink and edition stamp on the title page, contained within a maroon clamshell box, accompanied by a second Taschen volume, housed in a wooden box, with wooden book stand, in original cardboard box. Book 34.6 x 50.8 x 7.4 cm - stand 25 x 54.3 x 7.4 cm .Comes with a specially fabricated wood bookstand XXL-Format: 34.5 x 50 cm (13.4 x 19.7 in.) Main book: 200 pages of diaries and 294 pages of collages + 5 fold-outs Original essay by photo critic Owen Edwards All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequaled intensity and color range‎

‎This enormous leather-bound opus presents Peter Beard?s life and work in Kenya in all its passion, adventure, and its forthright account of ecological crisis. It includes his expansive collages, reproduced as a group for the first time, as well as smaller-scale work and revelatory spreads from his diaries, magnified to show every detail of Beard?s meticulous script and drawings, as well as stones, bones, and other ephemera pasted into its pages. Limited Collector?s Edition of 2,250 copies, each numbered and signed by Peter Beard (1938-2020)‎

‎Carnets d'un badaud.‎

‎Paris, Julliard, 1976. in-8°, 217 pages, broche, couverture a rabats.‎

‎Tres bel exemplaire. [CA30-5] ‎

‎Ideology and Patronage in Byzantium. Dedicatory Inscriptions and Patron Images from Middle Byzantine Macedonia and Thrace‎

‎, Brepols, 2023 Paperback, 177 pages, Size:156 x 234 mm, Illustrations:55 b/w, Language(s):English, Greek. ISBN 9782503605326.‎

‎Summary Based on the evidence of epigraphic material in combination with monumental painting, this book explores important dedicatory inscriptions (9th-beginning of the 13th c.) from Macedonia and Thrace, which have so far been investigated mainly from a philological-historical standpoint, thus neglecting the major issue of Middle Byzantine patronage. Through patron inscriptions and textual sources, the role and the motives of military officials in the patronage of defensive and fortification works, and the manner of publicizing them, are examined systematically. Patronage is looked at through the ideological messages that the donors endeavor to promote in a local society or monastic community, and which echo their relationship with the state and their views on education and faith. The new interpretations presented in this book result from the collation of historical, prosopographical, archaeological and visual data, which offer valuable evidence about military patronage, the relation of the donation to the personal life of the donor and his family, the spiritual life of monasticism and the building complex of the monastery, and the relationship between inscriptions, space and iconography. Interesting methodologically is the co-examination of the various categories of inscriptions in combination with historical texts and donor portraits, which opens up new avenues of research for the study of the interdisciplinary material in question. TABLE OF CONTENTS Foreword Introduction List of Illustrations Part ?. Dedicatory Inscriptions in Defensive Works 1. Military Patronage of Defensive Works 2. Church Officials as ktetors of Defensive Works Part ??. Religious Patronage: Inscriptions and Patrons' Portraits 1. Patronage under the Komnenoi. Military Aristocracy and Members of the Family 2. Local Elites 3. Monastic Patronage and Bishops Part ???. Patronage under Angeloi The Inscription from the Monastery of Christ at Korylovos, Drama Conclusions List of Abbreviations Bibliography Prosopographical Index Geographical Index Index of Monuments Iconographic Index‎

‎Zien en Geloven Zintuigelijke ervaring in de late middeleeuwen‎

‎, Waanders Uitgevers, 2024 hardback, 260 x 210 mm, 100 Illustrations col.ill., 128 Pages, Language Dutch (NL) ed. *nieuw. ISBN 9789462626034.‎

‎In het Europa van de late middeleeuwen verdiepen christenen hun religieuze beleving. Op zoek naar manieren om dichterbij Maria, Christus en de heiligen te komen en empathie op te wekken, prikkelen en stimuleren ze hun zintuigen met behulp van beelden, geluiden, smaken, geuren en tastbare voorwerpen. De tentoonstelling Bewogen middeleeuwen - Zintuiglijke ervaring in laatmiddeleeuwse devotie belicht de rol van de verschillende zintuigen en rituelen in het middeleeuwse christendom.‎

‎Learning with Light and Shadows. Educational Lantern and Film Projection, 1860-1990‎

‎, Brepols, 2023 Hardback, 268 pages, Size:156 x 234 mm, Illustrations:25 b/w, 37 col., 5 tables b/w., Language: English. ISBN 9782503599045.‎

‎Summary Since the early 19th century, European pedagogical theory has stimulated a didactic turn towards the visual as an alternative to textual mediations of knowledge through books and lectures. Pedagogues and policymakers who strove for a more child-centred approach to teaching were soon joined by media producers and marketers in their aim to transform the classroom into a multimodal space for learning. From the turn of the 20th century onwards, teachers were increasingly pressured to incorporate high-profile media technologies such as stereoscopes, lantern and film projectors into their lessons. This collection of essays focuses on European educational light projection, from its first appearance at the end of the nineteenth century through the 1990s, when digital image projection started to gradually replace analogue film, slide and overhead projectors. It explores the classroom use of these technologies. In doing so, it challenges top-down approaches to the introduction of new visual technology and questions discourses that characterize the relation of visual media technology to teachers as one of consumption. The studies in this volume demonstrate how everyday demands and preferences transformed the 'ideal' instructional culture as put forward by policymakers, producers and pedagogues, into distinctive didactic practices that worked around or went beyond the pre-imposed ways of usage of visual media products. The volume moves beyond the view of instructional technology as a one-way route to modernization and teaching efficiency. By laying bare the power relations, interests and ideologies at play, the contributions also lend insight into the intertwinement between politics, media, material culture and classroom practices. TABLE OF CONTENTS Nelleke Teughels, Kaat Wills, Introduction Introducing Light Projection in Education Frank Kessler & Sabine Lenk, The Emergence of the Projected Image as a Teaching Tool in Higher Education (1860-1914) Margo Buelens-Terryn, Taking the University to the People. The Role of Lantern Lectures in Extramural Adult Education in Early Twentieth-Century Brussels and Antwerp Jamilla Notebaard, Nico de Klerk, The Photographic Turn in Visual Teaching Aids: Films and Slides for Schools in the Netherlands, 1911-1926 Agents of Change Wouter Egelmeers, 'Deep and lasting traces'. How and Why Belgian Teachers Integrated the Optical Lantern in their Teaching (1895-1940) Audrey Hostettler, Progressive Education and Early Uses of Film in Swiss Schools Objects and Spaces of Change Nelleke Teughels, Teachers' Agency and the Introduction of New Materialities of Schooling: The Projection Lantern and Classroom Transformations in Antwerp Municipal Schools, c. 1900-1940 Michael Markert, Casting Long Shadows on the Teaching of Experimental Physics. The Projection Techniques of Robert Wichard Pohl (1884-1976) Joachim Sch tz, DIY versus DITMAR 1006: The Economics, Institutional Politics and Media Ecology of Classroom Projectors Made in 1950s Austria The political Made Visual Sabrina Meneghini, Lantern Slides in Geography Lessons: Imperial Visual Education for Children in the British Colonial-Era Kerrin Klinger von Engelhardt, Complex Sssociations: On the Emotional Impact of Educational Film in the German Democratic Republic (1950-1990)‎

‎Carcassonne d'heureuse rencontre‎

‎Edisud 1980 16x24. 1980. Broché. 122 pages. Bon Etat intérieur propre‎

‎Ipse dixit‎

‎Harelbeke , Uitgeverij De Gebeten Hond, 2020 Gebonden, Hardcover, 73 pp illustraties. ISBN 9789492777607.‎

‎Nendo, 10/10‎

‎, Gestalten, 2013 Hardcover, 24,5 x 33 cm, 320 pages, full color, English, Fine copy. Including an index. Fine condition! ISBN 9783899554700.‎

‎Oki Sato founded nendo in Tokyo in 2002. Since then, it has become one of the most sought-after design studios worldwide. The name nendo is Japanese for modeling clay. It is indicative of the studio's playful, yet rational approach.‎

‎Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Henri-Paul Nénot, architecte.‎

‎- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.‎

‎Photo. Né à Paris en 1853. Photo Pirou. Félix Potin, Début XXe. Vers 1900.‎

‎Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Henri-Paul Nénot, architecte.‎

‎- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.‎

‎Photo. Né à Paris en 1853. Photo Pirou. Félix Potin, Début XXe. Vers 1900.‎

‎Zwischen Glaspalast und Maximilianeum. Architektur in Bayern zur Zeit Maximilians II. 1848 - 1868 (eine Ausstellung des Architekturmuseums der Technischen Universität München und des Münchner Stadtmuseums vom 7. März - 1. Juni 1997).‎

‎München, Architekturmuseum / Stadtmuseum, 1997. Quart. 411 S. Mit zahlr. z.T. farb. Illustr. Illustr. Pappband. = "Ausstellungskataloge des Architekturmuseums der Technischen Universität München und des Münchner Stadtmuseums", Nr. 10.‎